Digital Ethnography

2021 ◽  
pp. 217-228
Author(s):  
Anna Neumaier
Keyword(s):  
2016 ◽  
Vol 11 (1) ◽  
pp. 91-103
Author(s):  
Carole Cusack ◽  
David Pecotic

The occult and the internet intersect in four ways: as a static medium for information; as a space where contested information or ideological conflict may occur; as a facilitator of communication; and as a medium for esoteric practice. The last type of activity is rare, but it is intriguing, in that technology can shape and inform beliefs and practices in unanticipated ways. Online engagement with the ‘Work’, the movement produced by the Greek Armenian spiritual teacher and esotericist G. I. Gurdjieff (c. 1866-1949) and his immediate followers, is an under-researched instance of online esoteric practice. This article addresses this scholarly desideratum, bringing the theoretical approaches of online religion and digital ethnography to bear on the Gurdjieff Internet Guide (GIG) website, founded by Reijo Oksanen (b. 1942) and later maintained by Kristina Turner, who created an accompanying Facebook page. The GIG manifests a shift away from the sectarian secrecy of the ‘Foundation’ groups, founded by Jeanne de Salzmann (1889-1990) after Gurdjieff’s death to formalise and protect the content of the Work, and the limited web presence that the Foundation permits. The GIG moves towards an ecumenical ‘open source’ approach to the dissemination of Gurdjieff’s teachings rooted in independent groups founded by other first generation followers of Gurdjieff who remained outside of the Foundation. It is argued that the deregulation of the religious and spiritual marketplace of the contemporary West, coupled with the dominant role played by the Internet in disseminating information, has radically transformed the Gurdjieff tradition, collapsing hierarchies and esoteric strategies, democratizing access for seekers, and creating new ritual and teaching modes.


2021 ◽  
pp. 002190962110345
Author(s):  
Theophilus Tinashe Nenjerama ◽  
Shepherd Mpofu

This study examines a new wave of populisms arising in the digital era using Pastor Evan Mawarire’s #ThisFlag movement: What are they, and how do they express themselves? How does the hegemony react to them? Non-mainstream, digitally born movements, especially in dictatorships, are dismissed by the political elite as ill-mannered disruptors whose political interventions are detrimental. To analyse the cleric’s populism and its meaning to the Zimbabwean body politic, we use three specific themes: (a) personality and influence of movement leader(s); (b) populist communication and messaging; and (c) recreating an involved citizenry. We used digital ethnography to gather and analyse data.


2017 ◽  
Vol 42 (5) ◽  
pp. 925-932 ◽  
Author(s):  
Manja Klemenčič ◽  
Martin Žnidaršič ◽  
Anže Vavpetič ◽  
Matej Martinc

2021 ◽  
Vol 102 ◽  
pp. 01006
Author(s):  
Neil Johnson

Research into providing effective online education has suggested an important goal for instructors is the creation of an online community of inquiry (CoI) where social, cognitive, and teacher presence are all important aspects of successful online learning. With reference to a recent reflective practice case study, this paper describes ways that the research on online communities of inquiry may be enriched through the use of digital ethnography. In the target reflective case study, data analysis tasks were designed and presented in an online VoiceThread site, promoting dialogic and multimodal engagement with data from actual research studies that are central to the module theme in teacher education. Interaction around these tasks is coded using the CoI framework. Ethnographic data from the participants was collected and coded using qualitative research protocols to contextualise the interaction data and provide a clearer understanding of how participants had come together throughout the module. The ethnographic data revealed some interesting concerns with online learning, including the use of technology as a barrier to participation.


2020 ◽  
Vol 3 (1) ◽  
pp. 12-25
Author(s):  
Kusnul Fitria ◽  
Yessi Febrianti

The main objective of this research is to reveal the meaning and attitudes of victims of body shaming behavior on social media. Body shaming is the behavior of giving negative comments about a person's physical condition. Instagram is the social media most often used by body-shaming actors to carry out their actions. This research is a digital ethnographic study with primary data collection through digital observation, and in-depth interviews with five informants who were selected purposively. The results of this study, in general, encompass the description of three things which are: a) the awareness and experiences of the victim; b) the attitude of the victim; and c) the two ways interactions between the victim and the followers. The interpretation of the body shamming victims reflects body positivity and self-love form of content on their personal Instagram.


2020 ◽  
Vol 36 (67) ◽  
pp. 076-099
Author(s):  
Penille Kærsmose Bøegh Rasmussen ◽  
Dorte Marie Søndergaard

How is the sexualized digital imagery that young people engage in enacted and spread? How are negotiations of normativity reshaped by analogue-digital involve- ment? This study travels through shady as well as easily accessible parts of the web, combining insights with analogue research approaches in trying to contemplate these questions in new ways. We use digital ethnography, analogue fieldwork, inter- views, and helpline cases to study how young people’s sexualized imagery moves through and transforms across boundless networks, and also across digital and analogue space. Thinking with new materialist analytics, we show how these move- ments blur the distinction between mundane and abusive practices, and how the opaque and indeterminate character of the material functions as a game changer and affects what it means to be young in gendered communities. Although the effects vary among different young people and among different social groups, in all cases they infiltrate conditions for becoming, positioning, and relating.


KWALON ◽  
2017 ◽  
Vol 22 (3) ◽  
Author(s):  
Donya Alinejad

Sarah Pink, Heather Horst, John Postill, Larissa Hjorth, Tania Lewis & Jo Tacchi, Digital ethnography: Principles and practice, Los Angeles: SAGE Publications, 2016, 202 pp., ISBN 978-1-4739-0238-1, € 38,60 (pbk).


Religions ◽  
2021 ◽  
Vol 12 (10) ◽  
pp. 814
Author(s):  
Richard D.G. Irvine

This paper draws on digital ethnography to examine the experience of a Catholic English Benedictine monastery in the context of restrictions on religious gatherings during the global COVID-19 pandemic. As the monks expand their digital presence and social media involvement, it is their experience of social withdrawal and apparent expertise in self-isolation that provides the grounding for their public engagement. While Max Weber depicts the monk as a world-transcending “virtuoso”, in a time of lockdown, this separation from the world provides a point of connection with the experience of wider society.


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