scholarly journals Feminist Akademisyenlik

2022 ◽  
Vol 22 (2) ◽  
pp. 95-100
Author(s):  
Elif Ertem

bell hooks Teaching to Transgress: Education as the Practice of Freedom eserinin Feminist Scholarship bölümünün çevirisidir

Author(s):  
T. K. Krishnapriya ◽  
◽  
Padma Rani ◽  
Bashabi Fraser ◽  
◽  
...  

The Colonial Bengal of the nineteenth and twentieth centuries was a place of contradictions. For instance, despite certain evident advancements in the resolution of the women’s question, some of the emancipatory attempts of the period marked a rather dubious account of women’s liberation as patriarchal underpinnings hegemonized the efforts. Amid this complex backdrop, the colonial women’s position is further jeopardized by the western feminist scholarship that contrives colonial third world women as perennial victims and beneficiaries of emancipatory actions from the West. The paper attempts to relocate the colonial women and their resistance by negotiating the fissures in their construction. This study, informed by bell hooks’ (1990) postulations on margin and resistance, simultaneously seeks to form a bridge between the experiences of marginalized women beyond borders. Rabindranath Tagore’s Nastanirh (1901) and Chaturanga (1916) are chosen for close textual reading to examine the experiences of colonial women. The author’s women protagonists often embody the social dilemma of the period. Tagore’s Damini and Charu exist in the margin of resistance whilst Nanibala occupies the margin of deprivation. Significantly, Charu and Damini traverse the precarious “profound edges” of the margin to imagine a “new world” free of subjugation. Thus, the resistance offered by these women subverts the predominant conceptions of victimhood of colonial women, and it enables them to be posited as active agents.


1986 ◽  
Vol 31 (12) ◽  
pp. 935-936 ◽  
Author(s):  
Judith A. Howard
Keyword(s):  

2020 ◽  
Vol 13 (2) ◽  
pp. 321-332
Author(s):  
Godwin Makaudze

Feminist scholarship sees African society as traditionally patriarchal, while the colonists saw traditional African leadership as lacking in values such as democracy, tolerance, and accountability, until these were imposed by Europeans. Using Afrocentricity as a theoretical basis, this article examines African leadership as portrayed in the Shona ngano [folktale] genre and concludes that, in fact, leadership was neither age- nor gender-specific and was democratic, tolerant, and accountable. It recommends further research into African oral traditions as a way of arriving at more positive images of traditional Africa and her diverse heritage.


2018 ◽  
Vol 2 (1) ◽  
pp. 35
Author(s):  
Jacquie Kidd

These three poems re-present the findings from a research project that took place in 2013 (Kidd et al. 2018, Kidd et al. 2014). The research explored what health literacy meant for Māori patients and whānau when they accessed palliative care. Through face-to-face interviews and focus groups we engaged with 81 people including patients, whānau, bereaved loved ones, support workers and health professionals. The poems are composite, written to bring some of our themes to life. The first poem is titled Aue. This is a Māori lament that aligns to English words such as ‘oh no’, or ‘arrgh’, or ‘awww’. Each stanza of the poem re-presents some of the stories we heard throughout the research. The second poem is called Tikanga. This is a Māori concept that encompasses customs, traditions and protocols. There are tikanga rituals and processes that guide all aspects of life, death, and relationships. This poem was inspired by an elderly man who explained that he would avoid seeking help from a hospice because ‘they leave tikanga at the door at those places’. His choice was to bear his pain bravely, with pride, within his cultural identity. The third poem is called ‘People Like Me’. This is an autoethnographical reflection of what I experienced as a researcher which draws on the work of scholars such as bell hooks (1984), Laurel Richardson (1997) and Ruth Behar (1996). These and many other authors encourage researchers to use frustration and anger to inform our writing; to use our tears to fuel our need to publish our research.


2019 ◽  
Author(s):  
Adib Rifqi Setiawan

We didn’t work like common women's studies work on sexuality that generally focuses on sexual harassment or workplace romance to the exclusion of strategic forms of erotic capital. However, we consider women’s strategic sexual performances as a form of social influence and address the positive and negative consequences that may follow. This review highlights the occurrence and complexities of erotic capital in Girls Generation’s musical performances and modelling career, then discusses the important implications of use their erotic capital (i.e. face and leg) to influence others or gain desired ends. In so doing, the findings highlight a need for rethinking traditional conceptualizations of empowerment and initiates a new direction for feminist scholarship in this regard.


2019 ◽  
Author(s):  
Adib Rifqi Setiawan

The work of women's studies on sexuality generally focuses on sexual harassment or workplace romance to the exclusion of strategic forms of erotic capital. We consider women’s strategic sexual performances as a form of social influence and address the positive and negative consequences that may follow. We provides narrative biography of Oza Kioza as a singer. Then, this review highlights the occurrence and complexities of erotic capital in Oza Kioza's career and discusses the important implications of use her erotic capital (i.e. breast) to influence others or gain desired ends. In so doing, the findings highlight a need for rethinking traditional conceptualizations of empowerment whereby resistance equals empowering and reproduction equals disempowering, and initiates a new direction for feminist scholarship in this regard.


2019 ◽  
Author(s):  
Adib Rifqi Setiawan

Women's studies work on sexuality generally focuses on sexual harassment or workplace romance to the exclusion of strategic forms of erotic capital. I consider women’s strategic sexual performances as a form of social influence and address the positive and negative consequences that may follow. This thesis highlights the occurrence and complexities of erotic capital in Princess Lexie video performances nor discusses the important implications of use her erotic capital (i.e. breast and ass) to influence others or gain desired ends. In so doing, the findings highlight a need for rethinking traditional conceptualizations of empowerment whereby resistance equals empowering and reproduction equals disempowering, and initiates a new direction for feminist scholarship in this regard. This thesis dedicating to Princess Lexie, as my intellectual tribute for the adorably cute dangerously manipulative female.


2019 ◽  
Author(s):  
Athena Elafros

In Feminism is for Everybody, bell hooks states, “[t]o be truly visionary we have to root our imagination in our concrete reality while simultaneously imagining possibilities beyond that reality” (hooks, 2000, p. 110). Drawing on this insight, I offer one possible future for teaching theory in sociology based on my own subject position and experiences that seeks to imagine how social theory needs to change regarding a fundamental reorganization of what counts as theory, who counts as a theorist, who teaches theory, and how theory is taught.


2016 ◽  
Vol 4 (8) ◽  
Author(s):  
Tania Pérez Bustos

<p class="p1">S<span class="s1">oy una femini</span><span class="s2">s</span><span class="s1">ta </span>autodidacta en estudios de ciencia y tecnología. Si bien en mi formación de pregrado y posgrado tuve grandes maestras feministas que aún inspiran mis búsquedas personales y profesionales, sólo devine feminista cuando me topé con la teoría feminista y sus cuestionamientos al conocimiento científico.</p><p class="p1">A diferencia de muchas de mis colegas, nunca me hice parte activa del movimiento; no marché ni fui proselitista. Llegué a saberme feminista cuando logré comprobar que mis preguntas personales sobre mis trayectos profesionales tenían resonancia con las reflexiones que autoras anglosajonas blancas, mestizas y negras, como Sandra Harding (1991; 1993) Donna Haraway (1988; 1996; 2004), Gloria Anzaldúa (1987a; 1987b) Chela Sandoval (1991; 1995) y bell hooks (1984; 1994) venían haciendo desde entrados los años ochenta sobre la objetividad, la transgresión, los puntos medios y ciborg, los lugares desde los que producimos conocimiento y las formas en que éste circula.</p>


Author(s):  
Taylor G. Petrey

This chapter surveys the relevant ancient Christian and Jewish texts on the resurrection that discuss gender and sexuality and the scholarship about these topics. It provides particular emphasis on the Jesus of the Synoptic Gospels, Paul, and the early Christian reception of their ideas in the second through fourth centuries. The saying of Jesus that those who are resurrected shall be “as angels” is central to early Christian theologies of the body and sexuality. Paul’s discussion of the nature of the resurrected body and the importance of the parts also informs how early Christians developed these ideas. The tension in early Christian writing about the resurrection was between those who emphasized continuity between the mortal and resurrected self, and those who emphasized a radical change between the two. Further, the chapter provides an overview to major scholarly methods and approaches to studying the resurrection, including feminist scholarship.


Sign in / Sign up

Export Citation Format

Share Document