SYSTEMATIC ACCOUNT OF THE FLORA

2013 ◽  
pp. 38-406
Keyword(s):  
Author(s):  
Jens Schlieter

Raymond A. Moody had been introduced to experiences near death by George G. Ritchie. The latter had reported of an experience in which he had encountered Christ. This chapter discusses Moody’s first book of 1975, its motivation and motives, and compares Moody’s description of systematized “near-death experiences” with Johann C. Hampe’s systematic account of the same year, characteristic for the continental discourse on experiences of the dying, which was equally interested in the spiritual significance of the reports.


Author(s):  
Jordan Wessling

This book provides a systematic account of the deep and rich love that God has for humans. Within this vast theological territory, the objective is to contend for a unified paradigm regarding fundamental issues pertaining to the God of love who deigns to share His life of love with any human willing to receive it. Realizing this objective includes clarifying and defending theological accounts of the following: • how the doctrine of divine love should be constructed; • what God’s love is; • what role love plays in motivating God’s creation and subsequent governance of humans; • how God’s love for humans factors into His emotional life; • which humans it is that God loves in a saving manner; • what the punitive wrath of God is and how it relates to God’s redemptive love for humans; • and how God might share His intra-trinitarian love with human beings. As the book unfolds, a network of nodal issues are examined related to God’s love as it begins in Him and then overflows into the creation, redemption, and glorification of humanity. The result is an exitus-reditus structure driven by God’s unyielding love.


Open Theology ◽  
2020 ◽  
Vol 6 (1) ◽  
pp. 475-495
Author(s):  
Hartmut von Sass

AbstractThis paper gives a systematic account of Dialectical Theology (DT) and its surprisingly ramified usage of the concept of religion on the backdrop of recent debates about the “return of religion.” First, the positional context between Schleiermacher and Barth is sketched. Second, the highly divergent positions of Bultmann, Barth, Brunner as well as Gogarten and Tillich are presented – always in regard to their sometimes programmatic, sometimes rather hidden references to “religion” between its facticity and normativity. Third and by way of conclusion, it is suggested to restrict “religion” as a concept to non-theological disciplines, i.e., to treat “religion” as a strictly empirical and sociological term, whereas theology is concerned with faith that belongs to a very different game than religion, as DT helps to clarify.


2016 ◽  
Vol 43 (1) ◽  
pp. 96-120
Author(s):  
Jan-Jasper Persijn

Alain Badiou’s elaboration of a subject faithful to an event is commonly known today in the academic world and beyond. However, his first systematic account of the subject ( Théorie du Sujet) was already published in 1982 and did not mention the ‘event’ at all. Therefore, this article aims at tracing back both the structural and the historical conditions that directed Badiou’s elaboration of the subject in the early work up until the publication of L’Être et l’Événément in 1988. On the one hand, it investigates to what extent the (early) Badiouan subject can be considered an exceptional product of the formalist project of the Cahiers pour l’Analyse as instigated by psychoanalytical discourse (Lacan) and a certain Marxist discourse (Althusser) insofar as both were centered upon a theory of the subject. On the other hand, this article examines the radical political implications of this subject insofar as Badiou has directed his philosophical aims towards the political field as a direct consequence of the events of May ’68.


1994 ◽  
Vol 28 (3) ◽  
pp. 423-432 ◽  
Author(s):  
Alan J. Rice

The publication of Toni Morrison's new novel Jazz with its insistent jazzy themes and rhythms will have concentrated the minds of critics on the relationship of her work to America's most important indigenous artistic form, jazz music. However, in their headlong rush to foreground the impact of jazz on Toni Morrison's latest novel critics should be wary of isolating this novel as her only jazz-influenced work. All of her novels have been informed by the rhythms and cadences of a black musical tradition and in this article I want to stress the centrality of jazz music stylistically to her whole corpus of work. Morrison herself has acknowledged the centrality of a musical aesthetic to her work in interview after interview long before the publication of Jazz:…a novel written a certain way can do precisely what spirituals used to do. It can do exactly what blues or jazz or gossip or stories or myths or folklore did – that stuff which was a common wellspring of ideas…Morrison is writing out of an oral tradition which foregrounds musical performances as well as other oral forms. Some critics have acknowledged the importance of jazz to her work, notably Anthony J. Berret in his article “Toni Morrison's Literary Jazz”. But, despite some provocative and illuminating comments, his is not a systematic account of the use of a jazz mode in Morrison's fiction and I wish in this paper to attempt a more rigorous analysis of her early novels, outlining her willed use of a jazz aesthetic as a pivotal structural device.


1995 ◽  
Vol 26 (2) ◽  
pp. 159-166 ◽  
Author(s):  
Nils Møller Andersen

AbstractThis essay is essentially a review of the monographic work by the German zoologist Martin Mahner : 'Systema Cryptoceratum Phylogeneticum (Insecta, Heteroptera)' (Zoologica, Heft 143, Stuttgart 1993). The monograph is the most comprehensive systematic account of the aquatic bugs to date and the first major work on this group where the principles of phylogenetic (cladistic) systematics are consistently applied. Mahner follows the principles of the 'konsequentphylogenetische oder cladistischen Systematik', being Willi Hennig's phylogenetic systematics as interpreted and modified by Peter Ax. The methodological procedures recommended by this school of systematics is controversial, however, and call for a broader discussion of current trends in systematics as exemplified by the phylogeny and classification of the aquatic bugs.


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