Milton C. Cummings and Richard S. Katz (eds), The patron state: government and the arts in Europe, North America, and Japan

2014 ◽  
pp. 27-30
2018 ◽  
Vol 17 (1) ◽  
pp. 87-102
Author(s):  
Mohd Asri Che Ibrahim ◽  
Shukeri Mohamad

This study was conducted to determine the actual position of political syar'iyyah from the perspective of Islam and its practices in the context of the state of Kelantan, especially in the field of art and entertainment. The study also followed up with the state government and police of the arts, as well as reforms carried out from 1990 to 2015. The focus of this research focuses on the application of the basic arts and entertainment through the enforcement of the Control of Entertainment and Places of Entertainment 1998, Cultural Performance Guidelines (entertainment) Act 1998 and Control of Entertainment Enactment 2003, which became the main purpose of the exercise of political syar'iyyah. Analysis carried out on the action and reform the state government to the arts by syar'iyyah political perspective. The study employs a library and analysis of official documents such as circulars, news, enactment and guidelines issued by the state government. The study found that ijtihad and reforms undertaken during the period managed to bring about change and give the benefit to the community in Kelantan. It is hoped that this study can contribute to the enrichment of the cultural heritage of the Malay Muslims in accordance with the tenets and formation syar'iyyah political capital of the arts and entertainment that coincide with Islamic law. We hope this study will help art researchers in the future. Keywords: Siasah syar'iyyah, Arts, Policy, Kelantan, Entertainment     Artikel ini bertujuan membincangkan konsep siasah syar‘iyyah, sejarah perkembangan kesenian, polisi kerajaan Kelantan terhadap siasah syar‘iyyah dan pelaksanaannya di negeri Kelantan. Secara khusus, fokus kajian ini dilakukan bermula semasa pemerintahan TGNA pada tahun 1990 sehingga sekarang. Kajian berbentuk analisis dokumen ini bersandar kepada pemerhatian terhadap dokumen rasmi kerajaan seperti surat pekeliling, warta, enakmen dan garis panduan yang dikeluarkan oleh kerajaan Kelantan. Selain itu, data-data kajian juga turut disokong oleh pelbagai literatur lain seperti buku-buku ilmiah serta    wacana-wacana ilmiah yang berkaitan.  Hasil kajian mendapati tindakan dan pembaharuan yang dilakukan oleh kerajaan Kelantan dalam bidang siasah syar’iyyah adalah berdasarkan al-Quran dan al-Sunnah serta ijtihad. Terdapat beberapa pembaharuan yang dianggap sebagai pra syarat untuk mengadakan sesuatu persembahan kesenian serta beberapa contoh perubahan dalam kesenian yang dipersembahkan di Kelantan selepas tahun 1990 hingga sekarang telah menunjukkan perubahan yang sangat ketara. Pelaksanaan dasar kesenian dan hiburan ini berjaya memberi kemaslahatan kepada rakyat, dan dalam masa yang sama ia juga berjaya mempertahankan beberapa nilai kesenian lama yang tidak bertentangan dengan Islam. Selain itu terdapat juga beberapa persembahan kesenian yang diberi roh Islam dari sudut pelaksanaannya untuk menjadi santapan hiburan terhadap masyarakat. Kajian ini menyumbang kepada pengkaryaan khazanah seni dan hiburan Islam, menjadi model terhadap pelaksanaan hiburan dan selain itu ia dapat membantu para pengkaji seni untuk menambahkan ilmu dalam bidang kesenian Islam.   Kata kunci: kesenian, hiburan, enakmen, ijtihad dan maslahah


Drawing together a number of established as well as emerging scholars, Heritage at the Interface explores the heterogeneous and complex world of contemporary heritage. Using a series of case studies in addition to more theoretically engaged analyses, this international collection offers a number of specific examples drawn from Europe, North America, and Australia, while an afterword by John Tunbridge offers some insightful recommendations for further study. The text will be of interest to a wide range of readers, both specialist and non-specialist, and will be of particular use to practitioners and academics working in the museum sector as well as in the arts and humanities more generally.


Author(s):  
Elizabeth A Clendinning

The chapter examines the cultural sustainability of American academic gamelan specifically and academic world music ensembles more generally. Gamelan ensembles in North America exist in different cultural contexts than do those in Indonesia; in particular, American gamelans lack the societal reinforcement of the arts derived from Balinese Hindu ceremonies and the tourist industry. Within the American gamelan artistic ecosystem, there are many reasons why ensembles may fail or fade away, including lack of interested students or available teachers (selection), competition for space and resources, performative and pedagogical adaptations necessary for thriving in a new environment, and reciprocity or exchange between the ensemble and its community. Building sustainable gamelan ensembles—and indeed, sustainable non-Western academic ensembles—requires embracing collaborative models of musicianship, teaching, and scholarship that move gamelan from a marginalized position in curricula to sharing equal footing with other types of music in educational settings.


2019 ◽  
Vol 3 (1) ◽  
pp. 14-31
Author(s):  
Ziang Xiu Li ◽  
Cheng Yu Huan

We explored the two cultures in the two countries. There has been discussed on Chinese culture and North American culture. Chinese language, ceramics, architecture, music, dance, literature, martial arts, cuisine, visual arts, philosophy, business etiquette, religion, politics, and history have global influence, while its traditions and festivals are also celebrated, instilled, and practiced by people around the world. The culture of North America refers to the arts and other manifestations of human activities and achievements from the continent of North America. The American way of life or simply the American way is the unique lifestyle of the people of the United States of America. It refers to a nationalist ethos that adheres to the principle of life, liberty and the pursuit of happiness.


2018 ◽  
Vol 19 ◽  
pp. 1-16
Author(s):  
Pg Ismail Pg Musa ◽  
Siti Zubaidan Ismail ◽  
Narizan Abdul Rahman

This study was conducted to determine the actual position of political syar'iyyah from the perspective of Islam and its practices in the context of the state of Kelantan, especially in the field of art and entertainment. The study also followed up with the state government and police of the arts, as well as reforms carried out from 1990 to 2015. The focus of this research focuses on the application of the basic arts and entertainment through the enforcement of the Control of Entertainment and Places of Entertainment 1998, Cultural Performance Guidelines (entertainment) Act 1998 and Control of Entertainment Enactment 2003, which became the main purpose of the exercise of political syar'iyyah. Analysis carried out on the action and reform the state government to the arts by syar'iyyah political perspective. The study employs a library and analysis of official documents such as circulars, news, enactment and guidelines issued by the state government. The study found that ijtihad and reforms undertaken during the period managed to bring about change and give the benefit to the community in Kelantan. It is hoped that this study can contribute to the enrichment of the cultural heritage of the Malay Muslims in accordance with the tenets and formation syar'iyyah political capital of the arts and entertainment that coincide with Islamic law. We hope this study will help art researchers in the future.   Sogit adalah satu bentuk pampasan yang diperuntukan dalam Kaedah Mahkamah Anak Negeri (Undang-Undang Adat Anak Negeri Sabah) 1995 sekiranya berlaku pelanggaran adat. Salah satu sogit ialah sogit “kapanasan kampung”. Berdasarkan amalan adat masyarakat anak negeri Sabah, sogit kepanasan kampung adalah satu amalan dan kepercayaan masyarakat pagan anak negeri Sabah bagi menggelakkan semangat yang menjaga mereka murka kerana pelanggaran adat yang dilakukan di kampung mereka. Mengambil kira orang Islam juga menjadi subjek di Mahkamah Anak Negeri, Objektif artikel ini adalah untuk mengkaji sejauhmanakah orang Islam dikenakan sogit kepanasan kampung di Mahkamah Anak Negeri dan apakah hukum sogit kepanasan kampung tersebut mengikut hukum syarak. Objektif ini akan dijawab melalui kaedah temubual terhadap Mufti Negeri Sabah dan Ketua-Ketua Daerah serta penelitian fail kes di Mahkamah Anak Negeri. Daripada 26 kes yang dikaji, terdapat 14 kes melibatkan orang Islam. Berdasarkan pandangan Mufti Negeri Sabah, sogit kepanasan kampung tersebut tidak boleh dijatuhkan kepada orang Islam kerana ia ada melibatkan isu akidah. Memandangkan sogit kepanasan kampung tidak bertepatan dengan hukum syarak, maka ianya juga tidak memenuhi matlamat syariah atau    yang pertama iaitu menjaga agama atau ad-din. Oleh kerana itu, sogit kepanasan kampung ini bukanlah satu adat atau urf yang terangkum dalam kaedah fikah “al-addah al-muhakkamah”. Sebagai sebuah institusi kehakiman yang di hormati, Mahkamah Anak Negeri perlu mengambil beberapa pendekatan yang lebih bertepatan dengan hukum syarak dalam menjatuhkan sogit kepanasan kampung kepada orang Islam.


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