scholarly journals The Age of the ‘Socialist-Wahhabi-Nationalist Revolutionary’: The Fusion of Islamic Fundamentalism and Socialism in Tatar Nationalist Thought, 1898–1917

Genealogy ◽  
2019 ◽  
Vol 3 (4) ◽  
pp. 58 ◽  
Author(s):  
Ross

This article examines the relationship among radical socialism, Islamic balanced reform and Tatar national identity in early twentieth-century Russia. In contrast to previous studies, which either have studied these various intellectual strains individually or have positioned Islamic legal and theological reforms as precursors to the emergence of a secular national identity among Kazan’s Tatars, I will argue that Tatar intellectuals’ positions on theology, socio-economic organization, and national identity were mutually reinforcing. Supporters of nationalism also embraced socialism and Islamic balanced reform because they saw all three ideologies as egalitarian and liberating.

2019 ◽  
Vol 49 (2) ◽  
pp. 290-303
Author(s):  
Richard Howard

Irish science fiction is a relatively unexplored area for Irish Studies, a situation partially rectified by the publication of Jack Fennell's Irish Science Fiction in 2014. This article aims to continue the conversation begun by Fennell's intervention by analysing the work of Belfast science fiction author Ian McDonald, in particular King of Morning, Queen of Day (1991), the first novel in what McDonald calls his Irish trilogy. The article explores how McDonald's text interrogates the intersection between science, politics, and religion, as well as the cultural movement that was informing a growing sense of a continuous Irish national identity. It draws from the discipline of Science Studies, in particular the work of Nicholas Whyte, who writes of the ways in which science and colonialism interacted in late nineteenth and early twentieth-century Ireland.


2021 ◽  
Vol 7 (2) ◽  
pp. 151-160

In the early twentieth-century, the concepts of Hindutva, Samyavada or Nationalism and national identity, reconstructed amid currents of globalization and neo-colonialism. During this period, the calls for an independent India reached its height. While, Mohandas Gandhi and Jawaharlal Nehru believed modern India’s strength depended on incorporating the solidarities of all Indians as they stood on the precipice of the postcolonial age, Veer Vinayak Damodar Savarkar (1883-1966), an ethnocentric nationalist, held that a strong Hindu nation was the only way to guarantee India’s security against the Muslim other and the British imperialism. Being the philosopher of Hindutva, Savarkar represented the ethno-nationalistic component to Hindu nationalism and looked to cultural motifs in order to unify the “true” people of India. He, therefore, wrote glorified histories of India and its millennia-old cultural traditions in his essays. This article analyzes and historically contextualizes the timing and the rhetorical style of V. D. Savarkar’s infamous extended essay “Essentials of Hindutva”. Received 9th December 2020; Revised 2nd March 2021; Accepted 20th March 2021


Author(s):  
Tōru Tani

This chapter is an introduction to Japanese phenomenology, which was brought to Japan in the early twentieth century by Nishida Kitarō and others, soon after Husserl launched the movement in Germany. Beginning with a brief historical and cultural overview, the chapter focuses on four major phenomenologists: Sakabe Megumi, Nitta Yoshihiro, Noé Keiichi, and Washida Kiyokazu. Each of the four, each in a different way, articulates a fundamental aspect of Japanese phenomenology: the criticism of subject-object dualism and the attending idea of an autonomous being-in-itself. All attempt to inquire more deeply into the nondual dimensions underlying that dualism: Sakabe through an inquiry into betweenness (aida or awai), encounter, and reflection (utsushi); Nitta by probing the depths of “verticality” and “mediality”; Noé by investigating the relationship between narrative and experience; and Washida by transgressing the borders of philosophy and pursuing more “reversibility” in human relationships.


Author(s):  
Greg Thomas

This book presents the first in-depth account of the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s-70s. Concrete poetry was a literary and artistic style which reactivated early-twentieth-century modernist impulses towards the merging of artistic media while simultaneously speaking to a gamut of contemporary contexts, from post-1945 social reconstruction to cybernetics, mass media, and the sixties counter-culture. The terms of its development in England and Scotland also suggest new ways of mapping ongoing complexities in the relationship between those two national cultures, and of tracing broader sociological and cultural trends in Britain during the 1960s-70s. Focusing especially on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houédard, and Bob Cobbing, Border Blurs is based on new and extensive archival and primary research. It fills a gap in contemporary understandings of a significant literary and artistic genre which has been largely overlooked by literary critics. It also sheds new light on the development of British and Scottish literature during the late twentieth century, on the emergence of intermedia art, and on the development of modernism beyond its early-twentieth-century, urban Western networks.


2020 ◽  
pp. 168-195
Author(s):  
Christopher Morton

Chapter 7 examines Evans-Pritchard’s photographic record of the Nuer rite of gorot, witnessed in 1936, and raises questions about the relationship between photography and participant-observation as a core research method in early twentieth-century anthropology. The chapter explores the question of why Evans-Pritchard’s record of this ritual is characterized by a sustained visual engagement with two distinct stages of the rite, and why other aspects of the ceremony are not recorded. In order to explore this question, the chapter proposes the model of Evans-Pritchard as ‘participant-photographer’—a model that understands his involvement with the ritual as being composed of periods of photographic engagement interposed with observation and note-taking. Placing Evans-Pritchard back into the field through a careful examination of his fieldwork records of a particular event enables us to gain a new insight into not just his fieldwork methods, but his proximity, involvement, and perspective on key elements of the ritual as they unfolded.


Author(s):  
Joseph Lawson

This chapter considers the history of alcohol in Nuosu Yi society in relation to the formal codification of a Yi heritage of alcohol-related culture, and the question of alcohol in Yi health. The relationship of newly invented tradition to older practice and thought is often obscure in studies that lack historical perspective. Examining the historical narratives associated with the exposition of a Yi heritage of alcohol, this study reveals that those narratives are woven from a tapestry of threads with histories of their own, and they therefore shape present-day heritage work. After a brief overview of ideas about alcohol in contemporary discourses on Yi heritage, the chapter then analyses historical texts to argue that many of these ideas are remarkably similar to ones that emerged in the context of nineteenth and early twentieth century contact between Yi and Han communities.


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