scholarly journals Everybody’s Holocaust? Tova Reich’s Satirical Approach to Shoah Business and the Cult of Victimhood

Genealogy ◽  
2019 ◽  
Vol 3 (4) ◽  
pp. 51
Author(s):  
Stanislav Kolář
Keyword(s):  
Popular Culture ◽  
Historical Trauma ◽  
The Novel ◽  
Critical Response ◽  
The Holocaust ◽  
New Millennium

This paper sets out to demonstrate the changes that post-Holocaust fiction has been undergoing since around the turn of the new millennium. It analyzes the highly innovative and often provocative approaches to the Holocaust and its memory found in Tova Reich’s novel My Holocaust—a scathing satire on the personal and institutional exploitation of Holocaust commemoration, manifested in the commodification of the historical trauma in what has been termed “Shoah business”. The novel can be seen as a reaction to the increasing appropriation of the Holocaust by popular culture. This paper focuses on Reich’s critical response to the cult of victimhood and the unhealthy competition for Holocaust primacy, corresponding with the growth of a “victim culture”. It also explores other thematic aspects of the author’s satire—the abuse of the term “Holocaust” for personal, political and ideological purposes; attempts to capitalize on the suffering of millions of victims; the trivialization of this tragedy; conflicts between particularists and universalists in their attitude to the Shoah; and criticism of Holocaust-centered Judaism. The purpose of this paper is to show how Tova Reich has enriched post-Holocaust fiction by presenting a comic treatment of false victimary discourse, embodied by a fraudulent survivor and a whole gallery of inauthentic characters. This paper highlights the novel’s originality, which enables it to step outside the frame of traditional Holocaust fiction.

scholarly journals Trauma in Der Nazi & der Friseur von Edgar Hilsenrath

Literator ◽  
2011 ◽  
Vol 32 (1) ◽  
pp. 21-42
Author(s):  
J.P.C. Van den Berg
Keyword(s):  
Historical Trauma ◽  
Human Existence ◽  
The Other ◽  
Symbolic Order ◽  
Literary Texts ◽  
The Novel ◽  
Ontological Category ◽  
The Holocaust ◽  
Analytical Perspective

Theory about trauma and trauma representation can be very useful when interpreting literary texts. The notion of trauma is a complex one and can in general be associated with specific historical experiences, or used as an ontological category to describe fundamental aspects of human existence and identity. From a psycho-analytical perspective the latter refers to a lack within the symbolic order to assimilate and interpret experience in a meaningful way, which consequently leads to a confrontation with the alienating Žižekian real. “Der Nazi & der Friseur”(“The Nazi & the barber”) by Edgar Hilsenrath deals, among other issues, with the Holocaust experiences of the main character.The aim of this article is to identify possible signs of trauma, both at the level of narrated events and the narration itself. Besides these signs of historical trauma, it will be demonstrated that the play with identity in the novel can be read against the background of trauma used as ontological category,grounded in the “other”, as something existing beyond the boundaries of the symbolic order.

scholarly journals Returning to the Past: The Germans as a Historical Trauma in Contemporary Czech Prose

Porównania ◽  
2020 ◽  
Vol 27 (2) ◽  
pp. 59-76
Author(s):  
Alena Šidáková Fialová
Keyword(s):  
Historical Trauma ◽  
Second World War ◽  
The Novel ◽  
World War ◽  
The Past ◽  
Family Saga ◽  
The Holocaust ◽  
The Family ◽  
The Subject ◽  
Second World

This study describes reflections of wartime and postwar historical trauma in contemporary Czech prose, taking into account the issues surrounding Central Europe, which entirely overlap with the traditional confrontation between the Czechs and Germans. It also includes the changing reflections on Germany and the Germans, the Second World War and the subsequent expulsion found in the prose work of the new millennium, the unifying topic being deemed to be the issue of the ambiguous national identification of the protagonists, the detabooization of previously hushed-up subjects and the subject of the Holocaust, particularly in the family saga genre. It also takes into account groups of texts focusing on reflections of anti-German resistance activities, both in the genre of the novel (with detective elements) and in output on the boundaries between fiction and factographic prose.

The Shop-Girl Revolutionary in Henry James's The Princess Casamassima

2008 ◽  
Vol 63 (2) ◽  
pp. 197-222 ◽  
Author(s):  
Katherine Mullin
Keyword(s):  
Popular Culture ◽  
Social Change ◽  
The Sun ◽  
The Novel ◽  
Local Color ◽  
Literary Naturalism ◽  
Public House ◽  
Revolutionary Politics ◽  
Critical Attention ◽  
Marginal Characters

Abstract This essay argues that the complex political resonances of Henry James's The Princess Casamassima (1886) can be further elucidated through closer critical attention to one of its more marginal characters, the shop-girl Millicent Henning. Ebullient, assertive, and, for many early reviewers, the novel's sole redeeming feature, Millicent supplies the novel with far more than local color. Instead, James seizes on a sexual persona already well established within literary naturalism and popular culture alike to explore a rival mode of insurrection to that more obviously offered elsewhere. While the modes of revolution contemplated by Hyacinth Robinson and his comrades in the Sun and Moon public house are revealed to be anachronistic and ineffectual, Millicent's canny manipulation of her sexuality supplies her with an alternative, effective, and unmistakably modern mode of transformation. The novel's portrait of ““revolutionary politics of a hole-and-corner sort”” is thus set against Millicent's brand of quotidian yet inexorable social change.

Polin: Studies in Polish Jewry Volume 32

2020 ◽  
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Popular Culture ◽  
National Identity ◽  
Final Section ◽  
Classical Music ◽  
Religious Practice ◽  
Jewish Music ◽  
The Holocaust ◽  
Jewish Involvement

With its five thematic sections covering genres from cantorial to classical to klezmer, this pioneering multi-disciplinary volume presents rich coverage of the work of musicians of Jewish origin in the Polish lands. It opens with the musical consequences of developments in Jewish religious practice: the spread of hasidism in the eighteenth century meant that popular melodies replaced traditional cantorial music, while the greater acculturation of Jews in the nineteenth century brought with it synagogue choirs. Jewish involvement in popular culture included performances for the wider public, Yiddish songs and the Yiddish theatre, and contributions of many different sorts in the interwar years. Chapters on the classical music scene cover Jewish musical institutions, organizations, and education; individual composers and musicians; and a consideration of music and Jewish national identity. One section is devoted to the Holocaust as reflected in Jewish music, and the final section deals with the afterlife of Jewish musical creativity in Poland, particularly the resurgence of interest in klezmer music. The chapters do not attempt to define what may well be undefinable—what “Jewish music” is. Rather, they provide an original and much-needed exploration of the activities and creativity of “musicians of the Jewish faith.“

Antisemitic or Bordering on Antisemitic? Grey Areas in Romanian Fake News Discourses in the Wake of the Covid-19 Pandemic

Transilvania ◽  
2021 ◽  
pp. 121-127
Author(s):  
Anca-Simina Martin
Keyword(s):  
Influenza Pandemic ◽  
The Novel ◽  
Fake News ◽  
Jewish Communities ◽  
Elie Wiesel ◽  
Working Definition ◽  
The Holocaust ◽  
The Us ◽  
Definition Of ◽  
Novel Coronavirus

Jews as a collective have long served as scapegoats for epidemics and pandemics, such as the Bubonic Plague and, according to some scholars, the 1918–1920 influenza pandemic. This practice reemerged in the early days of the Covid-19 pandemic, when more and more fake news outlets in the US and Europe started publishing articles on a perceived linkage between Jewish communities and the novel coronavirus. What this article aims to achieve is to facilitate a dialogue between the observations on the phenomenon made by the Elie Wiesel National Institute for the Study of the Holocaust in Romania and the latest related EU reports, with a view to charting its beginnings in Romania in relation to other European countries and in an attempt to see whether Romania, like France and Germany, has witnessed the emergence of “grey area” discourses which are not fully covered by International Holocaust Remembrance Alliance working definition of antisemitism.

The United Arab Emirates

2017 ◽  
Author(s):  
Rehab al-Kilani
Keyword(s):  
United Arab Emirates ◽  
Women's Status ◽  
The Novel ◽  
Women’S Status ◽  
New Millennium

This chapter focuses on the development of the novel genre in the United Arab Emirates (UAE). It begins with a background on the founding of the Union and the beginnings of Emirati literature, including the novel, and continues with a discussion of novels produced in the first three decades of the UAE. The chapter then shows that the Emirati novel began to take a new, bolder, and more experimental turn during the first decade of the new millennium, citing works that primarily tackle issues related to women’s status in society. It also considers trends in the novel genre since 2010, a period of transition for the Emirati novel.

The Body's Testimony: Dramatic Witness in the Eichmann Trial

Paragraph ◽  
2017 ◽  
Vol 40 (3) ◽  
pp. 259-278
Author(s):  
Cathy Caruth
Keyword(s):  
Historical Trauma ◽  
Epistemological Question ◽  
The Holocaust ◽  
History Of ◽  
The Moment

This article takes as its focus the question, raised by Shoshana Felman and Dori Laub in their 1995 book Testimony: Crises of Witnessing in Literature, Psychoanalysis and History, of what it means for an event to be constituted by the collapse of its witness. The discussion centres on a reading of the moment Yehiel Dinoor, a writer also known as K-Zetnik and one of the few eyewitnesses at the 1961 Eichmann trial in Jerusalem, falls out of the stand and into a coma while attempting to provide his testimony. By rethinking this historical trauma as a ‘collapse of witnessing’, I suggest Felman and Laub shift the focus from a purely cognitive or epistemological question — a problem of knowing and not-knowing — to a question of communicating to others: a problem of address. It is the circumstance of having ‘no one to whom one could say Thou’, as Laub puts it (Testimony, 82), that constitutes the Holocaust, for the victims, as what the authors call an ‘event without a witness’.

Ghost Meat

2021 ◽  
Vol 59 (2) ◽  
pp. 66-80
Author(s):  
Catherine Belling
Keyword(s):  
Real World ◽  
Historical Trauma ◽  
The Novel ◽  
Linear Topology ◽  
The Real ◽  
Ethical Implications ◽  
The Past ◽  
Fictional Representations ◽  
The Devil

Abstract The ambivalent attraction of feeling horror might explain some paradoxes regarding the consumption of representations of atrocities committed in the real world, in the past, on actual other people. How do horror fictions work in the transmission or exploitation of historical trauma? How might they function as prosthetic memories, at once disturbing and informative to readers who might otherwise not be exposed to those histories at all? What are the ethical implications of horror elicited by fictional representations of historical suffering? This article engages these questions through the reading of Mo Hayder’s 2004 novel The Devil of Nanking. Hayder exploits horror’s appeal and also—by foregrounding the acts of representation, reading, and spectatorship that generate this response—opens that process to critique. The novel may productively be understood as a work of posttraumatic fiction, both containing and exposing the concentric layers of our representational engagement with records of past atrocity. Through such a reading, a spherical rather than linear topology emerges for history itself, a structure of haunted and embodied consumption.

Sign in / Sign up

Export Citation Format

Share Document