scholarly journals The Crucifix and the Art Gallery: An Odyssey from Religious Material Culture to Fine Art

Religions ◽  
2021 ◽  
Vol 12 (7) ◽  
pp. 537
Author(s):  
Cynthia A. Hogan
Keyword(s):  
New York ◽  
Material Culture ◽  
Fine Arts ◽  
Fine Art ◽  
Religious Studies ◽  
Medieval Art ◽  
Art Gallery ◽  
The University ◽  
Religious Material

This article focuses the epistemological processes through which a thirteenth-century Spanish Crucifix in less than pristine condition transformed from an obscure rural Catholic devotional into an art commodity and celebrated work of medieval art now exhibited at the Memorial Art Gallery of the University of Rochester (MAG) in Rochester, New York. By situating the Spanish Crucifix within the nascent art historical epistemology and museum movement in the late eighteenth to early twentieth century, this article offers a case study in how religious material culture becomes embedded in capitalistic systems as products or commodities, yet suggests the ways that critical religious studies approaches might enhance our understanding of religious material culture in fine arts museums.

scholarly journals James Moses. Trends in Rare Books and Documents Special Collections Management. 2013 Edition. New York: Primary Research Group, 2013. 64p. $75 (ISBN 978-1-57440-226-1).

2014 ◽  
Vol 15 (1) ◽  
pp. 78-80
Author(s):  
Amy Chen
Keyword(s):  
New York ◽  
Public Library ◽  
Ohio State University ◽  
State University ◽  
Collections Management ◽  
Special Collections ◽  
Rare Books ◽  
The Ohio State University ◽  
The University

Trends in Rare Books and Documents Special Collections Management, 2013 edition by James Moses surveys seven special collection institutions on their current efforts to expand, secure, promote, and digitize their holdings. The contents of each profile are generated by transcribed interviews, which are summarized and presented as a case study chapter. Seven special collections are discussed, including the Boston Public Library; AbeBooks; the University of Illinois at Urbana-Champaign; Washington University of St. Louis; the Archives and Rare Books Library, University of Cincinnati; the Rare Books and Manuscript Library at The Ohio State University; and the Manuscript, Archives, and Rare . . .

Urban Achievement in Early Modern Europe: Golden Ages in Antwerp, Amsterdam and London. Edited by Patrick Karl O'Brien, Derek J. Keene, Herman Van der Wee, and Majolein't Hart. Cambridge: Cambridge University Press, 2001. Pp. xiv, 361. $64.95.

2003 ◽  
Vol 63 (1) ◽  
pp. 249-250
Author(s):  
Anne E. C. McCants
Keyword(s):  
New York ◽  
Material Culture ◽  
Early Modern ◽  
Early Modern Europe ◽  
Urban Centers ◽  
Science Culture ◽  
The Arts ◽  
Modern Development ◽  
Modern Europe

This edited volume is the result of a series of interdisciplinary conferences and seminars sponsored by the Renaissance Trust between 1990 and 1995 to examine “Achievement in Intellectual and Material Culture in Early Modern Europe” (p. 3). Historians of science, culture, the economy, and architecture and urban design were brought together to reflect on the intersections between past achievements in their respective fields within urban centers, as well as on the transfer of those achievements from one urban place to the next over time. These scholars were also called upon to consider the connections between the findings of more traditional “case-study” urban history and the grand narratives of modern development and geopolitical conflict. All of the contributors to this volume agreed to address the same meta question: “Why do recognized and celebrated achievements, across several fields of endeavor, tend to cluster within cities over relatively short periods of time?” (p. 5). In a schema entirely consistent with the Braudelian paradigm of early modern development (Fernand Braudel, The Perspective of the World. New York, 1981–84.), three cities in particular were chosen as representative of these episodic peaks of early modern achievement: Antwerp, Amsterdam, and London in roughly the sixteenth, seventeenth, and eighteenth centuries respectively. The chapters of the book are thus organized in groups of three, with one chapter devoted to each area of endeavor in each of the three cities, beginning with their material bases in economic growth and ending with high culture as exemplified by the arts, books, and scientific research and discovery.

The Library of the Barber Institute of Fine Arts at the University of Birmingham

2010 ◽  
Vol 35 (4) ◽  
pp. 24-28 ◽  
Author(s):  
David Pulford
Keyword(s):  
Art History ◽  
Fine Arts ◽  
Art Gallery ◽  
Art Galleries ◽  
University Library ◽  
The University

The Barber Institute of Fine Arts is acknowledged as one of the finest small art galleries in Europe. It has a richly resourced library which functions both as a curatorial library for the Barber’s curators and as part of the University of Birmingham’s network of site libraries. Students of art history thus benefit from the combined resources of a specialist art gallery library and a major university library. The Barber also houses a visual resources library, music library and coin study room.

Fine arts libraries in British Columbia: culture on the West Coast of Canada

1999 ◽  
Vol 24 (3) ◽  
pp. 5-7
Author(s):  
Melva J. Dwyer
Keyword(s):  
British Columbia ◽  
Fine Arts ◽  
Public Library ◽  
Art Gallery ◽  
Public College ◽  
University Of British Columbia ◽  
The North ◽  
Arts And Culture ◽  
The University ◽  
The North Pacific

Fine arts and culture have existed in British Columbia from the time that the First Peoples came to the North Pacific coast of Canada. Vancouver’s first fine arts library was established in 1930 at the Vancouver Public Library; significant collections have subsequently been developed at the Vancouver Art Gallery, Emily Carr Institute of Art & Design and the University of British Columbia. They serve a diverse clientele: students, artists and researchers. Outlook, a province-wide network, provides access via the Internet to library catalogues of public, college and institution libraries throughout the Province.

scholarly journals CULTURAL POLICY AND THE RISE OF MULTICULTURALISM STUDY OF FINE ARTS EXHIBITION IN THE 2000s, THE NATIONAL GALLERY OF INDONESIA

2020 ◽  
Vol 5 (1) ◽  
Author(s):  
Citra Smara Dewi
Keyword(s):  
Material Culture ◽  
Cultural Policy ◽  
Fine Arts ◽  
National Gallery ◽  
Art Exhibition ◽  
Historical Method ◽  
Cultural Policies ◽  
Method Approach

This study focuses on the role of cultural policy in the rise of multiculturalism with a case study of the Indonesian Art Exhibition, Pameran Seni Rupa Nusantara (PSRN) 2000s, which was initiated by a cultural institution, the National Gallery of Indonesia (GNI). PSRN exhibition is one of the important programs of GNI because it gives space to the artists of the archipelago - not just Java and Bali - to present works of modern-contemporary art rooted in local wisdom. As a nation that has the characteristics of pluralism, the spirit of multiculturalism in art has become very significant, especially in the middle of the Disruption era which is "full of uncertainty". This article uses qualitative research with a historical method approach: heuristics, verification, interpretation and historiography, namely the process of writing history based on proven facts. Material Culture analysis approach, shows how history may be read and interpreted through objects/ artefacts/findings used by artists in their works. The results show that the Cultural Policy implemented by GNI is a combination of cultural policies that are authoritarian with the cultural policies of the Command, with an emphasis on the strength of the Potential Localization owned by the Indonesian people.

scholarly journals Review of Poor Queer Studies: Confronting Elitism in the University by Matthew Brim (Duke University Press)

Lateral ◽  
2021 ◽  
Vol 10 (2) ◽  
Author(s):  
Adrian Switzer
Keyword(s):  
New York ◽  
Queer Studies ◽  
New York University ◽  
General Applicability ◽  
Staten Island ◽  
Career Training ◽  
Part Time ◽  
Duke University ◽  
The University

The review focuses on the practical work of Poor Queer Studies. Rather than retheorize queer studies from the class perspective of "rich" and "poor," Brim makes a case study of his work as a professor of queer studies at the College of Staten Island (CSI). Insisting on the particularity of his and his students’ relationship to queer studies, Brim makes an example of the work they do together in the classroom, and the ways they live their studies on public transit, at home with their families, and in their part-time jobs. This review questions the extent to which poor queer studies differs from the modern university’s reduction of all education to career-training. Brim’s praxis of poor queer studies is always undertaken with individual students in specific socio-economic circumstances—a particularity that makes it different than market-driven job-training. This review also raises questions about the general applicability of this case study. Would poor queer studies work elsewhere as it does at CSI? Berlant’s idea of exemplarity is helpful in answering this question. Unlike examples that confirm a norm, there are examples that change norms. Brim’s example of poor queer studies works to exemplarily change what counts as normal. Practically, this means no longer thinking of queer studies as operating without class distinction—and reclaiming part of the work of the discipline from seemingly classless rich queer studies at places like Yale and New York University.

Abdel Aleem, Mariam (1930–2010)

2018 ◽  
Author(s):  
Sarah Dwider
Keyword(s):  
New York ◽  
Fine Arts ◽  
The United States ◽  
Bachelor's Degree ◽  
University Of Southern California ◽  
Folk Culture ◽  
Graphic Arts ◽  
Founding Member ◽  
The University ◽  
Venice Biennale

Mariam Abdel Aleem was a prominent Egyptian graphic artist known for her printed works and engraving that stitched together symbols from ancient and contemporary Egypt to create abstracted compositions. These compositions often incorporated Arabic text and featured both hand-written calligraphy and appropriated or collaged text. In addition to her printed works, Abdel Aleem also produced paintings that focused on representations of Egyptian folk culture. Abdel Aleem graduated from the Higher Institute of Art Education in Cairo with a bachelor’s degree in 1954. In the years following, she studied graphic arts at the University of Southern California and received a master’s degree in Fine Arts in 1957. While in the United States, Abdel Aleem also studied at the Pratt Institute in New York. She taught printmaking as a member of Alexandria University’s Faculty of Fine Arts from its founding in 1958, and was appointed director of the Faculty in 1981. Mariam Abdel Aleem also served as a founding member of both the Association of Fine Artists in Alexandria and the Egyptian Art of Engraving Society. She frequently represented Egypt at international biennials including the Venice Biennale, the Sao Paulo Biennial, and the Graphics Biennial in Norway.

MY WORLD AS I REMEMBER IT: AN INTERVIEW WITH CHRISTOPHER BUTTERFIELD

Tempo ◽  
2017 ◽  
Vol 71 (282) ◽  
pp. 6-17 ◽  
Author(s):  
Anna Höstman
Keyword(s):  
New York ◽  
Fine Arts ◽  
Assistant Professor ◽  
The State ◽  
State University ◽  
School Of Music ◽  
The University ◽  
A Performance

AbstractChristopher Butterfield is a composer and composition teacher. His music has been performed across Canada and in Europe, with recordings on the CBC, Artifact, and Collection QB labels. He is currently the Director of the School of Music in the Faculty of Fine Arts at the University of Victoria. Christopher was born in 1952 in Vancouver, BC. He studied composition at the University of Victoria with Rudolf Komorous and at the State University of New York at Stony Brook with Bülent Arel. He was a performance artist, rock guitar player and composer while living in Toronto between 1977 and 1992, after which he returned to the University of Victoria as Assistant Professor of Composition.I studied composition with Christopher between 2000 and 2005. Earlier this year, I had the opportunity to sit down with him in Victoria. During our interview, I asked him about his life and work, and for his thoughts on how Czech-Canadian composer Rudolf Komorous has influenced composition in Canada over the last few decades.

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