Jewish Hymnography

Author(s):  
Leon J. Weinberger

This book draws on a wealth of material, much of it previously available only in Hebrew, to trace the history of Jewish hymnography from its origins in the eastern Mediterranean to its subsequent development in Western Europe (Spain, Italy, Franco-Germany, and England) and Balkan Byzantium, on the Grecian periphery, under the Ottomans, and among the Karaites. Focusing on each region in turn, the book provides a general background to the role of the synagogue poets in the society of the time; characterizes the principal poets and describes their contribution; examines the principal genres and forms; and considers their distinctive language, style, and themes. The copious excerpts from the liturgy are presented in transliterated Hebrew and in English translation, and their salient characteristics are fully discussed to bring out the historical development of ideas and regional themes as well as literary forms. The book is a valuable source-book for students of synagogue liturgy, Jewish worship, and medieval Hebrew poetry. It provides new perspectives for students of religious poetry and forms of worship more generally, while enabling the general reader to acquire a much-enriched appreciation of the synagogue services.

Author(s):  
Ildar Garipzanov

The concluding chapter highlights how the cultural history of graphic signs of authority in late antiquity and the early Middle Ages encapsulated the profound transformation of political culture in the Mediterranean and Europe from approximately the fourth to ninth centuries. It also reflects on the transcendent sources of authority in these historical periods, and the role of graphic signs in highlighting this connection. Finally, it warns that, despite the apparent dominant role of the sign of the cross and cruciform graphic devices in providing access to transcendent protection and support in ninth-century Western Europe, some people could still employ alternative graphic signs deriving from older occult traditions in their recourse to transcendent powers.


1985 ◽  
Vol 20 (2-3) ◽  
pp. 182-205 ◽  
Author(s):  
Shabtai Rosenne

En s'efforçant, au lendemain de la guerre [1914 – 1918], de poser les bases d'une société de peuples régie par le droit, les fondateurs de cette communauté internationale nouvelle se rendaient pleinement compte qu'il ne saurait y avoir une société organisée sans un pouvoir judiciaire chargé de veiller, en dehors de toute préoccupation de politique et de force, à la stricte observation du droit. C'est dans cette conviction qu'ils ont prévu, dès l'origine, la création de la Cour permanente de Justice internationale.Feinberg in 1931Reviewing the history of the Permanent Court of International Justice and of the International Court of Justice from 1922—the World Court, a convenient but possibly misleading expression which embraces both the Permanent Court from 1922 to 1945 and the present International Court of Justice established as an integral part of the United Nations since—four clearly separated periods can be discerned. They run from 1922 to 1931, 1932 to 1940, 1946 to 1966, and from 1967 onwards.The establishment of the League of Nations and the Permanent Court after a cataclysmic war in Europe and the awe-inspiring Russian Revolution released a wave of euphoria upon the exhausted and war-weary peoples of what is now known as Western Europe, and they placed great hopes in the new League and Court.


Author(s):  
Gershon David Hundert

This chapter investigates the conditions in Jewish society in the Polish–Lithuanian Commonwealth in the middle decades of the eighteenth century. The place of hasidism in the religious history of the eighteenth century ought to be reconsidered not only in light of the questions about the schismatic groups in the Orthodox Church raised by Ysander, but also in light of the general revivalist currents in western Europe. The social historian cannot explain hasidism, which belongs to the context of the development of the east European religious mentality in the eighteenth century. Social history does, however, point to some significant questions that ought to be explored further. One of these is the role of youth and generational conflict in the beginnings of the movement, and not only in its beginnings. A realistic recovery of the situation of the Polish-Lithuanian Jewry in the eighteenth century shows that neither the economic nor the security conditions were such as to warrant their use as causal or explanatory factors in the rise and reception of hasidism.


2019 ◽  
Vol 16 (1) ◽  
pp. 141-155
Author(s):  
SIMON FRITH

AbstractThis article considers the role of Marxism in the history of popular music studies. Its approach combines the sociology of knowledge with a personal memoir and its argument is that in becoming a field of scholarly interest popular music studies drew from both Marxist theoretical arguments about cultural ideology in the 1950s and 1960s and from rock writers’ arguments about the role of music in shaping socialist bohemianism in the 1960s and 1970s. To take popular music seriously academically meant taking it seriously politically. Once established as an academic subject, however, popular music studies were absorbed into both established music departments and vocational, commercial music courses. Marxist ideas and ideologues were largely irrelevant to the subsequent development of popular music studies as a scholarly field.


Rural History ◽  
2006 ◽  
Vol 17 (2) ◽  
pp. 117-147 ◽  
Author(s):  
ALEKSANDAR N. BRZIĆ

Ducats were issued for the first time in the second half of the thirteenth century. Although practically invisible in Western Europe nowadays, they are still hoarded and used by the rural population of the Balkans. The wealth stored in them is considerable; its level does not show signs of structural decline yet, even in the age of the almighty euro. The history of the use of ducats in the Balkans can be divided into three distinctive periods. Using a descriptive economic-historical approach, the characteristics of these periods, their main evolutionary aspects and particularities are being observed and explained. An overview of countries issuing ducats in the Balkans is given and some economic comparisons used to illustrate the significance of ducats as an economic phenomenon. Finally, the very important question of the use of ducats in jewelry in the Balkans is considered.


Author(s):  
Р.Г. ДЗАТТИАТЫ

В результате процессов, сопровождавших Великое переселение народов, аланы, попав в Западную Европу, были ассимилированы, оставив во Франции, Северной Италии, Испании, Англии несколько сотен топонимов, связанных с ними. Следы пребывания алан на Западе впервые были обобщены В.А. Кузнецовым и В.К. Пудовиным. Появление труда американского ученого Б. Бахраха «Аланы на Западе» сняли скептицизм по отношению к роли алан в истории народов Западной Европы. О роли алан в исторических событиях Западной Европы раннего и зрелого Средневековья было отчетливо заявлено в трудах В.Б. Ковалевской, Франко Кардини, Говарда Рида, Скотта Литлтона, Линды Малкор. Особенно замечательна объемная работа Агусти Алемани «Аланы в древних и средневековых письменных источниках». У алан было заимствовано устройство конного войска, а вместе с этим, вероятно, и экипировка всадника, важной деталью которой был воинский пояс. Пряжка со щитком такого пояса служила у алан маркером статуса: в зависимости от того, из какого материала она была изготовлена (золото, серебро, бронза), она указывала на место в социальной иерархии. Трехлепестковый орнамент в результате модификаций вполне мог стать основой или прообразом особого знака-символа – так называемой «королевской лилии». Схему трансформации трехлепесткового узора в лилию можно проиллюстрировать рисунками пряжек. Надо полагать, что аланы оставили свой след не только в топонимике, организации конного войска, но и в орнаментике, фольклоре, антропонимике и других проявлениях культуры, которые необходимо тщательно исследовать. As a result of the processes that accompanied the Great Migration of Nations, the Alans, having fallen into Western Europe, were assimilated, leaving several hundred place names associated with them in France, Northern Italy, Spain, and England. The traces of the Alans' stay in the West were first generalized by V.A. Kuznetsov and V.K. Pudovin. The appearance of the work of the American scientist B.S. Bachrach "Alans in the West" removed skepticism regarding the role of the Alans in the history of the peoples of Western Europe. The role of the Alans in the historical events of Western Europe of the early and mature Middle Ages was clearly stated in the works of V.B. Kovalevskaya, Franco Cardini, Howard Reed, Scott Littleton, Linda Malkor. Particularly remarkable is the voluminous work of Agusti Alemany "Alans in ancient and medieval written sources." The Alans borrowed the device of the horse army, and with it, probably, the equipment of the horseman, an important detail of which was the military belt. The buckle with the shield of such a belt served as a status marker for the Alans: depending on what material it was made of (gold, silver, and bronze) it indicated a place in the social hierarchy. As a result of modifications, the three-petal ornament could very well become the basis or prototype of a special sign-symbol – the so-called “royal lily”. The transformation pattern of a three-petal pattern into a lily can be illustrated with buckle patterns. It must be assumed that the Alans left their mark not only in toponymy, organization of the cavalry army, but also in ornamentation, folklore, anthroponymy and other cultural manifestations, which must be carefully studied.


2020 ◽  
Author(s):  
Ekaterina E. Dmitrieva ◽  

The proposed book is devoted to a comparative study of the Russian Country House and the Western European castle as real artefacts of everyday life and culture, and, in particular, to the literary phenomenon to which these gave rise: the “country house genre” (usadebnaya kul’tura) in Russia, and literary castles (châteaux littéraires) in the West. The time frame of the study covers the late nineteenth century through to the first three decades of the twentieth. A few essays in the collection do, however, look back to Ancient Regime and Revolutionary France, as well as forward to more recent iterations of the topic in post-war literature. The book is divided into five parts. In the first part, attention is mainly given to the processes that took place on the Russian estate after the revolution of 1917, namely, the mass extermina- tion of Russian estates and the almost total emigration of their inhabitants. In this connection, two noteworthy attempts to revive the estate life in exile (Rachmaninov’s and Bunin’s) are con- sidered. The second part of the book is devoted to the theme of artist colonies, communes and dachas, beginning with Redhouse, home to the famous artistic utopia of the Pre-Raphaelites (England), the artist commune of Worpswede (Germany), among others. In part three, the coun- try house (castle) is viewed as an initiation space. This theme can be traced through material and examples relative to both historical (Versailles, Wörlitz, La Chennais estate, Quinta da Regalei- ra, Dornach) and “literary estates” (the texts of Bastide, Beckford, Byron, the Duchess of Duras, Stendhal, J. Gracq, etc.). The fourth part of the book is devoted to the history of manor styliza- tions — architectural, pictorial and literary. Examples here include: G. Walpole’s Strawberry Hill, T. Reinach’s Villa Kerylos, A. Benois’s watercolours of Versailles, the novels of Boylesve and Kundera. The main focus of the last part of the book is the phenomenon of the castle in Western Europe as a space for so-called ‘life creation’ (the castles of Marquis de Sade, Madame de Staёl, M. Proust, F. Mauriac and A. Vyazemsky). The publication is intended both for specialists (academics, teachers, research students and undergraduates) and for the general reader interested in the place of the Russian country house in literature and culture.


2021 ◽  
Vol 10 (2) ◽  
pp. 393-414
Author(s):  
Paweł Dybel

Psychoanalysis and patriarchalism. Comments on the emancipation claim of Freud’s theory within the history of psychoanalysis in Poland 1900–1939: The article is a polemic with how Eli Zaretsky captures the role of Freud’s psychoanalysis in transforming the self-knowledge of modern societies in his Secrets of the soul. According to Zaretsky, in Central European countries, Poland included, psychoanalysis then served in the democratization of social life and led to the destruction of the patriarchal order; while in Western countries it became medicated, becoming a tool of social control. The author considers both of these claims to be problematic. In the first case, this is due to the limited social impact of Freud’s theory until 1939, in the second, basing this theory on patients’ personal unconscious, it supported their release from the influence of tradition and served them in making free life decisions. This was because in the period up to 1939, in the countries of Central Europe, the second industrial revolution was not as advanced as in the developed countries of Western Europe and the United States. So only in these last countries has psychoanalysis become socially popular and one has witnessed the dynamic development of the psychoanalytic movement.


1983 ◽  
Vol 20 ◽  
pp. 59-78 ◽  
Author(s):  
Christopher J. Holdsworth

The track to be explored in this paper was laid down when I realised how relatively unexamined the actual working out of Christian ideas about war within the medieval period is. Recent years have seen appear a notable book about the development of ideas on the Just War, and a great deal of work on the role of the military aristocracy and on its ideals, but upon the coming together of Christianity and actual events there seemed to me very little, at least in the period which interests me most. The one series of events which has attracted attention within what one can call loosely the twelfth century is, of course, the Crusades, but I decided to put them rather at the edge of my focus since they raised special questions, and to invite a scholar who has devoted much time to their elucidation to give a paper upon a crusading theme later in the conference. Yet when one turns for guidance for the history of western Europe there is only one book which stands out, La Guerre au Moyen Age by Philippe Contamine which appeared in the Nouvelle Clio series as recently as 1980, and it, as one would expect from its author’s earlier achievement, is strongest when it deals with the period of the Hundred Years War. Nonetheless it is a remarkable achievement, and one to which I am deeply indebted. But given the fact that the subject is still so unmapped, only two approaches seemed feasible to me, one where I would try to look at a series of specific wars and see what the Church did about them, or one where I would look at a source or group of sources, and see what it, or they, had to say about war and the Church.


Author(s):  
Agnès Graceffa

The Merovingian period has long been contested ground on which a variety of ideologies and approaches have been marshaled to debate the significance of the “end” of antiquity and the start of the Middle Ages. Particularly important to these discussions has been the role of this period in shaping national identity across western Europe; interpretations of the Merovingians have varied as political realities have changed in Europe, going back, in some cases, as far as the late medieval period. This chapter focuses mainly on the nineteenth and twentieth centuries, but offers examples as early as the seventeenth century as to how the Merovingian period has been harnessed for a large number of purposes and how these sometimes polemical interpretations have encouraged or stymied our understanding of this period.


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