THE FUTURE OF THE BULGARIAN ACADEMIC PERIODICALS – COMMUNITIES, DEBATES, AND INTERNATIONAL PRESENCE

2021 ◽  
pp. 85-90
Author(s):  
Kamen RIKEV
Keyword(s):  
English Translation ◽  
International Research ◽  
English Language ◽  
Academic Journals ◽  
The Future ◽  
English Translations ◽  
Publishing Houses ◽  
Internet Portals ◽  
Patron Saints

The paper discusses several formal aspects of submitting texts to foreign academic journals and publishing houses by Bulgarian authors. It argues that common issues concerning the editing of an author’s contribution include the English translation of a Bulgarian academic institution’s name, the use of quotation marks, the hyphen, en dash and em dash, the usage of glyphs, such as the numero symbol. The article also draws attention to the various transcription styles for Cyrillic texts, as well as the inconsistent forms of patron saints and city names used by Bulgarian institutions. A comparison between the Bulgarian names of six universities, their English translations and forms appearing in Wikipedia illustrates the problem of the often incomprehensible affiliation of a Bulgarian scholar outside the country. The author’s main conclusions are as follows: (1) an urgent need for a uniform spelling of Bulgarian university names in English; (2) based on the information on their official websites, Bulgarian institutions do not have official names in English, or such names cannot be easily traced; (3) clarification of the principles for recording the names of prominent personalities and especially saints, who have long been subject of international research; (4) a need for monitoring the consistent spelling of institution names appearing on the most popular internet portals. Finally, the author suggests 8 English language versions of the name Sofia University “St. Kliment Ohridski”.

scholarly journals On Translating Artistic Form of Ironical Style in Lu Xun’s Fiction

2018 ◽  
Vol 11 (10) ◽  
pp. 66
Author(s):  
Yikuan Yang
Keyword(s):  
English Translation ◽  
Social Contexts ◽  
Lu Xun ◽  
Chinese People ◽  
Linguistic Differences ◽  
Artistic Value ◽  
The Future ◽  
English Translations ◽  
Chinese And English ◽  
Do So

In response to an age of turmoil and oppression, Lu Xun’s fiction features irony and it is manifested in artistic form which should be retained in English translation to achieve equivalence. Failure to do so would weaken or lose the ironical effect intended by Lu Xun and result in Western readers’ inclination to neglect historical and social contexts of his time and to miss the thematic significance of his works. In view of inadequate research in this, the thesis explores the artistic form of ironical style in Lu Xun’s fiction, the preservation of form and ironical effect in William A. Lyell’s, the YANGs’ and Julia Lovell’s English translations and their strategies of compensation for inevitable loss due to cultural and linguistic differences between Chinese and English. However, over-compensation is to be avoided, for it would spoil the delicacy of irony, and so is under-compensation which would reduce the artistic value of the form of irony and cut the ironical effect. Sometimes even if compensation is applied, the ironical effect could hardly be kept intact. Behind Lu Xun’s ironical style is his concern for the future of China and the Chinese people, his indignation against oppression, his disappointment at some people’s numbness and stupidity and his sorrow toward the failure of the Xinhai Revolution. Translators should bear this in mind when rendering his ironical style from Chinese into English, otherwise they will miss the thematic significance of Lu Xun’s fiction.

scholarly journals EXAMINING TRANSLATION PROBLEMS IN INDONESIAN TOURISM BROCHURES: A CASE FROM GORONTALO

2021 ◽  
Vol 10 (1) ◽  
pp. 65
Author(s):  
Novriyanto Napu ◽  
Usman Pakaya
Keyword(s):  
Language Learning ◽  
Quantitative Study ◽  
English Translation ◽  
Promotional Material ◽  
Tourism Promotion ◽  
Future Improvement ◽  
The Future ◽  
Translator Training ◽  
English Translations

 The purpose of this study is to examine the English translations of brochures published by the Tourist Board of Gorontalo Province Government in Indonesia. This quantitative study looked at tourism brochures, both in Indonesian and English, as the source of data. The data were analyzed by considering the frequency and percentage to assess the problems of the English translation used as promotional material. The results reveal that the most frequent problems were syntactic problems (61.54%), followed by semantic problems (26.37%) and miscellaneous problems (12.09%) respectively. This study is expected to contribute to the form of feedback and implications regarding the level of problems and effectiveness of the promotional material in English for future improvement. The results of this study can also be used to develop a model for the use of effective and persuasive English to improve the quality of tourism promotion material by the aforementioned party so that there will be an increased number of interest in foreign tourists visiting Gorontalo in the future. The implication in language learning especially in translator training is also considered.

On South Sudan, in English. Review of the Books by Peter Martell “First Raise A Flag: How South Sudan Won the Longest War but Lost the Peace” and John Young “South Sudan’s Civil War: Violence, Insurgency and Failed Peacemaking”

2020 ◽  
pp. 109-115
Author(s):  
Anna Sharova
Keyword(s):  
Conflict Resolution ◽  
Civil War ◽  
English Language ◽  
South Sudan ◽  
International Governance ◽  
Refugee Camps ◽  
Graham Greene ◽  
The Future ◽  
Independent Country ◽  
Spot Analysis

Anna Sharova reviews two recent books separately published by two English language authors – P. Martell and J. Young. The books are very different in style and mood. While P. Martell presents an excellent example of British journalist prose in the style of his elder compatriots Somerset Maugham and Graham Greene, who did their reporting and writing from exotic countries during fateful periods of history, J. Young offers a more academic, though no less ‘on the spot’ analysis of the situation in the youngest independent country of Africa. J. Young’s considers two possible approaches to conflict resolution as possible outcomes: non-intervention cum continuation of the war, or the introduction of international governance. P. Martell comes up with a disappointing prediction about the future of South Sudan. The war will go on, the famine will return, and the threat of genocide will not disappear. People will continue to flee the country, and refugee camps will grow. New warring groups will appear, new murders will be committed. Neighbouring states will not stop competing for influence and resources. New peacekeepers will arrive. Warlords will be accused of crimes, but, as before, they will escape punishment, while some will be promoted.

The Future of English-Language Newspapers in India

1956 ◽  
Vol 33 (2) ◽  
pp. 213-219
Author(s):  
Asad Husain
Keyword(s):  
English Language ◽  
The Future

Obtaining English translations of Russian publications in the Earth Sciences - an English view

1983 ◽  
Vol 120 (2) ◽  
pp. 183-186 ◽  
Author(s):  
P. J. S. Miles
Keyword(s):  
Earth Sciences ◽  
English Translation ◽  
Language Barrier ◽  
Russian Language ◽  
The Earth ◽  
Course Of Action ◽  
English Translations ◽  
The Russian Language

SummaryA course of action is described for obtaining an English translation of a Russian geological text. It is suggested that the Russian ‘language barrier’ in this field is largely psychological.

Translating space from Chinese to English: A Case Study of Cao Wenxuan’s Bronze and Sunflower

2020 ◽  
Author(s):  
Zhao Meijuan ◽  
◽  
Ang Lay Hoon ◽  
Florence Toh Haw Ching ◽  
Sabariah Md Rashid ◽  
...  
Keyword(s):  
Spatial Structure ◽  
English Translation ◽  
English Language ◽  
Textual Analysis ◽  
Qualitative Approach ◽  
Source Text ◽  
Narrative Space ◽  
Young Readers ◽  
Similarities And Differences

Translated children’s works from English to Chinese have flooded China unprecedentedly since the end of the 19PthP century. However, there is a discrepancy in the translation of Chinese children’s works into the English language. This is maybe because western scholars are still largely ignoring Asian texts for young readers. Therefore, the research aims to fill the gap in the scholarship by studying the translated Bronze and Sunflower, which is a renowned work written by the Chinese first Hans Christian Anderson winner Cao Wenxuan, from the aspect of narrative space. A qualitative approach is adopted to compare the similarities and differences of narrative space between the source text and the target text. The samples will be taken from Cao Wenxuan’s Bronze and Sunflower and its English translation. The textual analysis is illuminated through the narratological framework, which is based on three-layered space: The topographic level, the chronotopic level and the textual level. The study explores how narrative space is constructed in the process of translating Bronze and Sunflower. It is hoped that the findings of the study will show how space is created in a different languagea, and that the translator prefers to change the narrative space rather than keeping the same spatial structure in the target text.

scholarly journals Revitalising Naxi dongba as a ‘pictographic’ vernacular script

2019 ◽  
Vol 3 (1) ◽  
pp. 53-67
Author(s):  
Duncan Poupard
Keyword(s):  
Future Development ◽  
Yunnan Province ◽  
Writing System ◽  
Writing Systems ◽  
Traditional Role ◽  
The Past ◽  
The Future ◽  
English Translations ◽  
Standard Chinese

A script can be a window into a language and all the culture contained within it. China’s minority peoples have a multitude of scripts, but many are in danger of falling out of use, a decline spurred by the adoption and promotion of standard Chinese across the country. Nevertheless, efforts are being made to preserve minority writing systems. This article reveals how the primarily logographic Naxi dongba script (often labelled the world’s ‘last living pictographs’), used in China’s southwestern Yunnan province to record the Naxi language, can be practically used as a modern writing system alongside its more widely known traditional role as a means of recording religious rites, and what exactly separates these two styles of writing. The efforts that have been made to achieve the goal of modernisation over the past decades are reviewed, including the longstanding attempts at Unicode encoding. I make some suggestions for the future development of the script, and employ plenty of examples from recent publications, alongside phonetic renderings and English translations. It is hoped that overall awareness of this unique script can be raised, and that it can develop into a vernacular script with everyday applications.

scholarly journals Hope for the Future of New Testament Theology

Religions ◽  
2021 ◽  
Vol 12 (11) ◽  
pp. 975
Author(s):  
Rodney K. Duke
Keyword(s):  
New Testament ◽  
First Century ◽  
Jewish Thought ◽  
Christian Culture ◽  
The Future ◽  
English Translations ◽  
Original Audience ◽  
Century Thought

This paper presents the author’s hope for changes in New Testament (NT) theology particularly as currently experienced in American Christian culture. Those changes are based on exegetical work that seeks to place the NT texts into their Jewish first-century thought world. The first part of the paper presents examples of theological concepts that have crept into NT exegesis, translations, and Christian thinking, concepts that appear to be foreign to or contrary to that original-audience thought world. The second part of the article seeks to present a reading of Rom 3:21–26 that better represents Paul’s thinking than what is found in some English translations that read the text through the lenses of some of the foreign concepts mentioned in Part 1. The resulting vision for the future of NT theology is twofold: for NT theologies to self-critically rid themselves of the infiltration of foreign concepts, and for the field to better ground its work in exegesis and translations that better respect the Jewish thought world of the texts.

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