The Beginnings of a French Jewish Literature

2007 ◽  
pp. 38-56
Author(s):  
Nadia Malinovich

This chapter explores the tension between universalism and particularism as expressed in the pre-war poetry, novels, and essays of André Spire, Edmond Fleg, Henri Franck, and Jean-Richard Bloch. It examines the question of Jewish identity in the modern world through writers that paved the way for the much more widespread phenomenon of Jewish self-questioning in the post-war years. It also looks at André Spire's ground-breaking Poèmes juifs and Quelques Juifs that offered a scathing critique of both Jewish assimilation and French antisemitism. It discusses Henri Franck's prose poem La Danse devant l'arche, which describes a young man's quest for the meaning of life and reveals a similar tension between affirming the specificity of Jewish roots and embracing a larger French cultural heritage.

Author(s):  
Helder Maioli Alvarenga

Nos dias atuais tornou-se claro o papel exercido pela religião cristã na fundamentação da cosmovisão ocidental. Sabemos que toda ruptura pressupõe continuidades. Assim, apesar de inúmeros pensadores afirmarem a impossibilidade de se conjugar modernidade e religião, no nosso caso o cristianismo, o que vemos são as religiões coexistirem com as demais instituições modernas. Não só as religiões mudaram, mas a própria modernidade não é a mesma. No tocante ao cristianismo a reflexão em torno da hermenêutica diversificou esta matriz, bem como revelou uma de suas características identitárias, possibilitando seu diálogo com o mundo moderno. Neste sentido o objetivo de nosso artigo é resgatar a dimensão hermenêutica do cristianismo mostrando como ela contribuiu para o diálogo desta matriz com as diversas modernidades. Nossa metodologia é bibliográfica e parte de um resgate histórico da interpretação cristã enquanto identidade e método e do confronto desta realidade com o período atual, para nós revelador de um novo estágio da modernidade. Por fim, pensamos que assim como a modernidade se tornou múltipla assumindo a pluralidade para si mesma, o cristianismo, como matriz religiosa que pretende oferecer sentido ao ser humano contemporâneo, só pode ser pensado dentro da pluralidade própria de nossos tempos. HERMENÉUTICA Y MODERNIDAD: EL RETORNO A UN CRISTIANISMO PROPOSICIONAL Hence, we know that every rupture presupposes continuitie. Thus, although many thinkers have affirmed about the impossibility of combining modernity and religion; Christianity as our point here, what we encounter is that religions coexist with other modern institutions. Not only the religions have changed, but also the modernity itself, has changed as well. Regarding Christianity, reflection on hermeneutics has diversified this matrix, as well as revealed one of its identity characteristics, allowing its dialogue with the modern world. Therefore, the objective of this our article, is to rescue the hermeneutic dimension of Christianity, showing the way how it contributed to the dialogical dimension of this matrix with the different modernities. Our methodology is based on the bibliographical and also historical in order to rescue the Christian interpretation as its identity and method to confront the reality. At the end, we just think that, as modernity has become multiple by having assumed plurality for itself, Christianity, as a religious matrix that intends to offer the meaning of life to the contemporary human being, can only be thought of within the proper plurality to our times.


2004 ◽  
pp. 114-128
Author(s):  
V. Nimushin

In the framework of broad philosophic and historical context the author conducts comparative analysis of the conditions for assimilating liberal values in leading countries of the modern world and in Russia. He defends the idea of inevitable forward movement of Russia on the way of rationalization and cultivation of all aspects of life, but, to his opinion, it will occur not so fast as the "first wave" reformers thought and in other ideological and sociocultural forms than in Europe and America. The author sees the main task of the reformist forces in Russia in consolidation of the society and inplementation of socially responsible economic policy.


2017 ◽  
Vol 19 (1) ◽  
pp. 55-75 ◽  
Author(s):  
Katherine Jenness

This paper explores the way American intellectuals depicted Sigmund Freud during the peak of popularity and prestige of psychoanalysis in the US, roughly the decade and a half following World War II. These intellectuals insisted upon the unassailability of Freud's mind and personality. He was depicted as unsusceptible to any external force or influence, a trait which was thought to account for Freud's admirable comportment as a scientist, colleague and human being. This post-war image of Freud was shaped in part by the Cold War anxiety that modern individuality was imperilled by totalitarian forces, which could only be resisted by the most rugged of selves. It was also shaped by the unique situation of the intellectuals themselves, who were eager to position themselves, like the Freud they imagined, as steadfastly independent and critical thinkers who would, through the very clarity of their thought, lead America to a more robust democracy.


Public Voices ◽  
2017 ◽  
Vol 9 (1) ◽  
pp. 58
Author(s):  
John Anderson

This paper explores the way in which the music of John Adams responds to terrorism and looks at some of the controversies surrounding his work. It represents a reflection on how the musical and the political can interact in the modern world, engaging his work on the level of political dialogue.


Author(s):  
Katherine Clarke
Keyword(s):  

This chapter recalls the way in which landscapes are constructed, both in literary terms and in physical terms by characters within Herodotus’ narrative. It explores some modern parallels, such as the Kerch bridge which will link Crimea to Russia, for the manipulation of landscape through monumental engineering works as a symbol of imperial ambitions. It suggests, therefore, that the narrative of Herodotus, with its subtle and differentiated presentation of man’s interaction with the natural world, especially in the context of imperial projects, and its underlying proposition that the map of empire is constantly evolving, remains of immediate relevance to the modern world.


Author(s):  
James Deaville

The chapter explores the way English-language etiquette books from the nineteenth century prescribe accepted behavior for upwardly mobile members of the bourgeoisie. This advice extended to social events known today as “salons” that were conducted in the domestic drawing room or parlor, where guests would perform musical selections for the enjoyment of other guests. The audience for such informal music making was expected to listen attentively, in keeping with the (self-) disciplining of the bourgeois body that such regulations represented in the nineteenth century. Yet even as the modern world became noisier and aurally more confusing, so, too, did contemporary social events, which led authors to become stricter in their disciplining of the audience at these drawing room performances. Nevertheless, hosts and guests could not avoid the growing “crisis of attention” pervading this mode of entertainment, which would lead to the modern habit of inattentive listening.


Tempo ◽  
1944 ◽  
pp. 104-107
Author(s):  
W. H. Mellers

We are often told that there is to-day a promising efflorescence of musical culture in this country; that the public for ‘good’ music is growing rapidly; and that more adequate provision must be made for music in the post-war reconstructed world. Substantially I believe all this is true; but it does also seem to me that much potential cultural vitality may be wasted if these conclusions are accepted too easily, without enquiry into the premisses on which they are based. What do we mean by musical culture? What do we expect music to give us? The mere quantity of music played tells us nothing; we want to know what kind of relation the noise has to the society that produces it, we want to know what bearing it has on the way people live. If we look back a moment to consider some of the things that music has meant to people living before us, we shall soon see that our problems are peculiarly difficult, and that we may well need a virtually new technique to deal with them. A refusal to see our educational problems against the background of history will lead to confusion and incompetence in musical culture as in everything else.


2021 ◽  
pp. 89-95
Author(s):  
Oksana Stasevska ◽  
Illia Malanchuk

Problem setting. The study of the potential of cultural diplomacy has been growing rapidly in recent times. This is due to the realization of the failures of traditional and «force» diplomacy, which often demonstrate the inability to ensure the successful solution of important international problems. Researchers note the need to use cultural diplomacy to intensify and increase the effectiveness of international cooperation. Target of research. Understanding the actualization of cultural diplomacy of Ukraine in the modern world, an attempt to analyze its legal basis. Analysis of resent researches and publications. The concep «cultural diplomacy» is more common in scientific discourse. Scientists such as D. Vedeneev, V. Kostrov, T. Peresunko, N. Musienko, V. Tsyvaty, M. Kulinich, O. Rozumna, and others have contributed to the development of the role of cultural diplomacy in the foreign policy vector of the Ukraine. Political science works predominate among the researches. Few works analyze the legal aspects of cultural diplomacy. Article’s main body. In the context of globalization there is a loss of national origins. Therefore, states must use all their potential to preserve and enhance their own and the world’s cultural heritage, mutual understanding and support of interethnic harmony. International legal thought defines the concept of «diplomacy» in different ways, sometimes identifying it with international law or foreign policy. However, diplomacy is one of the most important tools of foreign policy, along with its components such as the armed forces, intelligence, economic ties, and so on. Cultural diplomacy is a type of diplomacy that uses the country’s cultural heritage as a means to an end. The role of cultural potential in international relations is highly valued. It is cultural diplomacy, not the use of force to impose political, ideological ideas, which aims to unite countries. Ukraine is returning to the active use of cultural diplomacy tools in the XXI century, when there was an urgent need for broad international support for the implementation of ambitious European integration plans. The system of coordination, stimulation and organization of cultural activities at the international level allows identifying the tasks of cultural diplomacy of Ukraine. Ukrainian cultural diplomacy based on international legal instruments ratified by Ukraine and acts of national legislation. The analysis of the problem allows determining the urgent task of creating a favorable legislative framework for the maximum effectiveness of cultural diplomacy. Conclusions and prospects for the development. The filling of legal gaps in cultural diplomacy should take place in the vector of recognition of culture as a subject of foreign policy, awareness of its reputational and social potential. Ukraine faces the task of updating old and finding new cultural images and symbols to create a decent image of the country, as well as to create an appropriate legal framework for the effective implementation of the tasks of cultural diplomacy.


2021 ◽  
Vol 9 (2) ◽  
pp. 803-813
Author(s):  
Deepak Chakravarty, Dr. Mahima Gupta, Prof. Banhi Jha

In today’s modern world, globalization has completely changed the way of working. The way we live, learn, work, and even define work has changed due to new information and communication technologies—Hence, it can stated that human capital fuel up the modern economy. In reality, the information and communication technology revolution has turned intelligence into a valuable commodity. In today's economy, economic growth is based on mental intelligence rather than physical strength, and its worth is generated by recruiting knowledgeable workers and continuing to learn. Incorporating information and communication technology (ICT) into vocational and technical education and the educational system in general has a vast range of consequences on teaching and learning.


2000 ◽  
Vol 56 (1) ◽  
Author(s):  
W. Smith ◽  
T. F. Dreyer

New meaning of life within grief. From the perspecive of pastoral care and counselling, one often finds that people experience a lack of meaning in their lives when confronted with grief. Thesalvation through Jesus Christ, and the way it is incorporated in one's life, doesn't bring existential hope and meaning any more. This article attempts to give new meaning to an old discussion of "grief" the conscious and unconscious mind, aswell as the emotions of grief, in such a way that new meaning of life within grief becomes a spiritual way of living, a life coram Deo.


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