scholarly journals Recto and Verso: The Pictorial Fronts and the Marbled Reverses of Two Flemish Panel Paintings

Arts ◽  
2022 ◽  
Vol 11 (1) ◽  
pp. 10
Author(s):  
Kathrin Borgers

From the first third of the 15th century onwards, panel paintings with marbled reverses increasingly appeared in Flemish art. The fronts of these panels primarily depicted religious narrative scenes or portraits. The backs were decorated with an abstract pattern, referred to as marbling. These painted marble facsimiles often differed in terms of design from other examples of stone imitations such as those used on the frame decorations of other panels. Unlike these frames, which suggest a greater illusionistic intention, the marbled reverses appear to function as abstract ornamentation. However, this article proposes that the painted backs are thematically linked to the pictorial narratives of the fronts. The marbled backs of Rogier van der Weyden’s Crucifixion and the Portrait of Margareta van Eyck will be considered in the context of a profane and a theological iconography. Both panels feature a reverse that can be identified as both an imitation of red porphyry and a representation of liquid paint. Metaphysical, material–semantic, and theological references will be revealed in the pictorial examples.

1998 ◽  
pp. 61-62
Author(s):  
N. S. Jurtueva

In the XIV century. centripetal tendencies began to appear in the Moscow principality. Inside the Russian church, several areas were distinguished. Part of the clergy supported the specificobar form. The other understood the need for transformations in society. As a result, this led to a split in the Russian church in the 15th century for "non-possessors" and "Josephites". The former linked the fate of the future with the ideology of hesychasm and its moral transformation, while the latter sought support in alliance with a strong secular power.


Author(s):  
George E. Dutton

This chapter introduces the book’s main figure and situates him within the historical moment from which he emerges. It shows the degree to which global geographies shaped the European Catholic mission project. It describes the impact of the Padroado system that divided the world for evangelism between the Spanish and Portuguese crowns in the 15th century. It also argues that European clerics were drawing lines on Asian lands even before colonial regimes were established in the nineteenth century, suggesting that these earlier mapping projects were also extremely significant in shaping the lives of people in Asia. I argue for the value of telling this story from the vantage point of a Vietnamese Catholic, and thus restoring agency to a population often obscured by the lives of European missionaries.


2013 ◽  
Vol 42 (4) ◽  
pp. 3-9
Author(s):  
Armin Geertz

This introduction to the special issue on narrative discusses various ways of approaching religious narrative. It looks at various evolutionary hypotheses and distinguishes between three fundamental aspects of narrative: 1. the neurobiological, psychological, social and cultural mechanisms and processes, 2. the many media and methods used in human communication, and 3. the variety of expressive genres. The introduction ends with a definition of narrative.


2013 ◽  
Vol 42 (4) ◽  
pp. 22-29 ◽  
Author(s):  
Laura Feldt

This essay presents narratology as a strategy for analysis of written myths. It analyses the narrative form of a written religious narrative from ancient Mesopotamia known as The Epic of Anzû, suggesting that the narrative form of myths is a necessary object of inquiry for historians of religion; one that has consequences for our understanding of the meaning and functions of myths, of the religions that make use of them, as well as for broader discussions of religious narrative.


1970 ◽  
Vol 5 (2) ◽  
pp. 291-301
Author(s):  
Yuyun Sunesti

One of the influential factors in the formation of modern society in the Westernworld and subsequently spread to over the world has been the discovery of printing presswhich can be found in the form of printing method, printing company and print media.Since it was firstly used by Gutenberg in about 15th century AD, information which waspreviously delivered through oral medium with a limited audience, then through a methodof printing can be reproduced in large quantities and can be read by more audience, acrossdistance and time. Printing method which encourages the emergence of large printingcompanies and then print media has contributed in transforming modern cultural life ofsociety.In addition, the advent of the printing industries which has transformed intotransnational corporations as well as the emergence of journals and regular newspapersalso contributes significantly in raising public spaces as a medium for discussion andcritical thinking amidst society. Ultimately, this information media transformation brings achange in the state system which is more open and leads to the emergence of ideas ofnationalism which becomes an important milestone in transforming traditional societiesinto modern societies.


Author(s):  
Peter M. Fischer ◽  
Teresa Bürge ◽  
Dominika Kofel

In 2015 the sixth season of the renewed excavations at the Bronze Age city of Hala Sultan Tekke continued in the compound which was ex­posed in Area 6W in 2013–2014. Further evidence of textile process­ing was found. The results of another ground-penetrating radar (GPR) survey in 2014 indicated a new city quarter west of the former. Exca­vations were initiated there in 2015 and parts of the remains of a large compound were exposed. Two occupational phases, Strata 1 and 2, could be determined, both of which were destroyed in a conflagration. Further excavations were carried out in Area A, 550 m to the east of Area 6W and close to the mosque of Hala Sultan Tekke. In 2014 more than 80 circular anomalies were indicated by our geomagnetic survey supported by GPR. Twelve of them were excavated in 2015. Most of them turned out to be backfilled wells of which the fills mainly date from the 13th and 12th centuries BC (Late Cypriot IIC–IIIA). One of the excavated anomalies is interpreted as an offering pit. The preliminary date according to the pottery is roughly the 15th century BC (Late Cypriot IB).


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