Waterfront as the Public Space of the City - Research on the Waterfront Park of the North Bund in Shanghai

2013 ◽  
Vol 807-809 ◽  
pp. 1733-1736 ◽  
Author(s):  
Chun Xia Yang ◽  
Wei Shang ◽  
Stefania Rusconi ◽  
Beatrice Anne Bruneaux
Keyword(s):  
Landscape Ecology ◽  
Public Space ◽  
Urban Design ◽  
Environmental Resources ◽  
Waterfront Development ◽  
The Public ◽  
Future Design ◽  
The North ◽  
The Future ◽  
The City

The waterfront development in China faces the problems of landscape, ecology and sustainability. According to the research of the waterfront park in the North Bund of Shanghai, this paper discusses the main issues from the view of urban design and gives possible countermeasures for the future design. In order to make full use of the environmental resources, we should build a connection between the waterfront and the inside city, and provide more opportunities for individuals to keep closing to water.

scholarly journals ANALYSIS ON 3D RECONSTRUCTION OF THE MONUMENT TO HEROES AS A TOOL FOR A CONCEPTUAL AND METHODOLOGICAL APPROACH IN THE PATRIMONIZATION AND EVALUATION OF CULTURAL INTEREST GOODS

2019 ◽  
Vol XLII-2/W17 ◽  
pp. 279-286
Author(s):  
M. I. Rodriguez-Laiton ◽  
H. A. León-Vega ◽  
E. Upegui
Keyword(s):  
Public Space ◽  
Low Cost ◽  
Methodological Approach ◽  
The Public ◽  
Future Developments ◽  
The North ◽  
North Side ◽  
Starting Point ◽  
Simon Bolivar ◽  
The City

Abstract. The following article describes the implementation of a methodology for the structural reconstruction of the Heroes monument and the statue on the north side of Simon Bolivar Ecuestre located between the intersection of the north highway and 80th Street in Bogota (Colombia) from the acquisition of SFM photogrammetry methods and images, using low-cost sensors for this process and making use of drones from the obtaining of frames of a video to for areas with lower altimetric reach, and thereby creating an analysis in their accuracy, sizing and quality within the framework of appropriation and documentation of the cultural assets in the public space of the city Bogotá taking this data as a starting point for future developments in the process of 3D reconstructions Colombia.

scholarly journals Espaço Público e Shopping Center na Cidade Contemporânea: Novos Significados do North Shopping em Fortaleza - CE

2012 ◽  
pp. 128-155
Author(s):  
Tiago Estevam Gonçalves ◽  
Tatiane Rodrigues Carneiro
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Shopping Mall ◽  
Shopping Center ◽  
Shopping Centers ◽  
Private Space ◽  
The Public ◽  
The North ◽  
New Meanings ◽  
The City

Iniciar uma reflexão acerca da cidade atual nos remete à necessidade de construirmos uma análise sobre os shopping centers como espaços que tem atraído um fluxo considerável da população, ocasionando mudanças na relação dos citadinos com os espaços públicos.  Nesta perspectiva, temos como objetivo analisar o  North Shopping, localizado na cidade de Fortaleza, como um espaço de uso popular onde as camadas de menor poder aquisitivo podem adentrar e usufruir de seus atributos. Imbuídos de tal finalidade nosso aporte teórico fundamentou-se em Pintaudi (1992), Dantas (1995), Silva (1996) Lefebvre (1999), Carlos (2001), Gomes (2002) e Serpa (2007). Conclui-se que na cidade de Fortaleza, o North Shopping é um verdadeiro simulacro da realidade, substituindo as experiências cotidianas dos espaços públicos, configurando-se, assim, a supervalorização do espaço privado que se traveste de público tendo repercussões na nova urbanidade fortalezense.  Public Space and Shopping Mall in the Contemporary City: New Meanings of North Shopping in Fortaleza/CE  Abstract Start a discussion about the current city us the need to build an analysis on malls as spaces that have attracted a considerable  flow of people, causing changes in the relationships of the townspeople with the public spaces. In this perpective, we have to anlyze the North Shopping, located in Fortaleza, as a space where the popular use of lower purchasing power can enter and enjoy its atributes. Imbued with this purpose our theoretival approach was bases on Pintaudi (1992), Dantas (1995), Silva (1996) Lefebvre (1999), Carlos (2001), Gomes (2002) e Serpa (2007).  It’s concluded that in the city of Fortaleza, the North Shopping is a true simulation of reality, replacing the daily experiences of public spaces, becoming  thusovervaluation of private space of public who dresss as having impact on new fortaleza’s urbanity. Espacio Público y Centro Comercial en Ciudad Contemporánea: Nuevos Sentidos del North Shopoing en la Fortaleza/CE ResumenIniciar uma reflexión acerca de la actual ciudad nos recuerda la necesidad de construir um análisis acerca de los centros comerciales como espacios que han atraído um flujo considerable de personas, provocando câmbios en la relación de los habitantes de la ciudad com los espacios públicos. Em esta perspectiva, tenemos que analisar el North Shopping, que se encuentra en Fortaleza, como um espacio de uso popular donde lãs camadas de menor poder adquisitivo pueden entrar y disfrutar de sus atributos. Imbuido de esa finalidad nuestro aporte teórico se fundamento em: Pintaudi (1992), Dantas (1995), Silva (1996) Lefebvre (1999), Carlos (2001), Gomes (2002) y Serpa (2004). Se puede concluir que en la ciudad de Fortaleza el North Shopping es uma  verdadera simulación de la realidad, sustituición de las experiencias diárias de los espacios públicos, convertiéndose, asó, la sobrevaluación del espacio privado que se passa por el público tenendo impactos en la nueva urbanidad de Fortaleza.10.7147/GEO10.1573

Interactive Exhibition as a Form of Participation in the Future of Sustainable Housing

2021 ◽  
pp. 96-117
Author(s):  
Juan Bautista Echeverría ◽  
Iosu Gabilondo ◽  
Teresa Meana Rodríguez ◽  
Juana Otxoa-Errarte ◽  
Claudia Pennese ◽  
...  
Keyword(s):  
Sustainable Development ◽  
Public Space ◽  
Citizen Participation ◽  
Color Code ◽  
The Public ◽  
Sustainable Housing ◽  
The Future ◽  
San Sebastian ◽  
The City

The Gipuzkoa branch of the Basque and Navarre College of Architects organized, within the MUGAK Architecture Biennial, the exposition “The Transgenerational House.” It took place in a pavilion specially built for the purpose in a public space in the city of San Sebastian (Spain). In it, both a conventional furnished home and an alternative one, with the possibility of allowing free spatial divisions and furnishing distribution, were recreated. Some architectural teams showed their experiences on housing. A set of components with a color code was developed to link the two homes and the work of the architects. The pavilion was opened to the public, which had access to the contained information in a partially directed way and participated answering to posed specific questions. Additionally, 10 structured workshops with different collectives were organized, making specific proposals on the alternative home. The overall exposition is shown, reflecting on the advantages and limitations of citizen participation as an instrument of sustainable development.

scholarly journals A situated practice

2018 ◽  
pp. 149-166
Author(s):  
Fiona Hillary
Keyword(s):  
Public Space ◽  
Urban Sprawl ◽  
Treatment Plant ◽  
Site Specific ◽  
The Public ◽  
Industrial City ◽  
The Future ◽  
Situated Practice ◽  
Post Industrial ◽  
The City

A situated practice explores one artist’s approach to navigating the shifts and changes inherent in the public space of the post-industrial city and suburbs of Melbourne, Australia. Collaborative, ephemeral, site-specific, relational works in three specific sites; Station Pier in Port Melbourne, automated pedestrian crossings throughout the city, and at the Western Treatment Plant, the sewerage facility on the western edge of Melbourne’s urban sprawl, explore everyday public sites to stake a claim for the imagination. Engaging with the work of critical theorists including Rosi Braidotti, Franco Bifo Berardi and Donna Haraway I am interested in how the abstraction of ordinary experiences and spaces allow artists and audience to co-constitute the possibility of something other, triggering fleeting transformative acts of imagination. Through this body of work, I am learning how to leave the marks of care for the future and ‘stay with the trouble.’ (Haraway, 2016, p.10).

scholarly journals AERODYNAMICS OF THE CITY

space&FORM ◽  
2021 ◽  
Vol 2020 (46) ◽  
pp. 103-116
Author(s):  
Mieczysław Kozaczko ◽  
Keyword(s):  
Public Space ◽  
Urban Design ◽  
Urban Canopy ◽  
Empirical Method ◽  
Design Parameters ◽  
The Public ◽  
Urban Problems ◽  
Multiplier Effects ◽  
The City ◽  
Use Of Models

The “input-output desideratum”, outlined in the New Athens Charter, sets new requirements for urban designers. Nowadays, using modern techniques, we can solve weighty contemporary urban problems using such system of designing, which balances quantitative and qualitative parameters of the urban matter. The text presents the part of the designing system that uses methodology of the meteorology. Proper use of this system allows to control and design parameters of the socalled urban canopy. The urban canopy covers the area of reduced energy consumption and increased comfort of using the public space between the buildings constituting urban tissue. Urban canopy is characterized by multiplier effects, obtained - among others - thanks to the use of aerodynamics in urban design. Shaping buildings, supported by empirical method (with use of models), allows to implement the so-called filters and regulators postulated in the Charter: the elements that maintain the city's structure in balance.

scholarly journals Vertical Urbanization: The Territorial Crisis of a Universal Model

2021 ◽  
Vol 1203 (2) ◽  
pp. 022123
Author(s):  
Adrian Martinez-Muñoz
Keyword(s):  
Public Space ◽  
Urban Design ◽  
Growth Strategies ◽  
Technical Challenge ◽  
The Public ◽  
The Pacific ◽  
Universal Solution ◽  
City Model ◽  
Near Future ◽  
The City

Abstract This research aims to examine, from the perspective of the urban design, the necessity and appropriateness of writing an architectural manifesto that questions, or rethinks, the vertical city model based on the orderly accumulation of slender and free columns – housing towers– where society must fraternize and develop life. The journey through the skyline of the main megalopolitan concentrations in countries such as China, India, Brazil, Mexico or those of the Pacific, shows us a landscape of dense residential conglomerates whose spatial and urban configuration was conceived almost a century ago. Vast extensions of vertical developments conquer, as a final and universal solution, plots without attributes between huge highways, old rice fields, deserts or even impossible topographies. With man's desire to live close to the clouds fulfilled and the technical challenge of rising in a vacuum having been overcome, the challenge should now point to the search for strategies that place the inhabitant again at the centre of the debate. By making the city taller, denser and faster, increases the difficulty of social participation for certain sectors of the population in their environment. Thus, the paper starts analyzing the influence of the precepts of the modern city in the contemporary vertical city. Later, it reflects on the loss of the public space dedicated for people and finally, it will deepen in the experiments of the avant-gardes of the second part of the twentieth-century to find alternatives growth strategies to the city of towers. The results show us that, due to overpopulation and the massive movement towards cities, as well as due to the necessary reduction of our footprint on the planet, is necessary to rethink the urban model of verticalism to get a more human city. As a conclusion, this paper proposes writing an architectural manifesto based on five points to achieve a vertical city for people in our near future.

Conclusion

2018 ◽  
Author(s):  
Samuel Llano
Keyword(s):  
Public Health ◽  
Public Space ◽  
Social Conflict ◽  
Musical Performance ◽  
The Public ◽  
Political Interests ◽  
Musical Practices ◽  
The Media ◽  
The City

As is described in this conclusion, more than the media and culture, Madrid’s public space constituted the primary arena where reactions and attitudes toward social conflict and inequalities were negotiated. Social conflict in the public space found expression through musical performance, as well as through the rise of noise that came with the expansion and modernization of the city. Through their impact on public health and morality, noise and unwelcomed musical practices contributed to the refinement of Madrid’s city code and the modernization of society. The interference of vested political interests, however, made the refining of legislation in these areas particularly difficult. Analysis of three musical practices, namely, flamenco, organilleros, and workhouse bands, has shown how difficult it was to adopt consistent policies and approaches to tackling the forms of social conflict that were associated with musical performance.

Conquering the Public Space

2018 ◽  
Author(s):  
Samuel Llano
Keyword(s):  
Public Space ◽  
Social Services ◽  
Social Groups ◽  
Public Image ◽  
Working Classes ◽  
The Public ◽  
San Bernardino ◽  
The City

This chapter presents an account of the San Bernardino band as the public facade of that workhouse. The image of children who had been picked up from the streets, disciplined, and taught to play an instrument as they marched across the city in uniform helped broadcast the message that the municipal institutions of social aid were contributing to the regeneration of society. This image contrasted with the regime of discipline and punishment inside the workhouse and thus helped to legitimize the workhouse’s public image. The privatization of social aid from the 1850s meant that the San Bernardino band engaged with a growing range of institutions and social groups and carried out an equally broad range of social services. It was thus able to serve as the extension through which Madrid’s authorities could gain greater intimacy with certain population sectors, particularly with the working classes.

scholarly journals Activating Data through Eco-Didactic Design in the Public Realm: Enabling Sustainable Development in Cities

2021 ◽  
Vol 13 (8) ◽  
pp. 4577
Author(s):  
Carmela Cucuzzella ◽  
Morteza Hazbei ◽  
Sherif Goubran
Keyword(s):  
Sustainable Development ◽  
Public Space ◽  
Knowledge Exchange ◽  
Public Spaces ◽  
Public Realm ◽  
Design Data ◽  
Art And Design ◽  
The Public ◽  
Community Based Design ◽  
The City

This paper explores how design in the public realm can integrate city data to help disseminate the information embedded within it and provide urban opportunities for knowledge exchange. The hypothesis is that such art and design practices in public spaces, as places of knowledge exchange, may enable more sustainable communities and cities through the visualization of data. To achieve this, we developed a methodology to compare various design approaches for integrating three main elements in public-space design projects: city data, specific issues of sustainability, and varying methods for activating the data. To test this methodology, we applied it to a pedogeological project where students were required to render city data visible. We analyze the proposals presented by the young designers to understand their approaches to design, data, and education. We study how they “educate” and “dialogue” with the community about sustainable issues. Specifically, the research attempts to answer the following questions: (1) How can we use data in the design of public spaces as a means for sustainability knowledge exchange in the city? (2) How can community-based design contribute to innovative data collection and dissemination for advancing sustainability in the city? (3) What are the overlaps between the projects’ intended impacts and the 17 United Nations Sustainable Development Goals (SDGs)? Our findings suggest that there is a need for such creative practices, as they make information available to the community, using unconventional methods. Furthermore, more research is needed to better understand the short- and long-term outcomes of these works in the public realm.

Mocking Parades and the Place of Pagan Statuary in Late Antique Alexandria

2020 ◽  
Vol 24 (2) ◽  
pp. 270-288
Author(s):  
Jonathan Stutz
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Religious Communities ◽  
Late Antique ◽  
Mob Violence ◽  
Visual Contact ◽  
The Public ◽  
Sacred Objects ◽  
The One ◽  
The City

AbstractWith the present paper I would like to discuss a particular form of procession which we may term mocking parades, a collective ritual aimed at ridiculing cultic objects from competing religious communities. The cases presented here are contextualized within incidents of pagan/Christian violence in Alexandria between the 4th and 5th centuries, entailing in one case the destruction of the Serapeum and in another the pillaging of the Isis shrine at Menouthis on the outskirts of Alexandria. As the literary accounts on these events suggest, such collective forms of mockery played an important role in the context of mob violence in general and of violence against sacred objects in particular. However, while historiographical and hagiographical sources from the period suggest that pagan statues underwent systematic destruction and mutilation, we can infer from the archaeological evidence a vast range of uses and re-adaptation of pagan statuary in the urban space, assuming among other functions that of decorating public spaces. I would like to build on the thesis that the parading of sacred images played a prominent role in the discourse on the value of pagan statuary in the public space. On the one hand, the statues carried through the streets became themselves objects of mockery and violence, involving the population of the city in a collective ritual of exorcism. On the other hand, the images paraded in the mocking parades could also become a means through which the urban space could become subject to new interpretations. Entering in visual contact with the still visible vestiges of the pagan past, with the temples and the statuary of the city, the “image of the city” became affected itself by the images paraded through the streets, as though to remind the inhabitants that the still-visible elements of Alexandria’s pagan topography now stood as defeated witnesses to Christianity’s victory.

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