scholarly journals Animals in Saami Shamanism: Power Animals, Symbols of Art, and Offerings

Religions ◽  
2021 ◽  
Vol 12 (4) ◽  
pp. 256
Author(s):  
Tiina Äikäs ◽  
Trude Fonneland
Keyword(s):  
Material Culture ◽  
Interview Data ◽  
Spiritual Practices ◽  
Culture Studies ◽  
Northern Norway ◽  
The Past ◽  
Material Culture Studies ◽  
Core Concepts ◽  
Combine Material

In this paper, we study the role of power animals in contemporary Saami shamanism and how past and present are entwined in the presentation of power animals. In the old Saami worldviews, in addition to animals, spirits and sacred rocks (sieidi, SaaN) were also considered to be able to interact with people. Animals were an important part of offering rituals because livelihood and rituals were intertwined. Past “religions” are used as an inspiration for contemporary shamanistic practices, in line with one of late modernity’s core concepts, namely creativity. Present-day shamanistic practices can be described as ritual creativity, and they combine traces of old and new ritual activities. At the shamanistic festival Isogaisa, organized in northern Norway, these different roles of animals and ritual creativity become evident. Here, animals appear as spirit animals, as well as decorative elements on drums and clothes and as performance. In this paper, we combine material culture studies, interview data, and participatory observations in order to reflect the meanings and use of power animals in contemporary spiritual practices. How are traces of the past used in creating contemporary spirituality? How are animals and their artistic presentations entangled in contemporary shamanism?

Stone Tools

2012 ◽  
Author(s):  
Rodney Harrison
Keyword(s):  
Nineteenth Century ◽  
Material Culture ◽  
Stone Tools ◽  
Stone Tool ◽  
History Of Archaeology ◽  
Culture Studies ◽  
Old World ◽  
Material Culture Studies ◽  
History Of

The focus of this article is stone tools. The history of stone tool research is linked integrally to the history of archaeology and the study of the human past, and many of the early developments in archaeology were connected with the study of stone artefacts. The identification of stone tools as objects of prehistoric human manufacture was central to the development of nineteenth-century models of prehistoric change, and especially the Three Age system for Old World prehistory. This article draws on concepts derived from interdisciplinary material culture studies to consider the role of the artefact after being discarded. It suggests that it is impossible to understand the meaning or efficacy of stone tools without understanding their ‘afterlives’ following abandonment. This article aims to complement contemporary metrical studies of the identification of stone tools and the description of their production. A brief history of the stone tools is explained and this concludes the article.

scholarly journals Wonderful Things? A Consideration of 3D Modelling of Objects in Material Culture Research

2018 ◽  
Vol 4 (1) ◽  
pp. 97-113 ◽  
Author(s):  
Barry Molloy ◽  
Marina Milić
Keyword(s):  
Material Culture ◽  
3D Models ◽  
3D Modelling ◽  
Theory And Practice ◽  
Culture Studies ◽  
Material Culture Studies ◽  
Gradual Development ◽  
3D Digital Models ◽  
Archaeological Objects

Abstract The role of 3D modelling in archaeology is increasing exponentially, from fieldwork to architecture to material culture studies. For the study of archaeological objects the roles of digital and print models for public engagement has been much considered in recent literature. For model makers, focus has typically been placed on exceptional and visually striking objects with inherent appeal. In contrast, this paper explores some of the potential roles for 3D digital models for routine artefact research and publication. Particular emphasis is placed on the challenges this technology raises for archaeological theory and practice. Following a consideration of how 3D models relate to established illustration and photographic traditions, the paper evaluates some of the unique features of 3D models, focussing on both positive and negative aspects of these. This is followed by a discussion of the role of potential research connections between digital and craft models in experimental research. Our overall objective is to emphasise a need to engage with the ways in which this gradual development has begun to change aspects of longestablished workflows. In turn, the increasing use of this technology is argued to have wider ramifications for the development of archaeology, and material culture studies in particular, as a discipline that requires reflection.

scholarly journals A Different, Different Direction

2020 ◽  
Vol 14 (1-2) ◽  
pp. 1-5
Author(s):  
Jason Baird Jackson
Keyword(s):  
Material Culture ◽  
Indiana University ◽  
Culture Studies ◽  
New Developments ◽  
The Past ◽  
Material Culture Studies ◽  
Folklore Studies ◽  
Review Editor

In an editorial, Museum Anthropology Review editor Jason Baird Jackson discusses new developments for the journal, highlighting its new status as a publication of the Indiana University Press. The move of the journal’s publishing home from the Mathers Museum of World Cultures to the Indiana University Press necessitates reversing an editorial plan previously announced. As has been true for all but the past year of its history, the journal welcomes scholarly and practitioner contributions from across the full breadth of the fields of museum anthropology, museum-based folklore studies, and material culture studies.

The Material‐Cultural Turn

2012 ◽  
Author(s):  
Dan Hicks
Keyword(s):  
Material Culture ◽  
Cultural Anthropology ◽  
History Of Ideas ◽  
Paradigm Shifts ◽  
Culture Studies ◽  
The Past ◽  
Material Culture Studies ◽  
History Of ◽  
New Ideas ◽  
Cultural Turn

The terms ‘material culture’ and ‘material culture studies’ emerged, one after another, during the twentieth century in the disciplines of archaeology and socio-cultural anthropology, and especially in the place of intersection between the two: anthropological archaeology. The purpose of this article, however, is to excavate the idea of ‘material culture studies’, rather than to bury it. Excavation examines the remains of the past in the present and for the present. It proceeds down from the surface, but the archaeological convention is to reverse this sequence in writing: from the past to the present. In the discussion of the history of ideas and theories, a major risk of such a chronological framework is that new ideas are narrated progressively, as paradigm shifts. The main argument of the article relates to the distinctive form taken by the ‘cultural turn’ in British archaeology and anthropology during the 1980s and 1990s.

Drafted into a Foreign War?

Rhizomata ◽  
2020 ◽  
Vol 8 (2) ◽  
pp. 183-217
Author(s):  
Matthew Sharpe
Keyword(s):  
Ancient Philosophy ◽  
The Self ◽  
Spiritual Practices ◽  
Way Of Life ◽  
Technologies Of The Self ◽  
Analytic Tradition ◽  
Modern Conception ◽  
The Past ◽  
Rational Inquiry

Abstract This paper examines the central criticisms that come, broadly, from the modern, ‘analytic’ tradition, of Pierre Hadot’s idea of ancient philosophy as a way of life.: Firstly, ancient philosophy just did not or could not have involved anything like the ‘spiritual practices’ or ‘technologies of the self’, aiming at curing subjects’ unnecessary desires or bettering their lives, contra Hadot and Foucault et al. Secondly, any such metaphilosophical account of putative ‘philosophy’ must unacceptably downplay the role of ‘serious philosophical reasoning’ or ‘rigorous argument’ in philosophy. Thirdly, claims that ancient philosophy aimed at securing wisdom by a variety of means including but not restricted to rational inquiry are accordingly false also as historical claims about the ancient philosophers. Fourthly, to the extent that we must (despite (3)) admit that some ancient thinkers did engage in or recommend extra-cognitive forms of transformative practice, these thinkers were not true or ‘mainline’ philosophers. I contend that the historical claims (3) and (4) are highly contestable, risking erroneously projecting a later modern conception of philosophy back onto the past. Of the theoretical or metaphilosophical claims (1) and (2), I argue that the second claim, as framed here, points to real, hard questions that surround the conception(s) of philosophy as a way of life.

Living by the Sword

2020 ◽  
Author(s):  
Kristen B. Neuschel
Keyword(s):  
Material Culture ◽  
Social History ◽  
English History ◽  
Culture Studies ◽  
Prestige Goods ◽  
Material Culture Studies ◽  
French And English ◽  
Warrior Culture

This book sharpens the readers' knowledge of swords as it traverses through a captivating 1,000 years of French and English history. The book reveals that warrior culture, with the sword as its ultimate symbol, was deeply rooted in ritual long before the introduction of gunpowder weapons transformed the battlefield. The book argues that objects have agency and that decoding their meaning involves seeing them in motion: bought, sold, exchanged, refurbished, written about, displayed, and used in ceremony. Drawing on evidence about swords in the possession of nobles and royalty, the book explores the meanings people attached to them from the contexts in which they appeared. These environments included other prestige goods such as tapestries, jewels, and tableware — all used to construct and display status. The book draws on an exciting diversity of sources from archaeology, military and social history, literature, and material culture studies to inspire students and educated lay readers to stretch the boundaries of what they know as the “war and culture” genre.

The Role of the Constitutional Court in the Development of the Rule of Law in Kosovo

2018 ◽  
Vol 43 (3) ◽  
pp. 274-313
Author(s):  
Enver Hasani
Keyword(s):  
Material Culture ◽  
Rule Of Law ◽  
Constitutional Court ◽  
Constitutional History ◽  
Constitutional Courts ◽  
The Rule Of Law ◽  
The Past ◽  
History Of ◽  
Communist Countries

Kosovo’s Constitutional Court has played a role of paramount importance in the country’s recent history. The author uses a comparative analysis to discuss the role of the Court in light of the work and history of other European constitutional courts. This approach sheds light on the Court’s current role by analyzing Kosovo’s constitutional history, which shows that there has been a radical break with the past. This approach reveals the fact that Kosovo’s current Constitution does not reflect the material culture of the society of Kosovo. This radical break with the past is a result of the country’s tragic history, in which case the fight for constitutionalism means a fight for human dignity. In this battle for constitutionalism, the Court has been given very broad jurisdiction and a role to play in paving the way for Kosovo to move toward Euro-Atlantic integration in all spheres of life. Before reaching this conclusion, the author discusses the specificities of Kosovo’s transition, comparing it with other former communist countries. Among the specific features of constitutionalism in Kosovo are the role and position of the international community in the process of constitution-making and the overall design of constitutional justice in Kosovo. Throughout the article, a conclusion emerges that puts Kosovo’s Constitutional Court at the forefront of the fight for the rule of law and constitutionalism of liberal Western provenance.

scholarly journals Slaves’ dress between representation and materiality

2017 ◽  
Vol 15 (2) ◽  
pp. 221
Author(s):  
Isabela Cristina Suguimatsu
Keyword(s):  
Eighteenth Century ◽  
Material Culture ◽  
Social Life ◽  
Historical Research ◽  
Culture Studies ◽  
Social Barriers ◽  
Descriptive Approach ◽  
The 1960S ◽  
The Ideal

Since the 1960s the focus of historical research about dress and clothing turned from a purely descriptive approach to a semiotic one: researches have started aiming at the representations and tried to understand the symbols behind the objects. Resting on the so called material culture studies, the objective of this article is to conceive dress no more subordinate to the dimension of the ideal meanings, but rather as materiality actively used in the process of signifying and making of social life. In the article I try to understand the role of dressing for “being a slave” in eighteenth-century Brazil: a society that valued ideals expressed in European fashion, but imposed social barriers for accessing them – for the slaves wear the materiality linked to such ideals. O vestuário dos escravos entre representação e materialidade Desde a década de 1960, os estudos sobre a indumentária e o vestuário passaram de uma abordagem puramente descritiva para outra baseada na semiótica: buscou-se atingir as representações e entender os símbolos por trás dos objetos. Com base nos chamados estudos da cultura material, o objetivo desse artigo é pensar o vestuário não mais subordinado à dimensão dos significados ideais, mas como materialidade ativamente usada no processo de significação e conformação da vida social. Para tanto, busca-se entender o papel do vestuário na constituição do “ser escravo” no Brasil oitocentista: em uma sociedade que valorizava ideais expressos na moda europeia, mas que criava barreiras para o acesso irrestrito a esses ideais e para o uso, pelos escravos, da materialidade a eles associada.

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