scholarly journals Taking it out of context: The role of contextual coherence during social event segmentation

2019 ◽  
Vol 81 (6) ◽  
pp. 2003-2013 ◽  
Author(s):  
Nida Latif ◽  
Francesca Capozzi ◽  
Jelena Ristic
2018 ◽  
Vol 18 (10) ◽  
pp. 447 ◽  
Author(s):  
Nida Latif ◽  
Francesca Capozzi ◽  
Jelena Ristic

1989 ◽  
Vol 36 (2) ◽  
pp. 172-182 ◽  
Author(s):  
Simon Goldhill

Fred Astaire once remarked of performing in London that he knew when the end of a play's run was approaching when he saw the first black tie in the audience. Perhaps this is an American's ironic representation of the snobbishness of pre-War London (though he was the American who sang the top-hat, white tie and tails into a part of his personal image). Perhaps it is merely an accurate (or nostalgic) picture of the dress code of the audiences of the period. The very appeal to such a dress code, however – in whatever way we choose to read the anecdote – inevitably relies on a whole network of cultural ideas and norms to make its point. It implies tacitly what is easily recoverable from other sources about the theatre of the period: the expected class of the audience; the sense of ‘an evening's entertainment’ – attending the fashionable play of the season, with all the implications of the theatre as a place not merely for seeing but also for being seen; the range of subjects and characters portrayed on the London stage of the period; the role of London as a European capital of a world empire (with a particular self-awareness of itself as a capital); the expected types of narrative, events, and language, that for many modern readers could be evoked with the phrase ‘a Fred Astaire story’. If we want to understand the impact of the plays of Ibsen or Brecht or Osborne or Beckett, it cannot be merely through ‘dramatic techniques’, but must also take into account the social performance that is theatre. Ibsen's commitment to a realist aesthetic is no doubt instrumental to the impact of his plays, but it is because his (socially committed) dramas challenged the proprieties of the social event of theatre that his first reviewers were so hostile.


Cognition ◽  
2018 ◽  
Vol 177 ◽  
pp. 249-262 ◽  
Author(s):  
Khena M. Swallow ◽  
Jovan T. Kemp ◽  
Ayse Candan Simsek
Keyword(s):  

2015 ◽  
Vol 68 (4) ◽  
pp. 731-744 ◽  
Author(s):  
Julia Boggia ◽  
Jelena Ristic

2020 ◽  
Vol 20 (11) ◽  
pp. 420
Author(s):  
Francesca Capozzi ◽  
Nida Latif ◽  
Emma Ponath ◽  
Jelena Ristic

2021 ◽  
Vol 10 (2) ◽  
pp. 90-103
Author(s):  
Paul Aron

FR. L’envoyé spécial n’est jamais étudié en tant que catégorie spécifique par les études sur le journalisme. Il est tantôt considéré pour sa spécialité (par exemple politique internationale), son statut dans le journal (grand reporter ou pigiste), tantôt pour son genre d’écriture (grand reportage, chronique). L’appellation semble ainsi transparente, voire insignifiante. Mon article tente d’en cerner l’usage dans le cadre de la presse sportive. Dans un premier temps, il fait la distinction entre l’expression au singulier et au pluriel et il montre la fréquence de son usage grâce à une analyse numérique. Dans un second temps, il étudie la variété de ses emplois à propos d’un événement particulier : le reportage du Tour de France. L’analyse met en évidence des interventions que l’on peut qualifier de kaléidoscopiques, figurées dans l’espace même du journal par la typographie et l’éclatement entre plusieurs pages plus ou moins clairement consacrées au sport ou à l’événement particulier du Tour. Ce phénomène est par ailleurs multiplié par les liens que le journal quotidien entretient avec d’autres médias (photos, radios, magazines). En conclusion, il apparaît que l’envoyé spécial est une catégorie proprement journalistique, qui n’a pas d’utilité à l’extérieur de la publication périodique. Alors que nombre d’acteurs de la presse ou de rubriques existent à côté ou en dehors de celle-ci — on peut publier des reportages, des chroniques, des feuilletons sous forme d’ouvrages —l’envoyé spécial est par nature lié à un événement qui justifie et absorbe sa raison d’être. Il redevient journaliste, écrivain ou simple témoin dès que cette actualité est achevée ou dès que son rôle immédiat s’achève. *** EN. The figure of the special correspondent has never been considered by journalism studies as a specific category. Instead, special correspondents are generally categorized by field of expertise (foreign affairs for instance), the position held in the newsroom (senior reporter or freelancer), or the type of articles written (reportage, column, interviews, etc.). This categorization might seem unnoticeable, even anecdotal. This article attempts to identify its use in the context of the sports press. First, we make a distinction between the singular and the plural forms of this expression. We also highlight the frequency of their use through numerical analysis. Second, the diversity of its uses is studied in the context of a particular event: the Tour de France. The analysis highlights how contributions by correspondents constitute a kaleidoscope that takes shape through the typography and the presence of the topic in multiple pages in a newspaper, might the content be centered on the cycling performances or on the Tour as a social event. This phenomenon is amplified through links connecting daily newspapers and other media (photos, radio, magazines). Finally, the figure of the correspondent appears to be a category strictly limited to journalism and has no relevance outside the sphere of periodical publishing. While a number of press actors and sections also exists outside the world of journalism - reportages, column or news stories can also be published as books - the correspondent is by nature anchored to an event that justifies and absorbs his or her raison d'être. He or she becomes again a journalist, a writer or a simple witness, as soon as the event is over or as soon as the role of correspondent comes to an end. *** PT. O enviado especial nunca é analisado enquanto categoria específica pelos estudos de jornalismo. O termo, ora considerado por sua especialidade (por exemplo, na política internacional), ora por seu status no jornal (grande repórter ou freelancer), ora por seu gênero de escrita (grande reportagem, crônica), se torna transparente ou até insignificante. O presente artigo busca apreender seu uso no contexto da imprensa esportiva. Num primeiro momento, busca-se distinguir as formas singular e plural do termo e levantar sua frequência de uso por meio da análise de corpus. Depois, investiga-se a variação de seus usos em relação a um evento particular: a cobertura do Tour de France. A análise identifica ocorrências que podem ser descritas como caleidoscópicas, editadas no próprio espaço do jornal pela tipografia e pela divisão em múltiplas páginas, mais ou menos claramente dedicadas ao esporte ou ao evento particular do Tour. Esse fenômeno é também multiplicado pelos vínculos que o jornal diário estabelece com outros meios de comunicação (fotos, rádio, revistas). Em conclusão, ressalta-se que o enviado especial é uma categoria propriamente jornalística, desprovida de utilidade para além da publicação periódica. Enquanto muitos atores ou seções da imprensa coexistem ao lado ou fora dela - relatórios, crônicas e séries podem ser publicados em forma de livros -, o enviado especial vincula-se por natureza a um evento que justifica e absorve sua razão de ser. Ele volta a ser jornalista, escritor ou simples testemunha ao final do evento ou assim que seu papel imediato foi concluído. ***


2020 ◽  
Author(s):  
Jeremy R. Manning

Context reinstatement is the process by which we incorporate thoughts from our past into our current mental state. This chapter is concerned with characterizing the cognitive and neuropsychological underpinnings of context reinstatement. Modern theories of context reinstatement are inextricably tied to theories of how we process and perceive the present. The primary goal of this chapter is to present a conceptual framework for characterizing how experiences unfold in time, and how our mental states at each moment relate to our experiences. This framework allows us to compare, contrast, and test different theories of context reinstatement. A second component of this chapter is concerned with two fundamental properties of how our experiences unfold, and how we perceive and remember them: scale invariance and event segmentation. The chapter concludes with a reflection on the proposed role of context reinstatement in facilitating a range of important memory-related cognitive functions.


2020 ◽  
Author(s):  
Wei Liu ◽  
Yingjie Shi ◽  
James N Cousins ◽  
Nils Kohn ◽  
Guillen Fernandez

How do we encode our continuous life experiences for later retrieval? Theories of event segmentation and integration suggest that the hippocampus binds separately represented events into an ordered narrative. Using an open-access functional Magnetic Resonance Imaging (fMRI) movie watching-recall dataset, we quantified two types of neural similarities (i.e., activation pattern similarity and within-region voxel-based connectivity pattern similarity) between separate events during movie watching and related them to subsequent retrieval of events as well as retrieval of sequential order. We demonstrate that distinct activation patterns of the hippocampus and medial prefrontal cortex form event memories. By contrast, similar within-region connectivity patterns between events facilitate memory formation and are relevant for the retention of events in the correct sequential order. We applied the same approaches to an independent movie watching fMRI dataset and replicational analyses highlighted again the role of hippocampal activation pattern and connectivity pattern in memory formation. We propose that distinct activation patterns represent neural segmentation of events while similar connectivity patterns encode context information, and therefore integrate events into a narrative. Our results provide novel evidence for the role of hippocampal-medial prefrontal event segmentation and integration in episodic memory formation of real-life experience.


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