scholarly journals THE RESEARCH OF THE FORTIFICATIONS OF LYTOVEZH HILL-FORT IN VOLYN REGION

2020 ◽  
Vol 35 (2) ◽  
pp. 182-193
Author(s):  
A. V. Petrauskas ◽  
S. D. Panyshko ◽  
D. S. Loshyk ◽  
I. O. Chornyi ◽  
A. O. Kuksa
Keyword(s):  
The Body ◽  
Cultural Layer ◽  
White Sand ◽  
Original Surface ◽  
Yellow Sand ◽  
Late Medieval Period ◽  
Human Skulls ◽  
The 19Th Century ◽  
The Hill ◽  
The City

Currently, the complex of the hill-fort by the meandering bend of the Bug River channel is divided into two parts: the western one where the castle is located, and the eastern one where the city is obviously placed. During the exploration the rampart of the eastern part of the fortified complex was cut by the trench. The body of rampart is stand on the ancient original surface which looked like a humus substance. It consisted of three consecutive fillings. The first is gray soil up to 0.2 m thick, the second is white sand up to 0.8 m thick, and the third, most high (up to 1.4 m) is the yellow sand that covered the previous one from inside of the rampart. The yellow sand was cut through by well visible pit at the bottom of which the bones, probably human skulls have been found. These filings contained several fragments of pots of the fourteenth and fifteenth centuries. From inside the rampart was covered by the powerful cultural layer that contained various finds from the fourteenth to the twentieth centuries. The original layer of humus sand was well visible under the body of rampart and worse under the cultural layer. In the original surface the materials of the 12th—13th and 15th—16th centuries were found. Particularly the hinged lock of the 15th—16th centuries found in the original layer of humus is noteworthy. The majority of partially explored objects were located on the inside of the rampart. Latest of them, the object 1 of the 19th century, was occurred in the cultural layer and the rest, objects 2—6, were found while cleaning the virgin soil at the bottom of the trench. Moreover, large objects 3—4 were located outside the rampart, under the powerful cultural layer, and small objects 5—6 — under the body of the rampart. Thus, the explored site in the area of the future rampart was virtually uninhabited in the Old Rus period and was poorly used during the 14th—15th centuries. It is ascertained that the fortifications of Lytovezh hill-fort consisted of the rampart up to 2.1 m high of artificial origin built in the late medieval period, most probably in the 16th—17th centuries.

scholarly journals THE MYSTERY OF «OLEH TOMB»: KYIV OR LADOGA?

2020 ◽  
Vol 35 (2) ◽  
pp. 288-293
Author(s):  
V. M. Rychka
Keyword(s):  
Urban Areas ◽  
Large Scale ◽  
18Th Century ◽  
Scale Construction ◽  
Western Slope ◽  
The Common ◽  
Primary Chronicle ◽  
The 19Th Century ◽  
The Hill ◽  
The City

Described in Primary Chronicle under 912 the story of the unusual circumstances of the death of Kyiv pagan prince Oleh the Prophetic is connected to Kyiv topographic realities, contemporary for chronist, in particular, to the toponym «Oleh Tomb», also known from other sources. According to this chronicle Oleh Tomb was placed on the hill Shchekovytsya but the exact localization of the latter is not provided. In the middle of the 19th century Kyiv people called Shchekovytsya the high hill rising over the Podil on the west side. In the works of the later Kyiv scholars this hill was unequivocally identified with Chronicle Shchekovytsya where they localized the grave of Oleh. This view was challenged by P. G. Lebedyntsev who suggested localizate the Oleh Tomb not on Shchekovytsya / Skavitsya but on the western slope of the Starokyivsky Plateau, on Kudryavka, opposite the Lybid’ River, near the Zhidovsky (Lviv) Gate of Medieval Kyiv. Basing on the analysis of Kyiv Chronicle information the scientist concluded that the toponym «Oleh Tomb» is separated from Shchekovytsya in the annals. The explanation of this contradiction in the chronicle was proposed by one of the best experts in the historical topography of Old Kyiv — M. I. Petrov. He suggested that under the name of Shchekovytsya one should consider not only the Podil hill but also all surrounding ravines and highlands. The Shchekovytsya ridge of mountains and hills stretched from the east to the southwest from the present Shchekovitsa hill to the edge of the present Lviv Square. The common for whole this territory name Shchekovytsya became gradually decay due to the large scale construction of the city in the 18th century and the appearance of proper names of new urban areas. The version of the death and burial of Oleh in Ladoga where one of the central and largest hills got the name «Oleh Tomb» is still popular in historiography, especially Russian. This mound was explored by archaeologists. The cremation burial was discovered under the barrow. It was dated to earlier (9th century) time than the date of Oleh death. Because of the impossibility of this «grave» to be burial place of the Prince of Kyiv, G. S. Lebedev has proposed to consider it the «Oleh Hill» — a «ritual seat» which had some public and religious functions. Despite the hypothetical nature of such interpretation the ghost of Oleh finds the visible features in Ladoga. At the end of the last century in Old Ladoga the stone was erected on that mound with a memorial plaque proclaiming this site of the 9th—10th centuries «The tomb of Prince Oleh the Prophetic». The story of the death of Kyiv pagan prince Oleh the Prophetic «due to horse» contained in the Primary Chronicle under 912 was compilled, apparently, on the base of some archaic mythological song or historical anecdote. It wins over not its factual authenticity but psychological one. However, there is no reason to doubt that Oleh died in Kyiv. The death of the prince, who was crowned with warrior glory, prompted his followers to muse about the choice of a place for the building of the great barrow over his grave. The slopes of the Lysa Gora (Yurkovytsia), where the pagan necropolis had already been laid near Oleh courtyard, probably seemed them to be cramped. This may have been the reason for choosing among the highlands, which rise above the Podil, the beautiful terrain of Kudryavka in the upper reaches of the Hlybochytsa river. The barrow built in the 10th century was probably quite large which explains the relatively long life of «Oleh Tomb» in the Kyiv toponimic.

Museum Preserves in the Sphere of “Cultural Tourism”: Through the Example of the Cultural Preserves of Tatarstan

2019 ◽  
Vol 9 (4) ◽  
pp. 193-198
Author(s):  
Lyudmila S. Timofeeva ◽  
Albina R. Akhmetova ◽  
Liliya R. Galimzyanova ◽  
Roman R. Nizaev ◽  
Svetlana E. Nikitina
Keyword(s):  
19Th Century ◽  
Art Museum ◽  
Medium Size ◽  
Business Elite ◽  
Wide Range ◽  
The Subject ◽  
Tourist Center ◽  
Regional Authorities ◽  
The 19Th Century ◽  
The City

Abstract The article studies the existence experience of historical cities as centers of tourism development as in the case of Elabuga. The city of Elabuga is among the historical cities of Russia. The major role in the development of the city as a tourist center is played by the Elabuga State Historical-Architectural and Art Museum-Reserve. The object of the research in the article is Elabuga as a medium-size historical city. The subject of the research is the activity of the museum-reserve which contributes to the preservation and development of the historical look of Elabuga and increases its attractiveness to tourists. The tourism attractiveness of Elabuga is obtained primarily through the presence of the perfectly preserved historical center of the city with the blocks of integral buildings of the 19th century. The Elabuga State Historical-Architectural and Art Museum-Reserve, which emerged in 1989, is currently an object of historical and cultural heritage of federal importance. Museum-reserves with their significant territories and rich historical, cultural and natural heritage have unique resources for the implementation of large partnership projects. Such projects are not only aimed at attracting a wide range of tourists, but also stimulate interest in the reserve from the business elite, municipal and regional authorities. The most famous example is the Spasskaya Fair which revived in 2008 in Elabuga. It was held in the city since the second half of the 19th century, and was widely known throughout Russia. The process of the revival and successful development of the fair can be viewed as the creation of a special tourist event contributing to the formation of new and currently important tourism products.

The City Below The Hill

1972 ◽  
Author(s):  
Herbert Brown Ames ◽  
Paul Rutherford
Keyword(s):  
The Hill ◽  
The City

Rebuilding the City on the Hill

2012 ◽  
Author(s):  
Chad M. Brooks
Keyword(s):  
The Hill ◽  
The City

scholarly journals The prevalence of underweight in 9–10-year-old schoolchildren in Liverpool: 1998–2006

2009 ◽  
Vol 12 (7) ◽  
pp. 953-956 ◽  
Author(s):  
Lynne M Boddy ◽  
Allan F Hackett ◽  
Gareth Stratton
Keyword(s):  
Mass Spectrum ◽  
Body Mass ◽  
The Body ◽  
Fitness Testing ◽  
Policy Makers ◽  
Substantial Problem ◽  
Prevalence Of Obesity ◽  
Grade 3 ◽  
The City ◽  
Over Time

AbstractObjectiveTo estimate the prevalence of underweight between 1998 and 2006 in Liverpool schoolchildren aged 9–10 years using recently published underweight cut-off points.Design and settingStature and body mass data collected at the LiverpoolSportsLinx project’s fitness testing sessions were used to calculate BMI.SubjectsData were available on 26 782 (n13 637 boys, 13 145 girls) participants.ResultsOverall underweight declined in boys from 10·3 % in 1998–1999 to 6·9 % in 2005–2006, and all sub-classifications of underweight declined, in particular grade 3 underweight, with the most recent prevalence being 0·1 %. In girls, the prevalence of underweight declined from 10·8 % in 1998–1999 to 7·5 % in 2005–2006. The prevalence of all grades of underweight was higher in girls than in boys. Underweight showed a fluctuating pattern across all grades over time for boys and girls, and overall prevalence in 2005–2006 represents over 200 children across the city.ConclusionsUnderweight may have reduced slightly from baseline, but remains a substantial problem in Liverpool, with the prevalence of overall underweight being relatively similar to the prevalence of obesity. The present study highlights the requirement for policy makers and funders to consider both ends of the body mass spectrum when fixing priorities in child health.

scholarly journals Virtual Sound Field of the Roman Theatre of Malaca

Acoustics ◽  
2021 ◽  
Vol 3 (1) ◽  
pp. 78-96
Author(s):  
Javier Alayón ◽  
Sara Girón ◽  
José A. Romero-Odero ◽  
Francisco J. Nieves
Keyword(s):  
3D Model ◽  
Sound Field ◽  
Acoustic Properties ◽  
Archaeological Remains ◽  
Roman Emperor ◽  
Stone Surface ◽  
Process Adjustment ◽  
Decay Parameters ◽  
The Hill ◽  
The City

In Hispania (present-day Spain and Portugal), there are 25 structures documented of classical Roman open-air theatres, of which 10 are in the south, in the Roman Baetica (Andalusia). The Baetica embraced the progress of urbanisation in the time of the Roman emperor Augustus, where theatres, built in stone, were the foci of entertainment, performance, and propaganda of the empire. The Roman theatre in Malaga presents the archaeological remains of the main vestige of the Roman Malaca. It is located in the historical centre of the city, at the foot of the hill of the Muslim Alcazaba and was discovered in 1952. It is a medium-sized theatre whose design corresponds to a mixed construction that combines making use of the hillside for the terraces, in the manner of Greek theatres, with a major construction where rock is non-existent, thereby creating the necessary space for the stands. In this paper, the production process, adjustment, and validation of the 3D model of the theatre are analysed for the creation of a numerical predictive model of its sound field. Acoustic properties of the venue are examined and the effect of the Muslim Alcazaba and the hillside on the various acoustic descriptors is analysed. The results highlight the influence of this large stone surface mainly on the time decay parameters.

scholarly journals Governing Nonconformity: Gender Presentation, Public Space, and the City in New Order Indonesia

2021 ◽  
pp. 1-20
Author(s):  
Benjamin Hegarty
Keyword(s):  
Public Space ◽  
Gender Nonconformity ◽  
The Body ◽  
New Order ◽  
Sexual Morality ◽  
National Belonging ◽  
Femininity And Masculinity ◽  
Gender Presentation ◽  
The Right ◽  
The City

The regulation of public space is generative of new approaches to gender nonconformity. In 1968 in Jakarta, the capital of Indonesia, a group of people who identified as wadam—a new term made by combining parts of Indonesian words denoting “femininity” and “masculinity”—made a claim to the city's governor that they had the right to appear in public space. This article illustrates the paradoxical achievement of obtaining recognition on terms constituted through public nuisance regulations governing access to and movement through space. The origins and diffuse effects of recognition achieved by those who identified as wadam and, a decade later, waria facilitated the partial recognition of a status that was legal but nonconforming. This possibility emerged out of city-level innovations and historical conceptualizations of the body in Indonesia. Attending to the way that gender nonconformity was folded into existing methods of codifying space at the scale of the city reflects a broader anxiety over who can enter public space and on what basis. Considering a concern for struggles to contend with nonconformity on spatial grounds at the level of the city encourages an alternative perspective on the emergence of gender and sexual morality as a definitive feature of national belonging in Indonesia and elsewhere.

The Fiery Pacific: Volcanic Eruptions and Settler-State Theatricality in Oceania, 1780–1900

2014 ◽  
Vol 55 (3) ◽  
pp. 362-392
Author(s):  
Diana Looser
Keyword(s):  
Seventeenth Century ◽  
Performance Studies ◽  
Art History ◽  
Volcanic Eruptions ◽  
The Body ◽  
Red Color ◽  
Form Part ◽  
And Performance ◽  
Grand Opera ◽  
The City

In the closing scene of René-Charles Guilbert de Pixérécourt's melodramaLa Tête de mort; ou, Les Ruines de Pompeïa(1827), audiences at Paris's Théâtre de la Gaîté were presented with the spectacular cataclysm of an erupting Mount Vesuvius that invaded the city and engulfed the hapless characters in its fiery embrace. “The theatre,” Pixérécourt writes, “is completely inundated by this sea of bitumen and lava. A shower of blazing and transparent stones and red ash falls on all sides…. The red color with which everything is struck, the terrible noise of the volcano, the screaming, the agitation and despair of the characters … all combine to form this terrible convulsion of nature, a horrible picture, and altogether worthy of being compared to Hell.” A few years later, in 1830, Daniel Auber's grand operaLa Muette de Portici(1828), which yoked a seventeenth-century eruption of Vesuvius with a popular revolt against Spanish rule in Naples, opened at the Théâtre de Monnaie in Brussels. The Belgian spectators, inspired by the opera's revolutionary sentiments, poured out into the streets and seized their country's independence from the Dutch. These two famous examples, which form part of a long genealogy of representing volcanic eruptions through various artistic means, highlight not only the compelling, immersive spectacle of nature in extremis but also the ability of stage scenery to intervene materially in the narrative action and assimilate affective and political meanings. As these two examples also indicate, however, the body of scholarship in literary studies, art history, and theatre and performance studies that attends to the mechanical strategies and symbolic purchase of volcanic representations has tended to focus mainly on Europe; more research remains to be undertaken into how volcanic spectacles have engaged with non-European topographies and sociopolitical dynamics and how this wider view might illuminate our understanding of theatre's social roles.

Invasive cutaneous cryptococcosis of the nasal planum in a cat – case report

2018 ◽  
Vol XXIII (133) ◽  
pp. 56-62
Author(s):  
Ana Cláudia Balda ◽  
Juliana Cristina Gonçalves ◽  
Renata Cristina Menezes ◽  
Ana Cristina Fascetti de Souza ◽  
Guilherme Durante Cruz
Keyword(s):  
Private Practice ◽  
Infectious Agent ◽  
Skin Lesions ◽  
The Body ◽  
Small Animals ◽  
Cutaneous Lesions ◽  
Mixed Breed ◽  
Deep Mycosis ◽  
The City ◽  
Cutaneous Cryptococcosis

Crytococcosis is the most common deep mycosis in cats, despite its rarity in the medical practice of small animals. The infectious agent of the disease is Cryptococcus sp, an opportunistic fungus that can spread throughout the body. An approximately two-year-old mixed breed cat, weighting 3 kg was presented to a private practice in the city of São Paulo, Brazil. Physical examination relealed pyogranulomatous skin lesions, mainly on the nasal planum and the second digit of the left thoracic lim. The animal presented no neurological or respiratory signs. The response to antifulgal on cutaneous lesions was favorable, but the animal did not resist a second sedation and died within twenty-eight days after starting treatment. This report shows an atypical case of cryptococcosis due to the lack of immunodeficiency.

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