scholarly journals SituatingThe South Bank Show: Continuity and Transition in British Arts Television

2015 ◽  
Vol 12 (3) ◽  
pp. 364-382
Author(s):  
David Lee ◽  
John Corner
Keyword(s):  
Cultural Landscape ◽  
Artistic Practice ◽  
The Arts ◽  
Social Positioning ◽  
Successful Series ◽  
The Social ◽  
Programme Design ◽  
History Of ◽  
Relationship Of ◽  
The Way

This article examines aspects of The South Bank Show (SBS), the UK's long-running and successful series over 35 years, closely associated with its editor and presenter Melvyn Bragg and since 2010 broadcast on the channel Sky Arts 1 rather than on its previous home, the ITV network. After placing this series in the broader history of arts television, the article examines aspects of programme design and address, the diversity of topics treated, and the way in which it has reflected some of the changes at work in the social positioning and evaluation of the arts in Britain. It explores questions about the documentary methods and forms used, the relationship of programme design to different kinds of artistic practice, the way in which artists themselves figure in expositions of their work and the forms of engagement both with the high/popular divide and the playoff between the established and the new. The series is seen to be defined not only by its attempts to be ‘accessible’ but also by its ‘sociability’, often grounded in the settings, informality and tone of the interview exchanges. The article pays attention to the continuation of SBS on Sky Arts 1, including the SBS Specials, before concluding with some more general observations on arts coverage within a changing television economy and an increasingly diverse cultural landscape.

Anthropological communities of interpretation for Burma: An overview

2008 ◽  
Vol 39 (2) ◽  
pp. 239-254 ◽  
Author(s):  
U Chit Hlaing
Keyword(s):  
Southeast Asia ◽  
Ethnic Groups ◽  
Field Of Study ◽  
Anthropological Theory ◽  
History Of ◽  
Relationship Of ◽  
The Relationship ◽  
The Way

AbstractThis paper surveys the history of anthropological work on Burma, dealing both with Burman and other ethnic groups. It focuses upon the relations between anthropology and other disciplines, and upon the relationship of such work to the development of anthropological theory. It tries to show how anthropology has contributed to an overall understanding of Burma as a field of study and, conversely, how work on Burma has influenced the development of anthropology as a subject. It also tries to relate the way in which anthropology helps place Burma in the broader context of Southeast Asia.

Art and Social Work: History and Collaborative Possibilities for Interdisciplinary Synergy

2017 ◽  
Vol 29 (6) ◽  
pp. 698-707 ◽  
Author(s):  
Laura Burney Nissen
Keyword(s):  
Social Work ◽  
Work History ◽  
Psychology Education ◽  
Call To Action ◽  
The Arts ◽  
The Social ◽  
Individual Family ◽  
History Of ◽  
Social Work History ◽  
Current Potential

This article will stretch the boundaries of the interdisciplinary lens to consider the history of and current potential for the arts to enhance, advance, and amplify individual, family, and community social change goals of the social work profession. To begin, consider the following questions: What would inspire artists and social workers to intentionally work together to reveal new strengths, energy, and capacity in the areas we care about? What do the arts have to teach the profession of social work and vice versa? How have the arts already played a role in the profession, and what has impaired social work’s ability to make greater use of the strengths associated with the arts? How have other professions (public health, psychology, education, and others) incorporated partnerships with the arts? This article concludes with a call to action to advance the potential of the arts in coordination with social work and related disciplines.

scholarly journals From the Social History of the Reformation (1960-1980) to the Reformation as Communication Process (1990-2000)

HISTOREIN ◽  
2013 ◽  
Vol 12 ◽  
pp. 79
Author(s):  
Costas Gaganakis
Keyword(s):  
Cultural History ◽  
Social History ◽  
Paradigm Shift ◽  
Communication Process ◽  
Protestant Reformation ◽  
The Social ◽  
The Reformation ◽  
History Of ◽  
The Way

<p>This article attempts to chart the “paradigm shift” from social history, dominant until the early 1980s, to new cultural history and the various interpretive trends it engendered in the 1990s and 2000s. The privileged field of investigation is the history of the Protestant Reformation, particularly in its urban aspect. The discussion starts with the publication of Bernd Moeller’s pivotal <em>Reichsstadt und Reformation </em>in the early 1960s – which paved the way for the triumphant invasion of social history in a field previously dominated by ecclesiastical or political historians, and profoundly imbued with doctrinal prerogatives – and culminates in the critical presentation of interpretive trends that appear to dominate in the 2010s, particularly the view and investigation of the Reformation as communication process.</p>

scholarly journals ANTHROPOLOGY, DOTS AND UNDERSTANDING TUBERCULOSIS CONTROL IN NEPAL

2005 ◽  
Vol 38 (1) ◽  
pp. 57-67 ◽  
Author(s):  
IAN HARPER
Keyword(s):  
World Health ◽  
Current Debate ◽  
Directly Observed Therapy ◽  
Short Course ◽  
Tuberculosis Programme ◽  
History Of ◽  
Health Organization ◽  
Relationship Of ◽  
Research To Policy ◽  
The Way

This paper argues for the inclusion of ethnography as a research methodology for understanding the effects of public health policy. To do this, the implementation of DOTS (Directly Observed Therapy, Short-course) – the World Health Organization (WHO) prescribed policy for the control of the infectious disease tuberculosis – is explored in the context of Nepal. A brief history of DOTS and its implementation in Nepal is outlined, and the way it has been represented by those within the Nepal Tuberculosis Programme (NTP) is described. This is followed by an outline of the research done in relation to this, and the ethnographic methods used. These ethnographic data are then interpreted and analysed in relation to two specific areas of concern. Firstly, the effects around the epidemiological uses of ‘cases’ is explored; it is argued that a tightening of the definitional categories so necessary for the programme to be stabilized for comparative purposes has profound material effects in marginalizing some from treatment. Secondly, the paper examines some of the implications and effects relating to the way that the ‘directly observed’ component was implemented. The discussion explores how current debate on DOTS has been played out in some medical journals. It argues for the importance of ethnography as a method for understanding certain questions that cannot be answered by particular, and increasingly dominant, research ideologies informed by randomized controlled trials. This raises important issues about the nature of ‘evidence’ in debates on the relationship of research to policy.

Imagination and Art

2014 ◽  
Author(s):  
Richard Swedberg
Keyword(s):  
Social Theory ◽  
Social Scientist ◽  
Modern Society ◽  
Basic Knowledge ◽  
Social Scientists ◽  
The Arts ◽  
The Social ◽  
Relationship Of ◽  
The Relationship

This chapter examines the role of imagination and the arts in helping social scientists to theorize well. However deep one's basic knowledge of social theory is, and however many concepts, mechanisms, and theories one knows, unless this knowledge is used in an imaginative way, the result will be dull and noncreative. A good research topic should among other things operate as an analogon—that is, it should be able to set off the theoretical imagination of the social scientist. Then, when a social scientist writes, he or she may want to write in such a way that the reader's theoretical imagination is stirred. Besides imagination, the chapter also discusses the relationship of social theory to art. There are a number of reason for this, including the fact that in modern society, art is perceived as the height of imagination and creativity.

The Economic History of South Africa 1948–94

2021 ◽  
pp. 46-65
Author(s):  
Bill Freund ◽  
Vishnu Padayachee
Keyword(s):  
Economic Growth ◽  
South Africa ◽  
South African ◽  
Economic History ◽  
History Of ◽  
Anglo American ◽  
Relationship Of ◽  
Global And Local ◽  
The Impact ◽  
The Way

This chapter addresses the unfolding economic history of South Africa in the apartheid era (1948–94). The chapter is organized according to a periodization with 1971–73 as a marker of the break, and along specific thematic lines. These include a discussion of the way in which this history has been studied and through what theoretical lenses, before engaging with the main issues, including the impact of Afrikaner nationalism on economic growth, the way in which the minerals energy sector, which dominated early perspectives of South African economic history and perspectives, is impacted in this era of National Party rule. An analysis of the role of one major corporation (Anglo American Corporation) in shaping this economic history is followed by an assessment of the impact of the global and local crisis after c.1970 on the South African economy. An abiding theme is that of race and economic development and the way in which the impact of this key relationship of apartheid South Africa on economic growth has been studied.

Parody—Nature and Definition

2019 ◽  
pp. 1-37
Author(s):  
Sabine Jacques
Keyword(s):  
The United States ◽  
Copyright Law ◽  
The European Union ◽  
International Human Rights ◽  
The United Kingdom ◽  
The Arts ◽  
History Of ◽  
Definition Of ◽  
Relationship Of ◽  
The Relationship

This chapter provides an overview of the nature and definition of parody in the context of copyright law. The Court of Justice of the European Union (CJEU) has introduced two requirements that must be satisfied before a work may be considered a ‘parody’: firstly, it must ‘evoke an existing work while being noticeably different from it’, and secondly, it must ‘constitute an expression of humour or mockery’. The chapter first traces the origin and history of parody in the arts, including music, before discussing the relationship of parody with concepts such as satire, caricature, and pastiche. It then examines why a parody exception has been considered necessary in copyright law. The chapter goes on to analyse the legal evolution of parody in France, Australia, Canada, the United States, and the United Kingdom, showing that the existing international human rights framework may influence the definition of parody in intellectual property law.

Ethics Committees and Consultation in Mental Health

2018 ◽  
Author(s):  
Don C. Postema
Keyword(s):  
Ethics Education ◽  
Ethics Committees ◽  
The United States ◽  
Biomedical Ethics ◽  
Spiritual Beliefs ◽  
The Social ◽  
History Of ◽  
Relationship Of ◽  
The Relationship

Understanding the role of ethics committees in providing ethics consultations, ethics education, and ethics-related policies is the context for exploring the relationship of ethics, psychiatry, and religious and spiritual beliefs. After a brief history of biomedical ethics in the United States since the mid-20th century, this chapter presents several case studies that exemplify frequently encountered tensions in these relationships. The central contention is that respecting these beliefs is not equivalent to acquiescing to ethical claims based on them. Rigorous critical reflection and psychiatric insight, coupled with the values embedded in the social practices of healthcare, provide the grounds for evaluating the weight and bearing of religious and spiritual beliefs in ethically complex cases. This is one contribution that ethics committees can make at the intersection of psychiatry and religion.

scholarly journals Geosemiotics←→Social Geography: Preschool Places and School(ed) Spaces

2019 ◽  
Vol 51 (1) ◽  
pp. 52-74
Author(s):  
Colleen E. Whittingham
Keyword(s):  
Early Literacy ◽  
Methodological Approach ◽  
Social Geography ◽  
Social Resources ◽  
Social Production ◽  
Theoretical Perspectives ◽  
The Social ◽  
History Of ◽  
Relationship Of ◽  
Literacy Research

The purpose of the present article is to attend to the theoretical and methodological implications of expanding a view of geosemiotic to include a social geography lens. A Geosemiotics←→social geography approach creates possibilities to more fully attend to the dynamic and dialogic relationship of material, spatial, and social resources as mediators of literacy interactions. The article begins with a brief history of geosemiotics, advocating for the integration of social geography when attending to place semiotics specifically. This argument is situated within the existing landscape of spatialized literacy research, and illustrates one methodological approach found to be useful when applying an analysis informed by both theoretical perspectives. An analysis of early literacy interactions of one preschool classroom serves as an example to highlight the utility of this approach when investigating the social production of school[ed] spaces. Implications for literacy theory, methods, and instruction are discussed.

scholarly journals Os Jovens e o Imaginário da Aids: notas para uma construção social do risco

2003 ◽  
Vol 4 ◽  
Author(s):  
Leila Jeolás
Keyword(s):  
Social Construction ◽  
Common Sense ◽  
Gender Relations ◽  
Individual Behavior ◽  
The Social ◽  
History Of ◽  
Cultural Symbolism ◽  
Everyday Experiences ◽  
Social Construction Of Risk ◽  
The Way

Este artigo, baseado em pesquisa sobre o imaginário da aids entre jovens, busca compreender a noção de risco como uma categoria sociocultural, cujos significados se acumulam nos conceitos de várias áreas do conhecimento e nos usos de senso comum. O perigo, o mal e o infortúnio sempre foram moralizados e politizados nas diversas culturas humanas e a história da aids não poderia ser diferente. Os simbolismos culturais sobre contágio, doenças transmitidas pelo sexo e pelo sangue e os valores atuais da sexualidade, incluindo as relações de gênero, estão presentes na forma como os jovens representam o risco do HIV. Além disso, não se pode desconsiderar a ambivalência que os riscos assumem atualmente para os jovens: alguns negados e afastados, outros aceitos e valorizados. No caso da aids, a busca pela vertigem e pelo êxtase, componentes do sexo e das drogas, distancia o discurso dos jovens sobre risco do discurso preventivo, baseado na racionalidade do comportamento individual, assumindo valores distintos ligados a experiências cotidianas. Youngsters and the imagery of AIDS: notes for the social construction of risk This article, based on research about the imagery of AIDS among youth, aims to understand the notion of risk as a social-cultural category, whose meanings are piled upon concepts of several areas of both knowledge and common sense usages. Danger, evil and misfortune have always been moralized and politicized in the different human cultures and it could not be different in the history of aids. Cultural symbolism about infection, sexually and blood transmitted diseases, as well as sexuality’s current values, including here gender relations, are present in the way the youth represents HIV´s risks. Besides, the ambivalence these risks assume for the youth nowadays cannot be disregarded: some are denied and put aside, others are accepted and valorized. In the case of AIDS, the search for vertigo and ecstasy, components of sex and drugs, distances the youth’s discourse about risk from the preventive discourse, based on the rationality of individual behavior, assuming distinct values linked to everyday experiences.

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