Social Injustice Tormented the Psyche of Parentless Children

2020 ◽  
pp. 199-207
Author(s):  
Alagesan M. ◽  
S. Horizan Prasanna Kumar ◽  
B. Meadows Bose
Keyword(s):  
Civil Rights ◽  
Black People ◽  
Future Generations ◽  
Social Injustice ◽  
The Novel ◽  
Civil Rights Movements

This study explores how social injustice affects the characters of the three parentless children in the novel Jazz, which tells the story of a triangular love. This chapter highlights civil rights movements which impact on black people and future generations. It is the story about the three parentless children who suffer because of the lack of parent's guidance. Morrison tries to instill the importance of mothers by depicting the lives of the three orphaned protagonists and how they meet with a fatal end.

Queer Citizenship

2018 ◽  
pp. 177-212
Author(s):  
Alberto Varon
Keyword(s):  
Civil Rights ◽  
Latino Studies ◽  
Chicano Movement ◽  
The Novel ◽  
Democratic Values ◽  
Latino Culture ◽  
Civil Rights Movements ◽  
Queer Citizenship ◽  
Post Civil Rights ◽  
Origin Point

This chapter sutures the pre- and post-civil rights movements—a divide that operates as a historical schism for Latino Studies. Analyzing José Antonio Villarreal’s novel Pocho (1959, which many have hailed as the first Chicano novel), this chapter argues that the novel is better understood not as an origin point but rather as a node within a longer genealogy of Latino culture. This chapter focuses on sexuality, homoeroticism, and homophobia, depictions that are at odds with some of the stated objectives of the Chicano movement’s foundational documents, but that situate the novel within earlier discussions of American democratic values. Read alongside early Chicano movement manifestos and correspondence, the chapter calls for a more historically expansive understanding of the emergence and legacy of the Chicano movement.

Ajita Wilson

2020 ◽  
Vol 7 (2) ◽  
pp. 192-207
Author(s):  
Matt Richardson
Keyword(s):  
African American ◽  
Civil Rights ◽  
Black People ◽  
Black Womanhood ◽  
Feminist Thought ◽  
Music Literature ◽  
Civil Rights Movements ◽  
Radical Movement ◽  
Literature And Language ◽  
Movement Politics

Abstract This article puts forward a consideration of Black womanhood by looking at the softcore films starring African American trans model and actress, Ajita Wilson. Wilson starred in many European softcore and hardcore films from the 1970s until her death in 1987. The author is particularly interested in Wilson's 1976 film The Nude Princess and the 1977 film Black Afrodite (Mavri Afroditi) for their use of soul aesthetics. Conceptualized in dialogue with Tanisha Ford's discussion of “soul style,” soul aesthetics are a combination of gestures as well as visual and auditory references in dress, music, literature, and language that were generated by Black people during a period of African and Caribbean anticolonialism and liberatory Black civil rights movements. Because they were born from radical movement politics, these references have transnationally come to symbolize the possibility for Black collective and self-transformation. The author offers an analysis of these films as an example of softcore pornography affirming Black womanhood and focuses on what this process of self-making has to offer Black trans and queer feminist thought.

Islamic Feminism

2017 ◽  
Author(s):  
Susanne Schröter
Keyword(s):  
Civil Rights ◽  
Reform Movements ◽  
Islamic Feminism ◽  
Political Dimension ◽  
Democratic Reform ◽  
Civil Rights Movements ◽  
The Usa ◽  
Islamic Historiography ◽  
And Gender ◽  
Transformation Processes

The aims of Islamic feminism are at once theological and socially reformist. Its proponents are often activists, as well as authors and scholars. It is linked to democratic reform movements within the Islamic world as well as to civil rights movements in Europe and the USA, and is supported by actors who resist the advances of patriarchal religious positions as well as Western secular definitions of modernity. Unlike secular feminists, proponents of Islamic feminism see the justification for their fight for women’s rights and gender equality in their own interpretation of Islam’s sacred text, the statements attributed to the Prophet, and his supposed life circumstances. In addition, they draw on approaches taken from new Islamic historiography. This chapter deals with the foundations of Islamic feminism and its transnational political dimension, and asks in what national and local transformation processes its proponents were able to have an impact.

scholarly journals Adapting Wives and Daughters for Television: Reimagining Women, Travel, Natural Science, and Race

Adaptation ◽  
2021 ◽  
Author(s):  
Gill Ballinger
Keyword(s):  
Twentieth Century ◽  
Natural Science ◽  
Black People ◽  
Racial Politics ◽  
The Novel ◽  
African People ◽  
Female Protagonist ◽  
Late Twentieth ◽  
Late Twentieth Century

Abstract This essay examines the depiction of women, travel, natural science, and race in Elizabeth Gaskell’s Wives and Daughters (1864–66) and Andrew Davies’s BBC adaptation of the novel (1999). It argues that the adaptation offers a recognizable transposition of Gaskell’s text, but makes some significant adjustments that reveal its contemporary reimagining of the novel’s gender and racial politics. In particular, Davies transforms Gaskell’s unexceptional female protagonist Molly Gibson into a proto-feminist naturalist adventurer, and revisions the casual racism the novel expresses towards black people in line with late-twentieth-century sensibilities. Each text, novel and film, reveals the period-specific ideological forces that shape its portrayal of Englishwomen and African people.

Visualizing a Black Future: Emory Douglas and the Black Panther Party

2018 ◽  
Vol 17 (3) ◽  
pp. 299-311
Author(s):  
Colette Gaiter
Keyword(s):  
Civil Rights ◽  
Black People ◽  
Black Panther Party ◽  
Black Communities ◽  
Mainstream Media ◽  
Gun Carrying ◽  
The Us ◽  
Hero Archetype ◽  
Gun Culture ◽  
Black Panther

In the post-Civil Rights late 1960s, the Black Panther Party (BPP) artist Emory Douglas created visual messages mirroring the US Western genre and gun culture of the time. For black people still struggling against severe oppression, Douglas’s work metaphorically armed them to defend against daily injustices. The BPP’s intrepid and carefully constructed images were compelling, but conversely, they motivated lawmakers and law enforcement officers to disrupt the organization aggressively. Decades after mainstream media vilified Douglas’s work, new generations celebrate its prescient activism and bold aesthetics. Using empathetic strategies of reflecting black communities back to themselves, Douglas visualized everyday superheroes. The gun-carrying avenger/cowboy hero archetype prevalent in Westerns did not transcend deeply embedded US racial stereotypes branding black people as inherently dangerous. Douglas helped the Panthers create visual mythology that merged fluidly with the ideas of Afrofuturism, which would develop years later as an expression of imagined liberated black futures.

scholarly journals INSTITUTIONAL RACISM IN AMERICAN POST-CIVIL RIGHTS MOVEMENT IN DEAR MARTIN BY NIC STONE (2017)

2021 ◽  
Vol 10 (1) ◽  
Author(s):  
Afifah Indriani ◽  
Delvi Wahyuni
Keyword(s):  
African American ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
Social Relations ◽  
Institutional Racism ◽  
The Novel ◽  
Systemic Racism ◽  
Civil Rights Era ◽  
Group Interest ◽  
Post Civil Rights

This thesis is an analysis of a novel written by Nic Stone entitled Dear Martin (2017). It explores the issue of institutional racism in the post-civil rights era. The concept of systemic racism by Joe R.Feagin is employed to analyze this novel. This analysis focuses on four issues of systemic racism as seen through several African-American characters. This analysis also depends on the narrator to determine which parts of the novel are used as the data. The result of the study shows that African-American characters experience four forms of institutional racism which are The White Racial Frame and Its Embedded Racist Ideology, Alienated Social Relations, Racial Hierarchy with Divergent Group Interest, and Related Racial Domination: Discrimination in Many Aspects. In conclusion, in this post-civil rights movement era, African-Americans still face institutional racism.

scholarly journals STATE OF EXCEPTION THROUGH RASISME IN GO SET A WATCHMAN IN AGAMBEN’S POLITICAL PHILOSOPHY

2021 ◽  
Vol 20 (2) ◽  
pp. 123-134
Author(s):  
Damay Rahmawati ◽  
Ramadhani Ardianto Karsa Sunaryono ◽  
Mira Utami
Keyword(s):  
Political Philosophy ◽  
Racial Discrimination ◽  
Black People ◽  
Lower Class ◽  
State Of Exception ◽  
The Novel ◽  
Citizenship Rights ◽  
American Society ◽  
The Impact ◽  
Harper Lee

This study aims to see racism in the novel Go Set a Watchman by Harper Lee as state of exception; a political philosophy of Agamben. Agamben's idea of ​​state of exception is used in this study as the theoretical framework. This research specifically reveals how racism becomes part of state of exception in American society around 1960s when the novel was written. The analysis focuses on issues of racism in American society as depicted in the novel. The issue of racism is taken with the aim of analyzing state of exception in USA, in dealing with racial discrimination. After analyzing the issues of racism and state of exception in the novel, this study reveals that racism in American society is politically structured. The finding of this study is the discrimination experienced by lower class citizens who are dominated by black people, as the impact of state of exception which affects their citizenship rights.

Movin’ on Up—and Out

2019 ◽  
pp. 94-118
Author(s):  
Courtney R. Baker
Keyword(s):  
Civil Rights ◽  
Black People ◽  
Historical Memory ◽  
Middle Passage ◽  
Civil Rights Era ◽  
Black America ◽  
Visual Politics ◽  
Plantation Slavery ◽  
Popular Images ◽  
Post Civil Rights

This chapter discusses the visual culture of 1970s Black America, focusing especially on popular culture artifacts such as film, television, and comics, to make sense of the idea of movement in the postsegregationist United States. It attends to the representation of black people in various locations—from the inner city to the suburbs to a historical memory of the plantation slavery, the middle passage, and an African motherland—in visual forms, including Afrocentrist iconography, photography, and fine art. By attending to popular images, an important if not fuller picture of Black visual politics during the post-civil rights era becomes apparent.

Introduction

2021 ◽  
pp. 1-14
Author(s):  
Thomas A. Guglielmo
Keyword(s):  
World War Ii ◽  
Civil Rights ◽  
White Supremacy ◽  
Primary Sources ◽  
Secondary Source ◽  
Japanese American ◽  
Color Line ◽  
Civil Rights Movements ◽  
The Military

This introductory chapter outlines the book’s main arguments regarding its two primary themes -- racism and resistance. The military represented a sprawling structure of white supremacy and of African American, Japanese American, and other nonwhite subordination. And varied freedom struggles arose in response, democratizing portions of the wartime military and setting the postwar stage for its desegregation and for the flowering of civil rights movements beyond. The chapter also describes the book’s source base -- more than one hundred distinct archival collections, oral histories, published primary sources, and the vast secondary-source literature on World War II. It also discusses its key concepts, especially the terms division, color line, boundary, and divide. Finally, the chapter explains the particularities of the US military and the need for its long-overdue intensive study.

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