scholarly journals Changes in the breeding avifauna of Lviv residential part from the period since 2006 till 2018 years

2020 ◽  
pp. 95-106
Author(s):  
Andriy Bokotey
Keyword(s):  
Environmental Changes ◽  
Field Studies ◽  
Species Number ◽  
Bird Population ◽  
Coal Tit ◽  
Local Species ◽  
Breeding Seasons ◽  
First Time ◽  
The City ◽  
Marsh Tit

The analysis of breeding avifauna changes has been performed on the base of field studies that took place in residential parts of the Lviv city in 2006-2007 and 2017-2018 breeding seasons. Nowadays 84 breeding species were recorded in the Lviv city. The number of local species in bird population significantly decreased from 51 in 2007 to 41 in 2018. It shows the reduction of some species number together with the growth of their diversity (from 73 to 81) and significant increase in population from 443,0 to 581,6 pairs/10 ha. During 12 years 70 species constantly remain in the fauna. Three species disappeared from nesting, and 11 had appeared. Seven of them appeared for the first time: Marsh Tit, Hooded Crow, Hoopoe, Little Bittern, White-backed Woodpecker, Stonechat, Coal Tit. Four came back to the city for nesting after absence in 2006-2007 years: Partridge, Black Woodpecker, Tree Pipit, Pied Flycatcher. The number of 9 species did not change during the period of the study. 29 species demonstrate decrease of the number and 32 - increase. The main reasons of the number changes were divided into 5 groups: 1) changes in geographical scales or the expansion (peculiar for 3 species), 2) synurbization (29 species), 3) general population changes (38 species) і 4) local environmental changes (45 species), 5) unknown reasons (7). Several reasons worked together for 33 species.

The Sayan borderlands: Tuva’s ethnocultural landscapes in changing natural and sociocultural environments

2020 ◽  
Vol 13 (1) ◽  
pp. 29-36
Author(s):  
D. A. Dirin ◽  
Paul Fryer
Keyword(s):  
Cultural Landscapes ◽  
Field Studies ◽  
Social Environments ◽  
Key Factors ◽  
Role Of Government ◽  
Literary Sources ◽  
Population Migrations ◽  
The Republic ◽  
Sociocultural Processes ◽  
First Time

The paper is devoted to ethno-cultural landscapes of the Republic of Tuva. Ethnocultural landscapes (ECLs) are specific socio-environmental systems that developed as a result of the interaction of ethnic groups with their natural and social environments and are in a constant process of transformation. An attempt is made to identify the mechanisms of the formation, functioning and dynamics of ethnocultural landscapes in the specific conditions of the intracontinental cross-border mountain region, as well as to establish the main factors-catalysts of their modern changes. For the first time an attempt is made to delimit and map the ethnocultural landscapes of Tuva. For this, literary sources, statistical data and thematic maps of different times are analyzed using geoinformation methods. The results of 2014-2018 field studies are also used, during which interviews with representatives of different ethno-territorial, gender, age and social groups were taken. It is revealed that the key factors of Tuva’s ethnocultural landscape genesis are the natural isolation of its territory; the features of its landscape structure; the role of government; population migrations from other regions and the cultural diffusion provoked by them. 13 ethnocultural landscapes are identified at the regional level. Their modern transformation is determined by the shift of climatic cycles, aridisation, globalisation of sociocultural processes, changes in economic specialisation and ethnopsychological stereotypes.

HISTORICAL AND CULTURAL EXPERTISE AND THE SOURCES OF THE RUSSIAN WOODEN SCULPTURE "NIKOLA MTSENSKY" ORIGINATION

2020 ◽  
Vol 9 (3) ◽  
pp. 87-100
Author(s):  
M.A. KOMOVA ◽  
Keyword(s):  
Cultural Context ◽  
First Time ◽  
The City

The purpose of the article is to present the history and the analysis of the Russian wooden sculpture “Nikola Мtsenskiy” results of the examination from Peter and Paul Cathedral in Mtsensk. For the first time, the author conducted a historical and cultural examination of this object for religious purposes. The article defines the historical and cultural context of this object existence, its veneration as a relic, the problem of comparing the “The Legend of the appearance of the miraculous icon of St. Nicholas Wonderworker in the city of Mtsensk” and the preserved sculpture. The author also examines the historical and artistic sources of origin of similar items in the culture of the medieval Moscow state. The author dates the preserved fragment of the sculpture from Mtsensk Peter and Paul Cathedral to the late 1600s.

Delhi in Transition, 1821 and Beyond

2018 ◽  
Keyword(s):  
Nineteenth Century ◽  
Lived Experience ◽  
English Translation ◽  
East India Company ◽  
Multiple Sources ◽  
Original Manuscript ◽  
English East India Company ◽  
The Times ◽  
First Time ◽  
The City

Commissioned by the English East India Company to write about contemporary nineteenth-century Delhi, Mirza Sangin Beg walked around the city to capture its highly fascinating urban and suburban extravaganza. Laced with epigraphy and fascinating anecdotes, the city as ‘lived experience’ has an overwhelming presence in his work, Sair-ul Manazil. Sair-ul Manazil dominates the historiography of eighteenth- and nineteenth-century compositions on Delhi in Persian and Urdu, and remains unparalleled in its architecture and detailed content. It deals with the habitations of people, bazars, professions and professionals, places of worship and revelry, and issues of contestation. Over fifty typologies of structures and several institutions that find resonance in the Persian and Ottoman Empires can also be gleaned from Sair-ul Manazil. Interestingly, Beg made no attempt to ‘monumentalize’ buildings; instead, he explored them as spaces reflective of the sociocultural milieu of the times. Delhi in Transition is the first comprehensive English translation of Beg’s work, which was originally published in Persian. It is the only translation to compare the four known versions of Sair-ul Manazil, including the original manuscript located in Berlin, which is being consulted for the first time. It has an exhaustive introduction and extensive notes, along with the use of varied styles in the book to indicate the multiple sources of the text, contextualize Beg’s work for the reader and engage him with the debate concerning the different variants of this unique and eclectic work.

scholarly journals Observations on Palaeogeographical Evolution of Akrotiri Salt Lake, Lemesos, Cyprus

Geosciences ◽  
2021 ◽  
Vol 11 (8) ◽  
pp. 321
Author(s):  
Miltiadis Polidorou ◽  
Niki Evelpidou ◽  
Theodora Tsourou ◽  
Hara Drinia ◽  
Ferréol Salomon ◽  
...  
Keyword(s):  
Climate Change ◽  
Landscape Evolution ◽  
Salt Lake ◽  
Active Tectonics ◽  
Scientific Interest ◽  
Progressive Change ◽  
The Holocene ◽  
Holocene Sediment ◽  
First Time ◽  
The City

Akrotiri Salt Lake is located 5 km west of the city of Lemesos in the southernmost part of the island of Cyprus. The evolution of the Akrotiri Salt Lake is of great scientific interest, occurring during the Holocene when eustatic and isostatic movements combined with local active tectonics and climate change developed a unique geomorphological environment. The Salt Lake today is a closed lagoon, which is depicted in Venetian maps as being connected to the sea, provides evidence of the geological setting and landscape evolution of the area. In this study, for the first time, we investigated the development of the Akrotiri Salt Lake through a series of three cores which penetrated the Holocene sediment sequence. Sedimentological and micropaleontological analyses, as well as geochronological studies were performed on the deposited sediments, identifying the complexity of the evolution of the Salt Lake and the progressive change of the area from a maritime space to an open bay and finally to a closed salt lake.

The Chengba site in Quxian County, Sichuan Province

2020 ◽  
Vol 20 (1) ◽  
pp. 54-68
Keyword(s):  
Central Government ◽  
Local People ◽  
Archaeological Survey ◽  
History Museum ◽  
Social Lives ◽  
Functional Zoning ◽  
The Social ◽  
Bamboo Slips ◽  
First Time ◽  
The City

AbstractIn 2014 through 2018, Sichuan Provincial Institute of Cultural Relics and Archaeology and History Museum of Quxian County conducted a systematic archaeological survey, detection, and excavation to the Chengba site in Quxian County. The excavation uncovered 4,000sq m in total, from which 444 various features were recovered and over 1,000 artifacts were unearthed. The functional zoning of this site has been roughly made clear; the excavations of the western gate and important building foundations of the Guojiatai city site are important archaeological discoveries of the city sites of the Han through Western Jin dynasties, and at the checkpoint site on the waterway of this period was uncovered for the first time in China. The large amounts of bamboo slips and wooden tablets unearthed in the excavation provided important materials for the explorations on the management of the central government of the Han and Jin empires to the administrative areas of commandery and district levels and the social lives of the local people at that time.

„Die schönste griechische Stadt“. Syrakus bei Cicero und Silius Italicus

Millennium ◽  
2020 ◽  
Vol 17 (1) ◽  
pp. 35-53
Author(s):  
Christoph Schwameis
Keyword(s):  
Second Punic War ◽  
Silius Italicus ◽  
First Time ◽  
The City ◽  
Fourth Book

AbstractBoth in the fourth book of Cicero’s De signis (Verr. 2,4) and in the fourteenth book of Silius Italicus’ Punica, there are descriptions of the city of Syracuse at important points of the texts. In this paper, both descriptions are combined and for the first time thoroughly related. I discuss form and content of the accounts, show their functions in their oratorical and epic contexts and consider their similarities. The most important facets, where the descriptions coincide in, seem to be their link to Marcellus’ conquest in the Second Punic War, the resulting precarious beauty of the city and the specifically Roman perspective on which these ekphraseis are based.

“Satisfied with the Ruins of Berlin”: The German Capital’s Image in Soviet Graphics of 1945

2021 ◽  
Vol 17 (6) ◽  
pp. 564-575
Author(s):  
Irina I. Rutsinskaya
Keyword(s):  
Visual Art ◽  
Visual Image ◽  
Point Of View ◽  
The Public ◽  
Historical Justice ◽  
Public Consciousness ◽  
Post War ◽  
The One ◽  
First Time ◽  
The City

An artist who finds themselves in the last days of a war in the enemy’s defeated capital may not just fix its objects dispassionately. Many factors influence the selection and depicturing manner of the objects. One of the factors is satisfaction from the accomplished retribution, awareness of the historical justice triumph. Researchers think such reactions are inevitable. The article offers to consider from this point of view the drawings created by Soviet artists in Berlin in the spring and summer of 1945. Such an analysis of the German capital’s visual image is conducted for the first time. It shows that the above reactions were not the only ones. The graphics of the first post-war days no less clearly and consistently express other feelings and intentions of their authors: the desire to accurately document and fix the image of the city and some of its structures in history, the happiness from the silence of peace, and the simple interest in the monuments of European art.The article examines Berlin scenes as evidences of the transition from front-line graphics focused on the visual recording of the war traces to peacetime graphics; from documentary — to artistry; from the worldview of a person at war — to the one of a person who lived to victory. In this approach, it has been important to consider the graphic images of Berlin in unity with the diary and memoir texts belonging to both artists and ordinary soldiers who participated in the storming of Berlin. The combination of verbal and visual sources helps to present the German capital’s image that existed in the public consciousness, as well as the specificity of its representation by means of visual art.

The Roman Imperial Cult in Smyrna

Belleten ◽  
2012 ◽  
Vol 76 (276) ◽  
pp. 385-402
Author(s):  
Murat Kılıç
Keyword(s):  
Hellenistic Period ◽  
Historical Process ◽  
Imperial Cult ◽  
The Past ◽  
The Future ◽  
The Right ◽  
Rising Power ◽  
First Time ◽  
The City

The origins of the imperial cult in Smyrna date back to the Hellenistic period. It is a fact that political concerns were effective in the generation of such cults. Predicting the super power of the future and proving to be a loyal ally whilst acting in satisfactory behaviors were essential factors. The right preference made between two fighting or contending powers ensured that a city would benefit from various privileges in the future. For example, Symrna, which had established a cult in the city previously on behalf of Stratonice, the mother of Antiochus II of Seleucid dynasty, would do the same by building a temple in the name of the dty of Rome for the first time in Asia in 195 BC, after recognizing the rising power. Later on, while giving permission to the provinces that wanted to establish an imperial cult, the Roman emperors and the Senate would consider first, their relationships with Rome in the past and second, their origins. Smyrna, building its relationships with the Roman state on a solid basis, was granted the title of neokoros three times by the Roman Emperors Tiberius, Hadrianus and Caracalla, respectively. In this essay, the development of the Roman imperial cult in Smyrna is discussed within the historical process outlined above. An attempt has been made to put forth new opinions about the issue by discussing the academicians' evaluations on the imperial cult, which apparently was effectively executed in Smyrna between the first and third centuries AD, with the support of epigraphic and numismatic evidences.

The Life of Telengit Musical Folklore in Yazula Village in Conditions of Transitivity

2021 ◽  
pp. 39-52
Author(s):  
Юлия Сергеевна Овчинникова
Keyword(s):  
Field Studies ◽  
The Internet ◽  
Music Culture ◽  
The Public ◽  
Musical Tradition ◽  
Current State ◽  
The Village ◽  
The City ◽  
Ritual Context ◽  
Linear Nature

В статье рассматривается специфика бытования музыкального фольклора теленгитов селения Язула Улаганского района Республики Алтай в условиях транзитивности (по материалам полевых исследований 2003 и 2019 гг.). Музыкальный фольклор теленгитов обособленного селения характеризуется полистадиальностью, «вероятностной» (поливекторной, нелинейно меняющейся) природой развития, увеличением культурного разнообразия и трансформацией моноязычной культурной среды в многоязычную в лингвистическом, музыкальном и бытовом планах. Каналами инокультурного влияния на интонационное поле теленгитской музыкальной традиции сегодня выступают радио, Интернет и телевидение, сельский клуб, доступная транспортная связь с городом, международные курултаи сказителей . При расширении сферы бытования различных форм фольклоризма (советского, российского, алтайского) песенная фольклорная традиция теленгитов продолжает существовать исключительно в обрядовом контексте (закрыто от глаз приезжих). Владение каем - особым типом интонирования, характерным для тюрков Горного Алтая, маркирующим их этнокультурную идентичность, - востребовано сегодня со стороны туристов, региональной администрации и общественности, что ведет к миграции носителей этой традиции из обособленных селений в центральные. Трансформация искусства кая обусловлена единым процессом глобализации/глокализации, переходом от традиционного контекста бытования к сценическому фольклоризму, проникновением инокультурных интонационных форм в звуковой ландшафт теленгитских селений. This article focuses on the current state of Telengit music culture in Yazula Village (Ulagan Region, Republic of Altai) in conditions of transitivity. The material presented is based on field studies in 2003 and 2019. The Telengit musical folklore of this territorially isolated village is characterized by polystadiality; the “probabilistic,” non-linear nature of its development; by an increase of cultural diversity; and by the transformation of a monolingual environment into a multi-lingual one in linguistic, musical and ontological terms. Channels for outside cultural influence on the intonational field of the Telengit musical tradition include: radio, television, the Internet, the local club, transportation to the city; and International Kurultai of storytellers. In the presence of different forms of folklore (Soviet, Russian, Altaian) performed in the village club, the village folksong tradition continues to live on exclusively in a ritual context (inaccessible to outsiders). The mastery of kai as a specific type of intonation, typical for the Turks of Gorny Altai, that marks their ethnocultural identity, is in demand today by tourists, regional administrations and the public. This leads to the migration of carriers of this tradition out of isolated settlements into more central ones. The transformation of the art of kai in modern Telengit culture is conditioned by the process of globalization/glocalization; by the change of kai’s function in a traditional context to that of staged folklorism; and by the penetration of other cultural intonational forms into the soundscape of Telengit villages.

scholarly journals Verification of the combined sewage system simulation model based on the example of the city of Głogów

2018 ◽  
Vol 45 ◽  
pp. 00058 ◽  
Author(s):  
Ireneusz Nowogoński ◽  
Ewa Ogiołda
Keyword(s):  
Water Management ◽  
System Simulation ◽  
Field Studies ◽  
Storm Water ◽  
Management Model ◽  
Channel Depth ◽  
Storm Water Management Model ◽  
Sewage System ◽  
System Functioning ◽  
The City

Using SWMM 5.1 (Storm Water Management Model) software, a model of sewage system functioning in Głogów was developed. It was calibrated based on the results of field studies from the years 2011– 14, while the properness of its activity was verified for the results of measurements carried out during the period 1998–2000. The verification of the model showed acceptable discrepancies between the measured and simulated values of channel depth. Factors which caused differences were indicated and, on the basis of this, conclusions pertaining to further studies were formulated.

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