The history of the town hall

2019 ◽  
pp. 5-19
Author(s):  
John Stewart
Keyword(s):  
Author(s):  
Roberto Costa Martínez

En 1899 arranca el primer gobierno de Francisco Silvela. Con él, detentando el Ministerio de Gobernación, un prestigioso abogado que había accedido a la política quince años atrás; Eduardo Dato. Tras investigar un asunto de grave corrupción en el consistorio de Madrid como subsecretario de Gobernación, en 1892,  había pasado a formar parte de la disidencia conservadora encabezada por Silvela.Tras la pérdida de las colonias, las drásticas reformas económicas emprendidas en 1899 por el ministro Fernández Villaverde, propiciaron en Cataluña una huelga comercial e industrial conocida como «el tancament de caixes». El origen lo constituía una reforma tributaria, pero la confluencia con las tensiones descentralizadoras convirtieron el asunto en una auténtica crisis política; crisis que pasaría a la memoria por las “pitadas” y altercados callejeros durante la visita del propio Dato a la región durante el mes de mayo de 1900. Nuestro objetivo es ahondar en las circunstancias que rodearon dicha visita acudiendo a prensa de época así como a documentos de archivos. In 1899 the first Government of Francisco Silvela began. Included in his government, appointed to the Ministry of the Interior, was Eduardo Dato, a prestigious lawyer who had began his political career fifteen years earlier. After investigating a matter of serious corruption in the town hall of Madrid as an Undersecretary of the Government in 1892, he left his government post to became part of the conservative dissension led by Silvela.After the loss of the colonies, the drastic economic reforms undertaken in 1899 by his Government led to a commercial and industrial strike known as “The Closing of the Cashboxes”   in Catalonia. Tax reform was the impetus of the strike, but when combined with the tension of decentralization, the issue evolved into a true political crisis; this crisis would become part of the nationalist history of Catalonia through the "protests" and street riots that occurred during Dato’s visit to the region in the month of May of 1900. Our objective is to delve into the circumstances surrounding the visit going to period press and archival documents.Palabras claveDato; Catalaluña; Durán y Bas; Silvela; descentralización; La Veu de Catalunya


2019 ◽  
Vol 3 (7) ◽  
pp. 134
Author(s):  
Ludmila Machado Pereira de Oliveira Torres

O presente artigo é parte dos estudos realizados no campo da História da Educação no período colonial e tem como tema a aprendizagem de ofício mecânico por homens livres e cativos no século XVIII e início do XIX na Vila Real do Sabará, Capitania de Minas Gerais. Atualmente, as pesquisas em História da Educação no período colonial têm diversificado os seus objetos, não restringindo mais ao ambiente escolar, assim, buscando novos objetos de estudo como o ensino das artes e ofícios mecânicos. As fontes consultadas foram ampliadas devido às dificuldades encontradas, principalmente pela inexistência de corporações de ofícios e de se pautar em algo ligado ao costume e a oralidade. Ampliando o escopo documental para além do fundo da câmara da Vila de Sabará, descobrimos em testamentos, libelos, justificações como se dava aprendizagem de ofício por livres e escravos. O auto de contas de tutoria presentes nos inventários post-mortem é a principal fonte utilizada na pesquisa, que permitiu levantarmos aprendizes, sabermos suas idades, qualidades, condições e ofícios escolhidos, como também, suas obrigações para com seus Mestres. Como veremos, a prática de ensinar um ofício para órfãos e escravos era consoante com a preocupação das autoridades régias de combater e controlar a vadiagem dos negros, mestiços e forros.* * *This article is part of studies conducted in the field of the History of Education with theme the learning of a mechanical craft by free and slaves men in the XVIII and early XIX centuries in Vila Real do Sabará, Minas Gerais. Currently, researches in History of Education in the colonial period have diversified their objects, not restricting more to the school, thus seeking new objects of study such as the teaching of the arts and mechanical crafts. The documents consulted were amplified due to the difficulties encountered, mainly due to the inexistence of guilds. Expanding the documentary scope beyond the documentation of the town hall of Sabará, we discovered in testaments, libels and justifications about the learning by free and slaves. The tutors accounts in the inventories is the main source used in the research, which allowed us to raise apprentices, to know their ages, qualities, conditions and chosen crafts, as well as their obligations with Master. As we shall see, the practice of teaching a trade for orphans and slaves was consonant with the concern of the royal authorities to combat and control the vagrancy of blacks, mestizos, and freedmen.


space&FORM ◽  
2021 ◽  
Vol 2021 (47) ◽  
pp. 227-238
Author(s):  
Adriana Sowała ◽  

The Old Town in Sieradz is one of the oldest and best-preserved medieval urban complexes in Poland. In its center there is the Old Market Square, which was marked out at the intersection of important trade routes in the 13th century. Unfortunately, to this day, the center-market buildings, including the town hall, have not been preserved. Moreover, no photo or drawing showing the appearance of the Sieradz seat of municipal authorities has survived. In connection with the above, the article attempts to present the history of the repeatedly rebuilt town hall in Sieradz from different periods, as well as plans for its reconstruction. For this purpose, the available archival materials, the results of archaeological research and the literature on the subject were used, the analysis of which allowed to draw conclusions about the history of the town hall in Sieradz.


1999 ◽  
Vol 113 (4) ◽  
pp. 187-196
Author(s):  
Jan De Hond

AbstractIn 1910 the print room at Dresden acquired an unsigned portrait drawing of the clergyman Johannes Junius (c.1587-1635). The drawing has been successively attributed to Hendrick Goltzius and Jacob Matham and is currently regarded as the work of Matthias van den Bergh (1617-1665). In this article it is proposed to attribute the drawing to Pieter Saenredam (1597-1665). Junius' portrait was drafted in black chalk. At a later stage this chalk drawing was worked up in pen and brown ink. The ink version differs from the chalk drawing in a few important details. The figure is placed in an oval with a rectangular surround. Everything outside that surround is treated sketchily or left as it was. This suggests that the drawing was a preliminary study for an engraving. A caption at the top identifies the sitter as Johannes Junius at the age of 45 in 1632. To the left of the head the date is more specific: 'Anno 1632 den 5 Julij'. Jan Pietersz de Jonge (Johannes Petri Junius) was born in Assendelft c. 1587 and returned to his native village as a minister of the church in 1618. In 1630 he moved to Bois-le-Duc, which had been conquered by Frederik Hendrik a year previously and was now in sore need of clergymen. Junius worked in's-Hertogenbosch until his death in 1635. Assendelft was also the birthplace of Pieter Saenredam, a second cousin of Junius. In the summer of 1632 Saenredam spent a month in Bois-le-Duc. Twelve of the drawings he executed there have been preserved. They are views of the town and architectural studies of the town hall, St. John's Cathedral and St. Peter's Church. The first drawing dates from June 29), the last from July 23. The portrait of Junius dated July 5 1632 thus fits exactly into Saenredam's Bois-le-Duc period. It was drawn a mere five days earlier than Sacnredam's first drawing of St. Peter's, the church where Junius was a minister. The handwriting on Junius' portrait bears a close resemblance to the handwriting on other drawings by Saenredam. The same applies to the way the date is written. Unfortunately there is virtually no material for stylistic comparison. Portraits are rare in Saenredam's oeuvre. The only extant portrait acknowledged as his work is a chalk drawing of Jan Jansz. van Ermelo of 1636. There arc however a few engravings after Saenredam which are closely related to the portrait of Junius. In 1629 Jan van de Velde made four engravings of Counter-Reformational ministers and in 1632 a portrait of the historian Antonius Bor, all after designs by Saenredam. The poses of the sitters and the oval framework correspond to Junius' portrait. The ministers have a common background too, for they were all orthodox Calvinists. The portrait of Junius may have been a design for a print. Direct evidence of this is found not only in the composition of the drawing with its distinctive oval and the rectangular surround, but also in lines quoted from a poem by Wilhelmus Suerendonck in Jan van Oudenhoven's history of Bois-le-Duc of 1649 - lines eminently appropriate to an engraving of Junius. No such engraving has surfaced as yet, however.


Urban History ◽  
2012 ◽  
Vol 39 (2) ◽  
pp. 203-224 ◽  
Author(s):  
CHRISTIAN D. LIDDY

ABSTRACT:This article uses the evidence of the internal decoration and spatial hierarchy of an English town hall to explore the construction of urban oligarchy in the late fifteenth and early sixteenth centuries. Urban historians have regarded this period as one of fundamental importance in the political history of pre-modern English towns. It is associated with the emergence of the ‘close corporation’, an oligarchic form of government which remained largely in place until the Municipal Corporations Act of 1835. The article examines the iconography and historical context of a tapestry, custom-made for the town hall of Coventry around 1500, to present a different view of the character of urban political culture at the end of the Middle Ages.


Author(s):  
Ivars Orehovs

In a literary heritage with a developed tradition of genres, works whose main purpose is to attract the attention of readers to a selected geographical location, are of particular culture-historical and culture-geographical interest. The most widespread in this respect is travel literature, which is usually written by travellers and consist of impressions portrayed in prose after visits to foreign lands. Another type of literary depiction with an expressed poetic orientation, but a similar goal, is characteristic of dedicatory poetry. The author’s position is usually saturated with emotional expressiveness as well as the artistry of symbols, encouraging the reader or listener to feel the formation of a spontaneous attitude. It is possible to gain confidence in the engagement of the author of the poetry as an individual in the depicted cultural-geographical environment, which can be conceptually expressed by words or pairs of words ‘resident’, ‘native place’, ‘patriot’. With regard to the devotional depictions on the Latvian urban environment, one of the earliest examples known in the history of literature is the dedicatory poem in German by Christian Bornmann to the town Jelgava with its ancient name (Mitau, 1686/1802). The name of Liepāja town in this tradition of the genre has become an embodiment later – in the poetry selection in German, also using the ancient name of the town (Libausche Dichtungen, 1853), but in terms of contemporary literary practice with Imants Kalniņš’ music, there is a convincing dominance of songs with words of poetry. The aim of the article is, looking at the poetry devoted to Liepāja in the 19th century and at the turn of the 20th/21st century in the comparative aspect, to present textually thematic peculiarities as well as to provide the analytical interpretative summary of those.


NASPA Journal ◽  
2002 ◽  
Vol 40 (1) ◽  
Author(s):  
Celina Valentina Echols ◽  
Young Suk Hwang ◽  
Connie Nobles

This paper uses students’ responses from the dialogues of a town hall meeting to examine the beliefs, attitudes, and knowledge about racial and cultural diversity at a mid-size, predominantly white university in Louisiana. The four major themes that emerged from this experience were: (1) perceptions about race, (2) stereotypical beliefs about cross-cultural interactions, (3) uncomfortable campus climate, and (4) disequilibria associated with prejudicial teaching by parents. Implications and recommendations for increasing positive cross-cultural interactions among members of the campus community are discussed.


Author(s):  
W. B. Patterson

In 1634 Fuller became the minister of the parish at Broadwindsor, in Dorset. This provided him the opportunity to know John White, the minister in nearby Dorchester. White, the spiritual and moral leader of the town became a pastoral model for Fuller. In this setting, Fuller wrote The Historie of the Holy Warre, the first English history of the Crusades. His use of medieval sources was extensive, and his analysis of the motives and tactics of western leaders is shrewd and persuasive. Elected to the clerical Convocation that met in 1640, during sessions of the first Parliament to be called in eleven years, Fuller dissented from the leadership of Archbishop William Laud, who sought to impose more stringent rules or canons on the Church of England. This Convocation, continuing to meet after Parliament was dissolved, passed canons whose legality was contested. War with the Scots ensued over religious issues, forcing the king to call what came to be known as the Long Parliament.


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