Case study 10 New niche markets in the leisure industry: The boutique hotel, the clubbing holiday and the music festival expperience

2012 ◽  
pp. 381-384
2019 ◽  
Vol 4 (1) ◽  
pp. 32-48
Author(s):  
Yayat Ahmad Hidayat

Abstrak Hellprint United Day adalah event festival musik metal tahunan yang rutin diselenggarakan oleh Hellprint Official dan Supermusic.id di Bandung. Munculnya ide untuk menyelenggarakan event ini dikarenakan banyaknya penggemar musik metal di Kota Bandung, termasuk adanya komunitas metal underground. Menurut data dari Hellprint Official bahwa pada penyelenggaraan Hellprint 2013 penyelenggara mampu menjual tiket terhadap 38.000 penonton dan itu merupakan penonton terbanyak sepanjang sejarah penyelenggaraan Hellprint. Jika ditinjau dari perspektif bisnis, jumlah tersebut mengindikasikan adanya potensi ekonomi pada industri musik metal di Bandung di bidang pertunjukan. Akan tetapi menurut Hellprint Official pula bahwa pada beberapa penyelenggaraan berikutnya terjadi penurunan jumlah penonton yang faktor penyebabnya belum diketahui secara pasti. Untuk menangani masalah ini pada penyelenggaraan Hellprint United Day VI tahun 2018, penyelenggara melakukan beberapa inovasi pada beberapa faktor, di antaranya desain panggung, venue pertunjukan, fasilitas penonton, dan line up artis. Inovasi dilakukan untuk menjaga motivasi dan persepsi positif penonton demi keberlangsungan event. Peneliti telah melakukan penelitian kualitatif terhadap penonton Hellprint United Day VI 2018 melalui metode studi kasus. Artikel ini ditulis untuk menjelaskan motivasi dan persepsi penonton sehingga menjadi masukan bagi penyelenggaraan berikutnya. Hasil penelitian menunjukkan bahwa silaturahmi adalah motivasi utama penonton. Sedangkan desain dan artistik panggung adalah hal yang dipersepsikan positif oleh mayoritas penonton. Abstract Hellprint United Day is an annual metal music festival event that is regularly held by the Official Hellprint and Supermusic.id in Bandung. The idea of holding this event was due to the many metal music fans in Bandung, including the underground metal community. According to data from the Hellprint Official that the holding of Hellprint 2013 organizers were able to sell tickets to 38,000 spectators and that was the largest audience in the history of Hellprint. If viewed from a business perspective, this number indicates the economic potential of the metal music industry in Bandung in the field of performances. However, according to the Hellprint Official, there are also a decrease in the number of spectators whose exact causes are unknown. To deal with this problem in the holding of Hellprint United Day VI in 2018 the organizers made several innovations on several factors, including stage design, venue performances, audience facilities, and artist line ups. Innovation is done to maintain motivation and audience positive perceptions for the continuity of the event. The researcher has conducted qualitative research on the Hellprint United Day VI 2018 audiences through a case study method. This article was written to explain the motivation and perceptions of the audience so that it became an input for the next implementation. The results of the study show that friendship is the main motivation of the audience. While the design and artistic stage are things that are positively perceived by the majority of the audiences.


2012 ◽  
Vol 253-255 ◽  
pp. 840-843
Author(s):  
Xue Fei Liu ◽  
Ning Wang ◽  
Zhi Guang Wu

With the rapid development of new rural construction, rural areas have been changed enormously. At the same time, the ecological environment of rural areas has suffered a lot, especially, for the water environment and the rural landscape. In this paper, Yansaihu greenway planning of Qinhuangdao City has been used as an example, to demonstrate how to combine the nature, the Yansaihu water, the fields, and the rural areas in series by means of the greenway planning. While using and protecting Yansaihu natural landscape, it promotes agricultural leisure industry and extends the historical and cultural context, protects water resources in the ecological environment, and promotes the purpose of harmonization of nature, landscapes, farmland, and rural landscape, in order to achieve both of the rural environment and ecology landscape as well as rural economic development.


2018 ◽  
Vol 55 (1) ◽  
pp. 144-160 ◽  
Author(s):  
Ben Green

The application of memory studies to music scenes has so far had a material focus, favouring places and objects. This article critically examines the role of an iconic event in scene identity, through a case study of the ‘Cybernana’ music festival, hosted by Brisbane community radio station 4ZZZfm in 1996 and marked by what has been characterised, alternately, as an audience riot and a police riot. Based on ethnographic research and analysis of cultural texts it is shown that, against official findings and wider disinterest, there exists an intergenerational counter-memory of Cybernana as an iconic event, within a politicised narrative that defines both the radio station and the local music scene. The factors involved in constructing this iconicity are considered, including the role of media. This mediated, cultural memory provides a narrative frame for individual experiences, through which people locate themselves within the scene and reaffirm its collective identity.


2017 ◽  
Vol 8 (3) ◽  
pp. 274-291 ◽  
Author(s):  
Thea Vinnicombe ◽  
Pek U. Joey Sou

Purpose Academic studies have sought to understand the motivations of festival and event attendees usually through single-event case studies. This approach has failed to generate a generalizable set of motivation items. In addition, there is increasing criticism in the literature of the common methodological framework used in festival motivation studies, due to a perceived over-reliance on motivations derived from the broader tourism and travel research, with too little attention to event-specific factors. The purpose of this paper is to address these issues by analyzing a sub-category of motivation studies, music festivals, in order to see if this approach can elicit a consistent set of motivation dimensions for the sub-category, which can in turn be compared and contrasted with the broader literature. A new case study of motivations to attend the 28th Macau International Music Festival (MIMF) is included to complement the existing music festival sub-category by adding a classical music and music festivals in Asia. Design/methodology/approach Motivation dimensions important to music festivals are compared to dimensions across the broader festival motivation literature to find similarities and differences. Factor analysis is used to identify the motivation dimensions of attendees at the MIMF and the results are compared to those of existing music festival studies. Findings Music festival goers are shown to be primarily motivated by the core festival offering, the music, in contrast to festival attendees in general, where socialization has emerged as the primary motivating element. The results of the additional case study support these findings. Originality/value In contrast to previous research, this study examines the possibility of identifying common motivations among festival attendees through studying festivals by sub-categories.


2021 ◽  
pp. 143-155
Author(s):  
Erik Wilhelm ◽  
Wilfried Hahn ◽  
Martin Kyburz

AbstractThis paper is written from the perspective of a Swiss OEM which has been active in the small electric vehicle (SEV) market since 1991 and has put over 22,000 SEVs on the road around the world. KYBURZ Switzerland AG identified several important niche markets for SEVs and today sells vehicles to improve the mobility of senior citizens (e.g. KYBURZ Plus), to increase the efficiency of postal and logistics companies (e.g., KYBURZ DXP), and to imbue drivers with passion for electric vehicles (e.g., KYBURZ eRod). Most KYBURZ vehicles are currently homologated in the category L2e, L6e, or L7e. The company has also developed a Fleet Management product which gives its customers detailed insights into the performance of their electric as well as conventionally powered vehicles. Anonymized datasets from this Fleet Management system will be drawn upon in this paper to examine questions regarding their application, i.e., environmental and economic aspects. The unique feature which the authors from KYBURZ bring with this paper is that all their investigations are performed with real data gained from the field experience. The primary focus of this paper is on last-mile mobility services for postal organizations which help to increase efficiency and meet sustainability goals.


2020 ◽  
Vol 4 ◽  
pp. 186-207
Author(s):  
Ann Hetzel Gunkel

Following the spatial turn in cultural studies, ethnic space is understood as a cultural category, constructed by discourse and determined by capital, within which people create their own narratives. This essay explores the construction of ethnic space and identity in the phenomenon of the Polish American polka music festival. Framed by the attention to the process of “production of space” (Lefebvre 1991), the essay presumes that new conceptualizations of spatiality assume space is no longer treated as something given, a pre-existing territory, or locale. The case study of the ethnic music festival is an ideal place for examining the invention of place, because it is not located in a fixed space, but in a movable community traveling from festival to festival. The polka festival circuit is attended by a core community of polka boosters, many of whom travel from event to event in vacation motor homes, with attendees setting up "neighborhoods" of motor homes that include front lawns, outdoor kitchens, and "streets." Most bring lawn signs, street signs, flags and other public signs of Polish American identity, recreating—this essay argues—the urban ethnic neighborhood of previous immigrant generations. Polish American ethnic identity for this group of participants is located and recreated in an imagined community that it creates, dismantles, moves and recreates in a mobile spatiality of ethnic belonging.


2021 ◽  
Author(s):  
◽  
Chootima Longjit

<p>This thesis develops the concept of destination management with a particular focus on the management of a local destination. It concentrates on seeking to understand what constitutes the general concept of destination management, exploring management practices, and clarifying the overall management of the local destination. In the absence of previous literature, a conceptual framework is developed from the bodies of literature in tourism, management, inter-organizational relationships, and integrated coastal management. This framework illustrates aspects, issues, and dimensions that are relevant to destination management and provides a structure for the analysis of destination management in Pattaya, Thailand. Given the exploratory nature of the study, a multi-phase case study is used. A mix of holistic and embedded cases is used to obtain broad and in-depth data relevant to the concept and practice of destination management. Pattaya, as one of the major coastal resorts in Thailand, is selected as the case study as tourism has been developed there for several decades and its diverse problems provide a range of management challenges. Its major tourism attractions - beaches, nightlife, Pattaya Music Festival - are examined as embedded cases. In addition to secondary data, semi-structured interviews and observation are used to collect primary data. The broad concept of destination management is developed first and then used as a basis to examine the nature and extent of destination management in Pattaya. The conceptual framework provides a structure to analyze the individual embedded cases and to compare commonalities and differences between their management processes and structures and their implications for the practice of destination management. The research reveals that there is a relationship between the practitioners' perspectives on a tourism destination and on destination management, and that there is a relationship between their initial perspectives on destination management and their management practices that occur at the destination. Destination management is defined as "the collaboration of relevant agencies responsible for providing multiple tourism products at the destination in a way to achieve common goals or destination goals." The research also highlights that destination management requires the integration of management agencies, of management purposes, and of management activities at the destination scale. In Pattaya, varying levels of integration occur and relevant agencies are commonly involved with managing aspects of tourism rather than the destination as a whole. The embedded cases reveal that two main forms of management occur in Pattaya: daily operations and project management. Daily management is practised by single agencies to achieve individual organizational goals and is evident in most aspects of beach management and the management of dispersed nightlife activities. Project-based management involves the pursuit of project goals and is carried out by committees, for example, Walking Street Committee and the Pattaya Music Festival Committees. A lack of common goals and low levels of integration are factors which lead to an absence of destination management. The formulation of destination goals and a scaled-up project management structure is suggested as one means of fostering destination management.</p>


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