Platonic Solids and Spatial Visualization

Author(s):  
Beniamino Polimeni

In last decades computer graphics design systems emerged as key players in architectural design, on the one hand leading to a combination of parametric, process-driven architecture and applied geometry, and on the other hand, to a new role of architects as makers, and craft-people, able to bring together architecture as an interplay between art and craftsmanship. This unique dual perspective about architectural practice and education inspires this paper, which tries to analyze how a set of basic volumetric transformations can generate complex spatial outcomes. Using platonic solids as base volumes, we will explore different ideas, applying generalized extrusions, remesh schemes of subdivision and multiplication of the object's faces, and a set of tools to create high-genus meshes. Starting from these new objects, a set of solid wireframe structures will be created as well. The goal of this process is to create a basic guideline to explore the spatial design language: a set of illustrated steps to activate architectural inquiry and to generate innovative design solutions.

Author(s):  
Charles Spence

Abstract Traditionally, architectural practice has been dominated by the eye/sight. In recent decades, though, architects and designers have increasingly started to consider the other senses, namely sound, touch (including proprioception, kinesthesis, and the vestibular sense), smell, and on rare occasions, even taste in their work. As yet, there has been little recognition of the growing understanding of the multisensory nature of the human mind that has emerged from the field of cognitive neuroscience research. This review therefore provides a summary of the role of the human senses in architectural design practice, both when considered individually and, more importantly, when studied collectively. For it is only by recognizing the fundamentally multisensory nature of perception that one can really hope to explain a number of surprising crossmodal environmental or atmospheric interactions, such as between lighting colour and thermal comfort and between sound and the perceived safety of public space. At the same time, however, the contemporary focus on synaesthetic design needs to be reframed in terms of the crossmodal correspondences and multisensory integration, at least if the most is to be made of multisensory interactions and synergies that have been uncovered in recent years. Looking to the future, the hope is that architectural design practice will increasingly incorporate our growing understanding of the human senses, and how they influence one another. Such a multisensory approach will hopefully lead to the development of buildings and urban spaces that do a better job of promoting our social, cognitive, and emotional development, rather than hindering it, as has too often been the case previously.


2021 ◽  
Author(s):  
Vasiliki Kondyli ◽  
Mehul Bhatt

We study active human visuo-locomotive experience in everyday navigation from the viewpoints of environmental familiarity, embodied reorientation, and (sensorimotor) spatial update. Following a naturalistic, in situ, embodied multimodal behaviour analysis method, we conclude that familiar users rely on environmental cues as a navigation-aid and exhibit proactive decision-making, whereas unfamiliar users rely on manifest cues, are late in decision-making, and show no sign of sensorimotor spatial update. Qualitative analysis reveals that both groups are able to sketch-map their route and consider path integration: i.e., conscious spatial representation updating was possible but not preferred during active navigation. Overall, the experimental task did not trigger automatic or reflexlike spatial updating, as subjects preferred strategies involving memory of perceptual cues and available manifest cues instead of relying on motor simulation and continuous spatial update. Rooted in the behavioural outcomes, we also position applications in computational modelling of navigation within cognitive technologies for architectural design synthesis.


2020 ◽  
pp. 22-35
Author(s):  
Katarina Andjelkovic

Histories of architecture have long-recognized the vital role of concepts, strategies and principles exchanged between architecture and film, which reconfigured their systems of knowledge and made this relationship rich. Nonetheless, film has been used mainly as an instrument of narration and representation in architecture, only rarely engaged in questioning how it affects the way we understand, think and design space. Some of the most recent architectural design practices have recognized that film, using its specific screen environment, can provide a source of new architectural imagination while contextualizing our kinesthetic experience of space. In this article, I will examine how kinesthetic imagination has informed architectural practice in relation to the established practices of architectural representation.


ARCHALP ◽  
2018 ◽  
pp. 138-151
Author(s):  
Bruno Zanon ◽  
Giorgio Tecilla ◽  
Roberto Paoli ◽  
Marco Piccolroaz

The progress of the practice and the debate on architecture in the Alpine region of Trentino, in the last fifty years, has been characterised by a pivotal role of the Autonomous Province, the local authority with key competencies in environmental matters and spatial organisation, on the one hand, and by the experimentation and the promotion of discussion events on architecture, on the other. In the Sixties, spatial planning was conceived as a key instrument to support the development of a mountain province. Change was the perspective, and this required the activation of landscape control procedures centred on the control of the quality of architectural projects. This was not enough to qualify the professional practice, although some architects were able to propose innovative projects and began to animate the cultural debate, to establish supra-local relationships and to consolidate the awareness of the role of the architectural project. The contributions proposed are aimed at critically examine such issues, with a particular focus on the experience of institutions such as the “Scuola per il Governo del Territorio e del Paesaggio” within the Trentino School of Management, the “Osservatorio per il Paesaggio” within the Autonomous Province and the “Circolo Trentino Architettura Contemporanea”. Factors that led a decisive evolution of the spatial planning framework in the last decade, characterised by a new attention to the landscape and to the quality of architectural design, thanks to cultural initiatives, occasions of debate, and training paths.


Author(s):  
Franky Liauw

Elements of architectural works in the form of buildings are usually described according to their respective roles. The dictionary is often a reference to understanding the meaning of each word, but it needs to be aware because the dictionary only gives a basic understanding, and often also becomes a barrier of thought that sometimes hinders further development. For example, in the dictionary the roof is defined as the top of the building cover, even though it has long been used as a roof garden. In the midst of many problems in the environment, such as the energy crisis, lack of non-renewable resources, global warming, various types of pollution, etc., empowering building elements for other functions outside their basic role, will provide added value, save costs and space, and various other benefits. This paper uses descriptive qualitative methods, in the form of a comparison of definitions in the dictionary with developments in architectural practice, as well as an analysis of the various possibilities and opportunities for the development of the role of each building element. The benefits of empowering building elements like this can be said to be environmentally friendly designs because they are in accordance with the principles of sustainable development. For example, the roof provides protection for the contents of buildings against uncomfortable external influences, but exposure to the sun with excessive heat can be converted to energy. The roof of the building can also accommodate human activities. Sports activities that release a lot of energy, can actually be converted into electrical energy through the empowerment of various building elements. Efforts to add as many other functions as possible to each building element in the architectural design process might be best taught from the beginning in architecture education courses so that it will become a habit inherent in every designer. Definitions in a dictionary need to be viewed more critically, not directly made as a rigid reference. AbstrakElemen karya arsitektur berupa bangunan biasanya diuraikan menurut peran masing-masing. Kamus sering menjadi acuan untuk memahami pengertian setiap kata, namun perlu diwaspadai karena kamus hanya memberi pengertian dasar, dan sering juga menjadi pembatas pemikiran yang kadang menghambat pengembangan lebih jauh. Sebagai contoh, dalam kamus atap didefinisikan sebagai penutup bangunan bagian atas, padahal sudah sejak lama atap digunakan juga sebagai roof garden. Di tengah banyaknya masalah dalam lingkungan, seperti krisis energi, kekurangan sumber daya tak terbarukan, pemanasan global, berbagai jenis polusi, dan lainnya, pemberdayaan elemen-elemen bangunan untuk fungsi-fungsi lain di luar peran dasarnya, akan memberi nilai tambah, menghemat biaya dan luasan ruang, dan berbagai manfaat lainnya. Tulisan ini menggunakan metode kualitatif deskriptif, berupa perbandingan definisi dalam kamus dengan perkembangan dalam praktek arsitektur, serta analisis berbagai kemungkinan dan peluang pengembangan peran setiap eleman bangunan. Manfaat pemberdayaan elemen bangunan seperti ini dapat dikatakan sebagai rancangan yang ramah lingkungan karena sesuai dengan prinsip pengembangan berkelanjutan. Sebagai contoh, atap memberi perlindungan bagi isi bangunan terhadap pengaruh luar yang tidak nyaman, namun paparan matahari dengan panas yang berlebihan dapat dikonversi menjadi energi. Atap bangunan juga dapat menampung kegiatan manusia. Kegiatan berolahraga yagn banyak mengeluarkan energi, sebenarnya dapat dikonversikan menjadi energi listrik melalui pemberdayaan berbagai elemen bangunan. Upaya menambahkan sebanyak mungkin fungsi lain pada setiap elemen bangunan dalam proses perancangan arsitektur mungkin sebaiknya diajarkan sejak awal di perkuliahan pendidikan arsitektur sehingga akan menjadi kebiasaan yang melekat pada setiap perancang. Definisi dalam kamus perlu dilihat dengan lebih kritis, tidak langsung dijadikan sebagai acuan yang kaku. 


2018 ◽  
Vol 41 ◽  
pp. 04009
Author(s):  
Anak Agung Ayu Suci Warakanyaka ◽  
Yandi Andri Yatmo

The presence of time holds an important position in interior architectural practice and education. On theother hand, the presence of time challenges the stability and steadiness that framed the discipline. Furthermore, in interior architectural practice it is usually seen as a threat that should be either eliminatedor restricted. Rather than establishing defense mechanism against it, this paper argues that interiorarchitectural practice should be able to progress with time. By looking through undergraduate designstudio projects in Interior Architecture Program, Department of Architecture, Universitas Indonesia, this paper aims to addressed how the presence of time might affect, transform and even generate context specific interior architectural design methods that enables several dynamic forms of inhabitation. The out come of this study provides the opportunity for interior discipline to switch its focus, from the discipline that focuses on the aesthetic and constructional aspects, to the one that embraces the temporal aspectsof sociocultural conditions to enhance the wellbeing of its inhabitant.


2020 ◽  
Vol 6 (2) ◽  
pp. 205630512092477
Author(s):  
Michael Bossetta

Given the role of social media in the modern election, scholars should not only study how platforms function for political actors; we should also study how platforms function as political actors. This essay therefore introduces the concept of scandalous design, which refers to programmatic changes in how social media operate in response to scandal. On the one hand, scandals can encourage changes in the architectural design of social media as products—that is, how platform providers introduce or manipulate features to mitigate the consequences of scandal. On the other, the concept of scandalous design recognizes the agency of these platforms as companies, who alter their organizational protocols in pursuit of furthering their business interests and generating goodwill with governments. The essay’s main argument is that deconstructing platforms’ responses to scandal can provide an empirical glimpse into how social media companies position themselves as political actors. I break down scandalous design into four typological groups: the introduction and manipulation of platform features, and changes to platforms’ analog and digital protocols. The typology is buttressed by recent empirical examples from elections in the United States, European Union, India, Brazil, and China. Without cognizance of how platforms’ operation—both digitally as products and politically as actors—evolves in response to scandal, scholars risk overlooking a key mechanism that contextualizes social media’s role in contemporary elections.


Author(s):  
Berk Kesim ◽  
Nilüfer Baturayoğlu Yöney

Architectural design and its education are physio- and socio-spatial activities. In other words, creating space is concerned with understanding the physical as well as the social/cultural context to produce meaning and values beyond determining and answering the right questions. Informal learning environments have always been an integral part of the profession even before its formal definition. Experiential learning or field trips play a significant role in architectural and spatial design education, yet procedural aspects of designing such a journey have not been discussed by educators regarding active and informal learning. This paper aims to understand the role of field trips and re-discover how they contribute to spatial design education at undergraduate level through the processes of learning by doing and research by design / design by research. The field trips, or the context, are discussed with a three-fold focus as an interdisciplinary design process: (1) Understanding the study field from macro to micro scale; (2) Experiencing and observing the society, culture and daily life; (3) Comparative studies through visits to buildings with similar programs. Case studies with local, national and international/foreign contexts from design studios of primary and secondary cycles are presented in order to illustrate this process.


Author(s):  
V. Eh. Liavdansky ◽  

Modern architectural management offers several fundamentally different methods of implementing construction projects, and, depending on the method used, the role of the architect in the work is different. Each of these methods changes not only the scope and nature of the services provided by the architect, but also the very possibility of implementing the creative idea of the architect and his professional potential. A brief analysis of the main methods of implementing construction projects is carried out, and the optimal method for the full disclosure and implementation of the architectural design is determined.


2016 ◽  
Vol 20 (3) ◽  
pp. 257-270
Author(s):  
Rosa Urbano Gutiérrez

Sustainability is gaining a firm presence within the discipline of architecture in spite of the number of obstacles with which it has been challenged: either confronting detractors, sceptics, and the discredit resulting from the abusive use of the term as a marketing tactic, or dealing with the actual practicalities inherent to its implementation. This heightened environmental consciousness increasingly engrained within the profession is solidly supported by a growing social, political and media interest, which has impelled new regulations and the involvement of new experts like physicists, engineers, and ecologists in the design process. This phenomenon is transforming architectural practice and design techniques, moving the focus from a mechanical perspective of architecture (tectonics, construction, materiality, structure) to a biotechnical approach which attempts to equip the architect with instruments to regard buildings as living structures permanently exchanging energy with their environment. Using the environment as a creative generator for design has prompted the emergence of new aesthetic models in current architectural design. The access to new tools, together with new concerns and ways of thinking, have opened new lines of intervention that seem to affect the profession in a more fundamental way. The focus of this paper is to provide an account of these cultural constructs as experimental aesthetic systems, with the intention of not only clarifying their principles and objectives, but also reflecting on the design techniques associated to them. Ultimately, this paper provides a reflection on the role of aesthetics in sustainable design, and on the critical question: is sustainability finally becoming an intrinsic part of architecture?


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