scholarly journals Automating Creativity

Screenworks ◽  
2019 ◽  
Vol 10 (1) ◽  

Sy Taffel’s thought-provoking documentary Automating Creativity explores how workers in the creative industries and academics who study technology and culture understand the existing and emerging relationships between automation and creativity, and how these relationships inform contemporary communication, media and culture. Taking the recent surge of interest in digital automation as his starting point, Taffel constructs a pointed overview of these computational tools in relation to creative practices through interviews with key figures in the field, archive material and voice over narration. His accompanying statement examines the political implications of digital automation and reflects on his own use of automated tools during the production of the documentary soundtrack.

1969 ◽  
Vol 39 (3) ◽  
pp. 558-570
Author(s):  
Thomas Cottle

Focussing on the estranged reaction of individuals to scholarly writings about their ethnic groups, Thomas Cottle explores a network of political implications surrounding publishing in the social sciences. This network extends from published content through the act of publishing itself. He describes the interactions of political motives, conceptions of the university, communication media, and the public to convey a sense of the political ramifications of publishing in the social sciences.


2020 ◽  
Vol 1 (1) ◽  
pp. 130-145
Author(s):  
Andrew Pepper

In pointing out that beginnings and endings merge in Don Winslow's ‘drug war’ trilogy –  The Power of the Dog (2005), The Cartel (2015), and The Border (2019) – I argue that his narratives, like the ‘war on drugs’ itself, are ‘ongoing.’ Taking the resulting tension whereby this open-endedness or ongoing-ness is set against crime fiction's more typical generic push to resolution, as a starting point, I use and develop Mittell's concept of ‘complex TV’ to account for the complexities and continuities of Winslow's fiction. In one sense, this ongoing-ness is occasioned by Winslow's subject matter: it is the sociopolitical realities of the ‘war on drugs’ which determine the trilogy's structural and generic qualities. But what makes Winslow such an important writer are the particular ways he reshapes and pushes against the limits of narrative and genre, something that is made possible by and in turn makes possible a particular understanding of political struggle as ongoing and irresolvable. In my essay I explore the political implications of Winslow's fiction through a close examination of narrative and genre and where the emphasis is placed on breakdown and glitch rather than the successful realisation of totality.


Urban Studies ◽  
2009 ◽  
Vol 46 (5-6) ◽  
pp. 1095-1114 ◽  
Author(s):  
John Paul Catungal ◽  
Deborah Leslie ◽  
Yvonne Hii

Creative industries are increasingly associated with employment, tourism and the attraction and retention of talent in economic development discourse. However, there is a need to foreground the interests involved in promoting the creative city and the political implications of such policies. This paper analyses new industry formation in Liberty Village—a cultural industry precinct in inner-city Toronto, Canada. The focus is on the place-making strategies at work in constructing Liberty Village. In particular, the paper explores a series of displacements associated with creative districts, focusing on three scales in particular—the level of the city, the neighbourhood and the precinct itself. An examination of these displacements foregrounds the contested nature of the creative city script.


2021 ◽  
Vol 7 (2) ◽  
pp. 11
Author(s):  
Francisco Martorell Campos

Nine introductory theses about dystopia Resumen: Este artículo proporciona una introducción actualizada a la distopía y una exégesis del apogeo ilimitado que esta vive. Y lo hace planteando nueve tesis. El supuesto de partida es que el término “distopía” no designa solamente una forma literaria. Sus premisas, metodologías y actitudes elementales son visibles en el pensamiento social contemporáneo y otras muchas expresiones culturales. En las dos primeras tesis diferencio el género distópico de otros géneros afines y sondeo las coincidencias temáticas que atesoran sus expresiones literarias y filosóficas. A lo largo de las tres tesis posteriores, señalo las causas sociales e ideológicas que subyacen a su hegemonía actual. Finalmente, dedico las cuatro últimas tesis a calibrar las implicaciones políticas de la distopía y a determinar las relaciones que guarda con la utopía. Abstract: This article provides an up-to-date introduction to dystopia and an exege- sis of its huge heyday, in nine theses. The starting point is that the term “dystopia” does not designate only a literary form. Its basic premises, methodologies and attitudes are visible in contemporary social thought and many other cultural expres- sions. In the first two theses, I distinguish the dystopian genre from other related genres and probe the thematic coincidences among their literary and philosophical expressions. Throughout the three subsequent theses, I point out the social and ideological causes that underlie its current hegemony. Finally, I devote the last four theses to calibrating the political implications of dystopia and to determining its relationship with utopia. Palabras clave: distopía, utopía, antiutopía, progreso, imaginación.  Keywords: dystopia, utopia, anti-utopia, progress, imagination.


Professare ◽  
2018 ◽  
Vol 7 (1) ◽  
pp. 109
Author(s):  
Claudemir Aparecido Lopes

<p class="resumoabstract">O professor Giorgio Agamben tem elaborado críticas à engenhosa estrutura política ocidental moderna. Avalia os mecanismos de controle estatal, nos quais os denomina ‘dispositivos’, cuja força está na imbricação às normas jurídico-teológicas com seus similares ritos e liturgias. Suas ocorrências e legitimidade preponderam no tecido social cuja organização sistêmica se põe quase como elemento natural e não cultural. O texto tem por objetivo explorar a concepção política de Agamben sobre a política contemporânea, especialmente considerando seu livro: ‘Estado de Exceção’, cuja investigação apresenta a possibilidade de atenuação dos direitos de cidadania e o enfraquecimento da prática da liberdade política e o processo de relação dos indivíduos no meio social através da redução das subjetividades ‘autênticas’. Analisamos ainda a transferência do mundo sacro elaborado pelos teólogos católicos presente na modernidade à política cuja democracia moderna faz do homem (sujeito) tornar-se objeto do poder político. Faz também, reflexão dos conceitos de subjetivação e dessubjetivação relacionando-os às implicações políticas do homem moderno. A pesquisa é bibliográfica com ênfase na análise dos conceitos elaborados por Agamben, especialmente quanto ao ‘dispositivo’. Conclui que o indivíduo ocidental, de modo geral, sofre o processo de dessubjetivação e está ‘nu’, indefeso e alienado politicamente. Ele precisa voltar-se ao processo de ‘profanação’ dos dispositivos para libertar-se das vinculações orientadoras que forçosamente o descaracteriza enquanto ser ativo e livre.</p><p class="resumoabstract"><strong>Palavras-chave</strong>: Política. Liberdade. Subjetivação.</p><h3>ABSTRACT</h3><p class="resumoabstract">Professor Giorgio Agamben has been criticizing the ingenious modern Western political structure. It evaluates the mechanisms of state control, in which it calls them 'devices', whose strength lies in the overlap with legal-theological norms with their similar rites and liturgies. Its occurrences and legitimacy preponderate in the social fabric whose systemic organization is almost as a natural and not a cultural element. The text aims to explore Agamben's political conception of contemporary politics, especially considering his book 'State of Exception', whose research presents the possibility of attenuating citizenship rights and weakening the practice of political freedom and the individuals in the social environment through the reduction of 'authentic' subjectivities. We also analyze the transfer of the sacred world elaborated by the Catholic theologians present in the modernity to the politics whose modern democracy makes of the man - subject - to become object of the political power. It also reflects on the concepts of subjectivation and desubjectivation, relating them to the political implications of modern man. The research is bibliographical with emphasis in the analysis of the concepts elaborated by Agamben, especially with regard to the 'device'. He concludes that the Western individual, in general, suffers the process of desubjectivation and is 'naked', defenseless and politically alienated. He must turn to the process of 'desecration' of devices to free himself from the guiding bindings that forcibly demeanes him while being active and free.</p><p class="resumoabstract"><strong>Keywords</strong>: Politics. Freedom. Subjectivity. </p><p> </p>


2020 ◽  
Vol 5 (2) ◽  
pp. 206-235
Author(s):  
Yury Korgunyuk

Abstract The article analyzes the weak points of the Manifesto Project’s methodology, such as its emphasis on issue salience, instead of issue positions; bringing the content of manifestos under too broad categories formulated at the beginning of the project; not quite the appropriate technique of factor analysis etc. An alternative methodology is proposed that focuses on party positions on issues which generate the largest polarization in the political space. It also enriches the empirical base of the studies and adjusts the technique of factor analysis. In order to reveal political cleavages inside these dimensions, the so called electoral cleavages (factors of territorial differences in voting for various parties) are taken as a starting point: factor loadings of parties in the electoral and political spaces are compared through correlation and regression analyses. The proposed methodology is applied to an analysis of election results in Russia (2016) and Germany (2017).


Author(s):  
Daniel S. Markey

This book explains how China’s new foreign policies like the vaunted “Belt and Road” Initiative are being shaped by local and regional politics outside China and assesses the political implications of these developments for Eurasia and the United States. It depicts the ways that President Xi Jinping’s China is zealously transforming its national wealth and economic power into tools of global political influence and details these developments in South Asia, Central Asia, and the Middle East. Drawing from extensive interviews, travels, and historical research, it describes how perceptions of China vary widely within states like Pakistan, Kazakhstan, and Iran. Eurasia’s powerful and privileged groups often expect to profit from their connections to China, while others fear commercial and political losses. Similarly, statesmen across Eurasia are scrambling to harness China’s energy purchases, arms sales, and infrastructure investments as a means to outdo their strategic competitors, like India and Saudi Arabia, while negotiating relations with Russia and America. The book finds that, on balance, China’s deepening involvement will play to the advantage of regional strongmen and exacerbate the political tensions within and among Eurasian states. To make the most of America’s limited influence along China’s western horizon (and elsewhere), it argues that US policymakers should pursue a selective and localized strategy to serve America’s aims in Eurasia and to better compete with China over the long run.


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