New Digital Media and Devices

Author(s):  
Margherita Pagani

As discussed in the previous chapter, the technological innovation process has a pervasive influence on the whole digital metamarket featured by the gradual convergence of three traditionally distinct sectors: IT, telecommunications, and media (Sculley, 1990; Bradley, Hausman & Nolan, 1993; Collins, Bane & Bradley, 1997; Yoffie, 1997; Valdani, 1997, 2000; Ancarani, 1999; Pagani 2000). The numerous innovations that could lead to “convergence” between TV and online services occur in various dimensions (Figure 2.1). The technology dimension refers to the diffusion of technological innovations into various industries. The growing integration of functions into formerly separate products or services, or the emergence of hybrid products with new functions, is enabled primarily through digitalisation and data compression. Customers and media companies are confronted with technology-driven innovations in the area of transport media as well as new devices. Typical characteristics of these technologies are digital storage and transmission of content from a technical perspective and a higher degree of interactivity from the user’s perspective (Schreiber, 1997). The needs dimension refers to the functional basis of convergence: functions fulfill needs of customers which can also merge and develop from different areas. This depends on the customers’ willingness to accept new forms of need fulfillment or new products to fulfill old needs. When effective buying power creates a significant market demand for integrated functions, then boundaries are likely to be dissolved between different consumer groups (Grant & Shamp, 1997). The industry and firm dimension refers to relevant industry variables that affect convergence.1 Market barriers to convergence include industry cultures and traditions, regulation and antitrust-legislation prohibiting the creation of alliances, mergers & acquisitions. Deregulation often leads to a removal of artificial barriers that then promotes industry convergence. Firm-specific barriers to convergence include differences in company cultures and core competencies. Different activities along or across traditionally separated value chains may be merged by “management creativity” (Yoffie, 1997) such as the creation of new businesses, acquisition, or the creation of strategic alliances and networks. Convergence describes a process change in industry structures that combines markets through technological and economic dimensions to meet merging consumer needs. It occurs either through competitive substitution or through the complementary merging of products or services, or both at once (Greenstein & Khanna, 1997). The problem is that the notion of “convergence” itself is generally taken to be a characteristic of digital media, suggesting a possible future in which there might just be one type of content distributed across one kind of network to one type of device. Convergence remains ill defined particularly in terms of what it might mean for businesses wishing to develop a new media strategy. This chapter argues for a definition of convergence based on penetration of digital platforms and the potential for cross-platform Customer Relationship Management (CRM) strategies, before going on to develop a convergence index according to which different territories can be compared. The model herewith discussed specifically refers to the European competition environment.

Author(s):  
Margherita Pagani

In this chapter, the author sets out to define what convergence is and to measure it in Europe. It begins by proposing that the concept of digital convergence, as it is commonly expressed, is taken to refer to three possible axes of alignment: convergence of devices, convergence of networks, and convergence of content. Although there is evidence in digital environments of limited alignment in some of these areas, there are considerable physical, technical, and consumer barriers in each case. In fact, rather than convergence, the transition from analog to digital is often accompanied by a process of fragmentation. A better way of looking at convergence may lie in the degree to which two-way digital networks facilitate cross-platform management of customer relationships, regardless of the type of networks those customers use. In the chapter, a definition of convergence based on penetration of digital platforms and the potential for cross-platform Customer Relationship Management (CRM) strategies is argued for before going on to develop a convergence index according to different European territories that can be compared.


Author(s):  
Dal Yong Jin

Political economy of the media includes several domains including journalism, broadcasting, advertising, and information and communication technology. A political economy approach analyzes the power relationships between politics, mediation, and economics. First, there is a need to identify the intellectual history of the field, focusing on the establishment and growth of the political economy of media as an academic field. Second is the discussion of the epistemology of the field by emphasizing several major characteristics that differentiate it from other approaches within media and communication research. Third, there needs an understanding of the regulations affecting information and communication technologies (ICTs) and/or the digital media-driven communication environment, especially charting the beginnings of political economy studies of media within the culture industry. In particular, what are the ways political economists develop and use political economy in digital media and the new media milieu driven by platform technologies in the three new areas of digital platforms, big data, and digital labor. These areas are crucial for analysis not only because they are intricately connected, but also because they have become massive, major parts of modern capitalism.


Author(s):  
Christian Pentzold ◽  
Anne Kaun ◽  
Christine Lohmeier

In our fast-forward times, the special issue ‘Back to the Future: Telling and Taming Anticipatory Media Visions and Technologies’ examines the future-making capacity of networked services and digital data. Its contributions ask about the role media play in forecasting the future and their part in bringing it about. And they are interested in the expectations and anticipatory visions that accompany the formation and spread of new media. Along these lines, the eight articles in this special issue explore the future-making dimension of new media. As a whole, they provide an empirically grounded analysis of the ways media reconfigure the relations and distances among present, past, and future times. The contributions delineate imaginaries of futures related to digital media. Furthermore, they attend to interventions into the plans and efforts of making futures and they inquire about the creation of differently vast and (un)certain horizons of expectation. Together, the articles share the assumption that mediated futures are actively accomplished and enacted; they do not simply appear or wait for us to arrive in them.


Author(s):  
O. S. Tushkevych ◽  

Theoretical aspects of innovation theory and its categorical apparatus are considered in the article. Development of ideas about the place and importance of innovation in the spread of innovative theories and approaches to the categories of "innovation" and "innovative development" are analyzed. Own reasoning is presented and own definition of investigated terms that based on the analysis is given. Knowing of theoretical essentials of innovations will enable to create an effective system of management of innovation processes at the enterprise. From this point of view it is expedient to consider the definitions of innovations and their classification. In given article, an author reveals the notions of innovation and innovation process that exist in economic literature by now, considers existing classifications of innovations. An author also gives his own classification of innovations, reveals his understanding of notion of innovation. Currently, the term "innovation" is found everywhere. It has become especially widespread in the sphere of production, although it is not limited to it and applies to almost all areas of human activity. The world and domestic economy form a new paradigm of development, which is based on the growing relationship between socio-economic development of society and new technologies, the global nature of the creation and use of research and development. The creation and implementation of innovations becomes the main internal factor and the key to uture economic growth. As world experience shows, the successful use of scientific and technological progress can significantly affect the course of economic processes and significantly accelerate them. The term "innovative development" consists of two categories – "innovation" and "development". As they are widely used in almost all fields of knowledge and areas of activity, they do not have an unambiguous definition and are the subject of research by domestic and foreign scientists of various profiles.


Author(s):  
Gianluca Mura

Interaction systems with the user need complex and suitable conceptual and multisensorial new media definition. This study analyzes social and conceptual evolutions of digital media and proposes an interactive mixed-space media model which communicates the information contents and enhances the user experience between interactive space of physical objects and online virtual space. Its feedback gives information through user performance among its multisensorial interfaces. The research widens previous research publications, and gives precisely a definition of a fuzzy logic cognitive and emotional perception level to the metaplastic multimedia model. It augments the interaction quality within its conceptual media space through an action-making loop and gives as a result new contents of information within its metaplastic metaspace configurations.


2014 ◽  
Vol 38 (2-3) ◽  
pp. 213-231
Author(s):  
Viktorija Car

At the beginning of the twenty-first century, technological innovations and the development of digital media have brought about new possibilities for media content providers and, because of their interactivity, for the users as well. The advent of the internet age, Web 2.0 technology, and the ubiquity of cell phones have imparted high expectations that new media technologies will systematically enhance civic engagement and further develop national and global political cultures. This paper focuses on how citizens in Croatia are taking the opportunities offered by new media for civil and political activism. Digital platforms are used more and more frequently for activism in Croatian civil society, especially Facebook – the number one digital tool activists use to spread information or invite members to events. It happened first in late April 2008, when third-year high school students, unified on a national level via Facebook, organized protests against the ‘national school-leaving examination’ that they had to take the year after. The protest was successful, and the Minister of Science and Education postponed the examination for another year. Since then, a number of different digital activities of civil engagement have been organized in Croatia, but the success of the first one has yet to be repeated. The conclusion of this paper is that digital activism in Croatia is not well developed yet. There are only a small number of activists who use digital media regularly and strategically for their actions, and they are usually found amongst the smaller, urban minority, as these opportunities for digital mobilization have not yet reached mainstream society. Usually, it is the same few groups that support different types of action, and use digital media for a variety of social and political goals.


2012 ◽  
Vol 1 (2) ◽  
pp. 1-22 ◽  
Author(s):  
Joanna Saad-Sulonen

Participatory e-planning research and practice has focused on the institutional context of citizen participation in urban planning. Thus, it has mostly addressed the use and development of tools that support modes of participation compatible with the existing urban planning or governance processes. The author argues that another type of participation exists, which is also relevant to the development of participatory e-planning. This type of participation emerges from the practices associated with the creation and sharing of digital content, which are afforded by new media technologies. This article defines participatory e-planning as the site of active stakeholder involvement, not only in the traditional collaborative urban planning activities, but also in the co-production and sharing of media content, as well as in the configuration of the supporting technologies. By examining three cases of participatory e-planning in Helsinki, the author answers the following questions: What kinds of activities associated with the creation and sharing of digital media content take place in the context of participatory e-planning? What are the consequences of these activities for urban planning processes? What are the consequences of these activities for the technological development for participatory e-planning?


Author(s):  
Kirsten Frandsen

<p>This article explores the challenge faced by established media organisations integrating digital media in their production. Using a case study of a Danish broadcaster’s use of blogs in their coverage of major sports events, it is argued that the challenge is strategic in a broader sense, as the move to digital platforms is influenced by economic, organisational as well as conceptual parameters for roles. It is argued that in order to understand the potential and challenges of this case, the peculiarities of the role of sports journalists in broadcasting have to be taken into consideration. The case illustrates how their distinctive engagement with their topic and the audience makes some of them more prone to work for pleasure and produce for the digital platform on very unclear conditions, just as it influences the interaction that takes place in the blogs in various ways.</p>


2020 ◽  
Vol 3 (2) ◽  
pp. 15
Author(s):  
Leandros Kyriakopoulos

The article examines the Covid-19 pandemic by investigating the ways in which viruses are mapped out through the biosciences and recognized as threats in informational systems. Two examples are analyzed that, although seemingly unrelated, intersect the assemblages of biological and communicational networks. The first one concerns the speed at which a third of the world's population was quarantined. The second one involves the readiness of the material-technical infrastructure to support, and the political planning to transfer, a multitude of social and labour activities onto digital platforms. The adjective ‘viral’ highlights the metonymic ways in which digital media locate the different economies of gene formation, circulation and communication of subjects, transport of goods and political decision-making, and adapt them in favour of the technologic of the network. And what is suggested is to view the advent of Covid-19 within the cultural logic of new media in order to understand the horizon of an oncoming modernity.


2018 ◽  
Vol 3 (2) ◽  
pp. 180
Author(s):  
Reza Praditya Yudha ◽  
Irwansyah Irwansyah Irwansyah

<p><em>Digital media creates a gap in the definition of the communication context </em><em>created by</em><em> West &amp; Turner (2010). Situational boundaries are increasingly unclear when in the whole process the number of participants, distance, space, feedback, media functions, and </em><em>variety of </em><em>channels are integrated. This study aims to analyze the implications of digital media functions in elaborating interpersonal communication to successfully mobilize groups. The study was conducted by reviewing the literature on new digital media theories. As a result</em><em>,</em><em> connectedness occurs as a character of interpersonal communication</em><em> in digital new media</em><em>. When the</em><em>se</em><em> context is </em><em>elaborated</em><em> by digital media</em><em> so that integrating more participants,</em><em> interaction is not just </em><em>merely</em><em> connection</em><em> anymore</em><em>, but focuses on shared meaning. At this point the context is </em><em>shift</em><em>ed into group communication.</em><em></em></p><p><em> </em></p><strong><em>Keywords</em></strong><em> : new digital media, communication context, interpersonal communication, group communication</em>


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