The Banality of Disaster
This chapter returns to Yanick Lahens’ Failles to draw out further the critique of cultural, social, and political fault lines that existed well before the earthquake. It opens by defining the idea of a “literary witness” as an ethical representation of self and other in the act of witnessing and representing the earthquake. Failles is equal parts testimony and chronicle, and these modes overlap as the writer grapples with the role of literature in making sense of the earthquake and its historical repercussions. Lahens unsettles received ideas on disaster, first by deconstructing the ideology of the “natural” and then by contextualizing its political and humanitarian manipulation of disaster in a longer history of Haiti’s place in the Americas. The second part of the chapter turns to the fictional texts that precede and come after Failles. It argues that the ordinary vulnerability of the Haitian people, or what Lahens calls “the banality of disaster,” is the central theme of the fiction. In reimagining the past, these texts offer compelling implications for critical and creative ways of reconstructing the present. As a literary witness, Lahens calls on readers to refuse the banality of disaster.