Ascent

Author(s):  
Tzachi Zamir

Paradise Lost has never received a substantial, book-length reading by a philosopher. This should surprise no one. Milton associated philosophy with deceit in his theological writings, and made philosophizing one of the activities of fallen angels in hell. This book argues that Milton’s disdain for philosophers’ vocation should not prevent them from turning an inquisitive eye to Milton’s greatest poem. Because it examines puzzles that intrigue philosophers, instead of neatly breaking from philosophy, it maintains a penetrating rapport with it. Paradise Lost sets forth bold claims regarding the meaning of genuine knowledge, regarding what counts as acting meaningfully, or as taking in the world fully, or as withdrawing from inner deadness. Other topics touched upon by Milton involve some of the most central issues within the philosophy of religion: the relationship between reason and belief, the uniqueness of religious poetry, the meaning of gratitude, and the special role of the imagination in faith. This tension—disparaging philosophy on the one hand, but taking up much of what philosophers hope to understand on the other—turns Milton’s poem into an exceptionally potent work for a philosopher of literature. Ascent is a philosophical reading of the poem that attempts to keep audible Milton’s antiphilosophy stance. The picture of interdisciplinarity that will emerge is, accordingly, neither one of a happy percolation among fields (“philosophy,” “literature”), nor one of rigid boundaries. Overlap and partial agreement clash against contestation and rivalry. It is these conflicting currents that this book aims to capture, not to reconcile.

2006 ◽  
pp. 105-115
Author(s):  
Olesya V. Borysenko

The differences of civilizations are based on them. They differ in history, language, culture, traditions, dominant religion, views on the relationship between man and society, citizen and state, etc. "Reduction" of the world at the expense of the latest technologies and means of communication, on the one hand, promotes the formation of "infinity" of the world, eliminates certain features of the people, the nation, and on the other - increases the degree of awareness of the ethnos of himself. The global process of economic modernization and its associated social change weakens peoples' ties to a particular place of residence, diminishes the role of the state as a place of origin. But in this globalized space, one cannot help but feel the need to identify himself as distinctly different from others.


Author(s):  
Ю. А. Абсалямова

В статье анализируются особенности восприятия лесного пространства башкирами. На основе языковых, фольклорных материалов сделана попытка раскрыть различные аспекты взаимоотношений лес - человек, образ леса в картине мира башкир. Как и в большинстве традиционных культур, в целом мифологический образ леса носит отрицательный характер. В фольклоре он часто описывается как тёмный, мрачный, неизвестный, таящий опасности, противопоставляясь обжитому и освоенному пространству селений. Лесной пандемониум также представлен в основном отрицательными персонажами. В целом образ леса в традиционной картине мира башкир предстаёт довольно неоднозначным. С одной стороны - это категория, связанная с потусторонним миром, неизведанная, «чужая» территория. С другой - лес издавна являлся источником различных благ - в виде строительного материала, пушнины, различных продуктов питания, укрывал от врагов. The article analyzes the features of Bashkirs' perception of the forest space. On the basis of the materials of the epos, folklore, folk ideas, an attempt was made to reveal the various aspects of the relationship between forest and man, the image of the forest in Bashkirs' world view. As in most traditional cultures, the mythological image of the forest as a whole is negative. In folklore, it is often described as dark, gloomy, unknown, fraught with danger, being contrasted with the inhabited and developed space of the villages. The forest pandemonium is also represented mainly by negative characters. On the other hand, in the domestic perception forest is valued for the benefits derived from it: shelter, food, protection from enemies. In addition, Bashkirs, distinguished by a developed aesthetic perception and contemplative thinking, appreciated its beauty, which is also reflected in folklore. In general, the image of forest in the Bashkirs' traditional view of the world appears rather ambiguous. On the one hand, it is the category associated with the other world, unknown, «foreign» territory. On the other hand, the forest has long been a source of various benefits - in the form of construction materials, furs, various food products, and it sheltered them from enemies.


2018 ◽  
Vol 16 (8) ◽  
pp. 3-18
Author(s):  
Agustinus Wisnu Dewantara

Talking about God can not be separated from the activity of human thought. Activity is the heart of metaphysics. Searching religious authenticity tends to lead to a leap in harsh encounter with other religions. This interfaith encounter harsh posed a dilemma. Why? Because on the one hand religion is the peacemaker, but on the other hand it’s has of encouraging conflict and even violence. Understanding God is not quite done only by understanding the religion dogma, but to understand God rationally it is needed. It is true that humans understand the world according to his own ego, but it is not simultaneously affirm that God is only a projection of the human mind. Humans understand things outside of himself because no awareness of it. On this side of metaphysics finds itself. Analogical approach allows humans to approach and express God metaphysically. Human clearly can not express the reality of the divine in human language, but with the human intellect is able to reflect something about the relationship with God. Analogy allows humans to enter the metaphysical discussion about God. People who are at this point should come to the understanding that God is the Same One More From My mind, The Impossible is defined, the Supreme Mystery, and infinitely far above any human thoughts.


Author(s):  
Sara Santos ◽  
Pedro Espírito Santo ◽  
Luísa Augusto

Costumer engagement is a multidimensional concept which develops over the time and is widely studied in the literature of marketing. Consumers attached to the brand tend to be more involved in behaviors that support the brand. On the other side, brand-self connection is an important element in consumer-brand relationship being part of brand attachment, where social media have a special role. Playfulness and informativeness of video have a significant impact on the value of social media ads, and the authors present the relationship between these two variables and customer engagement. The study will present an investigation with 235 Portuguese individuals during the months of confinement justified by the pandemic COVID-19. The results show that customer engagement depends on informativeness, playfulness, and brand-self connection. Throughout this empirical study, they show that social media brand engagement is explained by these variables. This chapter enhances knowledge on costumer engagement, brand-self connection, and video informativeness and playfulness, supporting new researches in this topic.


2020 ◽  
pp. 136843022091577
Author(s):  
Özden Melis Uluğ ◽  
Brian Lickel ◽  
Bernhard Leidner ◽  
Gilad Hirschberger

Previous research in the Turkish–Kurdish conflict context highlighted two opposing conflict narratives: (a) a terrorism narrative and (b) an independence narrative. In this article, we argue that these narratives are relevant to protracted and asymmetrical intergroup conflict (e.g., independence struggles), and therefore have consequences for conflict- and peace-related outcomes regardless of conflict contexts. We tested this generalizability hypothesis in parallel studies in the context of Turkish–Kurdish (Study 1) and Israeli–Palestinian relations (Study 2) among majority group members (Turks and Jewish Israelis, respectively). We also investigated competitive victimhood as a potential mediating variable in the relationship between conflict narratives on the one side and support for non-violent conflict resolution, forgiveness, and support for aggressive policies on the other, in parallel studies with the two aforementioned contexts. We argue that the terrorism narrative is essentially a negation of the narrative of the other group, and the independence narrative is a consideration of that narrative; therefore, competitive victimhood would be lower/higher when the narrative of the other is acknowledged/denied. Results point to the crucial relationship between endorsing conflict narratives and conflict- and peace-related outcomes through competitive victimhood, and to the possibility that these conflict narratives may show some similarities across different conflict contexts.


Arts ◽  
2020 ◽  
Vol 9 (4) ◽  
pp. 129
Author(s):  
Sigrún Alba Sigurðardóttir

The past 20 years have seen a shift in Icelandic photography from postmodern aesthetics towards a more phenomenological perspective that explores the relationship between subjective and affective truth on the one hand, and the outside world on the other hand. Rather than telling a story about the world as it is or as the photographer wants it to appear, the focus is on communicating with the world, and with the viewer. The photograph is seen as a creative medium that can be used to reflect how we experience and make sense of the world, or how we are and dwell in the world. In this paper, I introduce the theme of poetic storytelling in the context of contemporary photography in Iceland and other Nordic Countries. Poetic storytelling is a term I have been developing to describe a certain lyrical way to use a photograph as a narrative medium in reaction to the climate crisis and to a general lack of relation to oneself and to the world in times of increased acceleration in the society. In my article I analyze works by a few leading Icelandic photographers (Katrín Elvarsdóttir, Heiða Helgadóttir and Hallgerður Hallgrímsdóttir) and put them in context with works by artists from Denmark (Joakim Eskildsen, Christina Capetillo and Astrid Kruse Jensen), Sweden (Helene Schmitz) and Finland (Hertta Kiiski) artists within the frame of poetic storytelling. Poetic storytelling is about a way to use a photograph as a narrative medium in an attempt to grasp a reality which is neither fully objective nor subjective, but rather a bit of both.


Author(s):  
Ilit Ferber

Language and pain are usually thought of as opposites, the one being about expression and communication, the other destructive, “beyond words,” and isolating. Language Pangs challenges these familiar conceptions and offers a reconsideration of the relationship between pain and language in terms of an essential interconnectedness rather than an exclusive opposition. The book’s premise is that the experience of pain cannot be probed without consideration of its inherent relation to language, and vice versa: understanding the nature of language essentially depends on an account of its relationship with pain. Language Pangs brings together discussions of philosophical as well as literary texts, an intersection especially productive in considering the phenomenology of pain and its bearing on language. The book’s first chapter presents a phenomenology of pain and its relation to language. Chapters 2 and 3 provide a close reading of Herder’s Treatise on the Origin of Language (1772), which was the first modern philosophical text to bring together language and pain, establishing the cry of pain as the origin of language. Herder also raises important claims regarding the relationship between human and animal, sympathy, and the role of hearing in the experience of pain. Chapter 4 is devoted to Heidegger’s seminar (1939) on Herder’s text about language, a relatively unknown seminar that raises important claims regarding pain, expression, and hearing. Chapter 5 focuses on Sophocles’ story of Philoctetes, important to Herder’s treatise, in terms of pain, expression, sympathy, and hearing, also referring to more thinkers such as Cavell and Gide.


2002 ◽  
Vol 19 (1) ◽  
pp. 90-111
Author(s):  
Jerald D. Gort

AbstractAfter reflecting on the ambiguous role of religion in terms of violence, Jerald D. Gort in this article outlines, first, the conditions for true reconciliation among peoples (acknowledgement of Christian complicity; no cheap reconciliation; no utopian enthusiasm; no fatalistic view of human capacity); then, second, he outlines the initiatives ofthe World Council of Churches (WCC) toward justice and reconciliation in the world. Such initiatives involve the struggle against injustice on the one hand and a practice of the "wider ecumenism" (dialogue of histories, theologies, spiritualities, and life) on the other.


2016 ◽  
Vol 4 (4) ◽  
pp. 367-384 ◽  
Author(s):  
Thomas Birkner ◽  
Daniel Nölleke

Using the concept of mediatization, in this article, we analyze the relationship between sport and media from a sport-centered perspective. Examining the autobiographies of 14 German and English soccer players, we investigate how athletes use media outlets, what they perceive as the media’s influence and its logic, and—crucially—how this usage and these perceptions affect their own media-related behavior. Our findings demonstrate the important role of the media for the sports systems from the athlete’s point of view and demonstrate the research potential of mediatization as a fruitful concept in studies on sport communication. On the one hand, the sport stars reflect in their autobiographies that their status and income depend on media coverage; and on the other hand, they complain about the omnipresence of the media, especially offside the pitch and feel unfairly treated by the tabloid press, both in England and in Germany.


Author(s):  
Franz Mathis

AbstractThere is no doubt that industrialization was the main cause of modern economic welfare. The reasons for more or less industrialization in various regions of the world have been discussed widely for decades. However, a closer examination reveals that none of the controversial arguments and explanations put forward stand the test of empirical scrutiny. What has previously been ignored is the central role of large cities in provoking industrialization. Given all the other preconditions necessary for industrialization, it was finally the mass markets of large cities that made industrial mass production profitable for potential entrepreneurs. Thus, wherever large cities and urban agglomerations emerged in the world, industrialization followed suit. In a global and comparative perspective, industrialization was not so much a matter of countries but rather a matter of regions dividing the world into highly urbanized, industrialized and more prosperous regions on the one side, and still primarily rural, preindustrial and poorer regions on the other..


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