scholarly journals Traduire, la contrainte Introduction

2021 ◽  
Vol 10 (2) ◽  
pp. 177-184
Author(s):  
Dominic Glynn ◽  
Sébastien Lemerle
Keyword(s):  
Knock Out

La littérature d’avant nous tire en arrière. Il faut réagir. Vous me traduirez tous les livres compliqués en langue normale. On essaye de simplifier ce bazar. […] C’est d’utilité publique de traduire and their upturnpikepointandplace is at the knock out in the park where oranges have been laid en français accessible. Tout doit être traduit en normal. Ce projet de déradicalisation de l’art est une mission politique sacrée - et en plus ça rapporte.1

Increased glyoxalase-1 levels in Fkbp5 knock-out mice caused by Glo1 gene duplication

2013 ◽  
Vol 46 (06) ◽  
Author(s):  
LK Kollmannsberger ◽  
NC Gassen ◽  
A Bultmann ◽  
J Hartmann ◽  
P Weber ◽  
...  
Keyword(s):  
Gene Duplication ◽  
Knock Out ◽  
Glyoxalase 1 ◽  
Knock Out Mice

Der Knock out der c-Jun N-terminalen Kinase 2 (JNK2) erhöht Krankheitsaktivität und Mortalität in der chronischen DSS-Colitis

2006 ◽  
Vol 44 (08) ◽  
Author(s):  
AM Chromik ◽  
AM Müller ◽  
M Albrecht ◽  
S Rottmann ◽  
MH Seelig ◽  
...  
Keyword(s):  
Knock Out ◽  
Dss Colitis

Functional characterization of the H+/K+ ATPase in wild type and gastrin knock-out mice

2007 ◽  
Vol 45 (05) ◽  
Author(s):  
A Schnur ◽  
P Hegyi ◽  
V Venglovecz ◽  
Z Rakonczay ◽  
I Ignáth ◽  
...  
Keyword(s):  
Functional Characterization ◽  
Wild Type ◽  
Knock Out ◽  
Knock Out Mice

“Swell, swell, my joys”: Ben Jonson, Quotation, and A Help to Memory and Discourse

2017 ◽  
Vol 24 (2) ◽  
pp. 187-204
Author(s):  
Charles Cathcart
Keyword(s):  
Ben Jonson ◽  
Advanced Head ◽  
Knock Out ◽  
The Third ◽  
Biblical Commentary

Sejanus His Fall has always been a succès d'estime rather than a popular triumph. Neverthless, there was an odd and pervasive valency for the speech that opens the play's fifth act, a speech that starts, “Swell, swell, my joys,” and which includes the boast, “I feel my advancèd head/Knock out a star in heav'n.” The soliloquy has an afterlife in printed miscellanies; it was blended with lines from Volpone's first speech; the phrase “knock out a star in heav'n” was turned to by preachers warning of the sin of pride; John Trapp's use of the speech for his biblical commentary was plundered by John Price, Citizen, for the polemic of 1654, Tyrants and Protectors Set Forth in their Colours; and in the year between the Jonson Folio of 1616 and the playwright's journey to Scotland, William Drummond of Hawthornden borrowed directly from the speech for his verse tribute to King James. For all Jonson's punctilious itemising of his tragedy's classical sources, his lines were themselves shaped by a contemporary model: John Marston's Antonio and Mellida. What are we undertaking when we examine an intertextual journey such as this? Is it a case study in Jonson's influence? Is it a meditation upon the fortunes of a single textual item? Alternatively, is it a study of appropriation? The resting place for this essay is the speech's appearance in the third and final edition of Leonard Becket's publication, A Help to Memory and Discourse (1630), an appearance seemingly unique within the Becket canon and one that suggests that Jonson's verse gained an afterlife as a poem.

‘I saw a knock-out’: Fatness, (In)visibility, and Desire in Shallow Hal

Somatechnics ◽  
2012 ◽  
Vol 2 (1) ◽  
pp. 60-79 ◽  
Author(s):  
Jackie Wykes
Keyword(s):  
Female Body ◽  
Fat Body ◽  
Western Culture ◽  
Embodied Experience ◽  
Knock Out ◽  
Dominant Meaning ◽  
Starting Point ◽  
Female Bodies ◽  
Fat Bodies ◽  
Sexual Body

When the Farrelly brothers' movie Shallow Hal (2001) was released, one reviewer suggested that the film ‘might have been more honest if [it] had simply made Hal have a thing about fat women’ ( Kerr 2002 : 44). In this paper, I argue that Kerr hits the mark but misses the point. While the film's treatment of fat is undoubtedly problematic, I propose a ‘queer’ reading of the film, borrowing the idea of ‘double coding’ to show a text about desire for fat (female) bodies. I am not, however, seeking to position Shallow Hal as a fat-positive text; rather, I use it as a starting point to explore the legibility of the fat female body as a sexual body. In contemporary mainstream Western culture, fat is regarded as the antithesis of desire. This meaning is so deeply ingrained that representations of fat women as sexual are typically framed as a joke because desire for fat bodies is unimaginable; this is the logic by which Shallow Hal operates. The dominant meaning of fatness precludes recognition of the fat body as a sexual body. What is at issue is therefore not simply the lack of certain images, but a question of intelligibility: if the meaning of fat is antithetical to desire, how can the desire for – and of – fat bodies be intelligible as desire? This question goes beyond the realm of representation and into the embodied experience of fat sexuality.

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