Abstract vision as a tool for research the artistic aspects of the world order and the formation of design consciousness in the art of the 20th century

2021 ◽  
pp. 167-179
Author(s):  
O.K. KHALDEEVA ◽  
T.O. SHULIKA
Keyword(s):  
20Th Century ◽  
World Order ◽  
The World

scholarly journals Eurasianism: global challenges and the new world order in A.G. Dugin’s political philosophy

2021 ◽  
pp. 71-80
Author(s):  
Chun'tsze Net Vei
Keyword(s):  
Political Philosophy ◽  
20Th Century ◽  
New World ◽  
World Order ◽  
Early 20Th Century ◽  
Breeding Ground ◽  
New World Order ◽  
Global Challenges ◽  
The World ◽  
Pandemic Threat

The “Eurasianism” concept originates from the philosophical ideas of the early 20th century emphasising the unity of the Post-Soviet political space and its unique, non-Western direction of development. Recently, the world order is being checked for strength: the global challenges are presenting the states with a necessity to reconsider the existing world order, which serves as a breeding ground for the implementation of the ideas of Eurasianism in the regional context. In such a way, the Professor of the National Eurasian University Aleksandr Dugin, who has devoted most of his career to the research of the Eurasianism theory, in his theory expresses a belief that the historically formed non-Western worldview of the Post-Soviet states justifies the idea about the authenticity of their statehood. Today, the Eurasianism concept is institutionalized within the CIS and the EEU, and is especially relevant in the context of the new global challenges (economic instability, the change of the world order nature, the pandemic threat, etc), which allow specking about the emergence of a new world order.

scholarly journals The World Order Crisis and the Threats for Russia and the World

2013 ◽  
pp. 70-75
Author(s):  
D. B. Ryurikov
Keyword(s):  
20Th Century ◽  
Soft Power ◽  
Actual World ◽  
New World ◽  
World Order ◽  
New World Order ◽  
Global Finance ◽  
The West ◽  
Politics And Culture ◽  
The World

Crises in global finance and economy, the threat of wars and tension in world relations, the degradation of the non-material bases of civilization, i.e. morality, law, politics, and culture, do not bother a group of influential financial and political figures of the West : they believe that after a sequence of crises and wars, a "new world order", the NWO, will be established. Projected globally once by the "hard", once by the "soft" power, the ideology and practice of the NWO negates the foundations of civilization gained by ordeals and sufferings of mankind, and means the departure from the principles and norms of the actual world order valid until the end of the 20th century. Essentially, the NWO is an anticivilizacion. If the project is allowed to be implemented, the lives of humans will change beyond recognition. Thus, the key challenge of our time : do not let the project to be realized, consolidate the forces opposing the NWO.

scholarly journals WESTWORLD: FROM EVOLUTION TO REVOLUTION OF THE WESTERN

2020 ◽  
Vol 16 (3) ◽  
pp. 61-85
Author(s):  
ARTEM N. ZORIN ◽  
Keyword(s):  
Science Fiction ◽  
20Th Century ◽  
21St Century ◽  
World Order ◽  
Television Series ◽  
Important Link ◽  
Starting Point ◽  
The Social ◽  
The World ◽  
Cultural Content

Westworld television series was created in the second half of the 2010s by Lisa Joy and Jonathan Nolan. It has become an important link in the chain of actualizing the western as a genre in its variations against the background of the current social and cultural content. Initially a remake of the 1973 film of the same name directed by Michael Crichton, the series soon evolved: its second season has become a form of comprehension for both the basis of the western poetics in its relation to science fiction and the burning issues of the 21st century. “The rise of the machines” is interpreted here as a revolt against God, as overcoming the total scenarios of normative poetics and also as a visualization of Donna Haraway’s cyberfeminism ideas. The meta-western part of the Westworld plot unfolds from the 1970s and 1980s to the “revolutionary” aesthetics of the 60s and reveals its ambition to play around with the revisionist scripts of the spaghetti western, especially its most radical part — the zapata western. Trying on their revolutionary logic, the characters and creators of the series try to find their way out of the maze of unsolvable questions about the oncoming future and formulate new ethical dominants for a contemporary viewer. Such a logic supposes existence not in the world of a classical western — with the final triumph of justice, but in the world of a total revisionism of the late 1960s western. It is manifested in the integral poetics of the second season. Androids are creatures with a new worldview and perception of a different world order. They travel through different areas and levels of the historical park, collect key moments of history and stylistic features of a western as the central epic genre of cinema aesthetics. The first two seasons of the Westworld are as much an anthem to the cinema, the main art of the 20th century, as Quentin Tarantino’s westerns created at the same time. They demonstrate that in the world of contemporary values the cinema epic is the starting point of history, the beginning and the source of a person’s epic worldview. As a result, the western appears in the series as a key epic form underlying the mythological mind of a contemporary viewer. The meta-western nature also reflects the direction towards the total westernization of cinema aesthetics and, at the same time, an attempt to understand the reasons which led this approach to the crisis, projected onto the social contradictions of our time. The ironic laws of the spaghetti western, using the elements of Christianization and surrealism in the interpretation of the genre’s canonical schemes, make it possible to expand the range of the tasks set by the authors far beyond the borders of one-nation specifics.

Simone de Beauvoir's Philosophy of Individuation

2017 ◽  
Author(s):  
Laura Hengehold
Keyword(s):  
Lived Experience ◽  
20Th Century ◽  
Sexual Difference ◽  
Gilles Deleuze ◽  
The Other ◽  
Simone De Beauvoir ◽  
Second Sex ◽  
Other Hand ◽  
The World

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.

The 1945 World Order – Process with «Open» Continuation

2020 ◽  
Vol 13 (4) ◽  
pp. 52-79
Author(s):  
V. T. Yungblud
Keyword(s):  
Cold War ◽  
International Relations ◽  
World Order ◽  
International Order ◽  
International Terrorism ◽  
Bipolar Structure ◽  
Political Processes ◽  
The World ◽  
Post War ◽  
The Cold War

The Yalta-Potsdam system of international relations, established by culmination of World War II, was created to maintain the security and cooperation of states in the post-war world. Leaders of the Big Three, who ensured the Victory over the fascist-militarist bloc in 1945, made decisive contribution to its creation. This system cemented the world order during the Cold War years until the collapse of the USSR in 1991 and the destruction of the bipolar structure of the organization of international relations. Post-Cold War changes stimulated the search for new structures of the international order. Article purpose is to characterize circumstances of foundations formation of postwar world and to show how the historical decisions made by the leaders of the anti-Hitler coalition powers in 1945 are projected onto modern political processes. Study focuses on interrelated questions: what was the post-war world order and how integral it was? How did the political decisions of 1945 affect the origins of the Cold War? Does the American-centrist international order, that prevailed at the end of the 20th century, genetically linked to the Atlantic Charter and the goals of the anti- Hitler coalition in the war, have a future?Many elements of the Yalta-Potsdam system of international relations in the 1990s survived and proved their viability. The end of the Cold War and globalization created conditions for widespread democracy in the world. The liberal system of international relations, which expanded in the late XX - early XXI century, is currently experiencing a crisis. It will be necessary to strengthen existing international institutions that ensure stability and security, primarily to create barriers to the spread of national egoism, radicalism and international terrorism, for have a chance to continue the liberal principles based world order (not necessarily within a unipolar system). Prerequisite for promoting idea of a liberal system of international relations is the adjustment of liberalism as such, refusal to unilaterally impose its principles on peoples with a different set of values. This will also require that all main participants in modern in-ternational life be able to develop a unilateral agenda for common problems and interstate relations, interact in a dialogue mode, delving into the arguments of opponents and taking into account their vital interests.

Henry Kissinger's book World order: Reflections on the beginnings of nations and the course of history

2019 ◽  
Vol 3 (6) ◽  
pp. 165
Author(s):  
Abdul Hamid Al - Eid Al - Mousawi
Keyword(s):  
New World ◽  
World Order ◽  
New World Order ◽  
Central Idea ◽  
Global System ◽  
The World ◽  
Western European ◽  
Book World

The central idea of Henry Kissinger's latest book, The Global System, is that the world desperately needs a new world order, otherwise geopolitical chaos threatens the world, and perhaps chaos will prevail and settle in the world. According to Kissinger, the world order was not really there at all, but what was closest to the system was the Treaty of Westphalia, which included about twenty Western European states for almost four centuries.

China and the World Order

2017 ◽  
Vol 16 (4) ◽  
pp. 110-114
Author(s):  
Anton G. Trushkin ◽  
Keyword(s):  
World Order ◽  
The World

The Process of Globalization and Its Impact on Media

2016 ◽  
Vol 1 (4) ◽  
pp. 150
Author(s):  
Veton Zejnullahi
Keyword(s):  
New Technology ◽  
World Order ◽  
Modern Society ◽  
Media Access ◽  
Four Corners ◽  
The World ◽  
The Media ◽  
The Republic ◽  
Human Eyes ◽  
The Impact

The process of globalization, which many times is considered as new world order is affecting all spheres of modern society but also the media. In this paper specifically we will see the impact of globalization because we see changing the media access to global problems in general being listed on these processes. We will see that the greatest difficulties will have small media as such because the process is moving in the direction of creating mega media which thanks to new technology are reaching to deliver news and information at the time of their occurrence through choked the small media. So it is fair to conclude that the rapid economic development and especially the technology have made the world seem "too small" to the human eyes, because for real-time we will communicate with the world with the only one Internet connection, and also all the information are take for the development of events in the four corners of the world and direct from the places when the events happen. Even Albanian space has not left out of this process because the media in the Republic of Albania and the Republic of Kosovo are adapted to the new conditions under the influence of the globalization process. This fact is proven powerful through creating new television packages, written the websites and newspapers in their possession.

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