scholarly journals МІСЬКА ПІСЕННА СУБКУЛЬТУРА ТА ПІСНІ СІЧОВИХ СТРІЛЬЦІВ У ПРОЦЕСІ РОЗВИТКУ РЕГІОНАЛЬНОЇ ТРАДИЦІЇ ЕСТРАДНО-МУЗИЧНОГО МИСТЕЦТВА ГАЛИЧИНИ

2020 ◽  
Author(s):  
Admink Admink
Keyword(s):  
20Th Century ◽  
Significant Influence ◽  
Popular Song ◽  
Historical Changes ◽  
Multicultural Community ◽  
Established Norm

Висвітлюється процес зародження жанру «вуличної» (батярської) пісні як важливого елементу міської музичної субкультури в контексті принципових історично обумовлених змін у житті полікультурної громади Галичини кінця XIX – першої третини ХХ ст. Розглянуто виняткову за вагомістю у формуванні традицій популярної пісенності Галичини творчість січового стрілецтва та плеяди митців, що несли національну та регіональнупатріотичну символіку, виконували функції своєрідного мистецького протиставлення чужорідним впливам окупаційних режимів. Виявлено, що репертуарна традиція міської пісенної субкультури Галичини, як і творчість митців УСС та її фольклоризовані форми, будучи усталеною нормою широкого народного вжитку для західноукраїнських територій, поступово проектується на подальші процеси жанротворення та має значний впливна тенденції розвитку популярно-естрадної пісенності регіону.Ключові слова: естрадна пісня, патріотична пісня, міська пісенна субкультура, пісні Січових стрільців, регіональна пісенна традиція. The article highlights the process of formation of the genre of street («batiarskiy») song as an important element of the urban musical subculture in the context of fundamental historical changes in the life of the multicultural community of Galicia region at the end of the 19th – the first third of the 20th century. The exceptional importance of the creativity of Sich Riflemen and a whole galaxy of artists, who carried national and regional patriotic symbolism, ,performed the functions of a peculiar artistic opposition to alien influences of the occupation regime in forming of the traditions of the popular song of Galicia is considered in a separate perspective. It is revealed that the repertoire tradition of the urban song subculture of Galicia, as well as the creativity of the Ukrainian Sich Riflemen’s artists and its folklorized forms, being the established norm of widespread popular use for the western Ukrainian territories, is ,,gradually projected on further processes of genre formation and certainly has a significant influence on the trends of popular development.Key words: variety song, patriotic song, urban song subculture, the songs of Sich Riflemen, regional song ,tradition.

scholarly journals ZAERA-POLO’S ARCHITECTURAL COMPASS AS A RESEARCH TOOL FOR MODERN CONCEPTS OF ARCHITECTURAL ENVIRONMENT DESIGN

2021 ◽  
Vol 7 (1) ◽  
pp. 17-23
Author(s):  
Dzhyhil Yuriy ◽  
Keyword(s):  
20Th Century ◽  
Significant Influence ◽  
Modern Architecture ◽  
Evolutionary Tree ◽  
Research Tool ◽  
Environment Design ◽  
Tree Diagram ◽  
National University ◽  
Interactive Map

The article examines the trends in modern architecture, outlined in the studies of architectural critic Alejandro Zaera-Polo and his team. The tool they’ve created was named ‘Interactive Map of Modern Architecture’. Charles Jencks’s ‘Evolutionary Tree’ (diagram of 20th-century architecture) had a significant influence on this tool. The functionality of Zaera-Polo’s map has been examined for five years by the author of this article while tutoring future architects at the Department of Architectural Environment Design at Lviv Polytechnic National University. These examinations allowed us to formulate a number of proposals to improve both - the structure of this map and the methodology of its creation.

Performing activities of Larisa Rudenko (based on archival materials)

2018 ◽  
pp. 93-96
Author(s):  
A. Shylo
Keyword(s):  
20Th Century ◽  
Significant Influence ◽  
Creative Activity ◽  
State Archive ◽  
Music Criticism ◽  
Women's Images ◽  
Central State ◽  
Archival Material ◽  
Vocal Art ◽  
State Archives

The article covers the performance of the famous Ukrainian opera singer Larysa Arkhipivna Rudenko based on archival materials of her Personal Fund [F. 120], which are stored in the Central State Archive-Museum of Literature and Art of Ukraine. The archival material is represented by periodicals of the late 30s and early 80s of the 20th century, in particular, articles about the artist’s creative activity and reviews of musical critics at her concerts. The above archival materials are first introduced into scientific circulation. The article reveals the peculiarities of L. Rudenko’s performance and her role in the development of Ukrainian vocal art in the second half of the 20th century. Unknown pages of the biography and performances of the outstanding opera singer L. A. Rudenko, student of the founder of the Ukrainian vocal school Olena Oleksandrivna Muravieva are considered. The main methods of the work of the outstanding vocal teacher O. Muravieva are described in the words of her famous pupils L. Rudenko and L. Yefremova. The first creative searches by L. Rudenko began during her studies at the Kyiv Tchaikovsky Conservatory. The figure of L. Rudenko is associated with the state archives of Ukraine, in particular: at the National Music Academy of Ukraine named after P. I. Tchaikovsky and presented by documents testifying to the high professionalism of L. Rudenko as a vocal teacher and personal fund of Larisa Rudenko of the Central State Archives-Museum of Literature and Art of Ukraine. The author analyses individual achievements of the performer on the example of her work on operatic parties. The attention is paid to the peculiarities of L. Rudenko’s work on women’s images: the full sound of the singer’s voice is harmoniously combined with a detailed elaborated scene drawing of a role. The performance of L. Rudenko is presented in the coverage of professional music criticism and periodicals. The significant influence of L. Rudenko’s performance on the development of Ukrainian operatic art of the second half of the 20th century has been proven.

Making claims on echoes: Dranem, Cole Porter and the biguine between the Antilles, France and the US

Popular Music ◽  
2014 ◽  
Vol 33 (3) ◽  
pp. 492-508
Author(s):  
Edwin Hill
Keyword(s):  
20Th Century ◽  
West Indian ◽  
Close Reading ◽  
Popular Song ◽  
Jazz Age ◽  
Musical Genre ◽  
The Us ◽  
History Of ◽  
Musical Genres ◽  
Ideological Tensions

AbstractThis paper considers the ways in which the biguine (or ‘beguine’) circulated as a French West Indian musical genre and as a signifier for colonial and island exoticism in non-biguine musical genres during the early to mid-20th century. I begin by suggesting the ways in which the colonial and transnational conditions of its performance have left a history of ideological tensions within popular and academic discussions about the biguine. I then suggest some of the specific ways in which the biguine's circulation functioned in the context of the interwar years and resonated with the discourse and dynamics of ‘Jazz Age Paris’, negrophilia and le tumulte noir. Finally, I offer a close reading of the ways in which French comedian-singer Dranem's ‘La Biguine’ and Cole Porter's ‘Begin the Beguine’ playfully represent the genre in French chanson coloniale and popular song. Rather than viewing the biguine's conditions of performance, or the re-appropriation of the biguine in name only, as the equivalent of the complete musical colonisation and erasure of the genre, I propose that we extend biguine discussion beyond its empirical musicological elements, and lay claim on the echoes of biguine discourse as they resonate through other genres.

scholarly journals Shaer yang di-Pertuan: Tinjuan Historis Relasi Umara dan Ulama di Brunei Darussalam

FIKRAH ◽  
2020 ◽  
Vol 8 (1) ◽  
pp. 157
Author(s):  
Izzah Naqibah Bin Kamis ◽  
Muhammed Sahrin Bin Haji Masri
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Significant Influence ◽  
The State ◽  
Brunei Darussalam ◽  
The 19Th Century

Umara and Ulama are two groups who are very influential and has very basic relationships on the State of Brunei Darussalam's growth. Basically, Ulama are known as someone who inherits Anbiya's character, they play a role as murshid in Malay society. This phenomenon has been explained by the importance of their names in some rare materials such as manuscripts, stones and artifacts, <em>hikayat</em> and so on. But The Ulama rarely present it as a poetic/syair approach. The work of "Shaer Yang Di-Pertuan" is one of the poems/syair ever written and can be considered as the most important part of Brunei Darussalam. This poems/syair was written by Pehin Royal Khatib Awang Abdul Razak bin Hasanuddin, a famous Ulama from Brunei, around the late 19th and early 20th centuries. This poems/syair was produced by Pehin Siraja Khatib Awang Abdul Razak bin Hasanuddin, a famous Brunei Ulama around the end of the 19th century and the beginning of the 20th century. There are many important events during the reign of Sultan Muhammad Jamalul Alam II (26th Sultan of Brunei) featured in this poems/syair. Based on it background, this study will explain some of the key components of the "Syaer Yang Di-Pertuan". In addition, there are some explanations of how the umara-ulama relationship works at the same time will highlight some of the ulama who involved directly. This is because they have a significant influence on the struggle that took place at that time, especially in spreading Islam in the NBD and its role in the development of nationalism and governance in Brunei Darussalam

scholarly journals Jean Gottmann‘s Atlantic "Transhumance" and the development of his spatial theory

Finisterra ◽  
2012 ◽  
Vol 33 (65) ◽  
Author(s):  
Luca Muscarà
Keyword(s):  
20Th Century ◽  
Spatial Model ◽  
Political Geography ◽  
Spatial Theory ◽  
Historical Changes ◽  
Two Sides

This paper analyses Gottemann's spatial model in relation to his complex biography which took place during some of the great historical changes of the 20th century. In particular, it relates the concept of Megalopolis to his theoretical wrigtings in political geography. The development of the latter ones could not be fully understood without referece to his "transhumance" between the two sides of the Atlantic from 1941 to 1961.

scholarly journals Wpływ logiki formalnej na kształtowanie się polskiej terminologii gramatycznej w drugiej połowie XX wieku

2020 ◽  
Vol LXXVI (76) ◽  
pp. 71-80
Author(s):  
Maciej Grochowski
Keyword(s):  
20Th Century ◽  
Significant Influence ◽  
Argument Structure ◽  
Scientific Activity ◽  
Formal Logic ◽  
The Other ◽  
New Methods ◽  
History Of ◽  
Polish Language ◽  
Predicate Argument Structure

Językoznawcy polscy, teoretycy języka, urodzeni w latach trzydziestych XX wieku, którzy rozpoczęli swoją działalność naukową w latach pięćdziesiątych XX wieku, poszukiwali nowych metod opisu gramatycznego języka polskiego. Istotny wpływ na liczne prace z zakresu gramatyki polskiej Andrzeja Bogusławskiego, Stanisława Karolaka, Zuzanny Topolińskiej i innych badaczy tego pokolenia miała metodologia europejskiego strukturalizmu i logiki formalnej. Uczeni posługiwali się wieloma terminami pochodzącymi z rachunku funkcyjnego i rachunku zdań, a także tworzyli nowe, oparte na terminologii logicznej. W tym artykule omawiane są dwa podstawowe terminy logiczne, predykat i implikacja, a następnie dwie grupy terminów gramatycznych na nich opartych. Do pierwszej należy np. wyrażenie predykatywne, struktura predykatowo-argumentowa, a do drugiej implikacja semantyczna i sprzeczność. The influence of formal logic on the development of Polish grammatical terminology in the second half of the 20th century. Summary: The generation of the Polish language theoreticians who were born in the 1930s and started their scientific activity in the 1950s searched for new methods of the grammatical description of Polish. The methodology of European structuralism and formal logic had a significant influence on numerous studies on Polish grammar authored by Andrzej Bogusławski, Stanisław Karolak, Zuzanna Topolińska, and by other scholars of the same generation. They used terms taken from functional and sentential calculi, and created new ones that were based on logical terminology. The article first discusses two basic terms used in logic, namely, predicate and implication, to then address two sets of grammatical terms which are based on the logical terms. The first set includes terms such as e.g. predicative expression, predicate-argument structure, whereas the other set contains terms such as semantic implication, contradiction. Keywords: history of Polish linguistics, grammar, semantics, formal logic, terminology

“We Didn’t Start the Fire”: What Can Billy Joel Teach Us About the External Environment?

2021 ◽  
pp. 237929812110401
Author(s):  
Nicholas D. Rhew ◽  
Arlise P. McKinney
Keyword(s):  
Strategic Management ◽  
Undergraduate Students ◽  
External Environment ◽  
Popular Song ◽  
Environment Impact ◽  
Historical Changes ◽  
Face To Face ◽  
Current Trends ◽  
Analysis Tools ◽  
External Analysis

General and strategic management courses frequently provide external analysis tools through which students identify, classify, and assess how changes in the general external environment impact industries and firms. In this exercise, we facilitate analysis of the general environment through a popular song from the 1980s. Through analyzing an event or change mentioned in the lyrics within a general environment framework, students learn how that event or change influenced industries or firms. This process allows students to see the eventualities of historical changes on industries and firms of that time, which develops their skills in assessing the possible impacts of current trends on today’s industries and firms. This exercise is best suited for undergraduate students in a face-to-face introductory management or strategic management course; however, it could be adapted for use online.

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