This is an advance summary of a forthcoming article in the Oxford Research Encyclopedia of Religion. Please check back later for the full article.
The God of the Old Testament (or Hebrew Bible) is arguably one of the most fascinating deities in all religious literature: complex and multifaceted; prone to great acts of mercy and kindness, although not above brutal acts of punishment and wrath; consumed with care for the world and its inhabitants; capable of changing direction or mind; inexplicably in love with God’s people and deeply concerned with their ways in the world.
This robust picture of the character of God in the Old Testament emerges in the aggregate: from viewing the library of books that is the Old Testament as a whole and trying to reckon with their literary complexity at a higher order of reflection. Inordinate attention to specific parts of the Old Testament—this verse, say, or that one, especially when divorced and isolated from all others—can produce a completely different (mis)perception such as that found in some ungenerous estimations that see the God of the Old Testament as petty or unjust, vindictive or bloodthirsty, misogynistic or genocidal. Such estimations are as old as the second-century arch-heretic Marcion but are also found in works of more recent vintage.
Some—although certainly not all—of these negative descriptors can be applied to the God of the Old Testament in certain passages, but a portrait consisting solely of them will end up being little more than a caricature that will not hold up to close scrutiny because it systematically ignores every piece of contrary data found in the Bible. To be sure, accounting for what might be called “polarities” in God’s presentation (God’s love versus God’s wrath) is a challenging intellectual task, literarily as much as theologically. Not all readers are up to the job (witness Marcion). But this task must be engaged if one wishes to write a complete character description (not to mention analysis) of God from the biblical texts. Indeed, the complexity of any more fulsome portrait of God in the Old Testament—marked, for example, by tensions, a vast array of metaphors, and alternative presentations—should be one of the primary results of such an endeavor. The God of the Old Testament is, after all, first and foremost, according to the description above, complex and multifaceted.
The complexity of God’s portrayal in the Old Testament is the direct result of the diversity of the Bible itself—a term that derives from a Greek plural, ta biblia, “the books.” Not only are the books of the Bible several and different at a synchronic level, but also they come from different periods and are themselves (that is, within each particular book) the result of long diachronic processes. This two-layered diversity that marks the Bible adds yet further difficulty to the task of describing God therein, even as it suggests that more than one approach can and must be (and has been) utilized in the attempt.
In the final analysis, it seems safe to say that the complexity of God’s portrayal in the Old Testament has functioned not only to make this deity endlessly fascinating in the history of civilization but also to underscore—at some literary level, if nothing else—that the God of whom the texts speak is truly a divine character: not able to be captured, controlled, or managed by the human characters in the stories and not even by the sacred literature itself. Only a robust approach to the biblical literature that pays attention to both synchronic and diachronic aspects can hope to do justice to such a fascinating deity.
Inspiration and the Texts of the Bible
