Private Garden Design Based on Oriental Traditional Cultural Interest: The Design of Lu’s Garden in Xishan Land of Suzhou

2012 ◽  
Vol 174-177 ◽  
pp. 2701-2705
Author(s):  
Jie Xia

This paper analyzes the aesthetic characters of traditional religious and cultural, as well as traditional culture and landscape design combination. It is suggested that we can learn from the aesthetic values of traditional culture to guide the current landscape design, and try to propose several possible technical solutions.

2019 ◽  
Vol 80 (1) ◽  
pp. 39-45
Author(s):  
Marina A. Ostrenkova

This article is devoted to the methods of acquainting students with the language of traditional culture (folklore) in school education. Such knowledge is expected to promote students’ awareness of the ethical and aesthetic values inherent in folk culture texts. A search for cultural information can be performed through a linguocultural study. This article presents such a research study entitled “Zachem ranshe zazyvali vesnu” (Why did they use to invite spring) aimed at revealing the specific features of folk texts that were used by Russian people to make spring to come. The semantics of textual artefacts is analysed in terms of their ethical and aesthetic significance.


PeerJ ◽  
2015 ◽  
Vol 3 ◽  
pp. e1390 ◽  
Author(s):  
Andreas F. Haas ◽  
Marine Guibert ◽  
Anja Foerschner ◽  
Tim Co ◽  
Sandi Calhoun ◽  
...  

The natural beauty of coral reefs attracts millions of tourists worldwide resulting in substantial revenues for the adjoining economies. Although their visual appearance is a pivotal factor attracting humans to coral reefs current monitoring protocols exclusively target biogeochemical parameters, neglecting changes in their aesthetic appearance. Here we introduce a standardized computational approach to assess coral reef environments based on 109 visual features designed to evaluate the aesthetic appearance of art. The main feature groups include color intensity and diversity of the image, relative size, color, and distribution of discernable objects within the image, and texture. Specific coral reef aesthetic values combining all 109 features were calibrated against an established biogeochemical assessment (NCEAS) using machine learning algorithms. These values were generated for ∼2,100 random photographic images collected from 9 coral reef locations exposed to varying levels of anthropogenic influence across 2 ocean systems. Aesthetic values proved accurate predictors of the NCEAS scores (root mean square error < 5 forN≥ 3) and significantly correlated to microbial abundance at each site. This shows that mathematical approaches designed to assess the aesthetic appearance of photographic images can be used as an inexpensive monitoring tool for coral reef ecosystems. It further suggests that human perception of aesthetics is not purely subjective but influenced by inherent reactions towards measurable visual cues. By quantifying aesthetic features of coral reef systems this method provides a cost efficient monitoring tool that targets one of the most important socioeconomic values of coral reefs directly tied to revenue for its local population.


2021 ◽  
Vol 3 (5) ◽  
pp. 113-118
Author(s):  
Chen Wang ◽  
Dan Liu ◽  
Xiaoman Huang

Under the background of the vigorous development of various cultural and artistic forms, the traditional patterns that can express the unique charm of Chinese national culture have become an important material for modern design. Traditional patterns not only have unique decorative functions, but also represent the spirit of traditional culture. Among them, flower and bird patterns are also precipitated by history. It is worth exploring how to combine the flower and bird patterns with the aesthetics of the times, and how to integrate the traditional flower and bird patterns with the nature of the times. Starting with the formation and development of flower and bird patterns, this paper analyzes the historical, cultural and aesthetic attributes of flower and bird patterns from the perspective of design culture, and expounds the application of flower and bird patterns in makeup and hair in various historical dynasties. With the development of the times, the application of flower and bird patterns in modern makeup and hair should be both national and in line with the aesthetic requirements of modern people.


2020 ◽  
Vol 8 (18) ◽  
pp. 431-453
Author(s):  
Luis Carlos Arboleda ◽  
Andrés Chaves

This paper shows the importance of applying a certain approach to the history and philosophy of mathematical practice to the study of Zygmunt Janiszewski's contribution to the topological foundations of Continuum theory. In the first part, a biography of Janiszewski is presented. It emphasizes his role as one of the founders of the Polish School of Mathematics, and the social, political and military facets in which his intellectual character was revealed, as well as the values that guided his academic and scientific life. Kitcher's view of mathematical practice is then adopted to examine the philosophical conceptions and epistemological style of Janiszewski in relation to the construction of the formal axiomatic system of knowledge about the continua. Finally, it is shown the convenience of differentiating in Kitcher's approach, the methods, procedures, techniques and strategies of practice, and the aesthetic values of mathematics. Keywords: Zygmunt Janiszewski; Continuum theory; Philosophy of mathematical practice; Polish school of mathematics.


2011 ◽  
Vol 368-373 ◽  
pp. 3414-3417
Author(s):  
Qi Peng Liao

Chinese concept of landscape design originates from Chinese traditional culture, which is based on the basic framework integrating Confucianism, Taoism and Buddhism and embodied in the design of many classic ancient landscapes. However, spiritual culture is seriously missing in Chinese modern landscape construction, which affects landscape design and shaping. It is urgent to restore spiritual culture in modern landscape design. The development of landscape design shall give more priority to the harmony of human, culture and the nature, and emphasize Chinese spiritual culture in modern landscape design. Only those landscape designs that embody the connotation of Chinese spiritual culture can have real vitality, and only those designs that embody the features of Chinese spiritual culture can actually give people spiritual comfort and a sense of belonging. Giving priority to creating and presenting spiritual culture and images of Chinese landscape and seeking for landscape designs that present Chinese features is the path for innovative development of Chinese landscape design.


Author(s):  
Elena L. Skvortsova ◽  

The article is devoted to the views of three Japanese philosophers of the 20th cen­tury with their example we are convinced the relevance of the traditional world­view in contemporary Japan. Since the Meiji period, Western philosophy and aes­thetic theories have constantly influenced the views of Japanese thinkers, but up to this day, traditionalism plays an important role in Japanese thought. This also applies to the emphasis on corporality, human incarnation – the Buddhist position on “the unity of flesh and mind” (shin-jin – itchinyo) and the uncertainty fluidity of all forms of existence of things (mujo), relations, the ephemerality of life itself. This is also true for acceptance of Nothingness (mu) as a metacategory of philoso­phy which Nishida Kitaro put at the foundation of his system, explaining the his­torical world and the position in it of a person through the identity of absolute contradictions resolved in the field (basho) of Nothingness. This philosophical position, Buddhist-Taoist in essence, is especially vividly present in the works of Japanese thinkers who study the traditional culture of their homeland and try to give a modern interpretation to its categories.


2017 ◽  
Vol 42 (2) ◽  
pp. 11-19
Author(s):  
Hourakhsh Ahmad Nia ◽  
Resmiye Alpar Atun ◽  
Rokhsaneh Rahbarianyazd

This study assesses changing aesthetic values and their characteristics in urban environments based on human perception. With this in mind, a model for assessing the aesthetic values of the urban environment based on the three steps of human cognition has been developed to elaborate the user's perception in different urban environments. The results of the survey confirm that by changing urban morphology the aesthetic perception of the environment also changes. The finding of this research opens up a new window for urban planners to assess the aesthetic effects of the elements of urban spatial configuration for future urban development.


Author(s):  
Samantha Matthews

Virginia Woolf dismissed Byron’s early poetry as ‘album stuff’ and critics have assumed album poetry is inherently unoriginal and imitative. The introduction challenges these received ideas by laying out the aesthetic and cultural interest of this neglected hybrid, protean form designed to be read and circulated in manuscript, and which developed its own poetic language, generic conventions, and common themes. Writers of album poetry range from canonical Romantic poets, women poets, society poets, to amateurs, and albums create social spaces where different views of gender, hierarchy, and poetry clash. ‘Albo-mania’ has been seen as a phenomenon of the 1820s. The introduction traces the fashion’s origins in the 1780s, defines and contextualizes key terms ‘album verse’ and ‘album’, while analysis of Byron’s ‘Written in an Album’ (1812) lays out the characteristics and creative possibilities of album poetry examined in the six case studies which follow.


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