The Self-Identification of an Empire: the Version of Manuel I Komnenos

Author(s):  
П.В. Кузенков

Аннотация В статье прослежены основные направления, по которым в эпоху Мануила I Комнина (1143–1180) проходила идеологическая самоидентификация византийского императора как полноправного наследника римской универсалистской идеи, воплощенной в образе Константина Великого. Разбирается отношение византийских авторов к «Константинову дару» и их успешные попытки приспособить данный фальсификат для укрепления собственной политической идеологии. Впервые в русском переводе приводится послание Фридриха I Барбароссы к императору Мануилу, на примере которого показано неадекватное отношение западноевропейских корреспондентов к идейно-политическому наполнению официальной византийской титулатуры. Постулируется принципиальное расхождение в базовых принципах, терминах, идеологических установках и культурно-религиозном фундаменте греческого и латинского христианства, что способствовало углублению разрыва между Византией и Западом фатальным образом сказалось на судьбе Империи ромеев. Abstract The article traces the main directions along which the ideological self-identification of the Byzantine emperor as a full heir to the Roman universalist idea embodied in the image of Constantine the Great took place in the era of Manuel I Comnenus (1143–1180). The attitude of the Byzantine authors to the «Donation of Constantine» and their successful attempts to adapt this falsification to strengthen their own political ideology is analyzed. The message of Frederick I Barbarossa to Emperor Manuel (1177) is given, for the first time in a Russian translation, as an example showing the inadequate attitude of Western European correspondents to the ideological and political filling of the official Byzantine title. A fundamental discrepancy is postulated in the basic principles, terms, ideological principles and the cultural and religious foundation of Greek and Latin Christianity, which contributed to widening the gap between Byzantium and the West, with fatal affect to the fate of the Eastern Roman Empire.

2015 ◽  
pp. 130-136
Author(s):  
Mikhail V. Grishin

Explores this phenomenon of European culture. The author believe that it was a result of a strong visual influence produced by Japanese art on Western European culture. It was for the first time that the West perceived an alien culture as equal and Japonism may be regarded as an aesthetic reception of Japanese arts related to the European dream about a Kingdom of Beauty.


Antiquity ◽  
1940 ◽  
Vol 14 (54) ◽  
pp. 138-147
Author(s):  
C. S. Jarvis

There is considerable doubt in my mind whether this account of a journey to Petra should appear in a journal of ANTIQUITY’S standard of integrity. The only reason why I have agreed to allow it to be published is that I hope it will arouse interest in this neglected part of the late Roman Empire, with the result that some responsible archaeologist will follow in our footsteps and also see to it that some photographs are taken from the air. This is particularly important, because in the general dun yellow of the desert sand with its outcrops of umber brown rocks, it is extremely difficult when one is on the ground level to decide if one is looking at natural formations or the general lay-out of some vast irrigation system. I realized this the first time I flew from El Arish on the coast to Kosseima, and saw that this stretch of seemingly bare desert I knew so well was dotted thickly with the remains of small stone farm-houses and orchards, and that there was a general scheme of irrigation in every wadi (dry water-course).


2020 ◽  
Vol 54 (2) ◽  
pp. 387-396
Author(s):  
I. V. Stavishenko

The paper provides data on records of 29 species of aphyllophoroid fungi new for the the Khanty-Mansi Autonomous Area — Yugra. Among them 10 species (Amaurodon cyaneus, Amyloxenasma allantosporum, Asterostroma laxum, Byssoporia terrestris, Paullicorticium pearsonii, Pseudomerulius montanus, Sistotrema sernanderi, Skeletocutis alutacea, S. ochroalba, Tubulicrinis orientalis) are published for the first time for Siberia, and 3 species (Scytinostroma praestans, Tomentellopsis zygodesmoides, Tubulicrinis strangulatus) are new for the West Siberia. Data on their locations, habitats and substrates in region are indicated. The specimens are kept in the Museum of the Institute of Plant and Animal Ecology of the Ural Branch of the RAS (SVER).


Author(s):  
S. A. Polkhov ◽  

The article provides a Russian translation of the book IX of «Shincho̅-ko̅ ki». This part of the chronicle narrates the renewal of the war between Nobunaga and Honganji Temple. The followers of the True School of Pure Land besieged in Ozaka managed to inflict painful counterattacks against the forces of the “unifier of Japan”. Nobunaga detachments, trying to capture the Kizu fortress on the outskirts of Ozaka were surrounded and defeated. Ban Naomasa, one of his prominent military leaders, was killed, the army from Ozaka attacked the Tenno̅ji fortress, and only the help immediately rendered by Nobunaga saved the garrison from death. After that, Nobunaga blocked Ozakа on land and at sea. However, the fleet of the Mo̅ri house, which joined the ranks of Nobunaga opponents, and the allies of Mo̅ri were able to defeat the naval forces of Nobunaga and deliver provisions to Ozaka, which allowed Honganji to continue the struggle. Book IX also contains a description of the construction of Azuti Castle and its main tower (tenshu), Nobunaga’s residence. The unique information of the chronicle formed the basis for the further reconstruction of the tenshu’s appearance. The castle became the personification of the wealth and omnipotence of Nobunaga, a reflection of his claims to the role of supreme ruler of Japan. The wall paintings of the main tower halls manifest the influence of Confucianism, Buddhism and Taoism. The key symbols of the images are taken from Chinese political ideology.


2016 ◽  
Vol 33 (1) ◽  
pp. 52-66
Author(s):  
Nesya Shemer

This article suggests a new way of looking at the preeminent methodological principles informing the oeuvre of Yusuf al-Qaradawi, the greatest Muslim scholar of our generation, specificallywith regard to his rulings for and about Muslims living in Europe.The case study presented here is taken from the field of Muslimprayer law, a field that has to date been subjected to very little research.By comparing the discussions of classical Muslim scholarson the topic with the new interpretations proffered by al-Qaradawi,one can notice the process of change undergone by the Shari‘ahconcerning prayer under extraordinary circumstances from Islam’searly days down to the present. We can also see how his politicaloutlooks have influenced his ruling on this issue and the discussionthereof among Muslims who do not reside in the West.


Author(s):  
Marcin Piatkowski

The book is about one of the biggest economic success stories that one has hardly ever heard about. It is about a perennially backward, poor, and peripheral country, which over the last twenty-five years has unexpectedly become Europe’s and a global growth champion and joined the ranks of high-income countries during the life of just one generation. It is about the lessons learned from its remarkable experience for other countries in the world, the conditions that keep countries poor, and challenges that countries need face to grow and become high-income. It is also about a new growth model that this country—Poland—and its peers in Central and Eastern Europe and elsewhere need to adopt to continue to grow and catch up with the West for the first time ever. The book emphasizes the importance of the fundamental sources of growth—institutions, culture, ideas, and leaders—in economic development. It argues that a shift from an extractive society, where the few rule for the benefit of the few, to an inclusive society, where many rule for the benefit of many, was the key to Poland’s success. It asserts that a newly emerged inclusive society will support further convergence of Poland and Central and Eastern Europe with the West and help sustain the region’s Golden Age, but moving to the core of the European economy will require further reforms and changes in Poland’s developmental DNA.


Author(s):  
G. O. Hutchinson

Greek literature is divided, like many literatures, into poetry and prose; but in the earlier Roman Empire, 31 BC to AD 300, much Greek (and Latin) prose was written in one organized rhythmic system. Whether most, or hardly any, Greek prose adopted this patterning has been entirely unclear; this book for the first time adequately establishes an answer. It then seeks to get deeper into the nature of prose-rhythm through one of the greatest Imperial works, Plutarch’s Lives. All its phrases, almost 100,000, have been scanned rhythmically. Prose-rhythm is revealed as a means of expression, which draws attention to words and word-groups. (Online readings are offered too.) Some passages in the Lives pack rhythms together more closely than others; the book looks especially at rhythmically dense passages. These do not occur randomly; they attract attention to themselves, and are marked out as climactic in the narrative, or as in other ways of highlighted significance. Comparison emerges as crucial to the Lives on many levels. Much of the book closely discusses particular dense moments, in commentary form, to show how much rhythm contributes to understanding, and is to be integrated with other sorts of criticism. These remarkable passages make apparent the greatness of Plutarch as a prose-writer: a side not greatly considered amid the huge resurgence of work on him. The book also analyses closely rhythmic and unrhythmic passages from three Greek novelists. Rhythm illuminates both a supreme Greek writer, Plutarch, and three prolific centuries of Greek literary history.


Author(s):  
Robert Louis Stevenson ◽  
Ian Duncan

Your bed shall be the moorcock’s, and your life shall be like the hunted deer’s, and ye shall sleep with your hand upon your weapons.’ Tricked out of his inheritance, shanghaied, shipwrecked off the west coast of Scotland, David Balfour finds himself fleeing for his life in the dangerous company of Jacobite outlaw and suspected assassin Alan Breck Stewart. Their unlikely friendship is put to the test as they dodge government troops across the Scottish Highlands. Set in the aftermath of the 1745 rebellion, Kidnapped transforms the Romantic historical novel into the modern thriller. Its heart-stopping scenes of cross-country pursuit, distilled to a pure intensity in Stevenson’s prose, have become a staple of adventure stories from John Buchan to Alfred Hitchcock and Ian Fleming. Kidnapped remains as exhilarating today as when it was first published in 1886. This new edition is based on the 1895 text, incorporating Stevenson’s last thoughts about the novel before his death. It includes Stevenson’s ‘Note to Kidnapped’, reprinted for the first time since 1922.


Sensors ◽  
2021 ◽  
Vol 21 (5) ◽  
pp. 1736
Author(s):  
Zengchong Yang ◽  
Xiucheng Liu ◽  
Bin Wu ◽  
Ren Liu

Previous studies on Lamb wave touchscreen (LWT) were carried out based on the assumption that the unknown touch had the consistent parameters with acoustic fingerprints in the reference database. The adaptability of LWT to the variations in touch force and touch area was investigated in this study for the first time. The automatic collection of the databases of acoustic fingerprints was realized with an experimental prototype of LWT employing three pairs of transmitter–receivers. The self-adaptive updated weight coefficient of the used transmitter–receiver pairs was employed to successfully improve the accuracy of the localization model established based on a learning method. The performance of the improved method in locating single- and two-touch actions with the reference database of different parameters was carefully evaluated. The robustness of the LWT to the variation of the touch force varied with the touch area. Moreover, it was feasible to locate touch actions of large area with reference databases of small touch areas as long as the unknown touch and the reference databases met the condition of equivalent averaged stress.


2019 ◽  
Vol 82 (2) ◽  
pp. 234-248
Author(s):  
Martin Schieder

Abstract When in 1955/1956, for the first time in divided postwar Germany, a major Picasso exhibition took place in Munich, Cologne, and Hamburg, it came to be a cultural event that reached and emotionalized the German audience, media, and sciences to an unprecedented extent. The exhibition Picasso 1900 – 1955 contributed significantly to the popularization of Picasso at all levels of society and gave the German people access to modern art on a much wider scale than the first documenta held concurrently in Kassel. The undisputed eye-catcher of that spectacular exhibit was Guernica, on display in Germany for the first and only time. Its controversial reception reveals that at that time there was no intention to see the work in Germany in a memorial relationship with Germany’s own historical responsibility. Thus it virtually functioned as a symbol for a collective amnesia of the West German postwar society, whereas the socialist East of the Republic stylized the painting into an anti-fascist icon.


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