Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990

2020 ◽  
Author(s):  
Claudia Hopkins ◽  
Iain Boyd Whyte
Keyword(s):  
Cold War ◽  
American Art ◽  
Eastern European

Black-and-White Sensations of History and Female Identity in Contemporary Polish and Czech Cinema

2020 ◽  
pp. 45-64
Author(s):  
Judit Pieldner
Keyword(s):  
Cold War ◽  
Digital Age ◽  
Female Identity ◽  
European History ◽  
Eastern European ◽  
Image Rendering ◽  
Black And White ◽  
The Aesthetic

This chapter addresses the aesthetic of black-and-white filmmaking in the digital age, with special attention to the ways in which the black-and-white image manifests its perceptual otherness in between the analogue and the digital, the natural and the artificial, the cinematic and the photographic. Through examples taken from contemporary Polish and Czech cinema, including Hi, Tereska! (Cześć, Tereska, Robert Gliński, 2001), The Reverse (Rewers, Borys Lankosz, 2009), Ida (Paweł Pawlikowski, 2013), Papusza (Joanna Kos-Krauze and Krzysztof Krauze, 2013), Cold War (Zimna wojna, Paweł Pawlikowski, 2018) and I, Olga Hepnarová (Já, Olga Hepnarová, Tomáš Weinreb and Petr Kazda, 2016), it discusses the uses and functions of the black-and-white image rendering female identity caught in the grip of Eastern European history. The black-and-white image is often associated with high artistry and the photographic quality of film; accordingly, the emphasis is laid on photographic compositions, static shots, long takes and tableau moments, which confer on the digital monochrome subtle sensations of intermediality.

‘New Warsaw Pacts’, ‘Beggar Imperialism’ and interstate rivalry in Central and Eastern Europe

2016 ◽  
Vol 41 (2) ◽  
pp. 263-290
Author(s):  
Filip Ilkowski
Keyword(s):  
Cold War ◽  
Eastern Europe ◽  
Central And Eastern Europe ◽  
Specific Form ◽  
Eastern European ◽  
Capitalist Development ◽  
Post Cold War ◽  
European Area ◽  
Interstate Rivalry

This article addresses newly emerging interstate rivalry between Central and Eastern European states based on unevenness of capitalist development and growing assertiveness of particular states in terms of their various strategies and tactics. It critically analyses the efficacy of ‘New Warsaw Pacts’ concepts and argues that in the Central and Eastern European area, we observe a specific form of a post–Cold War multi-polarity, whereby interstate rivalry is becoming increasingly more complex. The term of ‘Beggar Imperialism’ is utilized as a possibly useful description of a specific form geopolitical strategy shown by the example of Poland.

The North Caucasus between the Ottoman Empire and the Tsardom of Muscovy: The Beginnings, 1552-1570

2016 ◽  
Vol 20 (1) ◽  
pp. 105-125
Author(s):  
Murat Yaşar
Keyword(s):  
Cold War ◽  
Ottoman Empire ◽  
The Black Sea ◽  
Eastern European ◽  
North Caucasus ◽  
Spheres Of Influence ◽  
The North ◽  
Rising Power ◽  
First Time ◽  
Shed Light

The present paper explores the hitherto unknown beginnings of the Ottoman-Russian imperial rivalry by focusing on the mid-16th-century encounter between the Ottoman Empire and the Tsardom of Muscovy over the North Caucasus, where the ambitions of these two asymmetric powers—the Ottomans being an established “super power” and the Muscovites a rising power—became entangled for the first time. This first encounter, which was the harbinger of many future engagements not only in this region but also in the broader steppe frontier around the Black Sea, was more of a “cold war” rather than a military confrontation, as both the Ottomans and the Muscovites rather preferred to establish spheres of influence and eventually their hegemony over the North Caucasus through their vassals and clients. In addition to demonstrating the Tsardom of Muscovy’s initial claims and policies over the North Caucasus, this study will shed light on the reasons of the Ottoman failure to transform their nominal claims over the region to a de facto hegemony similar to what they had established over Eastern European principalities.

From American Ethnographer to Cold War Icon: Charles Ives through the Eyes of Henry and Sidney Cowell

2006 ◽  
Vol 59 (2) ◽  
pp. 399-457 ◽  
Author(s):  
DAVID C. PAUL
Keyword(s):  
New York ◽  
Cold War ◽  
Performing Arts ◽  
American Art ◽  
Public Library ◽  
Art Music ◽  
Charles Ives ◽  
New York Public Library ◽  
Henry Cowell ◽  
The Cold War

Abstract Scholars have recognized that Henry Cowell was one of the most ardent promoters of Charles Ives, but the fact that Cowell's conception of Ives shifted over time has been overlooked. During the late twenties, Cowell portrayed Ives as a fundamentally social artist with the sensibilities of a musical ethnographer. By the fifties, in the writings Cowell coauthored with his wife Sidney, Ives came to be depicted as a paragon for the liberating power of individualism. Close scrutiny of Cowell's published writings, along with letters and manuscripts from the Henry Cowell Collection of the Music Division at the New York Public Library for the Performing Arts, reveals the factors that influenced this transition. Béla Bartók's theories about folk music authenticity were the impetus behind Cowell's earliest conception of Ives. Cowell maintained that Ives had created a definitively American art music by transcribing the performance idiosyncrasies of American folk musicians. The anxieties of the Cold War and a writing partnership with his wife caused Cowell to stress Ives's commitment to the individualism espoused by transcendentalist philosophers. The Cowells no longer equated Ives's Americanness with his ability to transcribe local practice, but instead with his solitary pursuit of the “Universal Mind.”

scholarly journals Maximalist Autofiction, Surrealism and Late Socialism in Mircea Cărtărescu’s Solenoid

2021 ◽  
Vol 10 ◽  
pp. RLS66-RLS87
Author(s):  
Doris Mironescu ◽  
Andreea Mironescu
Keyword(s):  
Cold War ◽  
Narrative Structure ◽  
The Self ◽  
Eastern European ◽  
The Novel ◽  
Post Cold War ◽  
The World ◽  
Late Socialism ◽  
East West

This article studies the fictionalization of late Eastern-European socialism in contemporary Romania, namely the literary projection of the 1980s in Mircea Cărtărescu’s autofictional novel Solenoid (2015). The novel is an ample, paranoid, metaphysical, and counterfactual autobiography that uses a late-communist backdrop to create a metaphorically skewed representation of the self and the world. In order to describe this narrative structure as an emergent subgenre of the postmodern maximalist novel, we coined the term ‘maximalist autofiction.’ We then discussed Cărtărescu’s option for maximalist autofiction and the effects this literary choice has had on his representation of Romanian late socialism. This option is influenced by the author’s biography, as well as by his own relationship with the memory burden of socialism in today’s post-Cold War world. Cărtărescu uses hyperbole, metaphysical parody, and a maximalist surrealist imagination to propel the discussion of socialism and cultural peripherality beyond the dated parameters of the East/West dichotomies.

scholarly journals NATO in Europe: Between Weak European Allies and Strong Influence of Russian Federation

2017 ◽  
Vol 23 (80) ◽  
pp. 5-32
Author(s):  
Lidija Čehulić Vukadinović ◽  
Monika Begović ◽  
Luka Jušić
Keyword(s):  
Cold War ◽  
International Relations ◽  
Strong Influence ◽  
Islamic State ◽  
Eastern European ◽  
Mutual Trust ◽  
Security Environment ◽  
Balkan Countries ◽  
New Challenges ◽  
The Times

AbstractAfter the collapse of the bipolar international order, NATO has been focused on its desire to eradicate Cold War divisions and to build good relations with Russia. However, the security environment, especially in Europe, is still dramatically changing. The NATO Warsaw Summit was focused especially on NATO’s deteriorated relations with Russia that affect Europe’s security. At the same time, it looked at bolstering deterrence and defence due to many concerns coming from eastern European allies about Russia’s new attitude in international relations. The Allies agreed that a dialogue with Russia rebuilding mutual trust needs to start. In the times when Europe faces major crisis from its southern and south-eastern neighbourhood - Western Balkan countries, Syria, Libya and Iraq - and other threats, such as terrorism, coming from the so-called Islamic State, causing migration crises, it is necessary to calm down relations with Russia. The article brings out the main purpose of NATO in a transformed world, with the accent on Europe, that is constantly developing new security conditions while tackling new challenges and threats.

scholarly journals Changes in Europe and the USSR: An Overview for Southern Agriculture and Agribusiness

1991 ◽  
Vol 23 (1) ◽  
pp. 89-95 ◽  
Author(s):  
J.B. Penn
Keyword(s):  
Cold War ◽  
Soviet Union ◽  
Market Orientation ◽  
European Region ◽  
Eastern European ◽  
Sufficient Time ◽  
Political Pluralism ◽  
The Soviet Union ◽  
The World ◽  
The Cold War

The world was astonished in 1989 by the initial collapse of socialist institutions and subsequently by the pace at which change swept across the Eastern European region. For a time, even the Soviet Union seemed to be moving toward greater political pluralism, market orientation and the effective end of the Cold War. It is now approaching two years since this political convulsion began (in Poland). This is sufficient time to enable the transition programs to take form, and to permit informed speculation about the potential for their success and, ultimately, how the Eastern European and Soviet situations could affect the farming and food sectors of our economy.

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