'The Excursion' and Wordsworth's Iconography

Author(s):  
Brandon C. Yen

This book considers William Wordsworth’s use of iconography in his long poem The Excursion (1814). Through this iconographical approach, it steers a middle course between The Excursion’s two very different interpretative traditions, the one focusing upon the poem’s abstraction, the other upon its touristic realism. The author explores Wordsworth’s iconography in The Excursion by tracing cultural and political allusions and correspondences in an abundance of post-1789 and earlier verbal and pictorial sources, as well as in Wordsworth’s own prose and poetry, especially The Prelude. Particular attention is paid to the complex ways in which The Excursion’s iconographical images contribute to – and also impose limitations upon – the overarching preoccupations of Wordsworth’s writings: the themes of paradise lost and paradise regained in the post-revolutionary context. This study thus revises New Historicist accounts of Wordsworth’s evasion of history by investigating the capacity of apparently ‘collateral’ images to respond to weighty arguments. In elucidating this vital aspect of Wordsworth’s poetic method, it reveals the visual etymologies – together with the nuances and rhetorical capacities – of five categories of images: envisioning, rooting, dwelling, flowing, and reflecting.

Author(s):  
Warren Chernaik

Milton as a republican viewed the restoration of kingship in 1660 with dread. Paradise Regained and Samson Agonistes, like the last two books of Paradise Lost, have a specific Restoration historical context, at a time of persecution of former commonwealthsmen and religious Dissenters. In Samson Agonistes, Milton’s protagonist struggles against despair, the feeling that he has been abandoned by God, while recognizing his own responsibility for the humiliating slavery into which he has been plunged. Samson Agonistes and Paradise Regained, published in a single volume in 1671, in their different ways both concern themselves with the problems and temptations facing those who seek to serve God in a hostile, unjust society. The two works explore alternative paths for ‘the spirits of just men long opprest’: in the one case, patience, suffering, bearing ‘tribulations, injuries, insults’ courageously, not expecting redress, and in the other, violent resistance, the slaughter of one’s enemies, in an ending of Milton’s tragedy which has often puzzled and disturbed readers.


2019 ◽  
pp. 335-373
Author(s):  
Colin Burrow

This chapter shows how arguments about intellectual property in the eighteenth century changed attitudes towards imitatio, and explores the emergence of romantic poetics from earlier arguments about imitation. It begins by considering Alexander Pope’s Dunciad and its distinction between ‘parodies’ of vernacular authors on the one hand and ‘imitations’ of classical texts on the other. It then shows how John Locke’s theories of property and early eighteenth-century legislation about copyright complicated that distinction between classical and vernacular texts. Through an analysis of William Lauder’s accusations that Milton was a plagiarist it demonstrates both how the reception of Paradise Lost became central to arguments about intellectual property in the period, and also how the Lauder affair led to changes in the ways theorists wrote about imitatio. Milton came to be regarded as both a common good which could be imitated freely, and as the most authoritative example of proprietorial vernacular author. That influenced how he was in turn imitated by later vernacular writers. William Wordsworth in particular frequently associated Milton with landscapes and areas such as public rights of way, which were simultaneously common goods and private property. Wordsworth consequently transformed the ancient metaphor of the imitator following in the footsteps of an earlier author into a representation of the poet ranging freely over a land which is partly a common good, and partly what is still called a literary ‘estate’.


PMLA ◽  
1905 ◽  
Vol 20 (3) ◽  
pp. 546-566
Author(s):  
F. C. L. van Steenderen

Joost van den Vondel is one of the few Dutch poets who have attained to anything approaching international fame. To him is attributed a rather noteworthy influence on Milton. As long ago as 1854 A. Fischel demonstrated in his Life and writings of Joost van den Vondel that Milton knew and made use of Vondel's works. Gosse, in his Studies in the Literatures of Northern Europe, pointed out that this influence came only from Vondel's Lucifer and was restricted to the sixth book of Paradise Lost. Edmunson, however, in his Milton and Vondel: A Curiosity of Literature (London, 1885), showed that not only in Books 1, 2, 4, and 9 of Paradise Lost, but also in Paradise Regained and in Samson Agonistes fragments are imitated from Joannes den Boetgezant (John the Messenger of Repentance), Adam in Ballingschap (Adam in Exile), Samson of the Heilige Wraak (Samson or the Sacred Vengeance), and from Bespiegelingen van God en Godsdienst (Reflections about God and Religion). Among the other discussions the most important are that of Masson in his Life of Milton, that of Professor Moltzer in Noord en Zuid (vol. 9), and that of Van Noppen in the introduction to his translation of Vondel's Lucifer.


2021 ◽  
Vol 58 (2) ◽  
pp. 61-71
Author(s):  
Renata Bizek-Tatara ◽  
Przemyslaw Szczur

The article is dedicated to the portrayal of Africa in the writings of the French-speaking Belgian writers of Congolese origins. We analyse subjective representations of Africa, both critical and idealized ones, from which emerges a vision of the continent brimming with contradictions. On the one hand, it is an alluring, vast and fertile land with abundant flora and fauna, as well as clime and landscape dearly missed by migrant writers – the land embodying the concept of “paradise lost” or the notion of a nursing mother identified in the migrant writers’ texts with the idea of homeland. On the other hand, although abundant in natural resources, Africa appears to be the continent of extreme poverty, hunger, violence, racism, persecution and ethnic cleansing – the territory still exploited by global powers on which colonialism unveiled its new face defined by a seemingly neutral term – globalization. This dichotomous representation – a far cry from the simplified, impoverished visions of Africa offered by the European media –  is conditioned by the specific existential situation of the migrant writers: remaining physically away from Africa, but still having a deep emotional, mental and cultural connection with their land, they are capable of perceiving it in a different light – thus, from a perspective which sharpens critical thinking and with tenderness resulting from the longing for their homeland. Hence, the circumstances of the migrant writers allow them to take an idiosyncratic, ambivalent and intellectually-affective stance – a specific critical tenderness, or: tender critique – through the prism of which the writers depict African realities and change the perception of these realities in the consciousness of the European readers.


Author(s):  
Tzachi Zamir

Paradise Lost has never received a substantial, book-length reading by a philosopher. This should surprise no one. Milton associated philosophy with deceit in his theological writings, and made philosophizing one of the activities of fallen angels in hell. This book argues that Milton’s disdain for philosophers’ vocation should not prevent them from turning an inquisitive eye to Milton’s greatest poem. Because it examines puzzles that intrigue philosophers, instead of neatly breaking from philosophy, it maintains a penetrating rapport with it. Paradise Lost sets forth bold claims regarding the meaning of genuine knowledge, regarding what counts as acting meaningfully, or as taking in the world fully, or as withdrawing from inner deadness. Other topics touched upon by Milton involve some of the most central issues within the philosophy of religion: the relationship between reason and belief, the uniqueness of religious poetry, the meaning of gratitude, and the special role of the imagination in faith. This tension—disparaging philosophy on the one hand, but taking up much of what philosophers hope to understand on the other—turns Milton’s poem into an exceptionally potent work for a philosopher of literature. Ascent is a philosophical reading of the poem that attempts to keep audible Milton’s antiphilosophy stance. The picture of interdisciplinarity that will emerge is, accordingly, neither one of a happy percolation among fields (“philosophy,” “literature”), nor one of rigid boundaries. Overlap and partial agreement clash against contestation and rivalry. It is these conflicting currents that this book aims to capture, not to reconcile.


1975 ◽  
Vol 26 ◽  
pp. 395-407
Author(s):  
S. Henriksen

The first question to be answered, in seeking coordinate systems for geodynamics, is: what is geodynamics? The answer is, of course, that geodynamics is that part of geophysics which is concerned with movements of the Earth, as opposed to geostatics which is the physics of the stationary Earth. But as far as we know, there is no stationary Earth – epur sic monere. So geodynamics is actually coextensive with geophysics, and coordinate systems suitable for the one should be suitable for the other. At the present time, there are not many coordinate systems, if any, that can be identified with a static Earth. Certainly the only coordinate of aeronomic (atmospheric) interest is the height, and this is usually either as geodynamic height or as pressure. In oceanology, the most important coordinate is depth, and this, like heights in the atmosphere, is expressed as metric depth from mean sea level, as geodynamic depth, or as pressure. Only for the earth do we find “static” systems in use, ana even here there is real question as to whether the systems are dynamic or static. So it would seem that our answer to the question, of what kind, of coordinate systems are we seeking, must be that we are looking for the same systems as are used in geophysics, and these systems are dynamic in nature already – that is, their definition involvestime.


Author(s):  
Stefan Krause ◽  
Markus Appel

Abstract. Two experiments examined the influence of stories on recipients’ self-perceptions. Extending prior theory and research, our focus was on assimilation effects (i.e., changes in self-perception in line with a protagonist’s traits) as well as on contrast effects (i.e., changes in self-perception in contrast to a protagonist’s traits). In Experiment 1 ( N = 113), implicit and explicit conscientiousness were assessed after participants read a story about either a diligent or a negligent student. Moderation analyses showed that highly transported participants and participants with lower counterarguing scores assimilate the depicted traits of a story protagonist, as indicated by explicit, self-reported conscientiousness ratings. Participants, who were more critical toward a story (i.e., higher counterarguing) and with a lower degree of transportation, showed contrast effects. In Experiment 2 ( N = 103), we manipulated transportation and counterarguing, but we could not identify an effect on participants’ self-ascribed level of conscientiousness. A mini meta-analysis across both experiments revealed significant positive overall associations between transportation and counterarguing on the one hand and story-consistent self-reported conscientiousness on the other hand.


2005 ◽  
Vol 44 (03) ◽  
pp. 107-117
Author(s):  
R. G. Meyer ◽  
W. Herr ◽  
A. Helisch ◽  
P. Bartenstein ◽  
I. Buchmann

SummaryThe prognosis of patients with acute myeloid leukaemia (AML) has improved considerably by introduction of aggressive consolidation chemotherapy and haematopoietic stem cell transplantation (SCT). Nevertheless, only 20-30% of patients with AML achieve long-term diseasefree survival after SCT. The most common cause of treatment failure is relapse. Additionally, mortality rates are significantly increased by therapy-related causes such as toxicity of chemotherapy and complications of SCT. Including radioimmunotherapies in the treatment of AML and myelodyplastic syndrome (MDS) allows for the achievement of a pronounced antileukaemic effect for the reduction of relapse rates on the one hand. On the other hand, no increase of acute toxicity and later complications should be induced. These effects are important for the primary reduction of tumour cells as well as for the myeloablative conditioning before SCT.This paper provides a systematic and critical review of the currently used radionuclides and immunoconjugates for the treatment of AML and MDS and summarizes the literature on primary tumour cell reductive radioimmunotherapies on the one hand and conditioning radioimmunotherapies before SCT on the other hand.


2017 ◽  
Vol 47 (188) ◽  
pp. 487-494
Author(s):  
Daniel Mullis

In recent years, political and social conditions have changed dramatically. Many analyses help to capture these dynamics. However, they produce political pessimism: on the one hand there is the image of regression and on the other, a direct link is made between socio-economic decline and the rise of the far-right. To counter these aspects, this article argues that current political events are to be understood less as ‘regression’ but rather as a moment of movement and the return of deep political struggles. Referring to Jacques Ranciere’s political thought, the current conditions can be captured as the ‘end of post-democracy’. This approach changes the perspective on current social dynamics in a productive way. It allows for an emphasis on movement and the recognition of the windows of opportunity for emancipatory struggles.


1996 ◽  
pp. 13-23
Author(s):  
Mykhailo Babiy

Political ideological pluralism, religious diversity are characteristic features of modern Ukrainian society. On the one hand, multiculturalism, socio-political, religious differentiation of the latter appear as important characteristics of its democracy, as a practical expression of freedom, on the other - as a factor that led to the deconsocialization of society, gave rise to "nodal points" of tension, confrontational processes, in particular, in political and religious spheres.


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