Racial Trauma and Police Brutality

2021 ◽  
pp. 104-109
Author(s):  
Connesia Handford ◽  
Ariel D. Marrero
2021 ◽  
pp. 002216782110086
Author(s):  
Dennis Leroy Kangalee ◽  
Eric Greene ◽  
Nisha Gupta

In this edited interview, psychologists Eric Greene and Nisha Gupta interview filmmaker Dennis Leroy Kangalee about his film As an Act of Protest (2002), which is about a young African American actor named Cairo Medina who goes through a station-of-the-cross journey to find the meaning of his life and eradicate the racism and police brutality that continue to plague the world. In this conversation, Dennis shares the genesis of the film as a response to the police brutality occurring in New York in the late 1990s, the psychological struggles he experienced while making this film and enduring backlash to it, and his desire to convey raw emotional truths about the ugliness of racism and racial trauma through a style of radically honest filmmaking that can foster catharsis, reflection, and transformation.


Author(s):  
Corrina Laughlin

This paper focuses on the Black Christian response to the 2020 uprisings against police brutality in the United States. Through a critical discourse analysis of three podcasts and interviews with podcasters, this paper argues that the Black, Christian podcast circuit is a counterpublic (Squires, 2002) that seeks to change Christian culture in America. I argue that it is the affordances of the medium of podcasting that make this counterpublic possible and that make it a potent force for changing the Christian conversation about race. These podcasters offer a portrait of a divided Christian church in need of repair and they make the case that repair is only possible through decolonizing the Christian faith, repenting and offering reparations for the racial trauma caused by white Christians, sparking Christians’ activist inclinations in favor of racial justice causes, and interrogating and correcting sexism within both the Black church and white evangelical culture.


2020 ◽  
Vol 4 (1) ◽  
Author(s):  
Caren Holmes

Afrofuturist writing is a vehicle through which authors reverse, disrupt, confront, disappear or amplify contemporary manifestations of state violence. This article investigates two Afrofuturist short stories written by American diasporic authors and explores how they imagine possibilities for responding to violence produced at the hands of the state. Using conceptions of Necropolitics, racial trauma, rage, and colonial pathologization, the article considers ‘alien’ and ‘beyond human’ responses to police brutality, criminalization, destitution and incarceration in the United States. Afrofuturist writing ultimately does not conceive of an end to the ‘carceral continuity’ of the United States but envisages futuristic resilience to and mutating strategies of resistance.


2021 ◽  
Vol 6 ◽  
pp. 190-204
Author(s):  
Małgorzata Mączko

In the years following the emergence of the Black Lives Matter movement, American cinema was looking for a way to appropriately address the issue of police brutality against people of color. Filmmakers, often inspired by real-life events, began developing stories focused on the trauma of witnessing lethal police violence. Three films released in 2018 – Blindspotting (dir. Carlos López Estrada), Monsters and Men (dir. Reinaldo Marcus Green) and The Hate U Give (dir. George Tillman Jr.)– emphasize how the aftermath of such experiences affects young people of color and their communities. This article aims to explore the role of witness testimony in trauma-centered narratives and examine how the contemporary American cinema visualizes racial trauma. To achieve that, the films will be analyzed within the context of trauma studies, including theories regarding both individual and cultural trauma. Moreover, studies focused on the socialization of Black children will help demonstrate the transgenerational impact of trauma. All three films share common motifs: they represent the psychosomatic aspects of trauma through similar cinematic techniques and see value in witness testimony, even if it requires personal sacrifices from the protagonists. They also portray parents’ worry about their children’s future within a prejudiced system and the struggle to prepare them for it. All these issues have been previously addressed in the public and academic discourse and are now being reflected in cinema. Film proves to be a suitable medium for representing trauma of witnessing police brutality and cinema will most likely remain a vital part of the debate about dismantling racist systems for years to come.


2019 ◽  
Vol 74 (1) ◽  
pp. 49-62 ◽  
Author(s):  
Nayeli Y. Chavez-Dueñas ◽  
Hector Y. Adames ◽  
Jessica G. Perez-Chavez ◽  
Silvia P. Salas

2018 ◽  
Vol 8 (6) ◽  
pp. 735-747 ◽  
Author(s):  
Monnica T. Williams ◽  
Destiny M. B. Printz ◽  
Ryan C. T. DeLapp

Somatechnics ◽  
2011 ◽  
Vol 1 (1) ◽  
pp. 87-123 ◽  
Author(s):  
Sherene H. Razack

Paul Alphonse, a 67 year-old Aboriginal died in hospital while in police custody. A significant contributing factor to his death was that he was stomped on so hard that there was a boot print on his chest and several ribs were broken. His family alleged police brutality. The inquest into the death of Paul Alphonse offers an opportunity to explore the contemporary relationship between Aboriginal people and Canadian society and, significantly, how law operates as a site for managing that relationship. I suggest that we consider the boot print on Alphonse's chest and its significance at the inquest in these two different ways. First, although it cannot be traced to the boot of the arresting officer, we can examine the boot print as an event around which swirls Aboriginal/police relations in Williams Lake, both the specific relation between the arresting officer and Alphonse, and the wider relations between the Aboriginal community and the police. Second, the response to the boot print at the inquest sheds light on how law is a site for obscuring the violence in Aboriginal people's lives. A boot print on the chest of an Aboriginal man, a clear sign of violence, comes to mean little because Aboriginal bodies are considered violable – both prone to violence, and bodies that can be violated with impunity. Law, in this instance in the form of an inquest, stages Aboriginal abjection, installing Aboriginal bodies as too damaged to be helped and, simultaneously to harm. In this sense, the Aboriginal body is homo sacer, the body that maybe killed but not murdered. I propose that the construction of the Aboriginal body as inherently violable is required in order for settlers to become owners of the land.


2020 ◽  
Vol 1 (1) ◽  
pp. 69-79
Author(s):  
Matthew B. Platt

This paper examines how black members of Congress (MCs) have recognized police brutality as an issue on the congressional agenda from 1973 to 2016. Using a dataset of every bill introduced by black members of Congress during the period of study, I show that, in general, police brutality has not been an important component of black MCs’ legislative portfolios. Instead, it is an occasional focus of bill sponsorship in response to discrete, highly salient incidents of brutality and murder. These findings are contextualized through a broader discussion of black representation as a tactic for black liberation and the similarities between the history of anti-lynching legislation and the contemporary fight against police brutality.


2020 ◽  
Vol 47 (3) ◽  
pp. 66-84
Author(s):  
Betty Wilson ◽  
Terry A. Wolfer

In the last decade, there have been a shocking number of police killings of unarmed African Americans, and advancements in technology have made these incidents more visible to the general public. The increasing public awareness of police brutality in African American communities creates a critical and urgent need to understand and improve police-community relationships. Congregational social workers (and other social workers who are part of religious congregations) have a potentially significant role in addressing the problem of police brutality. This manuscript explores and describes possible contributions by social workers, with differential consideration for those in predominantly Black or White congregations.


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