STRUCTURAL AND SEMANTIC FEATURES OF PROPOSALS WITH HOMOGENEOUS MEMBERS IN THE ARTISTIC TEXT (ON THE EXAMPLE OF THE POETIC WORK OF A.S. PUSHKIN)

2021 ◽  
pp. 37-42
Author(s):  
А.А. Логачева
Keyword(s):  
Information Content ◽  
Morphological Feature ◽  
Semantic Features ◽  
Poetic Form ◽  
Simple Sentence ◽  
Causal Dependence ◽  
The Creation ◽  
Differential Properties ◽  
Poetic Work ◽  
Linguistic Material

В статье рассматриваются структурные и семантические особенности предложений с однородными членами на примере поэтических произведений А.С. Пушкина. В исследуемом языковом материале однородные члены осложняют структуру не только самостоятельного простого предложения, но и простого предложения в составе сложного. Типичные дифференциальные свойства однородных компонентов, описанные в работе, указывают на грамматическую однотипность однородных членов предложения. Однако при выделении блока однородных членов учитывается не только данный морфологический признак, но и семантический критерий. В этой связи описываются различные отношения между компонентами однородного ряда: одновременности, последовательности действий, причинной зависимости и другие. Также устанавливается, что однородные члены предложения в лирическом тексте могут являться любым членом предложения, т.е. выполнять различные синтаксические функции. При этом однородный ряд образуют не только отдельные слова, но и целые словосочетания, находящиеся в сочинительных отношениях друг с другом. Язык лирики, отличающийся строгой поэтической формой, стремлением к ритму, рифме, мелодике и т.д., способствует созданию некоторых особенностей функционирования предложений с однородными членами: разнообразная структура, богатая семантика, приём инверсии. Особая поэтическая форма и своеобразие синтаксических конструкций с однородными членами ведут к созданию экспрессии лирического произведения, информативности и передаче авторской субъективности. The article discusses the structural and semantic features of sentences with homogeneous members on the example of the poetic works of A.S. Pushkin. In the studied linguistic material, homogeneous members complicate the structure of not only an independent simple sentence, but also a simple sentence within a complex one. Typical differential properties of homogeneous components described in the work indicate the grammatical uniformity of homogeneous members of the sentence. However, when selecting a block of homogeneous members, not only this morphological feature is taken into account, but also a semantic criterion. In this regard, various relationships between the components of a homogeneous series are described: simultaneity, sequence of actions, causal dependence, and others. It is also established that homogeneous members of a sentence in a lyric text can be any member of a sentence, i.e. perform various syntactic functions. At the same time, a homogeneous series is formed not only by individual words, but also by whole phrases that are in a compositional relationship with each other. The language of lyrics, characterized by a strict poetic form, striving for rhythm, rhyme, melody, etc., contributes to the creation of certain features of the functioning of sentences with homogeneous members: a diverse structure, rich semantics, and the method of inversion. A special poetic form and originality of syntactic constructions with homogeneous members lead to the creation of an expression of a lyric work, information content and the transfer of the author's subjectivity.

Some Thoughts About Genre in Old Javanese Literature

2021 ◽  
Vol 12 (2) ◽  
Author(s):  
Peter John Worsley
Keyword(s):  
Fourteenth Century ◽  
Thirteenth Century ◽  
Poetic Form ◽  
Literary Works ◽  
Present Essay ◽  
Epic Poem ◽  
The World ◽  
History Of ◽  
Poetic Work

Robson in 1983 and 1988 in his reconsideration of the poetics of kakawin epics and Javanese philology drew readers’ attention to the importance of genre for the history of ancient Javanese literature. Aoyama in his study of the kakawin Sutasoma in 1992, making judicious use of Hans Jauss’s concept of “horizon of expectation”, offered the first systematic discussion of the genre of Old Javanese literary works. The present essay offers a commentary on the terms which mpu Monaguna and mpu Prapañca, authors of the thirteenth century epic kakawin Sumanasāntaka and the fourteenth century Deśawarṇana, themselves, employ to refer to the generic characteristics of their poems. Mpu Monaguna referred to his epic poem as a narrative work (kathā), written in a prakṛt, Old Javanese, and rendered in the poetic form of a kakawin and finally as a ritual act intended to enable the poet to achieve apotheosis with his tutelary deity and his poem to be the means of transforming the world, in particular to ensure the wellbeing of the readers, listeners, copyists and those who possessed copies of his poetic work. Mpu Prapañca described his Deśawarṇana differently. Also written in Old Javanese and in the poetic form of a kakawin—he refers to his work variously as a narrative work (kathā), a chronicle (śakakāla or śakābda), a praise poem (kastawan) and also as a ritual act designed to enable the author in an ecstatic state of rapture (alangö), and filled with the power and omniscience of his tutelary deity, to ensure the continued prosperity of the realm of Majapahit and to secure the rule of his king Rājasanagara. The essay considers each of these literary categories.

scholarly journals Электронный языковой корпус как фактор сохранения мордовских (мокшанского и эрзянского) языков

2021 ◽  
pp. 128-132
Author(s):  
Мария З. Левина
Keyword(s):  
Special Significance ◽  
Electronic Resources ◽  
The Creation ◽  
Linguistic Material

The systematization of the linguistic material and the creation of an electronic corpus contributes not only to the preservation of the Mordvin (Moksha and Erzyan) languages, but also has a special significance for the Finno-Ugric linguistics in general. Electronic resources will create wider opportunities for conducting comparative-historical, contrastive and typological research.

scholarly journals The first ghazal of the Divan of Ghalib

2021 ◽  
Vol 4 (5) ◽  
pp. 1323-1351
Author(s):  
Natalia I. Prigarina ◽  
Ludmila A. Vasilyeva
Keyword(s):  
Dimensional Analysis ◽  
Poetic Form ◽  
Persian Poetry ◽  
Great Poet ◽  
History Of ◽  
The Creation

The article offers a multi-dimensional analysis of the first ghazal from the Urdu Divan by the Indian classic poet Mirza Ghalib (1797–1869). Ghalib wrote in two languages – Urdu and Persian, but it was the completion of the Urdu Divan that made him a great poet. The article presents the history of the creation and publication of the Divan, as well as discusses its sources. The authors focus on the complexity of the style and the richness of poetic themes, images and writing techniques. They also discuss the Sufi component of the first ghazal of the Divan, thus highlighting the poetics of the ghazal. The “opening” ghazal, which is placed at the beginning of a divan usually takes over the function of the hamd, i.e. the eulogy to the Creator, which is typical for a traditional introduction to a large poetic form. However, in Ghalib’s ghazal, this praise comes in a paradoxical form, which is caused by Ghalib`s high criteria of humanism and dignity. The analysis of the first ghazal helps in many ways to understand the creative credo typical for all of Ghalib's poetry, as well as the difficult path the poet had taken, while continuously improving his art of “hunting” for a poetic word. The ghazal is discussed in the context of Ghalib’s other Urdu and Persian poetry, as well as of Sufism that prevailed in India of Ghalib’s time.

Méthode D'analyse des Connecteurs du Français en Vue D'un Traitement Automatique

1996 ◽  
Vol 20 (2) ◽  
pp. 365-380
Author(s):  
Renata Kozlowska-Heuchin
Keyword(s):  
Automatic Processing ◽  
Semantic Features ◽  
Complex Sentence ◽  
Simple Sentence ◽  
Semantic Type ◽  
Starting Point ◽  
The Subject ◽  
Semantic Types ◽  
Semantic Typology ◽  
Semantic Properties

The subject of this article is the analysis of clauses of aim, cause, consequence and condition in French in view to the automatic processing. Our theoretical framework is that of lexicon-grammar. This study differs from the usual grammatical analyses. Here, the complex sentence is studied on the model of the simple sentence, defined as an operator accompanied by its arguments. The conjunctive phrase is our starting point for this study, and it is then shown that the noun around which it is formed, is of predicative type and has the main clause and the subordinate as arguments. This is a predicate «of second order». Automatic processing requires extremely accurate notation of syntactic and semantic properties if ambiguity and polysemy are to be correctly handled. Those descriptions based on syntactico-semantic features are insufficient, which is why the concept of « class of objects » is brought in. There are as many types of relations as there are semantic types of predicate. This is the reason why a semantic typology of predicates is sketched out, integrating lexical, syntactic and semantic components. It is shown that each semantic type can have its own appropriate lexical means of expression and specific syntactic behaviour.

scholarly journals The limits of grammar: Clause combining in Finnish and Japanese conversation

Pragmatics ◽  
2014 ◽  
Vol 24 (3) ◽  
pp. 561-592 ◽  
Author(s):  
Ritva Laury ◽  
Tsuyoshi Ono
Keyword(s):  
Nonverbal Cues ◽  
Semantic Features ◽  
Verbal Cues ◽  
The Creation ◽  
Fixed Expressions ◽  
Clause Combining

Our paper concerns the grammar of clause combining in Finnish and Japanese conversation. We consider the patterns of clause combining in our data and focus on the verbal and non-verbal cues which allow participants to determine whether, after the end of a clause-sized unit, the turn will end or continue with another clause-sized unit, resulting in a clause combination. We conclude that morphosyntax alone cannot account for the patterns found in our data, but that the participants orient to, at least, prosodic and nonverbal cues in determining the boundaries of clauses and projecting continuation in the form of another clause. Also important for projection are fixed expressions or ‘prefabs’. In addition, semantic and pragmatic factors play a role. In that sense, we explore the question of where the limits of grammar for interaction, understood as the knowledge which speakers share and which forms the basis for the creation and processing of novel utterances, should be drawn, and whether grammar should include, beyond morphosyntax, not only prosodic, pragmatic and semantic features but also bodily behavior.

scholarly journals Do Not Go Gentle Into Practitioner Inquiry

2015 ◽  
Vol 8 (2) ◽  
pp. 157-160
Author(s):  
Elizabeth Currin
Keyword(s):  
Reflective Practice ◽  
Theory And Practice ◽  
Practitioner Inquiry ◽  
Poetic Form ◽  
Inquiry Process ◽  
Teacher Researchers ◽  
The Creation

Teacher researchers live at the overlap of theory and practice, consciously inhabiting dual worlds of thought and action. Using a poetic form, the author reflects on her roles as both teacher and student to comment on the pleasurably paradoxical structure and freedom involved in the inquiry process. By explaining the creation of her ode to practitioner inquiry within the parameters of the villanelle form, she embraces the significance of the process alongside the product, valuing both elements as vital for truly reflective practice.

scholarly journals Islamic revivalism and Kurdish nationalism in Sheikh Ubeydullah’s poetic oeuvre

2015 ◽  
Vol 4 (1) ◽  
pp. 3-23 ◽  
Author(s):  
Kamal Soleimani
Keyword(s):  
Close Reading ◽  
The Future ◽  
The Creation ◽  
The Mind ◽  
Poetic Work ◽  
Islamic Revivalism

This article investigates Sheikh Ubeydullah of Nehri’s Kurdish-Islamic revivalist project based on a close reading of his Mesnewi. This article primarily focuses on the fusion of the Sheikh’s Islamic revivalism with his Kurdish nationalism in his poetic work. A close reading of the Mesnewi leaves no doubt that in the mind of his author both the future of Kurds and that of his revivalist project depended on the creation of an independent state.ABSTRACT IN KURMANJIVejîna dînî û neteweyî ya kurdî di dîwana şi’rên Şêx ‘Ubeydullahê Nehrî deEv nivîsar lêkolînek e li ser bîr û bernameya Şêx ‘Ubeydullahê Nehrî ya vejîna dînî û kurdî bi rêya tehlîlkirina berhema wî ya bi navê Mesnewî. Nivîsar bi taybetî dikeve dû têgihiştina têkilbûna hizrên vejîna îslamî û netewegeriya kurdî di şi’rên Şêx ‘Ubeydullahî de. Xwendineke hûrbînane ya Mesnewîyê çu şikekê tê de nahêle ku li gor nivîskarê wê berhemê, hem paşeroja kurdan û hem jî bernameya wî ya vejîna îslamî bi damezrandina dewleteke serbixwe ya kurdî ve girêdayî bûn.     ABSTRACT IN SORANI  

scholarly journals THE SEMANTIC STRUCTURE OF THE "GOD'S FOOL" CONCEPT IN THE ESSAY "PEPINIERE" BY I. A. GONCHAROV

2021 ◽  
Vol 19 (2) ◽  
pp. 81-91
Author(s):  
Gulzada Bagautdinova
Keyword(s):  
Point Of View ◽  
Semantic Structure ◽  
Semantic Features ◽  
Structural Components ◽  
Robinson Crusoe ◽  
Specific Nature ◽  
Word Usage ◽  
The Creation ◽  
Boris Godunov

The article attempts to analyze the semantic structure of the “God’s fool” concept in the essay Pepiniere by I. A. Goncharov. As a term, this concept is interpreted from the point of view of culturology. The essay reveals the basic structural components of the “God's fool” concept, as well as its core and additional semantic features. The author of the article believes that the religious component is embodied in the structure of the concept one way or another, but is not reflected directly in the word usage. The “God's fool” lexeme mainly comprises various secular meanings that are expressed via metaphors, repetitions and comparisons. The specific nature of the “God's fool” concept in I. A. Goncharov's Pepiniere is revealed in its periphery, which is formed by certain artistic techniques and categories (intertextual exchanges, comic elements). For instance, the function of the quote of Friday's nomination from Daniel Defoe's The Life and Strange Surprising Adventures of Robinson Crusoe; Written by Himself, as well as the comparative quote from Boris Godunov by A. S. Pushkin are considered in this article. Furthermore, quoting is an artistic technique that creates the game motive, to which I. A. Goncharov resorts indirectly. The gaming component not only creates and emphasizes the comical element, but also serves as one of the writer's artistic principles that contributes to the creation of the harmonious, negentropic worldview. The study of I. A. Goncharov's sphere of concepts allows to identify not so much the variability of the writer's worldview as its invariability.

Classification of Wear Particles Based on Qualitative Morphological Features

2005 ◽  
Author(s):  
R. H. Chang ◽  
Hosung Kong ◽  
Eui-Sung Yoon ◽  
Dong-Hoon Choi
Keyword(s):  
Image Recognition ◽  
Morphological Feature ◽  
Wear Debris ◽  
Morphological Features ◽  
Multidimensional Space ◽  
Semantic Features ◽  
Wear Particles ◽  
Wear Mode ◽  
Wear Monitoring

Wear debris morphology is closely related to the wear mode and mechanism occurred. Image recognition of wear particles is, therefore, a powerful tool in wear monitoring. An algorithm of classification of wear particles is proposed based on qualitative morphological features. The standard classes are presented as a set of vectors of coded ratings. Descriptions of the standards are based on the knowledge-base of experts. A distance between the particle and the standard classes in the multidimensional space of features showed rating of the similarity. The classification of particles is determined by identifying the closet standard. The coding of the semantic features of the morphological feature of wear particles was demonstrated to be useful for classification with statistical methods. The results showed that the presented method was satisfactory in solving practical problems.

‘Gifts of the Wild’: Dwelling, Temporality and Landscape in Kathleen Jamie’s Writing

2019 ◽  
pp. 91-121
Author(s):  
Monika Szuba
Keyword(s):  
Connective Tissue ◽  
Lived Experience ◽  
External Factors ◽  
Poetic Language ◽  
Poetic Form ◽  
The World ◽  
Phenomenological Perspective ◽  
Poetic Work

Following Kathleen Jamie’s words that ‘poetry is a sort of connective tissue where myself meets the world, and it rises out of that, that liminal place’, the chapter discusses Jamie’s poetic work from a phenomenological perspective. An important aspect of Jamie’s writing, connectivity highlights interrelations between the world and poetic form and as such is examined in a theoretically-informed analysis. The chapter argues that in a place where the poet meets the world, poetic language negotiates external factors that have an impact upon it, and in doing so, the poet can begin to illuminate lived experience. In the process of writing a temporary self that evokes the experience of the world through embodied participation, temporality plays an important role. As Jamie demonstrates in her writing, the perception of the land — and our coexistence with it — is affected by the awareness of the passage of time. The discussion focuses on the poems recording the experience of landscape represented in past, present and future considerations of change, and examines how in Jamie’s writing a sense of permanence is intermingled with a pervasive sense of transience. It centres around Jamie’s emphasis on transitoriness, which foregrounds the temporality of our dwelling.

Sign in / Sign up

Export Citation Format

Share Document