Orthodoxy and Jewish Peoplehood

One People? ◽  
1993 ◽  
pp. 65-87
Author(s):  
Jonathan Sacks

This chapter addresses the two issues, the historical and cultural dimensions of emancipation, which divided Orthodoxy. It also looks at a third dilemma of modernity, which concerns the concept of the covenantal community. What was the fate of Jewish peoplehood in modernity? On the one hand, Judaism is too deeply predicated on such an idea for it to have been jettisoned by any Orthodox thinker. On the other, the Jewish people was itself disintegrating at an alarming pace, divided into non-Orthodox readings of Judaism as religion, and secular interpretations of Judaism as a national, ethnic, cultural, or political entity. How did Orthodoxy respond to this process? On the first two issues, the great figures of Hungarian and German Orthodoxy, Rabbi Moses Sofer and Samson Raphael Hirsch, adopted different approaches. On this third issue, they took the same approach, while Orthodoxy elsewhere took other directions. The chapter also studies the English and French models of emancipation.

2020 ◽  
Vol 11 (4) ◽  
pp. 207-229
Author(s):  
Elena Hreciuc ◽  

Our life, by its biological nature, is in an indestructible dependence on energy. At the same time, energy is an important criterion on which we report the progress of humanity. Historically, progress divides our world into distinct stages, called Industrial Revolutions. Each stage has encompassed more fuels, new technologies, inventions, humans behavioural changes and much more worrying environmental issues. Energy techniques, new extractions and transportation improved in nineteenth and during twenty-century energy consumption, especially electricity, rise significantly with, on the one hand, a continuous influx of fossil fuels and, on the other hand, continuous increase of the quantities of toxic waste, visible or not, from the other industrial branches and human activities, consequences of the energetical progress. The purpose of this paper is to point out some aspects regarding ecological footprints of electrical industry and energy industries during their development and to establish connections between the distinct role of energy in each period of industrialization and its impact on the environment, education, science, arts and cultural dimensions of life.


Author(s):  
Princely Ifinedo

As information communication and technologies (ICT-) enabled services such as e-government initiatives diffuse globally, it is becoming clear that some nations are not faring as well as others. Yet, the notion of e-government stands to benefit the sorts of countries that are lagging behind the most. Here, we examine the relationships between economic climates and national cultural factors, on the one hand, and e-government readiness, on the other. Our results showed significant relationships between nations’ economic climates, some cultural dimensions, and e-government readiness. We discussed our findings in the context of three relevant socio-economic theories. We also highlighted the study’s implications for researchers, policy-makers, and governments.


2018 ◽  
Vol 10 (2) ◽  
pp. 87
Author(s):  
Bader Saed Dweik ◽  
Linda A. Qawar

This study aims to investigate the cultural content embedded in the 'English World 8' textbook which is adopted by some Jordanian private schools and to highlight the levels of representation assigned to British, World and Arabic cultures. To achieve these goals, the researchers have designed a cultural checklist based on a criterion comprising 19 items representing personal names, places and countries, entertainment, ecology, customs, technology, social behavior, education, history, family, politics, man and woman relationship, communications, transportations, nutrition, sciences, economy, literature and religion. Results show that personal names, places & countries, entertainment and ecology, on the one hand, are the most prevailing cultural aspects in the textbook. On the other hand, religion is not represented at all. Results also reveal that 'English World 8' is heavily loaded with British and World cultures while the Arabic cultural elements are almost lacking.


2016 ◽  
Vol 2 (2) ◽  
pp. 127-37 ◽  
Author(s):  
Victoria Ivanova

This essay identifies two approaches to theorizing the relationship between financialization and contemporary art. The first departs from an analysis of how market logics in non-financial spheres are being transformed to facilitate financial circulation; the other considers valuation practices in financial markets (and those related to derivative instruments in particular) from a socio-cultural perspective. According to the first approach, the contemporary art market is in theory a hostile environment for financialization, although new practices are emerging that are increasing its integration with the financial sphere. The second approach identifies socio- cultural similarities between the logics by which value is extracted, amplified, and distributed through derivative instruments and contemporary art. The two approaches present a discrepancy: on the one hand, contemporary art functions as an impediment to outright financialization because of market opacity; on the other, contemporary art represents a socio- cultural analog to derivative instruments. The essay concludes by setting out the terms for a more holistic understanding of contemporary art’s relationship to financialization, which would enable an integration of its economic and socio-cultural dimensions.


Tempo ◽  
1998 ◽  
pp. 12-20 ◽  
Author(s):  
David Drew

A vast epic of the Jewish people in four Acts (or Parts), Der Weg der Verheissung is Kurt Weill's only collaboration with the poet, playwright, and novelist Franz Werfel (1890–1945). The text was written in Austria in the spring and summer of 1934, and the score was drafted during the second half of the same year – mostly in the village of Louveciennes outside Paris. The musical perspectives are exceptionally wide: on the one hand they afford a view of all Weill's major compositions from the Mahagonny opera (1927–29) to Tlie Seven Deadly Sins and the Second Symphony (1933); on the other, they look forward to his very last stage work for Broadway, the ‘Musical Tragedy’ Lost in the Stars (1949) which he and Maxwell Anderson based on Alan Paton's anti-apartheid novel, Cry, the Beloved Country.


Author(s):  
Sahra Lindeberg

In this article I have attempted, through the paper The Jewish Press, to portray what I propose to call the Jewish Anglo-Saxon centre orthodoxy in America and Israel. I show that despite the fact that this group in many ways is just as law-abiding as the ultra-orthodox, they are far more "Americanized" in their lifestyle. I propose that the reason why they have succeeded in, on the one hand, to participate in the surrounding society and on the other hand, to avoid compromising with modernity in their interpretaion of the Law like to modern orthodox, is precisely because of their emphasis on ethnicity. By underlining their common history, their relationship to the Land of Israel, and in particular present and past "enemies" of the Jewish people, this group is able to maintain an identity as a minority group and at the same time to take part in the surrounding non-Jewish society.


2017 ◽  
pp. 12-18
Author(s):  
M. M. Brovko

Research of the cultural artistic image is the issue of the nowadays of contemporary aesthetics. As a result, of that value that is acquired by artistic images in a modern culture, and new creative opportunities of cultural development, in the sphere of arts that is predefined by new realities in the field of cultural existence of man in the world. In Ukrainian scienctific research withstand and accept thesis the point that art, mainly in the formof image, becomes active, culturecreative force that acts directly on spiritual-emotional world of a person. At the sametime, culture-creative activity of art can appear beyond and pose vivid embodiment of artistic idea. A work of art is able to reflect theoretical, moral, legal and other public ideas that can influence on people exactly in such their hypostasis. To a large extent relying on modern, and not only modern, artistic practice, and taking into account theoretical works, we can confidently talk about the levels of vividness of art and levels of activity, cultural-creative nature of art. An important moment in terms of clarifying the cultural specificity of the artistic image is that it, thanks to its content, is constantly includedin the structure of social practice. In order to outline the way of analyzing the artistic image as a special phenomenon of culture the essential features of which are expressed in its cultural potential, it is firstly necessary to understand what the image represents an integral cultural and spiritual formation that has certain properties and qualities distinguishing it from all other spiritual phenomena. It is necessary to clarify the structuraland typological features, which, on the one hand, characterize it as a specific element of art, and on the other – contain something that constantly displays the artistic image beyond the boundaries of art. The concept of the "image-action" is able to grasp by its content a number of artistic features that characterize it, on the one hand, as a way of spiritual and practical mastering by a person of reality in accordance with all the consequences that stem from this feature ofart. With the other – with the possibilities of analysis open from the standpoint of its active being in society as a phenomenon of culture, its cultural dimensions.


Author(s):  
Seyyed Mohammad Razavi ◽  
Marziyeh Saemi

The history of the Bible implies that the Torah has been formed and distorted over time. The Qur'an also confirms this issue. The Holy Qur'an, in addition to introducing the Jews as the People of the Book, uses the word "Torah" eighteen times, "which is a collection of divine teachings bestowed on Prophet Moses." On the one hand, the Holy Qur'an acknowledges and affirms it, and on the other hand, it attributes distortion to this book and introduces the Torah as one of the books that has been distorted throughout history, however, the holy Qur’an considers the part of the Torah that has been preserved to contain the teachings of God and can be acknowledged in general, and considers it a means of guiding the Jewish people and advises them to refer to it. The collection of information in this writing is library-based and their processing is descriptive-analytical. This article seeks to prove the view that the current Torah, with its various versions, has been disappeared in the ups and downs of the times, and that what exists is a very blurred and inconsistent face of the original version, and the Holy Qur'an confirms this.


1990 ◽  
Vol 44 (2) ◽  
pp. 105-135 ◽  
Author(s):  
Louis H. Feldman

AbstractIn summary, both Celsus and Origen were confronted with dilemmas. On the one hand, Celsus had to demonstrate that the Christians erred in leaving Judaism and that the Jews provide a credible anti-Christian witness; but, at the same time, he had to denigrate Judaism. In effect, Celsus asked the Christians why they had severed themselves religiously from the Jews if, indeed, they claimed continuity with Judaism, and why they had severed themselves socially from the pagans, inasmuch as they were predominantly of pagan origin. On the other hand, Origen's dilemma was that the only way that he could establish Christianity's legitimacy was to give it a historical basis by demonstrating continuity with Judaism; and yet, the raison d'être of Christianity was, paradoxically, its break with Judaism. Indeed, this is precisely the kind of ambivalence toward Judaism which characterizes so much of early Christian thought. It is not that Celsus is such a lover of the Jews that he apparently abstains from repeating the vilest canards against the Jews, though by his day, in the second century, there were a number of writers, such as Numenius, who genuinely admired the Jews' wisdom. Rather, it would seem, he felt that he would lose in credibility if he exaggerated the case against the Jews. However, when it came to the connection between the Jews and the Christians, whereas Celsus had sought to undermine the national legitimacy of the Christians by insisting that Christianity was a new religion which had severed its links with Judaism, Origen might have gone the way of the Marcionites in severing all links with Judaism and with the Hebrew Scriptures, but he realized that the result of such an approach would have been to fall prey to the charges of Celsus that Christianity was an upstart religion. Consequently, Origen felt that it was particularly important to establish the legitimacy of the Jewish people, with whom the Christians claimed to have a direct link. Christological theology was not of paramount concern to Celsus in his polemic; rather the attack focused upon Jesus the innovator, whose religion lacks respectability because it has no continuity in tradition. Manetho and his successors, as summarized in Josephus' treatise Against Apion, had charged Moses with being a rebel, a perverter of traditional Egyptian religion and customs; similarly, Celsus alleged, Jesus was a rebel, a perverter of traditional Jewish religion and customs. The Christians were, moreover, particularly suspect because they met in secret associations and hence would seem to constitute a danger to the state. By maximizing the common heritage and beliefs of Judaism and Christianity and by minimizing the issues that separated them Origen sought to blunt these attacks. Toward this end Origen found Josephus' treatise Against Apion, the original title of which, apparently, was Concerning the Antiquity of the Jews, useful, particularly in establishing the antiquity and wisdom of the Jews and of Moses (a particularly effective argument inasmuch as the Romans felt so self-conscious about their own recent appearance on the scene of history), in defending the Jews against the charges of unoriginality, of undue credulity, of appealing to uneducated and stupid people, of hatred of mankind, and of atheism, as well as in explaining the apparently degraded state of the Jews. When he departs from Josephus, as he does in dating Moses in the very beginning of civilization, he does so for purposes of argumentation, since Apion, with whose work Celsus was acquainted, imputed such an early date to the Exodus. Again, just as Origen was confronted with a dilemma as to which attitude to adopt toward the Jews, so was he confronted with a similar dilemma in connection with the Egyptians. On the one hand, the Egyptians had a reputation for antiquity and wisdom that was unrivalled in antiquity; on the other hand, the Jews had revolted against the Egyptians; and as the historic heirs of the Jews the Christians were thus associated with rebels. Origen adopts Josephus' argument that the Jews cannot have been a seditious multitude of Egyptians since, if so, they would not have regarded the Egyptian ways so lightly. In a novel argument, Origen then adds that the Jews have an antiquity of their own, as seen by the fact that even non-Jews seek to attain miracles by invoking the names of Abraham and his descendants. Furthermore, since both Celsus and Origen had such a profound respect for Plato, it is important to note that Origen repeats Josephus' view that Plato had been deeply influenced by the Bible; indeed, he adds to Josephus by noting that he was influenced not only by the Torah but also by the Hebrew prophets and not only in the Republic but also in the Symposium, the Phaedrus, the Timaeus, and the Phaedo. Origen goes further than Josephus in answering certain charges made by Celsus that had not been made by the anti-Jewish writers cited by Josephus. In particular, he felt especially sensitive to Celsus' charge that Moses was a charlatan and an impostor, sorcerer, and magician, especially since a similar charge had apparently been made against Jesus. Of course, we must not discount the possibility that rhetoric led both Celsus, in his defense of Egyptian wisdom, and Origen, in his defense of Jewish laws, to champion views that they might not otherwise have held. In both cases they seem to be forced to embrace these views only because of the necessity of assuming that "the more ancient something is, the better." It is surprising to find how sophisticated Origen is. Ultimately, his Hellenic education in general and Platonic training in particular made him a formidable foe of Celsus and a more subtle apologist than Josephus, even if he does depend on much of the latter's work. This is particularly clear when one compares Origen's use of Josephus and more generally his defense of the antiquity and wisdom of ancient Judaism with that of Eusebius in the following century in his apologies directed toward pagans.38


1975 ◽  
Vol 26 ◽  
pp. 395-407
Author(s):  
S. Henriksen

The first question to be answered, in seeking coordinate systems for geodynamics, is: what is geodynamics? The answer is, of course, that geodynamics is that part of geophysics which is concerned with movements of the Earth, as opposed to geostatics which is the physics of the stationary Earth. But as far as we know, there is no stationary Earth – epur sic monere. So geodynamics is actually coextensive with geophysics, and coordinate systems suitable for the one should be suitable for the other. At the present time, there are not many coordinate systems, if any, that can be identified with a static Earth. Certainly the only coordinate of aeronomic (atmospheric) interest is the height, and this is usually either as geodynamic height or as pressure. In oceanology, the most important coordinate is depth, and this, like heights in the atmosphere, is expressed as metric depth from mean sea level, as geodynamic depth, or as pressure. Only for the earth do we find “static” systems in use, ana even here there is real question as to whether the systems are dynamic or static. So it would seem that our answer to the question, of what kind, of coordinate systems are we seeking, must be that we are looking for the same systems as are used in geophysics, and these systems are dynamic in nature already – that is, their definition involvestime.


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