scholarly journals Os Jovens e o Imaginário da Aids: notas para uma construção social do risco

2003 ◽  
Vol 4 ◽  
Author(s):  
Leila Jeolás
Keyword(s):  
Social Construction ◽  
Common Sense ◽  
Gender Relations ◽  
Individual Behavior ◽  
The Social ◽  
History Of ◽  
Cultural Symbolism ◽  
Everyday Experiences ◽  
Social Construction Of Risk ◽  
The Way

Este artigo, baseado em pesquisa sobre o imaginário da aids entre jovens, busca compreender a noção de risco como uma categoria sociocultural, cujos significados se acumulam nos conceitos de várias áreas do conhecimento e nos usos de senso comum. O perigo, o mal e o infortúnio sempre foram moralizados e politizados nas diversas culturas humanas e a história da aids não poderia ser diferente. Os simbolismos culturais sobre contágio, doenças transmitidas pelo sexo e pelo sangue e os valores atuais da sexualidade, incluindo as relações de gênero, estão presentes na forma como os jovens representam o risco do HIV. Além disso, não se pode desconsiderar a ambivalência que os riscos assumem atualmente para os jovens: alguns negados e afastados, outros aceitos e valorizados. No caso da aids, a busca pela vertigem e pelo êxtase, componentes do sexo e das drogas, distancia o discurso dos jovens sobre risco do discurso preventivo, baseado na racionalidade do comportamento individual, assumindo valores distintos ligados a experiências cotidianas. Youngsters and the imagery of AIDS: notes for the social construction of risk This article, based on research about the imagery of AIDS among youth, aims to understand the notion of risk as a social-cultural category, whose meanings are piled upon concepts of several areas of both knowledge and common sense usages. Danger, evil and misfortune have always been moralized and politicized in the different human cultures and it could not be different in the history of aids. Cultural symbolism about infection, sexually and blood transmitted diseases, as well as sexuality’s current values, including here gender relations, are present in the way the youth represents HIV´s risks. Besides, the ambivalence these risks assume for the youth nowadays cannot be disregarded: some are denied and put aside, others are accepted and valorized. In the case of AIDS, the search for vertigo and ecstasy, components of sex and drugs, distances the youth’s discourse about risk from the preventive discourse, based on the rationality of individual behavior, assuming distinct values linked to everyday experiences.

scholarly journals From the Social History of the Reformation (1960-1980) to the Reformation as Communication Process (1990-2000)

HISTOREIN ◽  
2013 ◽  
Vol 12 ◽  
pp. 79
Author(s):  
Costas Gaganakis
Keyword(s):  
Cultural History ◽  
Social History ◽  
Paradigm Shift ◽  
Communication Process ◽  
Protestant Reformation ◽  
The Social ◽  
The Reformation ◽  
History Of ◽  
The Way

<p>This article attempts to chart the “paradigm shift” from social history, dominant until the early 1980s, to new cultural history and the various interpretive trends it engendered in the 1990s and 2000s. The privileged field of investigation is the history of the Protestant Reformation, particularly in its urban aspect. The discussion starts with the publication of Bernd Moeller’s pivotal <em>Reichsstadt und Reformation </em>in the early 1960s – which paved the way for the triumphant invasion of social history in a field previously dominated by ecclesiastical or political historians, and profoundly imbued with doctrinal prerogatives – and culminates in the critical presentation of interpretive trends that appear to dominate in the 2010s, particularly the view and investigation of the Reformation as communication process.</p>

The History of Unreason

2021 ◽  
pp. 1-19
Author(s):  
Samuel Teague ◽  
Peter Robinson
Keyword(s):  
Mental Health ◽  
Mental Illness ◽  
Social Construction ◽  
Mentally Ill ◽  
Historical Narrative ◽  
Individual Responsibility ◽  
Socially Constructed ◽  
The Social ◽  
Health And Illness ◽  
History Of

This chapter reflects on the importance of the historical narrative of mental illness, arguing that Western countries have sought new ways to confine the mentally ill in the post-asylum era, namely through the effects of stigma and medicalization. The walls are invisible, when once they were physical. The chapter outlines how health and illness can be understood as socially constructed illustrating how mental health has been constructed uniquely across cultures and over time. To understand this process more fully, it is necessary to consider the history of madness, a story of numerous social flashpoints. The trajectories of two primary mental health narratives are charted in this chapter. The authors argue that these narratives have played, and continue to play, an important role in the social construction of mental illness. These narratives are “confinement” and “individual responsibility.” Drawing on the work of Michel Foucault and Roy Porter, the authors describe how Western culture has come to consider the mentally ill as a distinct, abnormal other.

Survey: The social construction of risk aversion

1997 ◽  
Vol 2 (1) ◽  
pp. 87-100 ◽  
Author(s):  
Keith Yardley ◽  
George Wright ◽  
Alan Pearman
Keyword(s):  
Social Construction ◽  
Risk Aversion ◽  
The Social ◽  
Social Construction Of Risk

scholarly journals The Social Construction of Historical Traumas: The Polish Experience of the Uses of History in an Intelligentsia-dominated Polity

2020 ◽  
Vol 28 (6) ◽  
pp. 911-931
Author(s):  
Tomasz Zarycki ◽  
Tomasz Warczok
Keyword(s):  
Social Construction ◽  
Historical Narrative ◽  
The West ◽  
Specific Nature ◽  
Polish Experience ◽  
The Social ◽  
History Of ◽  
Historical Identity ◽  
And Control

The article argues that Poland’s mainstream national historical narrative, at least as far as the last two centuries of history of the country is concerned, is full of ‘traumatic’ motives which are regularly used and developed in diverse current political and intellectual contexts. Polish history is imagined to a large extent as an endless chain of 200 years of suffering, caused, among other things, by occupations, wars and exploitation, which are usually seen as not fully recognized in other countries, in particular in the West. The article attempts first of all to explain this specific nature of Poland’s historical identity by the privileged role of the intelligentsia, understood as a specific type of elite based on possession and control of cultural capital. It reconstructs the historical rise of the intelligentsia and its impact on the mainstream narrative in question, pointing to a selective choice of potential ‘traumas’ which are assigned a national status. They may be seen as tools to build positions in what can be called the Polish ‘field of power’, to use the notion coined by Pierre Bourdieu. The particular configuration and recent history of the field of power in Poland is reconstructed in order to explain different strategies of what can be called the social and political construction of historical traumas in Poland.

Art and its Objects: William Ivins and the Reproduction of Art

1987 ◽  
Vol 35 (1_suppl) ◽  
pp. 65-98
Author(s):  
Gordon Fyfe
Keyword(s):  
Social Construction ◽  
Social History ◽  
Visual Communication ◽  
Fine Art ◽  
Modes Of Representation ◽  
The Social ◽  
Photographic Reproduction ◽  
History Of ◽  
Art Reproduction ◽  
The Relationship

This paper is a critique of the contribution of William Ivins's Prints and Visual Communication (1953) to an understanding of the meaning of fine art reproductions. Ivins showed that photographic reproduction was constructed in relation to, and displaced, older ways of reproducing art which were carried out by handicraft engravers. His analysis alerts us to the fact that ambiguity characterized art reproduction before photographs. Art reproductions, then, were interpretations in line based on conventional modes of representation – what Ivins calls a visual syntax. In this respect he enhances our understanding of the social construction of the artist. For Ivins the social history of reproduction seems to end with the camera. This completed an individuation of creativity ushered in with the Renaissance, but which was always qualified by the interfering visual syntax of craftsmen-interpreters. It is argued that the value of Ivins's account resides in its reconstruction of the relationship between handicraft engraving, fine art reproduction and aesthetic objects that have long since slipped from our consciousness.

Easy targets: a disability rights perspective on the 'children as carers' debate

1995 ◽  
Vol 15 (44-45) ◽  
pp. 36-57 ◽  
Author(s):  
Lois Keith ◽  
Jenny Morris
Keyword(s):  
Social Construction ◽  
Disability Rights ◽  
Disabled People ◽  
Young Carers ◽  
Pressure Groups ◽  
The Social ◽  
The Way

This article looks at how the children of disabled parents are being defined as 'young carers', arguing that the way in which this is hap pening undermines both the rights of children and the rights of disabled people, Analysis of the social construction of 'children as carers' illustrates that researchers and pressure groups are colluding with the government's insistence that 'care in the community' must mean 'care by the community'.

Moore And Philosophical Analysis

Philosophy ◽  
1958 ◽  
Vol 33 (126) ◽  
pp. 193-220
Author(s):  
Morris Lazerowitz
Keyword(s):  
Common Sense ◽  
History Of Philosophy ◽  
Philosophical Analysis ◽  
Symbolic Logic ◽  
Guiding Principle ◽  
Ideal Language ◽  
History Of ◽  
Fruitful Research ◽  
The Way

Occasionally there has appeared in the history of philosophy a thinker who has become aware of the chaotic condition of philosophy and of the intellectual anarchy that exists in all of its branches, and has attempted to remedy the situation. Descartes cast about for a guiding principle, a compass which would show him the way through the treacherous terrain of philosophy. As is well known he devised the method of systematic doubt, by means of which he hoped to discover an axiom on which he could securely erect a system of basic and reassuring beliefs. Leibniz had before his mind the notion of an ideal language which would by calculation solve problems with certainty. With this he thought we “should be able to reason in metaphysics and morals in much the same way as in geometry and analysis.” Descartes' attempt was a failure; and nothing came of Leibniz's ideal, even with the development of modern symbolic logic. Russell's claim that “logic is the essence of philosophy” frightened many philosophers and gave new hope to others; but his claim was as empty as the proverbial political promise. With G. E. Moore we have a further attempt to introduce sobriety and certainty into philosophy and to make fruitful research possible in it. He has made prominent a method for obtaining results in philosophy; and he has also formulated a philosophical platform, i.e., set out a list of Common-sense propositions which he says are known to be true by everyone, philosopher as well as non-philosopher, and are not, therefore, open to debate. The method, which he used extensively and with great skill, is the method of analysing concepts.

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