Amuse-Bouche

Frenzy ◽  
2018 ◽  
pp. 7-10
Author(s):  
Ian Cooper
Keyword(s):  
Science Fiction ◽  
Rear Window ◽  
American Gothic ◽  
Film Maker

This chapter provides a background of Alfred Hitchcock, whose remarkable achievements as a film-maker may be unmatched. As well as the numerous accolades, a number of Hitchcock films have proved unusually influential. Consider the chase thrillers such as The 39 Steps (1935) and North by Northwest (1959), the claustrophobic chamber pieces Rope (1948) and Rear Window (1954), the hallucinogenic romance of Vertigo (1958), the American Gothic of Psycho (1960), and the apocalyptic science fiction of The Birds (1963). While Hitchcock's status as one of the great film artists is unassailable and his reputation increases, there have always been dissenters. Traditionally, the case against Hitchcock is that he is little more than a popular entertainer, an observation he did little to counter, what with his use of genre and big stars as well as his eager adoption of the role of clownish showman. This book focuses on Hitchcock's penultimate film Frenzy (1972).

Speculative Realism and Science Fiction

2017 ◽  
Author(s):  
Brian Willems
Keyword(s):  
Science Fiction ◽  
Identity Formation ◽  
Cormac Mccarthy ◽  
Doris Lessing ◽  
Speculative Realism ◽  
Neil Gaiman ◽  
The World ◽  
The Difference ◽  
Quentin Meillassoux

A human-centred approach to the environment is leading to ecological collapse. One of the ways that speculative realism challenges anthropomorphism is by taking non-human things to be as valid objects of investivation as humans, allowing a more responsible and truthful view of the world to take place. Brian Willems uses a range of science fiction literature that questions anthropomorphism both to develop and challenge this philosophical position. He looks at how nonsense and sense exist together in science fiction, the way in which language is not a guarantee of personhood, the role of vision in relation to identity formation, the difference between metamorphosis and modulation, representations of non-human deaths and the function of plasticity within the Anthropocene. Willems considers the works of Cormac McCarthy, Paolo Bacigalupi, Neil Gaiman, China Miéville, Doris Lessing and Kim Stanley Robinson are considered alongside some of the main figures of speculative materialism including Graham Harman, Quentin Meillassoux and Jane Bennett.

scholarly journals The Absolute as the Meeting Point Between Speculation and Fiction

2020 ◽  
Vol 3 (1) ◽  
pp. 349-357 ◽  
Author(s):  
Daina Habdankaitė
Keyword(s):  
Science Fiction ◽  
Significant Role ◽  
Meeting Point ◽  
Weird Fiction ◽  
Weak Points ◽  
The Absolute

AbstractThe article investigates Meillassoux’s notion of the absolute in relationship with the Kantian and Hegelian philosophical systems. The absolute, as independent of subjective consciousness, is showcased as the meeting point of speculation and fiction. By looking into Meillassoux’s notions of speculation and some works of weird fiction, it is argued that the significant role of imagination as well as a deferred temporality is what facilitates the discussion of both speculation and fiction as faculties able to transcend the limitations that are projected by the correlationist mind. Through a reading of Lovecraftian fiction, both the strong and weak points of Meillassoux’s argumentation in After Finitude and Science Fiction and Extro-Science Fiction are identified, proving the latter to be a less successful way of grasping the chaotic real.

scholarly journals The Invariant Set Postulate: a new geometric framework for the foundations of quantum theory and the role played by gravity

2009 ◽  
Vol 465 (2110) ◽  
pp. 3165-3185 ◽  
Author(s):  
T. N. Palmer
Keyword(s):  
Quantum Theory ◽  
Science Fiction ◽  
State Space ◽  
Fractal Geometry ◽  
Quantum Physics ◽  
Nonlinear Dynamical Systems ◽  
Physical Reality ◽  
Invariant Set ◽  
Geometric Framework

A new law of physics is proposed, defined on the cosmological scale but with significant implications for the microscale. Motivated by nonlinear dynamical systems theory and black-hole thermodynamics, the Invariant Set Postulate proposes that cosmological states of physical reality belong to a non-computable fractal state-space geometry I , invariant under the action of some subordinate deterministic causal dynamics D I . An exploratory analysis is made of a possible causal realistic framework for quantum physics based on key properties of I . For example, sparseness is used to relate generic counterfactual states to points p ∉ I of unreality, thus providing a geometric basis for the essential contextuality of quantum physics and the role of the abstract Hilbert Space in quantum theory. Also, self-similarity, described in a symbolic setting, provides a possible realistic perspective on the essential role of complex numbers and quaternions in quantum theory. A new interpretation is given to the standard ‘mysteries’ of quantum theory: superposition, measurement, non-locality, emergence of classicality and so on. It is proposed that heterogeneities in the fractal geometry of I are manifestations of the phenomenon of gravity. Since quantum theory is inherently blind to the existence of such state-space geometries, the analysis here suggests that attempts to formulate unified theories of physics within a conventional quantum-theoretic framework are misguided, and that a successful quantum theory of gravity should unify the causal non-Euclidean geometry of space–time with the atemporal fractal geometry of state space. The task is not to make sense of the quantum axioms by heaping more structure, more definitions, more science fiction imagery on top of them, but to throw them away wholesale and start afresh. We should be relentless in asking ourselves: From what deep physical principles might we derive this exquisite structure? These principles should be crisp, they should be compelling. They should stir the soul. Chris Fuchs ( Gilder 2008 , p. 335)

scholarly journals SANITATION AND TELEPATHY: GEORGE ELIOT'S THE LIFTED VEIL

2017 ◽  
Vol 45 (1) ◽  
pp. 55-76
Author(s):  
Derek Woods
Keyword(s):  
Science Fiction ◽  
First Person ◽  
Sense Of Smell ◽  
Extrasensory Perception ◽  
Sanitary Reform ◽  
Foul Odor ◽  
One Year

The Great Stink of London took place one year before the publication of George Eliot's The Lifted Veil (1859). As a peak sanitary crisis, the Great Stink helps us to understand the particular telepathy of Eliot's narrator, since The Lifted Veil combines the rhetoric of telepathy with that of a more threatening form of transmission among bodies: foul odor and contagious air. Throughout the figurative structure of Eliot's story, tropes that convey the narrator's ostensibly supernatural experience contain traces – sometimes cryptic, sometimes explicit – of the earthly matter of sanitary crisis. The first section of this essay explores the sanitary dimension of The Lifted Veil, linking the story to sanitary crisis and to Victorian materialist psychology – particularly the work of George Henry Lewes – which conceived mind in physical terms. With the role of sanitation established, the second section shows the importance of the sense of smell to Latimer's first-person narration of telepathy. This section outlines the transition, contemporaneous with sanitary reform, from the use of animal to the use of vegetable perfumes. Throughout the story, vegetable scents act as prophylaxes against the narrator's too-physical telepathy. From these readings, it becomes clear that Eliot writes “extrasensory” perception with recourse to sensory figures. Telepathy and sanitation overlap in this exceptional gothic science fiction in such a way as to demand a new concept of olfactory telepathy.

scholarly journals Between Sensorimotor Data and Conceptual Message: Embodied Simulation as an Approach to the Reading of Two Science Fiction Plays, Jennifer Haley’s The Nether and Peter Sinn Nachtrieb’s Boom

2019 ◽  
Vol 8 (2) ◽  
pp. 85
Author(s):  
Khaled Mostafa Karam
Keyword(s):  
Science Fiction ◽  
Input Data ◽  
Cognitive Capacity ◽  
Close Reading ◽  
Mental Process ◽  
Embodied Simulation ◽  
Thematic Content ◽  
Linguistic Input ◽  
Stimulation Of

This paper explains how the activation of the reader’s cognitive capacity of embodied simulation can improve the perception of science fiction and its interest in exploring the materiality of bodies. It offers an embodied cognitive interpretation of Haley’s The Nether and Nachtrieeb’s Boom, stressing the role of close reading of sensorimotor data in triggering the mental process of simulation and reinforcing the reader’s embodied involvement within the text. This paper also illustrates the cognitive link between linguistic input data in the process of reading science fiction and the stimulation of the capacity of embodied simulation. It argues that the more intensive the sensorimotor data is, the more appealing to the capacity of embodied simulation the text proves to be. The paper attempts to prove that the close reading of science fiction drama, abundant in sensorimotor data, is capable of generating an embodied simulative experience which guarantees a deeper understanding of the thematic content and an empathic engagement with the characters.

scholarly journals The Role of Experimenting with the Human Voice in Film Music in the Representation of the Human/Alien Divide: the Case of Arrival (2016)

2021 ◽  
Vol 20 (1) ◽  
pp. 1-19
Author(s):  
Nicolás Medina ◽  
Miklós Kiss
Keyword(s):  
Science Fiction ◽  
Possible Worlds ◽  
Film Music ◽  
Human Voice ◽  
Emotional Dimension ◽  
Creative Space

Abstract This article focuses on the musical dimension of experimentation in the creative space of science fiction film, concerning its uncanny, new and fantastic places, and otherworldly encounters within fictional, but possible worlds. The aim is to consider the function and potential of the audible – to examine how sound is used in the filmic exploration of the boundaries between the human and the alien (the unknown). More particularly, we are interested in the role that human voice-like and human vocal sounds can play in this divide, as we believe manipulations with such audible qualities contribute greatly to the emotional dimension of cinematic stories of otherworldly encounters. For that purpose, we concentrate on Denis Villeneuve’s Arrival (2016) and its soundtrack composed by Jóhann Jóhannsson, who resorts to different singing practices and vocal techniques to accompany a story charting the territories between the human and the alien.

scholarly journals Travelling to the described present: mago-space in the Strugatskys’ Monday starts on Saturday

2021 ◽  
Vol 46 (2) ◽  
pp. 93-104
Author(s):  
Наталья Тулякова ◽  
Наталья Никитина
Keyword(s):  
Cultural Heritage ◽  
Science Fiction ◽  
Spatial Organization ◽  
Classical Literature ◽  
Mental Space ◽  
Mental Spaces ◽  
Do So

Fantasy and science fiction genres extensively use imaginary settings and locations different from realistic ones but striving to look real. Arkady and Boris Strugatsky, pioneers of the science fiction genre in Russia, actively exploited the potential of both genres in their early tale, Monday starts on Saturday (1964), which combines features of the two space types. The present paper analyses the principles of creating ‘mago-space’ in the book. To do so, we look at the spatial organization of the events involved in the plot and the personages’ ideas regarding space. The research will enable us to clarify the role of space in conveying the authors’ message, which in this tale is quite explicit. We argue that the space changes significantly within the book, accompanying genre transformations and the development of the protagonist. Since the tale uses ‘mental sublocations’ as the main units of spatial organization, each part is determined by a certain type of cultural heritage. In the first part, it is the mental space of folklore and classical literature, in the second – that of mythology and science fiction, and in the final – philosophy and science. Mental spaces that coexist and follow various laws form a narrative which turns out to be a journey to the described present in the variety of its forms.

Eugenic Nostalgia: Self-Narration and Internalized Ableism in Kazuo Ishiguro’s Never Let Me Go

2020 ◽  
Vol 14 (4) ◽  
pp. 437-452 ◽  
Author(s):  
Will Kanyusik
Keyword(s):  
Science Fiction ◽  
Genetically Engineered ◽  
The Body ◽  
Subject Position ◽  
Cultural Norms ◽  
Cultural Narratives ◽  
Person Perspective ◽  
Liberal Democratic ◽  
Disability Identity

Rosemarie Garland-Thomson has recently argued that Ishiguro’s novel Never Let Me Go deconstructs ableism’s binary structure by postulating the existence of clone characters who occupy an abject position in a eugenic dystopia precisely because their genetically engineered, idealized able bodies exist to be used to “cure” the disabilities of others. The article builds on Garland-Thomson’s work, discussing the role of science fiction in Ishiguro’s book as a means to explore how ableist narratives contribute to cultural norms that enable an overt disciplining of disabled bodies that still occurs, despite it no longer being socially acceptable, and posits protagonist Kathy H.’s story as a narrative of disability identity that exposes the contradictory nature of a belief in the able body and its opposition to disability. Putatively able-bodied, Kathy narrates her experience of the world from a subject position that undermines a stable construction of the body within an ableist framework, ultimately showing these distinctions to be untenable. By discussing the role of first-person perspective in Ishiguro’s novel as a means to interrogate internalized cultural narratives that perpetuate ableist practices, the article examines how cultural notions of ability and disability function as terms that define through exclusion the citizen-subject in liberal democratic societies.

“How Nice That I Could Love Someone”: Science Fiction Film as a Virtual Laboratory

2020 ◽  
Author(s):  
Frederieke Y. Jansen
Keyword(s):  
Science Fiction ◽  
Narrative Structure ◽  
Virtual Laboratory ◽  
Virtual Laboratories ◽  
Meaningful Relationship ◽  
Pros And Cons ◽  
The Way

While we already know that clearly utopian or dystopian depictions of human-machine relationships in science fiction film can be effective rhetorical models that shape our ideas of HRI, this paper argues that sci-fi films, like Marjorie Prime (2017) and Be Right Back (2013), can also function as more neutral virtual laboratories that allow viewers to actively explore the pros and cons of those relationships in more detail. This paper specifically explores both Marjorie Prime and Be Right Back for the way they evoke questions or ideas about what it means to be human, what it means to interact with AI, and what a meaningful relationship between these two can bring. By following a neoformalist analysis, I will show how these cases continuously present us with devices that force us to reassess the role of robots in our lives. They do this by using deceptive, reflective, and confrontational strategies within characters, cinematography, narrative structure and setting.

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