scholarly journals SUBJEKTIVITAS EKA KURNIAWAN MELALUI NOVEL LELAKI HARIMAU

TELAGA BAHASA ◽  
2020 ◽  
Vol 7 (1) ◽  
pp. 83-96
Author(s):  
Siti Hardiyanti Amri
Keyword(s):  
Human Life ◽  
Symbolic Order ◽  
False Consciousness ◽  
Literature Study ◽  
Slavoj Zizek ◽  
Real Dimension ◽  
The Real ◽  
Slavoj Žižek ◽  
The Subject ◽  
Ideological Fantasy

Paradigma humanis dalam kajian sastra memposisikan manusia sebagai pusat. Penelitian ini mengkaji subjektivitas tokoh dan pengarang dalam semesta novel Lelaki Harimau karya Eka Kurniawan menggunakan teori subjektivitas Slavoj Zizek. Zizek memfokuskan pemikirannya pada tatanan riil dan simbolik dalam kehidupan manusia. Menurutnya, manusia mampu meraih kebebasan dan keotentikan dirinya selama ia bertindak melampaui norma-norma simbolik dan bergerak menuju dimensi riil dalam kehidupannya. Sebaliknya, manusia akan tetap terpenjara dalam dimensi simbolik, selama ia membiarkan dirinya tetap hanyut dalam kesadaran palsu ideologi. Penelitian ini menunjukkan bahwa ada upaya radikal yang dilakukan oleh tokoh utama untuk mencapai kondisi riil melalui tindakan sadis dan tak berkeprimanusiaan yang melanggar aspek normatif dalam lingkaran simbolik. Akan tetapi, peristiwa yang dihadapi oleh tokoh tersebut berlawanan dengan diri pengarang sebagai subjek. Pengarang justru tidak menunjukkan adanya upaya radikal dalam kehidupannya sehingga ia tetap berada dalam fantasi ideologis.Kata Kunci:Subjektivitas, Slavoj Zizek, Eka Kurniawan, Tindakan Radikal, Fantasi ideologis. The humanist paradigm in literature study assigns humans as the center. This research examines the subjectivity of the characters and the author in Lelaki Harimau novel by Eka Kurniawan using Slavoj Zizek's theory of subjectivity. Zizek focused his thoughts on the real and symbolic order in human life. According to him, humans are able to achieve freedom and authenticity as long as they act beyond the symbolic norms and move towards the real dimension in their life. On the contrary, humans will remain imprisoned in a symbolic dimension as long as they allowed themselves drifted away on a false consciousness of ideology. This research indicates that there are radical efforts made by the main characters to achieve the real conditions through sadistic and inhumane actions that violate the normative aspects in a symbolic circle. However, the events faced by these characters are opposite to the author as the subject. In fact, the author does not perform any radical efforts in his life so that he remains in ideological fantasies.Keywords: subjectivity, Slavoj Zizek, Eka Kurniawan, radical act, ideological fantasy

scholarly journals Posisi Subjek Tokoh Skeeter dalam Filem The Help (2011) Karya Tate Taylor: Kajian Subjektivasi Slavoj Žižek

2019 ◽  
Vol 14 (4) ◽  
pp. 523
Author(s):  
Nor Holis ◽  
Aprinus Salam
Keyword(s):  
Educational Background ◽  
Symbolic Order ◽  
It Use ◽  
Slavoj Zizek ◽  
The Real ◽  
Slavoj Žižek ◽  
The Subject ◽  
Definition Of ◽  
Full Consideration

Slavoj Žižek introduces definition of subject through the concept of The Real. He decribes it use the Lacan’s psychoanalys triagle. The process of reaching The Real causes the subject to do something that can be out of the symbolic. Therefore, the position of subject could be decided at this stage. This kind of subject is seen in The Help (2011) film. It is represented by Skeeter. She tries to out from the symbolic order to get the real. In her process to reach the real, she is unable to release herself from the symbolic completely because of her educational background, her thought, and her conscience. Therefore, Skeeter could not be defined as the radical subject based on the process. Still, her effort in order to out from the symbolic is never succeeded. It is because she always does everything with full consideration. In fact, she only moves to the new symbolic order.

scholarly journals KRITIK ARAFAT NUR TERHADAP TATANAN SIMBOLIK DAN SUBJEK DALAM NOVEL BURUNG TERBANG DI KELAM MALAM

Hasta Wiyata ◽  
2021 ◽  
Vol 4 (2) ◽  
pp. 148-171
Author(s):  
Fitri Tiara Merdika ◽  
Keyword(s):  
Symbolic Order ◽  
The Novel ◽  
Analytical Methodology ◽  
Literary Works ◽  
The Real ◽  
Slavoj Žižek ◽  
The Subject ◽  
The Creation ◽  
Ideological Fantasy ◽  
Opening Up

In the creation of literary works, either consciously or unconsciously the author will always insert his ideology. The insertion of the ideology can be seen from the criticisms delivered by the author. Literary works are a medium for the author to convey a critique of the reality that occurs, be it religious, social, cultural, political and other criticisms. But that becomes interesting when the author tries to open up an unconscious reality, opening up the decay of a system of power that will eventually become cynicism and submit to an ideological order. In this study, Arafat Nur's novel Burung Terbang di Kelam Malam was chosen to prove this ideological fantasy. The problem contained in this study is (1) What is the symbolic order of acehnese people in the novel Burung Terbang di Kelam Malam? (2) What is Arafat Nur's criticism of the subject (Acehnese) in the novel Burung Terbang di Kelam Malam? To answer that question, the theory used was an authentic subject and ideological fantasy introduced by Slavoj Zizek and analyzed with descriptive analytical methodology. The results of this study prove that, firstly, the symbolic order (Islamic Sharia as the identity of Aceh) failed to form a radical subject. Although the subject has relinquished the symbolic order that shackled him all along, he remains returning to the new symbolic order. The subjects who are still in power of the Big Other will never escape from the order that subjected them. The subject will not be able to reach the Real, because they cannot discuss it so the subject desires to fulfill Che Vuoi's call?, unconsciously the subject commits ideological fantasies. Second, the subject of fantasizing the ideology of Islamism (Islamic sharia) that desires the achievement of spirituality instead leads it to capitalism. Not just the subject (the character in the novel). Arafat Nur as an author was also caught up in capitalism so his attempts to go radical ended in failure.

Ivan Cankar’s National Narrative and Its Role in the Formation of the Slovenian Cultural Identity

2018 ◽  
Vol 13 (3-4) ◽  
pp. 108-117
Author(s):  
Anna G. Bodrova
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
Symbolic Order ◽  
National Narrative ◽  
Cultural Space ◽  
Slavoj Zizek ◽  
Slavoj Žižek ◽  
The Subject

Ivan Cankar (1876–1918), who occupies an honorable place in the Slovenian cultural canon, once changed the course of development of Slovenian literature and influenced the formation of national identity. The national narrative of Cankar was based on contradictions: living far from his people, he sometimes glorified them and sometimes attacked them with heavy criticism; he correlated his homeland with his mother, the mother though being dead. Cankar’s concentration on the subject of mother and homeland is interpreted here in the framework of psychoanalysis. Following Slavoj Žižek, the author develops the idea that it was the mother who became the Symbolic Order representative or Super-Ego for the writer. The concept of “Cankar’s mother”, which became a symbol of self-sacrifice and at the same time repressiveness in the Slovenian cultural space, is considered.

scholarly journals Envy, Corruption and ‘Hard Racism’: Studying Antigypsyism as an Ideological Fantasy

2020 ◽  
Vol 68 (4) ◽  
pp. 324-339
Author(s):  
Václav Walach
Keyword(s):  
Analytical Framework ◽  
Ethnographic Research ◽  
False Consciousness ◽  
Slavoj Zizek ◽  
Slavoj Žižek ◽  
Racist Ideology ◽  
Lacanian Theory ◽  
Ideological Fantasy

AbstractAntigypsyism has been frequently said to be a racist ideology. However, although some studies have engaged with the ‘racist’ component of the thesis, almost no work has been done in terms of specifying what ideology is and how a certain conception of it can enhance the understanding of antigypsyism both as a concept and empirical phenomenon. This paper explores the potential of the Lacanian theory of ideology as exemplified by Slavoj Žižek for developing antigypsyism research. Overcoming the problem of false consciousness, Žižek’s conception offers an analytical framework that allows re-examining and elaborating on certain issues from the perspective which weaves social and psychic realities without falling into the traps of psychological reductionism. To illustrate this, this paper presents a Žižekian analysis of three issues that correspond to different aspects of the antigypsyist phenomenon identified via ethnographic research among the non-Roma inhabitants of a declining neighbourhood with a significant Roma presence in Czechia. The issues are called envy, corruption and ‘hard racism’.

Lacan and the New Lacanians: Josephine Hart's Damage, Lacanian Tragedy, and the Ethics of Jouissance

PMLA ◽  
1998 ◽  
Vol 113 (3) ◽  
pp. 395-407 ◽  
Author(s):  
James M. Mellard
Keyword(s):  
Film Noir ◽  
Femme Fatale ◽  
Pleasure Principle ◽  
Slavoj Zizek ◽  
The Real ◽  
Love Story ◽  
Slavoj Žižek

Read through Lacan and such new Lacanians as Slavoj Žižek and Juliet Flower MacCannell, Josephine Hart's Damage (1991) illustrates how an ethics of jouissance founds a tragic action emblematic of postmodern narcissism. New Lacanians stress drive, jouissance, the real, the primordial father, and the femme fatale. Typically, they find these elements in film noir. Transforming noir into love story, Damage foregrounds an unnamed narrator whose sadomasochistic affair with his son's fiancée precipitates the son's death. Beginning with the narrator in the guise of the traditional oedipal father, the affair unveils the fiancée as a femme fatale who constitutes the narrator as what MacCannell would call the destructive, narcissistic brother become primordial father. Enacting an ethics of jouissance because the narrator will not abandon his drive to enjoyment beyond the pleasure principle, primordial father and femme fatale participate in a narrative that must be called Lacanian tragedy.

Slavoj Žižek and Communication Studies

2018 ◽  
Author(s):  
Robert McDonald
Keyword(s):  
Political Theory ◽  
Quantum Physics ◽  
Karl Marx ◽  
Academic Journal ◽  
Wall Street ◽  
Slavoj Zizek ◽  
Slavoj Žižek ◽  
The Subject ◽  
A Minor ◽  
Object Oriented Ontology

Slavoj Žižek stands as one of the most influential contemporary philosophical minds, stretching across a wide variety of fields: not just communication and critical/cultural studies, but critical theory, theology, film, popular culture, political theory, aesthetics, and continental theory. He has been the subject (and object) of several documentaries, become the source of a “human megaphone” during Occupy Wall Street, and become, while still living, the subject of his own academic journal (the International Journal of Žižek Studies). Žižek’s theoretical claim to fame, aside from his actual claim to fame as a minor “celebrity philosopher,” is that he weaves together innovative interpretations of G. W. F. Hegel, Karl Marx, and Jacques Lacan to comment on a variety of subjects, from quantum physics to Alfred Hitchcock films to CIA torture sites. While there are as many “Žižeks” as there are philosophical problem-spaces, Žižek proposes an essential unity within his project; in his work, the triad Hegel-Marx-Lacan holds together like a Brunnian link—each link in the chain is essential for his project to function. Further, his intentionally provocative work acts as a counterweight to what he views as the dominant trends of philosophy and political theory since the 1980s—postmodernism, anti-foundationalism, deconstruction, vitalism, ethics, and, more recently, speculative realism and object-oriented ontology.

Compassionate apocalypse: Slavoj Žižek and Buddhism

2016 ◽  
Vol 5 (1) ◽  
pp. 34-47
Author(s):  
Toni J Koivulahti
Keyword(s):  
The State ◽  
Political Organization ◽  
Slavoj Zizek ◽  
Slavoj Žižek ◽  
Divine Freedom ◽  
The Subject ◽  
Key Features

Since his rising interest in Christianity, Slavoj Žižek has discussed many other religions. This article examines his engagement with Buddhism, which he often uses as a stand in for “Oriental spirituality.” For Žižek, Buddhist traditions lack several key features that make Christianity the best prospect for religious political organization. By examining the reasons behind his rejection of Buddhism through his defence of the Subject and the state of Fallenness, the argument will be presented that Žižek's at times negative position on Buddhism can be explained through his commitment to a Lacanian reading of the Cartesian subject. This allegiance means that for Žižek there can never be a harmonious state for the subject, and accepting this provides the subject with a “divine” freedom. This article will also discuss ways in which Žižek's particularism can be overcome without losing the “apocalyptic fervor” of Christian Communist politics.

scholarly journals Quiet Refusals: Androids as Others in Philip K. Dick’s Do Androids Dream of Electric Sheep?

2018 ◽  
Vol 9 (3) ◽  
pp. 10
Author(s):  
Nima Behroozi Moghadam ◽  
Farideh Porugiv
Keyword(s):  
Science Fiction ◽  
Jacques Lacan ◽  
The Other ◽  
Real Point ◽  
Slavoj Zizek ◽  
The Real ◽  
Objet Petit A ◽  
Slavoj Žižek ◽  
Cultural Theorist ◽  
The Way

This study intends to show how science fiction literature in general and Philip K. Dick’s novel Do Androids Dream of Electric Sheep? in particular can be read as a symptom of the postmodern era we live in. Taking as the main clues the ideas of the cultural theorist Slavoj Žižek, who combines Marxism with the psychoanalysis of Jacques Lacan, as well as his account of “postmodernism,” the study discusses how, contrary to what capitalism dubs a “post-ideological” era, we are more than ever dominated by ideology through its cynical function. It further examines (through such Lacanian concepts as fantasy, desire, objet petit a, and jouissance) the way late capitalistic ideology functions in Dick’s narrative, and discusses how the multiculturalist society prompts new forms of racism through abstract universalization which only accounts for and tolerates the other as long as they appear within the confines of that formal abstraction. Finally, it looks into how ideologies as such can be subverted from the Real point within the symbolic.

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