scholarly journals Die ensiklopediese plek van Bybelkunde

1987 ◽  
Vol 43 (1/2) ◽  
pp. 301-312
Author(s):  
J. J. Engelbrecht

The encyclopedic place of Biblical StudiesIs Biblical Studies part of theology, or has theology lost its grip on Biblical Studies, as it has lost its grip on Geology and Palaeontology as early as one and a half century ago?Is it possible to distinguish between different levels of Biblical study, some levels dealing with essentially theological questions and others with more general questions of a historical, archaeological, literary or linguistic nature?What is and should be the relationship between the Departments of Biblical Studies on the one hand, and the Departments of Old Testament and New Testament on the other hand?

1969 ◽  
Vol 22 (2) ◽  
pp. 183-188
Author(s):  
P. C. Craigie

The declaration that ‘Yahweh is a Man of Wars’page 1 poses a problem for the modern reader of the Old Testament. The direct connexion between God and war seems to be alien to the spirit of the New Testament. And today, when the horrors of war are so constantly in the news, this epithet for God seems to be all the more abhorrent. The epithet was quoted at the beginning of an article in an earlier volume of this Journal, A. Gelston's ‘The Wars of Israel’.page 2 The problem becomes most acute in the question of the wars of conquest, for there we can trace two aspects of Yahweh's activity. On the one hand, Yahweh uses war as a means of judgment on the sinful Canaanitespage 3; on the other hand, He uses war as a means to an end, namely the fulfilment of the patriarchal and Covenant promises.page 4 Although Gelston mentions this double aspect of the wars of conquest (p. 326), his conclusions only satisfy the former of the two aspects (p. 331). Of his five summary points, two are applicable to this particular case. The first is that ‘when Yahweh is identified with Israel's cause, the motive is usually the execution of judgment on Yahweh's enemies’, and secondly he declares that ‘Yahweh alone is ultimately sovereign in human history, and his cause is always just’.


2021 ◽  
Vol 30 (1) ◽  
Author(s):  
Hans-Georg Wünch

This article explores the attitude God shows towards the animals as presented in Old Testament (OT) texts outside of the law texts. While these law texts present God’s imperative for his people, the other OT texts display his attitude towards nature more directly. We will interpret the findings as part of a “cosmic covenant” (Robert Murray) between God and his animals on the one hand and God and humans as his viceroys on earth on the other hand. The article is written from a canonical viewpoint. This means that it does not try to distinguish divergent aspects or developments of ideas but rather looks at their similarities. The aim is not just to do an exegesis on certain Old Testament tests but to explore the relationship between God and his creation as displayed in these verses. The canonical viewpoint in connection with the idea of a “cosmic covenant” presents a new angle on this topic. The article intends to show that God, being the creator of everything, cares for his whole creation. As his people, we should therefore also treat his creation with respect and care.


Author(s):  
Dariusz Tabor

The medieval bronze doors and its pictorial cycles as an expression of liturgy: analysis of selected examples The principal goal of this paper is to discovery a relationship between pictorial pro-grams of bronze doors of some european churches and the liturgy celebrated in these churches. There is a group of doors, that have been decorated with images represent-ing scenes of Old and New Testament. These are doors from Hildesheim, Verona, Płock and doors made by Bonanus of Pisa – from cathedrale of Pisa and cathedrale of Dariusz Tabor CR122 Monreale. Its pictorial cycles reveal some balance between images of Old and images of New Testament. On the one hand the Old Testament pictures seems to forecast the events of New Testament. On the other hand the doors of Płock, Piza and Monreale have strictly christological image program, although at the beginning of narative Old Testament elements were also introduced. All these programs are the result of the theological knowledge and sensitivity of clergymen, who designed them at that time. Lech Kalinowski interpreted church doors as a symbole of Christ. However only the alegorical interpetation of liturgy, having its origine in the carolingian culture, can give answer to the question on the relationship between images of doors and liturgy. The course of liturgy and its acts were understood as a recontrsuction of events of Christ’s life. So the background of the pictorial, christological cycles of bronze doors was a christological interpretation of the liturgy. However it is not only the matter of presenting the episods of life of Christ, but also of visualization of two mysteries – the Mystery of Incarnation and the Mystery of Salvation. The Gniezno door with the life cycle of saint Afdalbert, th doors of Trani and of Ravello, made by Barisanus, where hagiographic and symbolic representations predominate, as well as the door of Augsburg, whose symbolic images make many difficulties in reading them, are the exceptions and special cases. There are considerable difficulties in finding theirs connections to the liturgy celebrated in the church. Therefore they must be researched in a special way in the future


2020 ◽  
Vol 3 (1) ◽  
pp. 681-693
Author(s):  
Ariel Furstenberg

AbstractThis article proposes to narrow the gap between the space of reasons and the space of causes. By articulating the standard phenomenology of reasons and causes, we investigate the cases in which the clear-cut divide between reasons and causes starts to break down. Thus, substituting the simple picture of the relationship between the space of reasons and the space of causes with an inverted and complex one, in which reasons can have a causal-like phenomenology and causes can have a reason-like phenomenology. This is attained by focusing on “swift reasoned actions” on the one hand, and on “causal noisy brain mechanisms” on the other hand. In the final part of the article, I show how an analogous move, that of narrowing the gap between one’s normative framework and the space of reasons, can be seen as an extension of narrowing the gap between the space of causes and the space of reasons.


2021 ◽  
Vol 37 (37) ◽  
pp. 281-332
Author(s):  
柯香君 柯香君

<p>「高文舉故事」始自形成,便以多元樣貌流播於各地聲腔,依據本文所較析的四個版本,彼此間存在著複雜關係,或有獨立發展者,如南管戲《高文舉》,或有屬古本系統者,如《水雲亭還魂記》,或有保留南戲原貌者莆仙戲《高文舉》,乃至於集大成者「文林閣本」《高文舉珍珠記》。南戲《高文舉》已亡佚,其中以《高文舉珍珠記》之影響最為深遠。「高文舉故事」主要情節有三:「珍珠米糷」、「還魂訴冤」、「包拯斷案」。在「文林閣本」與「莆仙本」皆有「珍珠米糷」、「龍圖斷案」,而「還魂本」有「玉真還魂」、「龍圖斷案」,至於「南管本」則一概具無,可知「南管本」在高文舉故事流變過程中之獨特性。本文主要針對各版本間之「關目情節」、「曲文賓白」等詳實比勘,剖析「高文舉」在不同聲腔劇種間之承繼與創新,並試圖重構各地聲腔在「高文舉」演化過程中之地位與價值。</p> <p>&nbsp;</p><p>Gao Wen Jyu of southern opera has been disappeared and present versions include Zhen Zhu Ji (Yi Yang tune), Gao Wen Jyu of Southern Pipes (Quan tune), Gao Wen Jyu of Pu Xian (Hsin Hua tune) and Revival After Death of Shui Yun Pavilion (Qing Yang tune). Among others, Zhen Zhu Ji is the most influential one. The plots such as &ldquo;Window Meeting&rdquo; and &ldquo;Zhen Zhu Mi Lan&rdquo; are not only the selected Zhe Zi operas for the later generations, but also the adapted texts of local operas. Main plots of &ldquo;story of Gao Wen Jyu&rdquo; are below: &ldquo;Zhen Zhu Mi Lan&rdquo;, &ldquo;Revival After Death to Appeal for Justice&rdquo; and &ldquo;Master Pao&rsquo;s Judgment&rdquo;. Zhen Zhu Ji and &ldquo;version of Pu Xian&rdquo; include &ldquo;Zhen Zhu Mi Lan&rdquo; and &ldquo;Master Pag&rsquo;s Judgment&rdquo;. &ldquo;Version of revival after death&rdquo; includes &ldquo;Revival After Death of Yu Chen&rdquo; and &ldquo;Master Pao&rsquo;s Judgment&rdquo;. &ldquo;Version of Southern Pipes&rdquo; does not include the above. Hence, it shows the uniqueness of &ldquo;version of Southern Pipes&rdquo; in the evolution of &ldquo;story of Gao Wen Jyu&rdquo;. Varieties of plots result in the richness of &ldquo;story of Gao Wen Jyu&rdquo;. The process of spread reveals flexibility and regionality of local common systematic tunes and varieties of operas. </p> <p> This study will treat four versions of Gao Wen Jyu as the subjects to significantly compare and analyze the original stories and difference and similarity of related work. First, it explores present versions to recognize the evolution of the story &ldquo;Gao Wen Jyu&rdquo;; secondly, it precisely compares &ldquo;plots&rdquo; and &ldquo;singing and talking&rdquo; of the versions to analyze the inheritance and innovation of &ldquo;story of Gao Wen Jyu&rdquo; in different common systematic tunes and varieties of Chinese operas. It, on the one hand, clarifies the relationship and origin of different versions of &ldquo;Gao Wen Jyu&rdquo; and, on the other hand, probes into cultural characteristics of &ldquo;time&rdquo; and &ldquo;region&rdquo; of operas; finally, it attmpets to reconstruct the positions and values of common systematic tunes in different regions in the evolution process of &ldquo;Gao Wen Jyu&rdquo;. </p> <p>&nbsp;</p>


2021 ◽  
Vol 30 (1) ◽  
pp. 61-86
Author(s):  
Jens Dörpinghaus

Zusammenfassung Markus 14,27-28; 16,7 und Lukas 24,49 bzw. Apostelgeschichte 1,4 sprechen jeweils unterschiedliche Erwartungen für die Erscheinungsorte des Auferstandenen aus und insbesondere für das Verbleiben der Jünger. Markus spricht von Galiläa als Erscheinungsort, nach Lukas 24,49 sollen die Jünger jedoch in Jerusalem bleiben. Dieses Spannungsfeld wird häufig durch Methoden der Form- und Traditionskritik untersucht. Hier soll dieser Ansatz nicht nur diskutiert, sondern es sollen auch die theologischen Implikationen untersucht werden. Anhand eines neuen literarisch-chronologischen Ordnungsversuchs in den Evangelien kann herausgearbeitet werden, dass sich beide Aussagen auf die Nachfolge der Jünger Jesu in bestimmten Abschnitten der Zeit vor und nach der Auferstehung Jesu und seiner Himmelfahrt beziehen. Damit findet sich eine neue Perspektive auf die nachösterliche Nachfolge im Neuen Testament.SummaryMark 14:27-28 and 16:7 on the one hand and Luke 24:49 with Acts 1:4 on the other hand mention different locations where the disciples will meet Jesus after the resurrection or where they should stay. Mark mentions Galilee, Luke Jerusalem. Most scholars try to solve this conflict with the methods of form criticism or tradition criticism. This article discusses the shortcomings of this approach and discusses the resulting theological implications for both Jerusalem and Galilee. It introduces a new literary approach for ordering the post-resurrection appearances in the Gospels and Acts. The results provide new perspectives on discipleship in the period after Easter in the New Testament.RésuméMarc 14:27-28 et 16:7 d’un côté et Luc 24:49 avec Actes 1:4 de l’autre mentionnent différents lieux où les disciples rencontreront Jésus après la résurrection ou devront attendre. Marc cite la Galilée, Luc Jérusalem. La plupart des exégètes s’efforcent de résoudre ce conflit en recourant aux méthodes de la critique des formes ou de la tradition. Cet article traite des faiblesses de cette approche et aborde les implications théologiques qui en résultent pour à la fois Jérusalem et la Galilée. Il introduit une nouvelle approche littéraire pour ordonner les apparitions post-résurrection dans l’Évangile et les Actes. Les résultats ouvrent de nouvelles perspectives sur le discipulat en cette période importante du Nouveau Testament.


Author(s):  
Christo Lombaard

This contribution is the second in a series on methodology and Biblical Spirituality. In the first article, ‘Biblical spirituality and interdisciplinarity: The discipline at cross-methodological intersection’, the matter was explored in relationship to the broader academic discipline of Spirituality. In this contribution, the focus is narrowed to the more specific aspect of mysticism within Spirituality Studies. It is not rare for Old Testament texts to be understood in relationship to mystical contexts. One the one hand, when Old Testament texts are interpreted from a mystical perspective, the methods with which such interpretations are studied are familiar. The same holds true, on the other hand, if texts in the Old Testament, dating from the Hellenistic period, are identified as mystic. However, African mission history has taught us that the Western interpretative framework, based on ancient Greek philosophical suppositions (most directly the concepts rendered by Plato and Aristotle) and rhetorical orientations, is so strong that it transposes that which it encounters in other cultures into its terms, thus rendering the initial cultural understandings inaccessible. This is precisely the case too with Old Testament texts dating from pre-Hellenistic times, identified as mystic. What are the methodological parameters required to understand such texts on their own terms? In fact, is such an understanding even possible?


Author(s):  
Ю. А. Абсалямова

В статье анализируются особенности восприятия лесного пространства башкирами. На основе языковых, фольклорных материалов сделана попытка раскрыть различные аспекты взаимоотношений лес - человек, образ леса в картине мира башкир. Как и в большинстве традиционных культур, в целом мифологический образ леса носит отрицательный характер. В фольклоре он часто описывается как тёмный, мрачный, неизвестный, таящий опасности, противопоставляясь обжитому и освоенному пространству селений. Лесной пандемониум также представлен в основном отрицательными персонажами. В целом образ леса в традиционной картине мира башкир предстаёт довольно неоднозначным. С одной стороны - это категория, связанная с потусторонним миром, неизведанная, «чужая» территория. С другой - лес издавна являлся источником различных благ - в виде строительного материала, пушнины, различных продуктов питания, укрывал от врагов. The article analyzes the features of Bashkirs' perception of the forest space. On the basis of the materials of the epos, folklore, folk ideas, an attempt was made to reveal the various aspects of the relationship between forest and man, the image of the forest in Bashkirs' world view. As in most traditional cultures, the mythological image of the forest as a whole is negative. In folklore, it is often described as dark, gloomy, unknown, fraught with danger, being contrasted with the inhabited and developed space of the villages. The forest pandemonium is also represented mainly by negative characters. On the other hand, in the domestic perception forest is valued for the benefits derived from it: shelter, food, protection from enemies. In addition, Bashkirs, distinguished by a developed aesthetic perception and contemplative thinking, appreciated its beauty, which is also reflected in folklore. In general, the image of forest in the Bashkirs' traditional view of the world appears rather ambiguous. On the one hand, it is the category associated with the other world, unknown, «foreign» territory. On the other hand, the forest has long been a source of various benefits - in the form of construction materials, furs, various food products, and it sheltered them from enemies.


2007 ◽  
Vol 23 (1-2) ◽  
pp. 13-20
Author(s):  
Andrey Kurtenkov

It is related leg problems to the realization of the necessity of doing a detailed analysis of the phenotype correlations between body weight and exterior measurements. As a result of the study, lower coefficients have been obtained of the correlation between the girth of the tarso metatarsus on one hand, and the body weight and the girth behind the wings, on the other hand (respectively 0.563 and 0.608), compared with the one between the body weight and the girth behind the wings (0.898). It is advisable in the selection of ostriches to take into consideration the necessity of a higher phenotypic correlation between the girth of the tarso metatarsus on the one hand, and the body weight and the girth behind the wings on the other hand, with a view to preventing leg problems.


2019 ◽  
Vol 30 (1) ◽  
Author(s):  
Tautvydas Vėželis

This article examines the problem of overcoming nihilism in Heidegger’s dialogue with Jünger. It is suggested that nihilism is manifested in various forms and is the deep logic of the whole history of European civilization. One of the main aims of this paper is to outline the relationship of nihilism and Nothing in Heidegger’s dispute with Jünger, viewing how Heidegger distinguishes his approach from Jünger’s point of view. Heidegger, on the one hand, treats nihilism as consummation of the Western metaphysical tradition, on the other hand, identifies Nothing itself as the shadow of Being, which cannot be overcome in the traditional dialectical thinking manner.


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