Wrapping and Tying Ancient Egyptian New Kingdom Dresses

Author(s):  
Janet M. Johnstone
Keyword(s):  
Author(s):  
UROŠ MATIĆ

Death and destruction of peoples and lands are the reality of war. Since the Old Kingdom the destruction of enemy landscape is attested in Egyptian written sources and the number of attestations increases in the following periods, culminating in the New Kingdom. This is also the period when the first visual attestations of enemy landscape destruction appear. In this paper I will explore the actors, targets and acts concerning violence against enemy landscapes together with the use of landscape elements as metaphors for the violent treatments of enemies during the New Kingdom. The study shows that there are differences in representations of treatments of Syro-Palestinian and Nubian landscapes, which could be related to the reality of war itself, as monumental enemy fortresses did not exist in Upper Nubia, at least not on the same scale as in Syria-Palestine. This real difference went hand in hand with the ancient Egyptian construction of the Other as unsettled. Thus, urban landscapes of Syria-Palestine are objects of violence in the visual record where they are reduced to unsettled landscapes through destruction and desolation. It is also shown that this reality of war is additionally framed through Egyptian rules of decorum ascribing most of the destructions of landscape to the king and only some to the soldiers.


2005 ◽  
Vol 1695-4750 ◽  
pp. 19-30
Author(s):  
Marcelo Campagno ◽  

The Contendings of Horus and Seth (Papyrus Chester Beatty I) and The Blinding of Truth by Falsehood (Papyrus Chester Beatty II) –which can be numbered among the most significant texts of the ancient Egyptian literature of the New Kingdom– show a recognized set of common characteristics. Two topics concerning the remarkable similarity between these texts are considered here. On the one hand, the plot of both texts can be clearly linked to the main episodes of the myth that unites the gods Osiris, Isis, Seth and Horus, and the gap between these different literary “realizations” of the myth can be related to the différences de degré recognized by Claude Levi-Strauss in his analysis of the relations between myth (mythe) and tale (conte). On the other hand, a specific feature of the content of both texts is taken into consideration: the quest of judicial solutions for the conflicts in which the main characters engage. In this sense, it is suggested that two different kinds of judicial procedures are present in both The Contendings and Truth and Falsehood, which can be related to the importance of kinship and state “logics” in the internal organization of these texts as well as in the structure of Ancient Egyptian society


Author(s):  
Valentina Gasperini

At the end of the 19th century W.M.F. Petrie excavated a series of assemblages at the New Kingdom Fayum site of Gurob. These deposits, known in the Egyptological literature as 'Burnt Groups', were composed by several and varied materials (mainly Egyptian and imported pottery, faience, stone and wood vessels, jewellery), all deliberately burnt and buried in the harem palace area of the settlement. Since their discovery these deposits have been considered peculiar and unparalleled. Many scholars were challenged by them and different theories were formulated to explain these enigmatic 'Burnt Groups'. The materials excavated from these assemblages are now curated at several Museum collections across England: Ashmolean Museum, British Museum, Manchester Museum, and Petrie Museum. For the first time since their discovery, this book presents these materials all together. Gasperini has studied and visually analysed all the items. This research sheds new light on the chronology of deposition of these assemblages, additionally a new interpretation of their nature, primary deposition, and function is presented in the conclusive chapter. The current study also gives new information on the abandonment of the Gurob settlement and adds new social perspective on a crucial phase of the ancient Egyptian history: the transition between the late New Kingdom and the early Third Intermediate Period. Beside the traditional archaeological sources, literary evidence ('The Great Tomb Robberies Papyri') is taken into account to formulate a new theory on the deposition of these assemblages.


Author(s):  
Annette Imhausen

This chapter proposes the following scenario: mathematics not only played a huge role within the education and work life of a scribe, but it also held an important role within ancient Egyptian culture in general. This role developed from the beginnings of the Egyptian state and the first uses of the number system (e.g., when the display of large numbers was used to express a certain power) and was by no means confined to the realm of the living. The discussions cover mathematics and wisdom literature, mathematics in the Duties of the Vizier, mathematics and death, and mathematics in architecture and art.


2021 ◽  
Vol 9 (2) ◽  
pp. 26-35
Author(s):  
Andrei Murashko

The article highlights the problem of interaction of the ancient Egypt laughter culture with the category of sacred. A person is confronted with the fact that the examples in question can often be phenomena of a different order, and the use of terms such as “carnival” or even “religion”, “temple” or “priest” in relation to ancient Egypt requires an additional explanation. We find “funny” images on the walls of tombs and in the temples, where the Egyptians practiced their cult. In the Ramesside period (1292-1069 BC) a huge layer of the culture of laughter penetrated a written tradition in a way that Mikhail Bakhtin called the carnivalization of literature. Incredible events are described in stories and fairy tales in a burlesque, grotesque form, and great gods are exposed as fools. Applying of the Bakhtinian paradigm to the material of the Middle and New Kingdom allows to reveal the ambivalent character of the Ancient Egyptian laughter: the Egyptians could joke on the divine and remain deeply religious.


2019 ◽  
Vol 3 ◽  
Author(s):  
Willem Paul van Pelt ◽  
Nico Staring

Previous examinations of ancient Egyptian graffiti have focused on textual graffiti and developed interpretations specific to this class of evidence. In contrast, relatively few studies have considered the communicative power and meaning of figural graffiti, presumably because of the inherent challenges that this data set presents to academic research. To counterbalance the current emphasis on textual graffiti, this contribution examines graffiti making in the New Kingdom necropolis at Saqqara using an integrated approach taking in both textual and figural material. In accordance with the imagistic principle of Egyptian magic, the authors propose that certain types of figural graffiti may be regarded as pictorial prayers in their own right, intended to ensure the permanent presence of the graffitist in the tomb, or to protect and beatify the deceased in the afterlife. Since literacy is not a prerequisite for drawing a picture, the important question is raised of whether the production of figural graffiti expanded throughout the social scale or, like textual graffiti, was restricted to the elite and sub-elite. ملخص البحث الدراسات السابقة التي تم إجراؤها على الكتابة و النقوش الجدارية المصرية القديمة ركّزت إهتمامها على تفسيرات معينة لهذا النوع من الأدلة. في المقابل تناولت بعض الدراسات القوة التعبيرية والمعنى من وراء النقوش التصويرية، على الأرجح بسبب التحديات التي توفرها مجموعة البيانات هذه إلى البحث الأكاديمي. لإمكانية موازنة الجهود الحالية المبذولة في الكتابات و الرسومات الجدارية، تدرس هذه المقالة صناعة الرسومات الجدارية في مقبرة تعود إلى الدولة الحديثة في سقارة بإستخدام نهج متكامل يتناول كل من المواد النصية والتصويرية. وفقاً للمبدأ التصويري للسحر المصري، يقترح المؤلفون وجود بعض أنواع من النقوش الجدارية يمكن إعتبارها على أنها صلوات مصوّرة في حد ذاتها وهي تهدف إلى ضمان التواجد الدائم للنقوش في المقبرة، أو لحماية المتوفى أو منحه السعادة الأبدية في الحياة الآخرة. بما أن معرفة القراءة والكتابة ليست شرطاً أساسياً لرسم صورة ما، فإن السؤال المهم الذي يطرح نفسه الآن هو ما إذا كان إنتاج الرسومات الجدارية يمتد عبر النطاق الإجتماعي أم أنه يقتصر على النبلاء ومن يحيط بهم فقط على غرار النقوش النصية.


Fundamina ◽  
2021 ◽  
Vol 2021 (1) ◽  
pp. 101-142
Author(s):  
Nicolaas J van Blerk

The New Kingdom Papyrus Ashmolean Museum 1945.97 (better known as “Naunakht’s will and related documents”) can assist us in gaining a better understanding of ancient Egyptian testamentary dispositions and its succession law. A problem that must be borne in mind when studying any ancient text, is that one should never impose modern legal concepts on these ancient texts. Nonetheless, these ancient texts may contain building blocks of later legal concepts. In particular, Naunakht’s will may provide valuable information on concepts and elements pertaining to succession law in general. In addition, it may provide further valuable information on testamentary dispositions in particular and may indicate that the building blocks of succession law are much older than Roman law.


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