Repensar el aprendizaje de la memoria a partir del cine. De la reflexi�n te�rica al an�lisis del film: Interstellar (Christopher Nolan, 2014)

Sintaxis ◽  
2020 ◽  
Vol 1 (4) ◽  
pp. 50-66
Author(s):  
Isabel Lincoln Strange Resendiz
Keyword(s):  
Christopher Nolan ◽  
Tzvetan Todorov

El cine aborda temas que son significativos para la comprensi�n de diversas disciplinas. El presente art�culo hace una revisi�n breve en torno a los estudios acad�micos que reflexionan sobre esta cuesti�n para, a continuaci�n, analizar c�mo un texto, un filme como Interstellar (Christopher Nolan, 2014) tiene una carga ideol�gica e hist�rica. La memoria es una parte primordial en la configuraci�n de las sociedades contempor�neas, por lo que su aprendizaje por parte de las generaciones actuales a trav�s del cine puede ser un aporte significativo para la sociedad. Las propuestas te�ricas de Iuri Lotman, Tzvetan Todorov, Terry Eagleton y Robert A. Rosenstone, en torno a la cultura, el lenguaje, la ideolog�a, la memoria y el cine, arrojan una luz en torno al tema.

ARCHITECTURAL DESIGN KEYWORDS OF INCEPTION SPACE

2019 ◽  
Vol 6 (2) ◽  
pp. 61
Author(s):  
Muhammad Heru Arie Edytia ◽  
Zulhadi Sahputra ◽  
Mirza Mirza
Keyword(s):  
Architectural Design ◽  
Positive Emotions ◽  
Main Design ◽  
Architectural Space ◽  
Space Design ◽  
People With Dementia ◽  
Space Potential ◽  
Design Mechanism ◽  
Christopher Nolan ◽  
And Behavior

This paper explains the idea of inception space from Inception (2010), a movie directed by Christopher Nolan, to explore the inception space potential in designing architectural space. Inception space is an architectural space design mechanism that translates the essential experience of space users as an effort to implant idea in the form of positive emotions. In other words, the architectural space is a medium of inception to a space user or a target (mark). The main purpose of inception space design is to affect the target (mark) by planting the idea ‘secretly’. The target is unaware of the intervention and considers the idea presented itself. This process becomes the beginning of an idea to grow in one's mind the beginning of mindset and behavior change. In other words, architects or planners can apply this mechanism to design and influence users so that the design success rate can be improved. The main design keywords as part of the inception process are perception, memory, scenario, layer, and labyrinth. The development of design methods of inception space can be explored and applied to different targets and contexts by applying these design keywords. For example, this design mechanism can be applied to people with dementia who experience memory and visuospatial deficit through wayfinding programming.

STRUKTUR DAN FUNGSI NARASI DALAM CERITA RAKYAT RIAU MUTIARA DARI INDRAGIRI

2018 ◽  
Vol 6 (1) ◽  
pp. 53-63
Author(s):  
Cindillia Agustian
Keyword(s):  
Tzvetan Todorov ◽  
Vladimir Propp

Cerita rakyat merupakan salah satu warisan budaya yang perlu dijaga kelestariannya. Cerita rakyat atau foklor adalah cerita dari suatu daerah yang dituturkan secara lisan dan turun temurun dari satu generasi ke generasi selanjutnya. Dalam setiap cerita rakyat terkandung nilai adat dan budaya yang merepresentasikan masyarakat suatu daerah. Penelitian ini menggunakan cerita rakyat Riau Mutiara dari Indragiri sebagai objek penelitian dengan kalimat, paragraf, dan kata-kata sebagai data primernya. Fokus utama penelitian ini membahas struktur dan fungsi narasi dari cerita rakyat Riau Mutiara dari Indragiri. Metode yang digunakan pada penelitian ini adalah desktiptif kualitatif, dengan alat analisis menggunakan teori struktur narasi dari Tzvetan Todorov dan teori fungsi narasi Vladimir Propp. Hasil dari analisis menunjukan ada empat tahapan dalam struktur narasi, dan sembilan fungsi pelaku yang terdapat dalam cerita rakyat Mutiara dari Indragiri.

State Violence, Justice, And The Suffering Of Others

2021 ◽  
pp. 1-13
Author(s):  
Sandrine Sanos
Keyword(s):  
Cold War ◽  
Soviet Union ◽  
State Violence ◽  
Crimes Against Humanity ◽  
The Soviet Union ◽  
French Writer ◽  
Painful Experience ◽  
Tzvetan Todorov ◽  
Nazi Camps ◽  
Do So

In 1955, Alain Resnais's now canonical documentary, Nuit et Brouillard (Night and Fog) ended with an ominous question, asking “who, among us, is keeping watch from this strange watchtower [of the ruins of Auschwitz] to warn of the arrival of our new executioners” who might bring about the return of the “concentrationary plague?” One man had already made it his mission to do so: the French writer and former political deportee David Rousset. Rousset had shaken the French world of letters and politics with the 1946 publication of L'univers concentrationnaire (The Concentrationary Universe), which warned of the civilizational and moral cesura that the Nazi camps had been. The term quickly became a widely used conceptual framework. Former deportee and Catholic writer Jean Cayrol borrowed from it to write his voice-over to Night and Fog. In 1949, Rousset published another text that created a scandal in Cold War France: an Appeal to “fellow deportees” calling upon them to “investigate the USSR's concentrationary universe” (Kuby, 46). This indictment fiercely divided the French left. In 1950, he brought a libel suit against another former deportee, communist writer Pierre Daix, who had accused him of amnesiac “apoliticism” (Kuby, 65–6; Dean, 61). Just before, in the wake of his Appeal, Rousset had founded an organization against concentrationary regimes with those, like him, who had been political deportees. In 1951, it put the Soviet Union on trial for crimes against humanity. Rousset and his organization were involved in many trials, eager to denounce the “new executioners” who had revived the “scourge of the camps” in the postwar world. For many today, he is an “exceptional” man because, as philosopher and critic Tzvetan Todorov argues, he was not paralyzed by the memory of “this painful experience”; instead, he harnessed it into action against dehumanizing state violence. For Todorov, Rousset had allowed morality to prevail over base political considerations.

Tzvetan Todorov: Theories du symbole. Paris: Seuil, 1977. 8°. 378 S.

POETICA ◽  
1979 ◽  
Vol 11 (3-4) ◽  
pp. 473-481
Author(s):  
Jürgen Link
Keyword(s):  
Tzvetan Todorov

scholarly journals PEDAGOGIA CRÍTICO-PERFORMATIVA: TENSIONAMENTOS ENTRE O PRÓPRIO E O COMUM NO ESPAÇO-TEMPO ESCOLAR

2017 ◽  
Vol 37 (101) ◽  
pp. 29-44 ◽  
Author(s):  
Marcelo de Andrade Pereira
Keyword(s):  
Giorgio Agamben ◽  
Jacques Ranciere ◽  
Jacques Rancière ◽  
Tzvetan Todorov

RESUMO: O presente texto consiste em uma breve reflexão sobre processos de interação entre educadores e educandos no contexto de uma prática pedagógica crítico-performativa. A investigação pretende analisar os elementos que constituem um dos anelos fundantes da prática educacional: o estabelecimento de uma vida em comum em um mundo pautado pelo próprio. Dito de outro modo, o estudo procura refletir, desde os pressupostos da Pedagogia crítico-performativa, da Estética Relacional e de alguns pensadores contemporâneos - como Jacques Rancière, Tzvetan Todorov e Giorgio Agamben -, sobre o jogo entre o próprio (do singular) e o comum (do semelhante e/ou do plural) em processos formativos mediados por prática pedagógica performativa. O trabalho se apresenta, assim, como sendo de caráter ensaístico, efetuando-se por meio da exploração de materiais eminentemente bibliográficos.

Tzvetan Todorov, A Final Interview

2018 ◽  
Vol 35 (2) ◽  
pp. 4-37
Author(s):  
Richard J. Golsan ◽  
Nathan Bracher
Keyword(s):  
Final Interview ◽  
Tzvetan Todorov

scholarly journals A jangada de pedra: entre o (neo)fantástico e o alegórico

2020 ◽  
pp. 199-209
Author(s):  
Maristela Scheuer Deves
Keyword(s):  
Jose Saramago ◽  
Tzvetan Todorov ◽  
Península Ibérica

O desgarramento da Península Ibérica em relação ao restante da Europa, apresentado pelo escritor português José Saramago no romance A jangada de pedra, pode parecer ao leitor uma história fantástica. Entretanto, sua publicação justamente quando Portugal e Espanha ingressavam na então Comunidade Europeia permite a leitura da obra como alegoria – o que, segundo as teorias de Tzvetan Todorov, eliminaria a classificação de fantástico. Utilizando-se, porém, a lente do neofantástico tal como proposto por Jaime Alazraki, é possível admitir o enquadramento do livro nesse gênero. Com o afastamento temporal de mais de três décadas e a consciência de que nem todos os leitores carregam o conhecimento do contexto em que a obra foi escrita, este artigo propõe que as duas leituras de A jangada de pedra são admissíveis: a (neo)fantástica e a alegórica. 

scholarly journals As marcas do gótico na narrativa fantástica de Silvina Ocampo

Organon ◽  
2021 ◽  
Vol 35 (69) ◽  
pp. 1-16
Author(s):  
Rafael Eisinger Guimarães
Keyword(s):  
Silvina Ocampo ◽  
Tzvetan Todorov

A escritora argentina Silvina Ocampo desenvolveu uma produção literária instigante e consistente, com especial destaque para seus sete volumes de contos, nos quais se observa a forte presença do fantástico. No entanto, além dessas características, alguns traços da narrativa gótica podem ser vistos ao longo de sua obra. Tendo em vista tais questões, pretende-se, neste ensaio, verificar como a escrita de Ocampo reconfigura alguns elementos do gênero gótico. Para tanto, este trabalho apropria-se do referencial teórico sobre o fantástico na literatura e a literatura gótica de autoria feminina, em especial as discussões levantadas por Ellen Ledoux (2017), Ellen Moers (1976), Jaime Alazraki (2001), Sarolta Marinovich (1994), Tzvetan Todorov (2014), dentre outros. Com base nesse arcabouço teórico, será realizada a leitura de alguns contos da escritora argentina, com o intuito de identificar e analisar a presença de marcas do gótico em sua obra.

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