scholarly journals ‘Unfortunate creatures’: The hazards of syphilis in wet-nursing

2020 ◽  
Vol 26 (2) ◽  
pp. 21-56
Author(s):  
Tomasz Sioda ◽  
Virginia Thorley

While the selection criteria for wet-nurses had little changed across two millennia, other aspects of their occupation were far from homogenous, changing under the diverse infl uences of culture, current threats to the health of wet-nurses and the babies they fed, contemporaneous medical knowledge and healthcare. Fears of the transmission of the prevailing infectious diseases of the times led to medical involvement at all levels, from selection and inspection of applicants for wet-nurse positions to treatment of illnesses that arose in the child. The article discusses the implications of syphilis, the most serious disease transmissible through wet-nursing before the discovery of antibiotics, and the preventive measures and treatment used by the physicians across fi ve centuries, according to the knowledge of the time. The period covered extends into the early-twentieth century.

Author(s):  
Peter Triantafillou ◽  
Naja Vucina

This chapter analyses predominant forms of political rationalities, expert knowledge, and governing technologies employed in the attempt to govern obesity in England. First, we look into some of the historical antecedents to contemporary health promotion by briefly accounting for the preventive measures addressing obesity in the early twentieth century. We then turn to the re-casting of obesity as a question of lifestyle conduct during the 1980s. This is followed by an examination of the mobilisation of the community by the recent British governments and the attempt to apply behavioural knowledge and techniques (nudging) to governing obesity. Finally, we zoom in on the governing of child obesity and the role that the so-called fat camps play in obesity management.


2021 ◽  
pp. 11-41
Author(s):  
Adam Kucharski

The advancement of medical knowledge in Europe and Poland of the Enlightenment did not completely eliminate the recurring epidemics of infectious diseases. The plague, which gave way from Western Europe to reappear on Polish soil several times in the second half of the 18th century. The study is devoted to the problem of presenting epidemics and diseases to the public, or rather to the process of informing the public about them, also about other human diseases, such as typhus or smallpox, but also mental ailments in the so-called written newspapers, edited cyclically for specific recipients. It was a characteristic information medium that existed alongside the titles of the printed press. For this reason, apart from the analysis of the dominant narrative of the handwritten press, reference was also made to reports of its printed counterpart during the great plague epidemic of the early 1770s. The newspaper information concerned mainly the specter of the plague threat from the south-eastern borderlands of the country, mainly the areas of Podolia or Volyn, which, however, triggered preventive measures and quarantine even in Warsaw, but also descriptions of local outbreaks of this deadly disease. The first was also mentioned reports on vaccinations. Epizooties, mainly mass cattle sickness, are discussed separately.


2021 ◽  
Vol 6 (2) ◽  
pp. 105-115
Author(s):  
Yonca DENİZARSLANI

Since the times of Homeric epics, speaking in medias res has been the most suitable form of storytelling, leaving the threshold of narrative ajar in the present, upholding a historical sense. This ancient historical sense of time, inherent in oral traditions revived in early twentieth century literary Modernism as T. S. Eliot stated in his 1919 essay, “Tradition and The Individual Talent:” “… And it is at the same time what makes a writer most acutely conscious of his place in time, of his own contemporaneity.” Be it a messianic revival or primitivism, calling for a coherent context for all, the Modernists were in urge for new narrative techniques overcoming the devastating traumas of the World Wars, representing the shared experiences worldwide. In this respect, early twentieth-century. Modernism provided a literary niche for a new generation of storytellers engaged in the momentous grasp of time coalescing with an epiphany. Thus, regarding the present global crises of humanity against which we need to retreat to our local worlds, a review on literary Modernism would suggest a solution as it had once achieved as an internationalist current by gathering the minds and shared experiences in recovering from the overwhelming forces of modernity. This article aims to review literary Modernism and its correspondence with ancient forms of storytelling and sense of time in Sherwood Anderson’s Winesburg, Ohio stories regarding the shared thematic motifs transcending the cultural and national boundaries in representing the overwhelming traumas of early twentieth century modernity.


2021 ◽  
Vol 30 (2) ◽  
pp. 393-432
Author(s):  
Yeonsik JUNG

White upper middle-class Americans at the turn of the twentieth century were entrenched in a battle with a newly discovered, or invented, mental illness called neurasthenia. This essay examines the ways in which the medical discourse of neurasthenia reflected late nineteenth- and early twentieth-century white Anglo-Saxon men’s belief in, as well as anxiety over, American values bolstered by their idea of cultural, racial, and sexual superiority and consolidated through a conjunction of medicine and politics. The idea of neurasthenia as white American men’s malady functioned as a mark both of whites’ racial superiority to the “new” immigrants and African Americans as well as of women’s intellectual inferiority to the opposite sex of their own race. Imposing a subtle distortion on the etiology and diagnosis of neurasthenia and associating it with specific groups of people, the “American disease” constituted the era’s representative pathological symptoms which addressed Anglo-Saxon American men’s anxieties about overcivilized effeminacy and racial and national decadence which was originated as a response to the racial and sexual heterogeneity. This essay also argues that neurasthenia was an imagined disease which addressed late nineteenth-century American men’s spatial anxiety about the decline of the American pastoral ideal caused by the closure of the frontier. Given that the treatment for neurasthenic men was an escape to the frontier in the West in which they could rejuvenate withered American masculinity, their uneasiness about barbarous, unhygienic, and prolific immigrants and unruly white women, in fact, was tied to their spatial anxiety which symptomatically signifies the crisis of American masculinity. Channeled through the medical knowledge of neurology, it made American men’s racial, sexual, and spatial anxieties function to act out their racist, misogynist, nativist, and imperialist impulses which legitimized exclusionary political techniques toward the racial and sexual others such as the U.S. imperial expansion in the 1890s and 1900s and a eugenic-influenced immigration policy from the 1900s through the1920s. In this sense, the decline of neurasthenia around 1920 should not be attributed solely to the continued efforts to professionalize American medicine accompanied by recent discoveries of chemical factors such as hormones and vitamins and the rise of psychiatry and psychology which offered physicians with a more specific theory of health built on clinical laboratory science. Like its rise, the decision to move away from the neurasthenic diagnosis was rather a cultural phenomenon, which reflected the American ascendancy to global power in the early twentieth century, particularly after the First World War. Sustaining a political order rested on racial and sexual hierarchies both within and outside the American continent, American men felt that they were no longer liable to specific, time-tested anxiety and somatic symptoms of neurasthenia, which was more an ideological and cultural construct than a clinical entity that dramatizes the racial, sexual, and imperial politics of the-turn-of-the-twentieth-century America.


Author(s):  
Alexandra Carter

A dancer, choreographer, educator, and writer, Madge Atkinson worked during the second and third decades of the twentieth century on the development of the dance form known as Natural Movement. Based in Manchester, she was active in the theater, presented her own choreographic work from her studio, established a school, and taught widely. Atkinson was concerned with the systematic development of skill and artistry, based on an extension of the natural functions of the human body. Her work was disseminated nationally and internationally through the teaching of graded syllabi and the craft of choreography. She made a significant contribution to dance in the early twentieth century through her role as a female artist and her privileging of a holistic but skilled approach to movement, from which evolved a new dance language. In accord with the ethos of the times but in her own unique way, she constructed and contested the concept of the "natural" in theater dance.


Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.


2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor

Sign in / Sign up

Export Citation Format

Share Document