Theatre and Conversion in Early Modern Zürich, Berne and Lucerne

2021 ◽  
pp. 140-153
Author(s):  
Elke Huwiler

The limits of theatre as a medium for religious indoctrination became an object of exploration, debate, and censorship in the Swiss cities of Zürich, Berne and Lucerne. This chapter addresses how the civil and religious authorities of these cities struggled to control not just the content, but the audience’s interpretations of religious plays in the context of the Reformation.

2019 ◽  
Vol 244 (1) ◽  
pp. 51-88 ◽  
Author(s):  
David Coast

Abstract The voice of the people is assumed to have carried little authority in early modern England. Elites often caricatured the common people as an ignorant multitude and demanded their obedience, deference and silence. Hostility to the popular voice was an important element of contemporary political thought. However, evidence for a very different set of views can be found in numerous polemical tracts written between the Reformation and the English Civil War. These tracts claimed to speak for the people, and sought to represent their alleged grievances to the monarch or parliament. They subverted the rules of petitioning by speaking for ‘the people’ as a whole and appealing to a wide audience, making demands for the redress of grievances that left little room for the royal prerogative. In doing so, they contradicted stereotypes about the multitude, arguing that the people were rational, patriotic and potentially better informed about the threats to the kingdom than the monarch themselves. ‘Public opinion’ was used to confer legitimacy on political and religious demands long before the mass subscription petitioning campaigns of the 1640s.


1993 ◽  
Vol 28 (112) ◽  
pp. 390-408 ◽  
Author(s):  
Andrew Hadfield

It is a commonplace of recent British historiography that in the early modern period a sophisticated and sceptical concept of writing history began to develop which involved, among other things, historians becoming significantly less credulous in their use of sources. Often the crucial break with medieval ‘chronicles’ is seen to have been brought about by the triumph of the exiled Italian humanist, Polydore Vergil, over the fervently nationalistic band of British historians and antiquarians led by John Leland, establishing that the Arthurian legends were no more than an origin myth. Jack Scarisbrick, for example, has argued that ‘early Tudor England did not produce a sudden renewal of Arthurianism … As the sixteenth century wore on, Geoffrey of Monmouth’s patriotic fantasies received increasingly short shrift from reputable historians.’ However, this comforting narrative of increasingly thorough and careful scholarship ignores the fact that there was a form of history writing in which the reliance upon origin myths such as the Arthurian legends and the ‘matter of Britain’ actually increased dramatically after the Reformation, namely English histories of Ireland.


2000 ◽  
Vol 4 (3-4) ◽  
pp. 379-404 ◽  
Author(s):  
Joel Budd

AbstractProtestant iconoclasm has generally been understood as an assault on the beliefs and practices of traditional religion. This article challenges that understanding through a detailed study of Cheapside Cross, a large monument that was repeatedly attacked by iconoclasts in the sixteenth and seventeenth centuries. It draws on contemporary pamphlets and the manuscripts records of the City of London to reveal the complex variety of associations that Cheapside Cross acquired before and during the Reformation era. It argues that perceptions of the monument were shaped not only by its iconography but also by its involvement in ceremonies and rituals, including royal coronation processions. The iconoclastic attacks on Cheapside Cross should be interpreted not merely as a challenge to traditional beliefs but as attempts to restructure the monument's associations. The paper concludes that attacks on other images may be understood in a similar manner.


2000 ◽  
Vol 33 (1) ◽  
pp. 67-85 ◽  
Author(s):  
Amy Nelson Burnett

Overthe last two decades historians of early modern Europe have adopted the paradigm of confessionalization to describe the religious, political, and cultural changes that occurred in the two centuries following the Reformation.1As an explanatory model confessionalization has often been portrayed as the religious and ecclesiastical parallel to the secular and political process of social discipline, as formulated by Gerhard Oestreich.2In its simplest form, the process of confessional and social discipline is depicted as hierarchical and unidirectional: the impulse to discipline and control came from the secular and ecclesiastical authorities, and the laity, particularly the peasants at the bottom of the hierarchy, had little possibility of exerting counterpressures on those seeking to shape their beliefs and behavior. The inevitable result of the disciplinary process was the gradual suppression of popular culture and the imposition of new standards of belief and behavior on the subjects of the territorial state.


2009 ◽  
Vol 105 (1) ◽  
pp. 133-167 ◽  
Author(s):  
Jane O. Newman

This article reads Aby Warburg's and Walter Benjamin's work on the astrological movements of the Reformation era in dialogue with the theory of relations between the spiritual and the temporal developed in Protestant "war theology" during World War I. War theology developed themes already present in historical Protestant doctrine, notably Luther's Two Kingdoms theory (Zwei Reiche Lehre). Warburg and Benjamin were wrestling with the challenge of living at a time of great conflict in a highly sacralized——rather than secularized——world with deep roots in early modern Lutheranism. Max Weber was working out his ideas about magic, Calvinism, and secularization at the same time. The article thus also suggests the need to reassess his theses about the emergence of a secular world purged of irrationalism in dialogue with Warburg's and Benjamin's work.


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