Peristrephic Visions

2017 ◽  
Author(s):  
Michael Germana
Keyword(s):  
Temporal Logic ◽  
White Supremacist ◽  
Invisible Man ◽  
The Future

Chapter 2 examines Ralph Ellison’s Invisible Man as a text that ekphrastically simulates a moving or “peristrephic” panorama in general, and an antebellum antislavery panorama in particular. In the process, this chapter reads Ellison’s debut novel as a text indebted to and allusive of, while ironically commenting on, the life and career of celebrated fugitive and peristrephic panoramist Henry Box Brown, who shipped himself in a sealed wooden crate from Richmond to Philadelphia and thus from slavery to freedom in 1849. Brown’s subsequent efforts to navigate the terrain of abolitionist discourse within a white supremacist culture led him to create a moving panorama called the Mirror of Slavery, which chronicled the cruelties of slavery, yet ended with the promise of universal emancipation. In appropriating the visual grammar of the antislavery panorama, Ellison also extends its ambivalent temporal logic to create his own alternative history in service of the future.

Plato's Caves

2020 ◽  
Author(s):  
Rebecca LeMoine
Keyword(s):  
Cultural Diversity ◽  
White Supremacist ◽  
Contemporary Debate ◽  
Student Protests ◽  
Self Reflection ◽  
Cultural Engagement ◽  
Good Citizen ◽  
Love Of Learning ◽  
Canonical Texts ◽  
Insight Into

From student protests over the teaching of canonical texts such as Plato’s Republic to the use of images of classical Greek statues in white supremacist propaganda, the world of the ancient Greeks is deeply implicated in a heated contemporary debate about identity and diversity. Plato’s Caves defends the bold thesis that Plato was a friend of cultural diversity, contrary to many contemporary perceptions. It shows that, across Plato’s dialogues, foreigners play a role similar to that of Socrates: liberating citizens from intellectual bondage. Through close readings of four Platonic dialogues—Republic, Menexenus, Laws, and Phaedrus—the author recovers Plato’s unique insight into the promise, and risk, of cross-cultural engagement. Like the Socratic “gadfly” who stings the “horse” of Athens into wakefulness, foreigners can provoke citizens to self-reflection by exposing contradictions and confronting them with alternative ways of life. The painfulness of this experience explains why encounters with foreigners often give rise to tension and conflict. Yet it also reveals why cultural diversity is an essential good. Simply put, exposure to cultural diversity helps one develop the intellectual humility one needs to be a good citizen and global neighbor. By illuminating Plato’s epistemological argument for cultural diversity, Plato’s Caves challenges readers to examine themselves and to reinvigorate their love of learning.

Racialized Political Consumerism in the United States

2018 ◽  
pp. 680-698
Author(s):  
Bo Yun Park
Keyword(s):  
United States ◽  
American History ◽  
Minority Groups ◽  
The United States ◽  
Political Consumerism ◽  
White Supremacist ◽  
Political Tradition ◽  
Democratic Societies

In the United States, political consumerism has evolved alongside the country’s racial struggles. Throughout American history, ethnoracial minority groups have used different forms of racialized political consumerism in order to advance their rights. White supremacist groups have also taken part in boycotts to promote their cause. Addressing the need to assess the meaning and significance of a tactic that is considered to be a longstanding political tradition, this chapter provides an analytical guide for the study of racialized political consumerism in democratic societies. It does so by (1) illustrating the historical and contemporary uses of political consumerism in racial struggles in the United States, (2) examining the different forms of political consumerism used by ethnoracial minorities, and (3) discussing the theoretical value of the concept of racialized political consumerism.

scholarly journals The Interlocking Processes Constraining the Struggle for Sanctuary in the Trump Era: The Case of La Puente, CA

2021 ◽  
Vol 10 (5) ◽  
pp. 155
Author(s):  
Gilda L. Ochoa
Keyword(s):  
Status Quo ◽  
City Council ◽  
Gender And Sexuality ◽  
People Of Color ◽  
Transformative Change ◽  
Cautionary Tale ◽  
Community Members ◽  
White Supremacist ◽  
The Status ◽  
The City

By 10 January 2017, activists in the predominately Latina/o working class city of La Puente, California had lobbied the council to declare the city a sanctuary supporting immigrants, people of color, Muslims, LGBTQ people, and people with disabilities. The same community members urged the school district to declare itself a sanctuary. While community members rejoiced in pushing elected officials to pass these inclusive resolutions, there were multiple roadblocks reducing the potential for more substantive change. Drawing on city council and school board meetings, resolutions and my own involvement in this sanctuary struggle, I focus on a continuum of three overlapping and interlocking manifestations of white supremacist heteronormative patriarchy: neoliberal diversity discourses, institutionalized policies, and a re-emergence of high-profiled white supremacist activities. Together, these dynamics minimized, contained and absorbed community activism and possibilities of change. They reinforced the status quo by maintaining limits on who belongs and sustaining intersecting hierarchies of race, immigration status, gender, and sexuality. This extended case adds to the scant scholarship on the current sanctuary struggles, including among immigration scholars. It also illustrates how the state co-opts and marginalizes movement language, ideas, and people, providing a cautionary tale about the forces that restrict more transformative change.

Coloniality of White Feminism and Its Transphobia: A Comment on Burt

2021 ◽  
pp. 155708512199133
Author(s):  
Nishant Upadhyay
Keyword(s):  
Gender Violence ◽  
White Supremacist ◽  
And Gender ◽  
Epistemological Framework

In this comment, I challenge Burt’s colonial epistemological framework in her theorizations of sex, gender, and transness. Drawing upon anti-racist, decolonial, and trans of color feminisms, I argue that transphobia is inherent to white feminisms due to its roots in colonialism. Heteropatriarchy and cisnormativity are products of colonialism, and feminists who espouse transphobic discourses invariably reproduce colonial and white supremacist frameworks of patriarchy and gender violence.

Epic Cruelty: On Post-Pandemic Performance

2021 ◽  
Vol 37 (2) ◽  
pp. 119-136
Author(s):  
Rick Mitchell
Keyword(s):  
Climate Change ◽  
United States ◽  
African Americans ◽  
The United States ◽  
California State University ◽  
The State ◽  
State University ◽  
White Supremacist ◽  
Systemic Racism ◽  
Disaster Capitalism

As today’s catastrophic Covid-19 pandemic exacerbates ongoing crises, including systemic racism, rising ethno-nationalism, and fossil-fuelled climate change, the neoliberal world that we inhabit is becoming increasingly hostile, particularly for the most vulnerable. Even in the United States, as armed white-supremacist, pro-Trump forces face off against protesters seeking justice for African Americans, the hostility is increasingly palpable, and often frightening. Yet as millions of Black Lives Matter protesters demonstrated after the brutal police killing of George Floyd, the current, intersecting crises – worsened by Trump’s criminalization of anti-racism protesters and his dismissal of science – demand a serious, engaged, response from activists as well as artists. The title of this article is meant to evoke not only the state of the unusually cruel moment through which we are living, but also the very different approaches to performance of both Brecht and Artaud, whose ideas, along with those of others – including Benjamin, Butler, Latour, Mbembe, and Césaire – inform the radical, open-ended, post-pandemic theatre practice proposed in this essay. A critically acclaimed dramatist as well as Professor of English and Playwriting at California State University, Northridge, Mitchell’s published volumes of plays include Disaster Capitalism; or Money Can’t Buy You Love: Three Plays; Brecht in L.A.; and Ventriloquist: Two Plays and Ventriloquial Miscellany. He is the editor of Experimental O’Neill, and is currently at work on a series of post-pandemic plays.

Sign in / Sign up

Export Citation Format

Share Document