Religious Themes in Contemporary Art

2021 ◽  
pp. 242-272
Author(s):  
Codrina Laura Ionita
Keyword(s):  
Eighteenth Century ◽  
Contemporary Art ◽  
The Political ◽  
Modern Times ◽  
Bolshevik Revolution ◽  
The Enlightenment ◽  
History Of Art ◽  
History Of ◽  
Entire History ◽  
The Relationship

The relationship between art and religion, evident throughout the entire history of art, can be deciphered at two levels – that of the essence of art, and that of the actual theme the artist approaches. The mystical view on the essence of art, encountered from Orphic and Pythagorean thinkers to Heidegger and Gadamer, believes that art is a divine gift and the artist – a messenger of heavenly thoughts. But the issue of religious themes' presence in art arises especially since modern times, after the eighteenth century, when religion starts to be constantly and vehemently attacked (from the Enlightenment and the French or the Bolshevik Revolution to the “political correctness” nowadays). Art is no longer just the material transposition of a religious content; instead, religion itself becomes a theme in art, which allows artists to relate to it in different ways – from veneration to disapproval and blasphemy. However, there have always been artists to see art in its genuine meaning, in close connection with the religious sentiment. An case in point is the work of Bill Viola. In Romanian art, a good example is the art group Prolog, but also individual artists like Onisim Colta or Marin Gherasim, who understand art in its true spiritual sense of openness to the absolute.

Religious Themes in Contemporary Art

2016 ◽  
pp. 188-218
Author(s):  
Codrina Laura Ionita
Keyword(s):  
Eighteenth Century ◽  
Contemporary Art ◽  
The Political ◽  
Modern Times ◽  
Bolshevik Revolution ◽  
The Enlightenment ◽  
History Of Art ◽  
History Of ◽  
Entire History ◽  
The Relationship

The relationship between art and religion, evident throughout the entire history of art, can be deciphered at two levels – that of the essence of art, and that of the actual theme the artist approaches. The mystical view on the essence of art, encountered from Orphic and Pythagorean thinkers to Heidegger and Gadamer, believes that art is a divine gift and the artist – a messenger of heavenly thoughts. But the issue of religious themes' presence in art arises especially since modern times, after the eighteenth century, when religion starts to be constantly and vehemently attacked (from the Enlightenment and the French or the Bolshevik Revolution to the “political correctness” nowadays). Art is no longer just the material transposition of a religious content; instead, religion itself becomes a theme in art, which allows artists to relate to it in different ways – from veneration to disapproval and blasphemy. However, there have always been artists to see art in its genuine meaning, in close connection with the religious sentiment. An case in point is the work of Bill Viola. In Romanian art, a good example is the art group Prolog, but also individual artists like Onisim Colta or Marin Gherasim, who understand art in its true spiritual sense of openness to the absolute.

The Prince's Mentor: A New Perspective on the Friendship between George III and Lord Bute during the 1750s

1989 ◽  
Vol 21 (1) ◽  
pp. 34-55 ◽  
Author(s):  
John L. Bullion
Keyword(s):  
Eighteenth Century ◽  
Political History ◽  
Early Years ◽  
The Political ◽  
Political Relationship ◽  
History Of ◽  
New Perspective ◽  
George Iii ◽  
The Relationship ◽  
Do So

The effects of the intense personal and political relationship between the young George III and his “dearest friend,” the earl of Bute, are well known to scholars of eighteenth-century Britain. The prince's affection and respect raised Bute, an obscure though well-connected Scottish nobleman, to the highest offices of state and to the absolute pinnacle of power. The earl's instruction and advice governed George's reactions to men and measures from 1755 until 1763. Even after Bute's influence waned following his resignation as First Lord of the Treasury, the lingering suspicions at Whitehall and Westminster that the king still listened to him in preference to others complicated relations between George III, his ministers, and Parliament.This article examines the origins of the friendship between the king and the earl, and the features of it that strengthened and preserved their attachment during the 1750s. These are questions that have not engaged the attention of many students of the period. The long shadow the relationship cast over politics during the 1760s has intrigued far more historians than its beginnings. They have been content to leave efforts to understand that subject to Sir Lewis Namier, who was inclined toward making psychological judgments of eighteenth-century politicians, and John Brooke, who was compelled to do so by the demands of writing a biography of George III. Both of these men asserted that the personal and affectionate aspects of the connection between the prince and Bute far outweighed the political and ideological during its early years. Their arguments have evidently convinced historians of politics to pass over what made Bute “my dearest friend” and press on to matters they assumed to be more relevant to their interests. The concern of this essay is to demonstrate that this assumption is incorrect. It will show that political and ideological considerations were in fact utterly crucial to this friendship at its inception and throughout its development during the 1750s, with consequences which profoundly affected the political history of the first decade of George III's reign. A mistaken reliance on works by Namier and Brooke has prevented scholars from perceiving these realities. Thus it is necessary to begin by pointing out the serious flaws in their interpretations.

Enlightenment, Continental

2018 ◽  
Author(s):  
Robert Wokler
Keyword(s):  
Eighteenth Century ◽  
The Political ◽  
Political Consequences ◽  
Arts And Sciences ◽  
The Enlightenment ◽  
Self Reliance ◽  
The Arts ◽  
History Of ◽  
Individual Self ◽  
History Of Western Civilization

The Enlightenment is frequently portrayed as a campaign on behalf of freedom and reason as against dogmatic faith and its sectarian and barbarous consequences in the history of Western civilization. Many commentators who subscribe to this view find the Enlightenment’s cosmopolitan opposition to priestly theology to be dangerously intolerant itself, too committed to uniform ideals of individual self-reliance without regard to community or diversity, or to recasting human nature in the light of science. Modern debates about the nature of the Enlightenment have their roots in eighteenth-century controversies about the arts and sciences and about ideas of progress and reason and the political consequences of promoting them. Even when they shared common objectives, eighteenth-century philosophers were seldom in agreement on substantive issues in epistemology or politics. If they were united at all, it was by virtue only of their collective scepticism in rejecting the universalist pretensions of uncritical theology and in expressing humanitarian revulsion at crimes committed in the name of sacred truth.

Hellenism in the Enlightenment

2009 ◽  
pp. 165-172 ◽  
Author(s):  
Paul Cartledge
Keyword(s):  
Eighteenth Century ◽  
French Revolution ◽  
European History ◽  
The Political ◽  
The Enlightenment ◽  
Political Traditions ◽  
History Of ◽  
The French Revolution

This article moves past the Renaissance to the Enlightenment and, in particular, to the French Revolution, which crystallized an important, if not fully understood, moment in the history of Hellenism. It shows how the writings of Jean-Jacques Rousseau, the inspiration for so many of the French revolutionaries, were simultaneously proto-democratic and pro-Spartan. In this respect, Rousseau marks a complex breakthrough in the political traditions of Hellenism, which were, for much of European history until the eighteenth century, anti-democratic and pro-Spartan.

The Importance of Jacques Saurin in the History of Casuistry and the Enlightenment

1956 ◽  
Vol 25 (3) ◽  
pp. 195-209
Author(s):  
George L. Mosse
Keyword(s):  
Eighteenth Century ◽  
Sixteenth Century ◽  
Natural Sciences ◽  
Point Of View ◽  
The Enlightenment ◽  
The Reformation ◽  
The World ◽  
History Of ◽  
The Relationship ◽  
Scientific Inspiration

The purpose of this paper is to examine several aspects of the relationship between Christianity and the rise of the new rationalistic spirit of the eighteenth century. It is in this connection that we intend to examine the thought of the French Huguenot preacher Jacques Saurin (1677–1730). Historians have held that the two leading ideas of that century, Nature and Reason, derive their meaning from the natural sciences. Such a point of view tends to ignore the greater realism towards nature and politics which developed within the Christian theological framework itself. From the sixteenth century on, we find orthodox theologians emphasizing the need for dealing with the world on its own terms. It was not so much the new sciences but rather the conflicts of the Reformation which brought out this increasingly rational attitude on the part of both Protestant and Catholic theologians. This development went on side by side with that secularized idea of reason which is of specific scientific inspiration. The means which theologians used to make room for a greater realism in their Christian framework of thought was casuistic divinity.

Can One Eat Art? The Political, Socio-Economic and Artistic Role of Food in Peter Greenaway’s Film The Cook, The Thief, His Wife, And Her Lover

2018 ◽  
Vol 2 (56) ◽  
pp. 156-166
Author(s):  
Malgorzata Kowalewska
Keyword(s):  
Great Britain ◽  
20Th Century ◽  
Social Problems ◽  
Social Situation ◽  
Upper Class ◽  
The Political ◽  
History Of Art ◽  
History Of ◽  
The Relationship

The aim of the article is to present the relationship between food and politics based on the example of Peter’s Greenaway film The Cook, the Thief, his Wife, and her Lover. This particular Greenaway’s film is compelling for the purposes of the presented analysis, as he is an accredited painter and he uses food as references to historic paintings. In my article, I analyse the role of food (as an element of scenography in Greenaway’s film) as a means of explaining political and social problems presented. I will reference to history of art, political and social situation, as well as approach to food in the upper class in Great Britain in ’80s of the 20th century

Muscovy and the Tatars

2020 ◽  
Vol 54 (4) ◽  
pp. 403-431
Author(s):  
Bulat R. Rakhimzianov
Keyword(s):  
Seventeenth Century ◽  
Social Institutions ◽  
The Political ◽  
East European ◽  
Central Eurasia ◽  
History Of ◽  
Mutual Relations ◽  
Forest Line ◽  
The Relationship

Abstract This article explores relations between Muscovy and the so-called Later Golden Horde successor states that existed during the fifteenth and sixteenth centuries on the territory of Desht-i Qipchaq (the Qipchaq Steppe, a part of the East European steppe bounded roughly by the Oskol and Tobol rivers, the steppe-forest line, and the Caspian and Aral Seas). As a part of, and later a successor to, the Juchid ulus (also known as the Golden Horde), Muscovy adopted a number of its political and social institutions. The most crucial events in the almost six-century-long history of relations between Muscovy and the Tatars (13–18th centuries) were the Mongol invasion of the Northern, Eastern and parts of the Southern Rus’ principalities between 1237 and 1241, and the Muscovite annexation of the Kazan and Astrakhan khanates between 1552 and 1556. According to the model proposed here, the Tatars began as the dominant partner in these mutual relations; however, from the beginning of the seventeenth century this role was gradually inverted. Indicators of a change in the relationship between the Muscovite grand principality and the Golden Horde can be found in the diplomatic contacts between Muscovy and the Tatar khanates. The main goal of the article is to reveal the changing position of Muscovy within the system of the Later Golden Horde successor states. An additional goal is to revisit the role of the Tatar khanates in the political history of Central Eurasia in the fifteenth and sixteenth centuries.

The Gallic Singularity and the Royal Mistress

2020 ◽  
Vol 38 (1) ◽  
pp. 44-66
Author(s):  
Christine Adams
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Soft Power ◽  
Political Power ◽  
The Political ◽  
Marie Antoinette ◽  
Louis Xvi ◽  
Relationship Of ◽  
The Relationship ◽  
Political Realm

The relationship of the French king and royal mistress, complementary but unequal, embodied the Gallic singularity; the royal mistress exercised a civilizing manner and the soft power of women on the king’s behalf. However, both her contemporaries and nineteenth- and early twentieth-century historians were uncomfortable with the mistress’s political power. Furthermore, paradoxical attitudes about French womanhood have led to analyses of her role that are often contradictory. Royal mistresses have simultaneously been celebrated for their civilizing effect in the realm of culture, chided for their frivolous expenditures on clothing and jewelry, and excoriated for their dangerous meddling in politics. Their increasing visibility in the political realm by the eighteenth century led many to blame Louis XV’s mistresses—along with Queen Marie-Antoinette, who exercised a similar influence over her husband, Louis XVI—for the degradation and eventual fall of the monarchy. This article reexamines the historiography of the royal mistress.

The Oxford History of Protestant Dissenting Traditions, Volume II

2018 ◽  
Keyword(s):  
Eighteenth Century ◽  
Church And State ◽  
Political Rights ◽  
Protestant Christianity ◽  
History Of ◽  
Degree Of Acceptance ◽  
Missionary Societies ◽  
Long Eighteenth Century ◽  
British State ◽  
The Relationship

This volume charts the development of protestant Dissent between the passing of the Toleration Act (1689) and the repealing of the Test and Corporation Acts (1828). The long eighteenth century was a period in which Dissenters slowly moved from a position of being a persecuted minority to achieving a degree of acceptance and, eventually, full political rights. The first part of the volume considers the history of various Dissenting traditions inside England. There are separate chapters devoted to Presbyterians, Congregationalists, Baptists, and Quakers—the denominations that traced their history before this period—and also to Methodists, who emerged as one of the denominations of ‘New Dissent’ during the eighteenth century. The second part explores the ways in which these traditions developed outside England. It considers the complexities of being a Dissenter in Wales and Ireland, where the state church was Episcopalian, as well as in Scotland, where it was Presbyterian. It also looks at the development of Dissent across the Atlantic, where the relationship between Church and state was rather more loose. The third part is devoted to revivalist movements and their impact, with a particular emphasis on the importance of missionary societies for spreading protestant Christianity from the late eighteenth century onwards. The fourth part looks at Dissenters’ relationship to the British state and their involvement in campaigns to abolish the slave trade. The final part discusses how Dissenters lived: the theology they developed and their attitudes towards Scripture; the importance of both sermons and singing; their involvement in education and print culture; and the ways in which they expressed their faith materially through their buildings.

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