scholarly journals The Application Status of Chinese Traditional Cultural Elements in Modern Clothing Design

2019 ◽  
Vol 3 (4) ◽  
pp. 119
Author(s):  
Yuxue Zou
Keyword(s):  
Traditional Culture ◽  
Value Orientation ◽  
Fashion Design ◽  
Cultural Elements ◽  
Design Elements ◽  
Clothing Design ◽  
Cultural Connotation ◽  
Art Forms ◽  
History Of

<p>China has a long history of Chinese civilization and profound traditional culture. The design elements contained in the Chinese civilization and traditional culture, with diverse forms, broad themes, long-lasting and rich connotations, are worthy cultural essences and cultural treasures and any other art forms are difficult to replace the historical status of this essence. The fashion design trend prevailing in the commodity world has been rooted in the soil of Chinese traditional cultureand constantly absorbs the creative essence of design elements, hoping to inject positive cultural connotation into the construction of value orientation in modern fashion design.</p>

scholarly journals Research on Contemporary “Chinese Theme” Fashion Design based on Aesthetic Distance Theory

2020 ◽  
Vol 16 (10) ◽  
pp. 57
Author(s):  
Yuru Ma ◽  
Xiangyang Bian
Keyword(s):  
Fundamental Principle ◽  
Fashion Design ◽  
Chinese People ◽  
The West ◽  
Basic Principles ◽  
Design Elements ◽  
Avant Garde ◽  
Clothing Design ◽  
Aesthetic Distance ◽  
Contemporary Chinese

Chinese theme or style has a long history in international fashion design; it is a common theme for Chinese and western designers to pursue Oriental sentiment and express Oriental aesthetics. However, for contemporary Chinese theme fashion design, Chinese and western designers have different understanding and interpretation, and there are many differences in design techniques and effects. In this paper, we propose to research on contemporary Chinese theme fashion design based on the theory of aesthetic distance, and interpret the essence of Chinese theme fashion design from different aesthetic distances. In addition, the basic principles of contemporary Chinese theme clothing design are summarized through the analysis and comparison of Chinese and western design cases. The results show that Chinese theme design, to the West, represents &ldquo;the other&rdquo; and &ldquo;exotic theme&rdquo; in a modern way; while in the eyes of Chinese people, it is a contemporary embodiment of &ldquo;retro theme&rdquo;. The clothing design in modern Chinese fashion should, based on the design elements collected in an expansive and deep way, pursue the balance and integration of &ldquo;conservative&rdquo; and &ldquo;avant-garde&rdquo; elements and the harmony of &ldquo;form&rdquo; and &ldquo;spirit&rdquo;, abiding by the fundamental principle of &ldquo;absorbing tradition&rdquo; to &ldquo;create the present&rdquo;.

scholarly journals Research on the Application of Chinese Traditional Elements in Contemporary Interior Design

2020 ◽  
Vol 9 (6) ◽  
pp. 103
Author(s):  
Chen Chen
Keyword(s):  
Sustainable Development ◽  
Interior Design ◽  
Innovative Development ◽  
Interior Decoration ◽  
Current Application ◽  
Cultural Elements ◽  
Development Path ◽  
Cultural Connotation ◽  
History Of ◽  
Art Design

China has a long history of history and culture, and it has gathered a variety of cultural elements and symbols in the long history. The cultural connotation and spiritual heritage presented by traditional Chinese decorative elements provide a source and motivation for the innovative development of the modern decoration industry. Therefore, drawing on traditional elements to carry out innovative exploration of the art design has become an important outlet for the development of the industry. This article aims at exploring a sustainable development path for China’s art design field by analyzing the current application of traditional Chinese elements in contemporary interior decoration design.

The Journey of Silk to the International Fashion Design World

2011 ◽  
Vol 175-176 ◽  
pp. 981-986 ◽  
Author(s):  
Jian Ping Yang ◽  
Yu Qi Sun ◽  
Shao Ning Qing
Keyword(s):  
Chinese Culture ◽  
Fashion Design ◽  
Western World ◽  
Cultural Elements ◽  
Clothing Design ◽  
The World ◽  
Main Factors ◽  
Fashion Designers

The eastern cultural elements, especially represented by Chinese traditional cultural elements, are widely applied in the fashion design when some major international fashion brands introduce the latest design to the world. Silk as one of main factors of Chinese culture has caught lots of attention of international fashion designers and has won great recognition in the western world. The mixtures of cultural elements give those international fashion brands big profits both in the publicity and economy. However at present in china silk is mainly employed into the bed clothing design, underwear design and craft design. Although there are some designers who try silk into the fashion design, the patterns they use are mostly the Chinese traditional ones. The limit of patterns and styles of silk design puts the domestic silk fashion design in the dilemma. The success of the employment of eastern cultural elements of those international fashion brands inspires a new trend of the silk fashion design. This thesis will try to explore approaches to combine the western cultural elements and Chinese traditional cultural elements into the silk fashion design. And at the same time, we like to talk about the concepts of using the Chinese traditional ways of sewing and embroidery in the showing western cultural elements by silk. Also we want to discuss the new access of the silk to the international fashion design world.

scholarly journals Research on the Shape of Automobile Face Based on Cultural Translation

2021 ◽  
Vol 236 ◽  
pp. 02042
Author(s):  
Xueyuan Zhang ◽  
Liqing Huang ◽  
Mingzhu Li
Keyword(s):  
Traditional Culture ◽  
Cultural Translation ◽  
Creative Design ◽  
Cultural Elements ◽  
Design Elements ◽  
Translation Model ◽  
Material Layer ◽  
Characteristic Lines

Based on the concept of cultural translation, aiming at the application status and problems of traditional cultural elements in automobile styling design, analyzing the mapping relationship between traditional cultural levels and cultural creative design elements, and constructing a cultural translation model. Sort out the process and method of extracting typical cultural elements from the material layer, organization layer and concept layer of traditional culture and transform them into detail points, characteristic lines and modeling surfaces, and analyze and summarize the existing automobile face design cases.

scholarly journals On the Innovative Application of China’s Traditional Arts and Crafts in the Industry of Fashion Arts

2021 ◽  
Vol 237 ◽  
pp. 04011
Author(s):  
Jin Lan
Keyword(s):  
Traditional Culture ◽  
Design Methods ◽  
Fashion Design ◽  
Arts And Crafts ◽  
Production Methods ◽  
Cultural Connotation ◽  
Traditional Arts ◽  
Design Ideas ◽  
Important Design

The language concerning traditional arts and crafts is increasingly applied in modern fashion designing, which has become the important design ideas by focusing on the traditions. By elaborating the recognition of traditional arts and crafts, its diversified emerges in fashion arts including its classification s, materials, production methods, design methods and the diversity of design themes, the author discusses the creative application by combining the traditional arts and crafts and the modern fashion design and artistry. By explaining the traditional culture and analyzing its applications, the author explores the innovative application of traditional arts and crafts in the industry of modern fashion arts. The terminal aim is to link up the traditions and fashion, protect and inherit China’s traditional arts and crafts, promote modern fashion brands and extend the cultural connotation of fashion brands.

Zen View of Nature in the Performance of Modern Fashion Design

2011 ◽  
Vol 331 ◽  
pp. 666-669
Author(s):  
Nan Qiao ◽  
Li Jun Liu ◽  
Yuan Yuan Lv
Keyword(s):  
Material Culture ◽  
Traditional Culture ◽  
Fashion Design ◽  
Modern Design ◽  
Design Elements ◽  
Design Style ◽  
Important Character

The view of nature is an important character of Zen aesthetic. At present, the Zen view of nature and cause of design was widely used in architecture, interior, furniture, household goods and clothing designs, giving a modern design with new field and angle. Zen view of nature through the exposition, analysis of its role in modern fashion design style and influence, and the concrete embodiment of the design elements. Intended to demonstrate - not only the material culture of clothing bearing, it is "yardsticks", concerned about the soul of the "refined." Pointed out that the essence of traditional culture, to learn from the design of nutrition will have a more mellow and spiritual implication of precipitation, so the design will have a long-term vitality.

BUILDING THE MODEL OF INFORMATION, EDUCATION AND COMMUNICATION EFFICIENCY IN CONSERVATION AND PROMOTION OF THE IDENTITY VALUE OF ETHNIC MINORITIES CULTURE IN ETHNIC MINORITY BOARDING GENERAL SCHOOLS, ETHNIC MINORITY SEMI-BOARDING GENERAL SCHOOLS AND LOCAL COMMUNITIES THROUGH LANGUAGE OF ETHNIC MINORITIES

2019 ◽  
Vol 8 (2) ◽  
Author(s):  
Ngo Quang Son ◽  
Nguyen Thi Phuong
Keyword(s):  
Ethnic Minority ◽  
Ethnic Minorities ◽  
Traditional Culture ◽  
Cultural Preservation ◽  
Spiritual Values ◽  
Linguistic Identity ◽  
Modern Life ◽  
Urgent Task ◽  
Communication Efficiency ◽  
History Of

Traditional culture of ethnic minorities is the material and spiritual values that are accumulated and preservedin the whole history of ethnic minority development. In thatcommon cultural flow, every ethnic minorities group in ourcountry has its own characteristics in traditional culture.That identity is expressed firstly in language. Language is animportant element of the ethnic minorities character, therefore,the loss of language is the loss of a great asset, thereby leadingto the erasure of art literature, religious beliefs and the custom,customary law.Therefore, in the context of modern life, preserving andpromoting the cultural and linguistic identity of ethnicminorities is an urgent task. In particular, pay specialattention to the method of cultural preservation through thedevelopment of Information, Education and CommunicationModel in ethnic minorities languages in schools and localcommunities.

Prinsip Estetika Pakaian Cosplay Yogyakarta: Fantasi dan Ekspresi Desain Masa Kini

Panggung ◽  
2014 ◽  
Vol 24 (1) ◽  
Author(s):  
Deni Setiawan ◽  
Timbul Haryono ◽  
M. Agus Burhan
Keyword(s):  
Design Principle ◽  
Point Of View ◽  
Japanese Culture ◽  
Dress Code ◽  
Design Elements ◽  
Social Communities ◽  
Organic Unity ◽  
Clothing Design ◽  
Digital World ◽  
Balance Principle

ABSTRACTCostume, dress code, animation, comics, legends, and manga, are inseparable parts of the cosplay costume. Those parts give fantasy and digital world discourse through costume style. Its spiritual domain stands on Japanese culture by being cultured through clothing. One of them, cosplay ideo- logy, reflects the self-imaging through social communities, as an e?ort for group and self-existence. Cosplay entity bridges fantasy and real world, presents designers’ expressions through the costume designs to show. This writing will be analyzed by using the main theories based on Dewitt H. Parker point of view, in The Principles of Aesthetics, which divides principles of aesthetics into three, they are: Principle of Organic Unity, Principle of Dominant Element, and Principle of Balance. Principle of organic unity indicates that cosplay clothing is an accumulation of design elements, to refer and mark a figure. Principle of dominant element, is accentuation, or the center of interest of a cosplay clothing design. Principle of balance, see placement and setting ornamentation applied to cosplay clothing.Keywords: cosplay clothing, principles of aesthetics, costume style, YogyakartaABSTRAKPakaian, dress code, animasi, dan manga, merupakan unsur yang tidak terpisahkan dalam pakaian cosplay. Unsur-unsur tersebut merupakan wacana dunia digital dan fantasi pada dunia pakaian. Ranah spiritualnya berp?ak pada kebudayaan Jepang yang dibudayakan melalui pakaian. Ideologi cosplay salah satunya menggambarkan pencitraan diri komuni- tas sosial, sebagai usaha untuk aktualisasi diri. Entitas cosplay mampu menjembatani du- nia fantasi dan realita, yang membelenggu keinginan manusia untuk bergaya. Tulisan ini akan dianalisis dengan teori pokok berdasarkan pandangan Dewitt H. Parker, dalam The Principles of Aesthetics, yang membagi prinsip estetika menjadi tiga, yaitu: prinsip kesatu- an organik, prinsip unsur dominan, dan prinsip keseimbangan. Prinsip kesatuan organik menunjukkan, bahwa pakaian cosplay merupakan akumulasi dari unsur-unsur desain, un- tuk merujuk dan menandai tokoh. Prinsip unsur dominan, merupakan aksentuasi, atau pusat perhatian dari sebuah desain pakaian cosplay. Prinsip keseimbangan, melihat penem- patan dan pengaturan ornamentasi yang diaplikasikan pada pakaian cosplay.Kata kunci: pakaian cosplay, prinsip estetika, gaya pakaian, Yogyakarta

Comparative analysis of China (Han) & Bangladesh cultural authentication and transformation context on “Motif Design”

2021 ◽  
Vol 7 (1) ◽  
pp. 1-10
Author(s):  
Md Moniruzzaman ◽  
Md Eanamul Haque Nizam ◽  
Md Tanjubul Hasan ◽  
Md Ahosanul Karim ◽  
Maria Afrin Shammi ◽  
...  
Keyword(s):  
Design Pattern ◽  
Research Team ◽  
Fashion Design ◽  
Key Factors ◽  
Cultural Elements ◽  
Historical Progress ◽  
Fashion Designers ◽  
Two Sides ◽  
Day By Day ◽  
The Ideal

Now a day, fashion design and clothing manufacturing is going to update day by day. Modern fashion designers are interested to work with the new color, trend, design, pattern, cutline. “Motif Design" and its application may have been a positive way to deal with the ideal tasteful look, while social confirmation and diversification have been considered as key factors. In this study, the author tries to investigate the cultural elements motif between Bangladesh and china (Han). The author investigates different Blogs, magazines, journals, and websites used for the analysis. In order to make this research authentic and credible different local and international published books and articles have been studied. Different websites helped by representing historical progress and reference of the information which adorned in this research. Few Bangladeshi and Chinese apparel fashion brands those who worked with traditional costume were also a way to understand today's influence of Cultural elements. After the analysis, the author finds some features of motif like style, positioning, color and pattern. The research team analyzes those points from the view of two sides. Then the authors finally find out the key similarities from the analysis between the two countries. From the finding, the author designs (flat sketch) a series of dresses for the Contemporary market for future sustainability.

Documenting fashion practice at the Royal College of Art: the RCA archive and image resources

2017 ◽  
Vol 42 (3) ◽  
pp. 130-139
Author(s):  
Cathy Johns
Keyword(s):  
Royal College ◽  
Focal Point ◽  
Academic Discipline ◽  
Research Community ◽  
Historical Research ◽  
Fashion Design ◽  
Digital Collections ◽  
History Of ◽  
Contemporary Practice

What can an institutional archive tell us about the history of fashion education? The Royal College of Art's archive, in documenting the legacy of study and practice at the college, a key focal point of fashion education since 1948, illuminates in diverse ways the establishment and development of fashion design as an academic discipline. The print and digital collections in the RCA archive thus provide a rich resource that informs both contemporary practice and historical research, highlighting in addition issues raised by the increasingly digital access to this documentation for the archivist and the research community.

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