scholarly journals Maar my voete wil nou sing

2006 ◽  
Vol 27 (1) ◽  
pp. 237-244
Author(s):  
CJA Vos

In this article the author takes a  closer look at biblical erotica through the eyes of poetry on the one hand and contemporary Afrikaans poetry on the other. By way of conveying some thoughts on texts in Song of Songs (along with other assorted scriptural texts) the ideas regarding sexuality encountered therein are made to converse with a careful selection of a number of Afrikaans poems to express in homiletical fashion something about the wonder and mystery of this greatest of Heaven’s gifts bestowed upon the human condition – the divine spark.

Author(s):  
Marin Terpstra

Abstract In this article I explore different ways of imagining distinctions in the form of borders and on the attitudes that people assume towards them. A distinction is primarily a cognitive operation, but appears as such in human communication (people talking about differences and identities), and in constructions that shape the material space people live in (borders, buildings, and the like). I explore two extreme positions, the one de-intensifying distinctions by focusing on their logical and contingent forms, the other intensifying distinctions by making them a potential cause of conflict. The first one is exemplified by Spencer Brown’s and Niklas Luhmann’s reflection on the logical and sociological aspects of distinctions; the second one by Carl Schmitt’s theory of ‘the political’ and its key notion of the distinction between friend and enemy. Both positions are relevant to understand a major debate and struggle in the world of today between liberal cosmopolitans and authoritarian nationalists. I show in what way both positions are aspects of the human condition, and what makes that alternately the one or the other is stressed.


Author(s):  
Conrad Scott

Raymond Holmes Souster has been described as a poet of place who invests Toronto, the city of his life-long residence, deeply into his writing. Having worked for some forty-five years at the downtown Canadian Imperial Bank of Commerce, Souster’s immersion in a particular place certainly informed his poetic output; however, Souster the poet also ponders the human condition. On the one hand, he writes from a basis of experience: the destruction of war and the changes imposed by the rise of the modern era. On the other, his work seeks out and highlights that which is still precious despite the weight of the world he feels. Moreover, he clearly values poetry as a salve to the cacophonous imposition of modernity, and continually encourages poetic development: in addition to his substantial body of work, he has supported Canadian poetry by editing several anthologies, and as a creator of Direction (editor 1943–6); a founder of Contact (editor 1952–4); an editor of Combustion (1957–60); and a founding member of the League of Canadian Poets (president 1967–71).


2018 ◽  
Vol 62 (2) ◽  
pp. 521-549
Author(s):  
Jana V. Schmidt ◽  

A near exclusive focus on Hannah Arendt’s concept of forgiveness from her major work The Human Condition has obscured the equally important model of reconciliation in her writings on aesthetics and in her Thought Notebook. By engaging Arendt in a dialogue with her contemporaries and friends Ingeborg Bachmann and Hermann Broch, on the one hand, and with the classic thinkers of tragedy, Aristotle and Goethe, on the other hand, I show how reconciliation responds to the situation of fatherlessness after 1945 and, as a “reconciliation with reality,” offers a new basis for intersubjectivity. Having, as Arendt writes, “enough of origin within” ourselves to do without pre-established categories cannot mean that we must begin to “father” ourselves but that, on the contrary, our inception as beings born to begin anew leaves us radically forlorn and yet equipped with everything we need to “make world” with one another. The essay contends that imagination, judgment, and understanding build a network of thought figures in Arendt that are tied to reality through the work of reconciliation.


1975 ◽  
Vol 26 ◽  
pp. 395-407
Author(s):  
S. Henriksen

The first question to be answered, in seeking coordinate systems for geodynamics, is: what is geodynamics? The answer is, of course, that geodynamics is that part of geophysics which is concerned with movements of the Earth, as opposed to geostatics which is the physics of the stationary Earth. But as far as we know, there is no stationary Earth – epur sic monere. So geodynamics is actually coextensive with geophysics, and coordinate systems suitable for the one should be suitable for the other. At the present time, there are not many coordinate systems, if any, that can be identified with a static Earth. Certainly the only coordinate of aeronomic (atmospheric) interest is the height, and this is usually either as geodynamic height or as pressure. In oceanology, the most important coordinate is depth, and this, like heights in the atmosphere, is expressed as metric depth from mean sea level, as geodynamic depth, or as pressure. Only for the earth do we find “static” systems in use, ana even here there is real question as to whether the systems are dynamic or static. So it would seem that our answer to the question, of what kind, of coordinate systems are we seeking, must be that we are looking for the same systems as are used in geophysics, and these systems are dynamic in nature already – that is, their definition involvestime.


2019 ◽  
Vol 37 (1) ◽  
pp. 89-110
Author(s):  
Rachel Fensham

The Viennese modern choreographer Gertrud Bodenwieser's black coat leads to an analysis of her choreography in four main phases – the early European career; the rise of Nazism; war's brutality; and postwar attempts at reconciliation. Utilising archival and embodied research, the article focuses on a selection of Bodenwieser costumes that survived her journey from Vienna, or were remade in Australia, and their role in the dramaturgy of works such as Swinging Bells (1926), The Masks of Lucifer (1936, 1944), Cain and Abel (1940) and The One and the Many (1946). In addition to dance history, costume studies provides a distinctive way to engage with the question of what remains of performance, and what survives of the historical conditions and experience of modern dance-drama. Throughout, Hannah Arendt's book The Human Condition (1958) provides a critical guide to the acts of reconstruction undertaken by Bodenwieser as an émigré choreographer in the practice of her craft, and its ‘materializing reification’ of creative thought. As a study in affective memory, information regarding Bodenwieser's personal life becomes interwoven with the author's response to the material evidence of costumes, oral histories and documents located in various Australian archives. By resurrecting the ‘dead letters’ of this choreography, the article therefore considers how dance costumes offer the trace of an artistic resistance to totalitarianism.


2021 ◽  
pp. 002198942098111
Author(s):  
Silvia Julia Caporale-Bizzini

This article examines Canadian author Shaughnessy Bishop-Stall’s 2004 memoir Down to This: Squalor and Splendour in a Big-City Shantytown through the notions of marginalia and the ordinary in order to question dichotomic representations of homelessness. It explores how the author moves beyond binaries, interrogating the dichotomy ordinary/out of the ordinary lives by narrating his ethical encounter with the other (Butler, 2004). The text is written as a journal where Bishop-Stall describes his personal journey through homelessness; and more importantly, it gives a voice to the other down-and-out people in notorious Toronto’s Tent City. The characters’ unreliable and fragmented storytelling uncovers the lives of the faceless others. I contend that in Down to This individuals’ life stories are connected to realities which question binaries through the re/mapping of ordinary experiences and affects; they disintegrate the opposition materiality vs abstraction, or as I argue, exclusion vs inclusion (out of the ordinary/ordinary). Down to These bridges the private details of the residents’ life stories, and the public perception of the problem of homelessness, illustrating how everyday moments of precarity intersect with wider political issues. In the process, the narrative also questions the binary attitudes of exclusion (disfranchisement) and inclusion (privilege). This literary strategy gives the constellation of stories a profound illuminating vision of the human condition. I show my point by drawing on the of marginalia (Kistner 2014), and by analysing the characters’ narratives of precariousness through the notions of editing and affective assemblage (Gerlach, 2015; Hamilakis, 2017).


Ramus ◽  
2020 ◽  
Vol 49 (1-2) ◽  
pp. 41-69
Author(s):  
Richard Ellis

Gilles Deleuze's engagement with Heraclitus is long-standing, going back to his early work on Nietzsche, and persisting through the collaborative volumes produced with Félix Guattari in which Heraclitus becomes a key exemplar of their own philosophical method, whereby thought and nature are said to fold into one another in creative configurations. For Deleuze, as before him for Nietzsche, Heraclitus’ conception of universal becoming and of the constitutive flows across codes—be they ontological, epistemological, political, or ethical—demands a radical re-evaluation of the place of the human in time, and of the boundaries of subjectivity. Elsewhere, Deleuze states that the very meaning of philosophy is ‘to go beyond the human condition’ by opening us up to the other durations—inhuman and superhuman—with which, and by which, we are disclosed. A further key interlocutor here is Henri Bergson, whose work on time as duration, with psychological and ontological import, is central to the development of many of Deleuze's philosophical positions, including those subsequently nuanced by his work with Félix Guattari. Before attempting to map the plane of affiliations upon which these thinkers move, it is necessary to begin from Heraclitus’ own words on philosophical method and the opposition he draws between the correct, though elusive, practice of νόος (‘thought’, ‘understanding’) and the inadequate model of πολυμαθίη (‘much learning’) adopted by his intellectual predecessors.


Humanities ◽  
2020 ◽  
Vol 9 (2) ◽  
pp. 39
Author(s):  
Yael Maurer

Jonathan Glazer’s 2013 film Under the Skin is a Gothicized science fictional narrative about sexuality, alterity and the limits of humanity. The film’s protagonist, an alien female, passing for an attractive human, seduces unwary Scottish males, leading them to a slimy, underwater/womblike confinement where their bodies dissolve and nothing but floating skins remain. In this paper, I look at the film’s engagement with the notions of consumption, the alien as devourer trope, and the nature of the ‘other’, comparing this filmic depiction with Michael Faber’s novel on which the film is based. I examine the film’s reinvention of Faber’s novel as a more open-ended allegory of the human condition as always already ‘other’. In Faber’s novel, the alien female seduces and captures the men who are consumed and devoured by an alien race, thus providing a reversal of the human species’ treatment of animals as mere food. Glazer’s film, however, chooses to remain ambiguous about the alien female’s ‘nature’ to the very end. Thus, the film remains a more open-ended meditation about alterity, the destructive potential of sexuality, and the fear of consumption which lies at the heart of the Gothic’s interrogation of porous boundaries.


2016 ◽  
Vol 4 (1) ◽  
pp. 67-91 ◽  
Author(s):  
Steffen Dalsgaard

This article refers to carbon valuation as the practice of ascribing value to, and assessing the value of, actions and objects in terms of carbon emissions. Due to the pervasiveness of carbon emissions in the actions and objects of everyday lives of human beings, the making of carbon offsets and credits offers almost unlimited repertoires of alternatives to be included in contemporary carbon valuation schemes. Consequently, the article unpacks how discussions of carbon valuation are interpreted through different registers of alternatives - as the commensuration and substitution of variants on the one hand, and the confrontational comparison of radical difference on the other. Through the reading of a wide selection of the social science literature on carbon markets and trading, the article argues that the value of carbon emissions itself depends on the construction of alternative, hypothetical scenarios, and that emissions have become both a moral and a virtual measure pitting diverse forms of actualised actions or objects against each other or against corresponding nonactions and non-objects as alternatives.


2021 ◽  
Vol 12 (2) ◽  
Author(s):  
Oleksandr Malykhin ◽  
Nataliia Oleksandrivna Aristova ◽  
Liudmyla Kalinina ◽  
Tetyana Opaliuk

The present paper addresses the issue of determining the best international practices for developing soft skills among students of different specialties through carrying out a theoretical review. Basing on literature on present-day theory the authors make an attempt to explain soft skills dichotomies, summarize existing approaches to classifying soft skills, consolidate and document best international practices for soft skills development among potential employees of different specialties including bachelor students, master students, doctoral and postdoctoral students. The data obtained in the theoretical analysis reveal that the possible ambiguities in the interpretation of the concept of “soft skills” are caused, on the one hand, by the dichotomic perception of their nature by present-day researchers and educators and, on the other hand, by the absence of the common language which makes it difficult to provide a more unified definition most satisfactory to all concerned. The authors are convinced that soft skills have a cross-cutting nature and regard them as personal and interpersonal meta-qualities and meta-abilities that are vital to any potential employee who is going to make positive contributions not only to his/her professional development but to the development of a company he/she is going to work for. The results of the conducted theoretical review clearly indicate that the absence of the unified understanding of the concept of “soft skills” is reflected in the existence of different approaches to classifying soft skills, let alone, the selection of didactic tools for developing soft skills among potential employees.


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