scholarly journals The Stylization in the Translations of the New Testament in Vernacular Macedonian from the 19th Century

2021 ◽  
Vol Exaptriate (Varia) ◽  
Author(s):  
Borče Arsov
Keyword(s):  
19Th Century ◽  
New Testament ◽  
The Other ◽  
Important Conclusion ◽  
The Bible ◽  
The New Testament ◽  
Greek Alphabet ◽  
Xixe Siecle ◽  
The 19Th Century ◽  
Xixe Siècle

The Konikovo Gospel (KG), The Kulakia Gospel (KuG) and The Boboščica Gospel (BG) are among the first known translations of the New Testament in Macedonian vernacular dating from the 19th century. They are all written in Greek alphabet. In this article we present the most specific examples demonstrating a stylization tendency towards a wider dialectal base and/or towards a more elevated style. The most important conclusion is that of all the analysed gospels the most stylized text is the oldest among them, the KG (1852), especially its second hand. The stylization steps are less common for the KuG (1860) and even less for the BG (1880). It is possible to say that the texts analyzed in this paper, together with the other translations of the New Testament in Macedonian vernacular from the 18th and the 19th centuries, open, more or less, a clear path towards the formation of one Biblical language, leading to the translations of the Bible in contemporary Macedonian standard language in 1976, 2003 and 2007. L’Évangéliaire de Konikovo (EK), l’Évangéliaire de Kulakia (EKu) et l’Évangéliaire de Boboščica (EB) sont les premières traductions sérieuses duNouveau Testament en langue vernaculaire macédonienne du XIXe siècle. Ils sont tous écrits en alphabet grec. Cet article présente les exemples les plus spécifiques des textes montrant une tendance à la stylisation par élargissement de la base dialectale et/ou par élévation du style. De toutes les traductions des évangiles en langue vernaculaire macédonienne de Macédoine du sud du XIXe siècle ayant été analysées, on peut conclure que le texte le plus stylisé et en même temps le plus ancien est celui de l’EK (1852), et surtout sa deuxième main. Les démarches de stylisation sont moins perceptibles dans le texte de l’EKu (1860) et encore moins perceptibles dans celui de l’EB (1880). On peut dire que les traductions analysées, mais aussi les autres traductions du Nouveau Testament en langue vernaculaire macédonienne de Macédoine du sud des XVIIIe et XIXe siècles ouvrent, plus ou moins, une voie vers la formation d’une langue biblique, voie aboutissant aux traductions de la Bible en macédonien standard contemporain en 1976, 2003 et 2007.

scholarly journals Imaginaire médiatique et dynamique du regard dans l’œuvre proustienne

1969 ◽  
Author(s):  
Thomas Carrier-Lafleur
Keyword(s):  
Social Network ◽  
19Th Century ◽  
Social Life ◽  
Marcel Proust ◽  
The Other ◽  
The Novel ◽  
Lost Time ◽  
Xixe Siecle ◽  
The 19Th Century ◽  
Xixe Siècle

Cet article propose d’analyser deux aspects majeurs, et pourtant méconnus, d’À la recherche du temps perdu : d’une part, celui d’« imaginaire médiatique », d’autre part, celui de « dynamique du regard ». Tous deux sont propres au XIXe siècle français, espace-temps d’inventions majeures pour notre modernité culturelle et artistique. Le texte proustien, un pied dans le XIEe siècle et l’autre dans le XXe, apparaît ainsi comme un catalyseur et comme un passeur. Le « temps retrouvé » de la Recherche, c’est aussi celui d’un XIXe siècle rendu sensible par le roman, médiatisé par l’œuvre. Le déploiement et la floraison de ces deux thématiques (la première questionnant la problématique de la mondanité et l’autre celle de l’imaginaire de l’œil et de la vision) seront relevés de façon générale dans la Recherche, puis on proposera deux études de cas ― sur le journal et sur la photographie ― qui viendront les illustrer.AbstractThis article proposes to analyze two major aspects of the novel À la recherche du temps perdu (In search of lost time/Remembrance of things past), by Marcel Proust: on one hand, what is called “l’imaginaire médiatique”, on the other hand, “la dynamique du regard”. Both are specific to the 19th century in France, time and place of major inventions for our cultural and artistic modernity. The proustian novel, a foot in the 19th century and the other in the 20th, seems thus like a catalyst and a frontier runner. The “time regained” by In search of lost time is also that of the 19th century, precisely mediated by the novel. The deployment of these two sets of themes (the first questioning the problems of “mondanité” — social life, social network, social gossip and so on —, the second those of vision in a civilization of the eye) will be generally identified in the novel, after which two case studies (on newspapers and on photography) will be proposed to illustrate them.

scholarly journals Une cartographie des traductions belges au XIXe siècle : centralisation et périphérisation des langues nationales

2021 ◽  
Vol 68 ◽  
pp. 69-84
Author(s):  
Lieven D’hulst
Keyword(s):  
19Th Century ◽  
The Other ◽  
Crucial Point ◽  
Other Hand ◽  
Multilingual Societies ◽  
Xixe Siecle ◽  
The One ◽  
The 19Th Century ◽  
Administrative Domains ◽  
Xixe Siècle

The metaphors of centre and periphery tend to reduce the complexity of language relations and interlingual exchanges that are featured by multilingual societies. At a crucial point of multilingual Belgium’s evolution, i.e. during the 19th century, exchanges between its two major languages, namely French and Flemish, offer a suitable angle to capture the processes of centralisation and peripherisation of both languages. Translingual practices, including translation, are at the heart of these processes. On the one hand, they sustain continuous attempts to impose and maintain the centrality of official French in the legal and administrative domains; on the other hand, they nurture counterbalancing claims for recognition and officialisation of Flemish as an equal language. This contribution puts focus on three major aspects of interlingual exchange: the design and management of Belgian translation policies, the asymmetric translation flows between French and Flemish vs. Flemish and French, and the emancipatory efforts of Flemish and its modest effects, notably in the literary domain.

scholarly journals Thérèse Raquin d’Émile Zola : la notion de tempérament entre l’héritage antique et l’apport de la physiologie du XIXe siècle

2020 ◽  
Vol 47 (4) ◽  
pp. 91-100
Author(s):  
Anna Kaczmarek-Wiśniewska
Keyword(s):  
19Th Century ◽  
Mutual Influence ◽  
The Novel ◽  
Important Work ◽  
Xixe Siecle ◽  
The 19Th Century ◽  
Xixe Siècle ◽  
Physiological Theory

Therese Raquin, Zola’s first important work, is based on the modern version of the old physiological theory of “temperaments”, e.g. the combination of four cardinal “humours” that determine a man’s physical and mental constitution. Through the story of two murderers, an adulterous woman and her lover who kill the woman’s husband, the author shows the mutual influence of two temperaments considered in the 19th century as more important than all the others: sanguine and melancholic (or nervous). The novel intends to “verify” a theory dealing with the consequences of each type of temperament for people’s behaviour, their relationships and their internal life.

Comment présenter un phonème moribond: L’ancienlmouillé français vu par les hispanophones

2003 ◽  
Vol 30 (1-2) ◽  
pp. 45-98
Author(s):  
Manuel Bruña Cuevas
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Time Difference ◽  
Advanced Stage ◽  
Xixe Siecle ◽  
The 19Th Century ◽  
Xixe Siècle ◽  
Donne Lieu ◽  
Langue Maternelle

SUMMARY During the 19th century the old palatallof French (in, e.g.,travailler,travail,fille) definitively gave way to /j/. During about the same period Spanish underwent a similar evolution, but the process of substitution of /j/ for /ʎ/ found itself in a less advanced stage than in French; indeed, certain varieties of present-day Spanish still maintain these two phonemes. Taking all the works together which during the 19th and the first half of the 20th century were addressed to the teaching of French to speakers of Spanish, the author concentrates his attention on the difficulties that the authors encountered when presenting this dying or already deceased phoneme (namely, the palatallof French) to an audience which, although it still possessed this phoneme in their own language, had begun to find it difficult to distinguish the diverse phonetic realizations that the Spanish /j/ was acquiring. As is shown in this study, the time difference in the evolution of this phenomenon of dephonologization in French and, with some delay, also in Spanish led the authors of these textbooks to misunderstandings and errors in the treatment of the disappearing or vanished former palatallof French.RÉSUMÉ Au XIXe siècle, l’ancienlpalatal du français (travailler,travail,fille) laissait définitivement sa place à /j/. L’espagnol subissait, vers la même époque, une évolution similaire, mais le processus de substitution de /j/ à /ʎ/ se trouvait dans cette langue bien moins avancé qu’en français; de fait, certaines variétés de l’espagnol actuel possèdent encore les deux phonèmes. En prenant comme corpus l’ensemble des ouvrages destinés à l’apprentissage du français par les hispanophones au XIXe siècle et dans la première moitié du XXe siècle, nous centrons fondamentalement notre attention sur les difficultés qu’ont éprouvées leurs auteurs à présenter un phonème moribond ou déjà mort (lpalatal français) à un public qui, quoique le possédant encore dans sa langue maternelle, avait lui aussi de plus en plus de mal à le distinguer des diverses réalisations phoniques qu’adopte le /j/ espagnol. Le décalage temporel entre l’évolution de ce phénomène de déphonologisation en français et en espagnol donne lieu chez nos auteurs à des malentendus et à des erreurs d’appréciation que nous passons en revue dans cet article.ZUSAMMENFASSUNG Im 19. Jahrhundert überläßt der alte Palatalldes Französischen (travailler,travail,fille) definitiv seinen Platz dem Phonem /j/. Im Spanischen erfolgt um die gleiche Zeit eine ähnliche Entwicklung, wobei allerdings der Wandel von /j/ zu /ʎ/ nicht so weit fortgeschritten ist. Daher haben einige Varietäten des Spanischen heute noch beide Varianten des Phonems. Bei einem Corpus, das die Gesamtheit der Französischlehrbücher für Spanier des 19. Jahrunderts umfaßt, konzentrieren wir uns auf die Schwierigkeiten, welche ihre Autoren bei der Präsentation eines untergehenden (bzw. bereits untergegangenen) Phonems für ein Publikum hatten, welches ebenfalls immer größere Schwierigkeiten hatte, die unterschiedlichen Realisierungen des Phonems /j/ in seiner eigenen Sprache getrennt wahrzunehmen. Die Phasenverschiebung bei der Entphonologisierung im Französischen und im Spanischen führt bei den Verfassern zu Mißverständnissen und Irrtümern, welche in dem Beitrag analysiert werden.

The Problem of a New Testament Theology

1973 ◽  
Vol 19 (3) ◽  
pp. 235-245 ◽  
Author(s):  
Ernst Käsemann
Keyword(s):  
Nineteenth Century ◽  
Seventeenth Century ◽  
New Testament ◽  
Biblical Theology ◽  
The Other ◽  
Historical Criticism ◽  
The Bible ◽  
The New Testament ◽  
Long Time ◽  
The Church

In the Protestant tradition the Bible has long been regarded as the sole norm for the Church. It was from this root that, in the seventeenth century, there sprang first of all ‘biblical theology’, from which New Testament theology later branched off at the beginning of the nineteenth century. Radical historical criticism too kept closely to this tradition, and F. C. Baur made such a theology the goal of all his efforts in the study of the New Testament. Since that time the question how the problem thus posed is to be tackled and solved has remained a living issue in Germany. On the other hand, the problem for a long time held no interest for other church traditions, although here too the position has changed within the last two decades. In 1950 Meinertz wrote the first Catholic exposition, while the theme was taken up in France by Bonsirven in 1951, and by Richardson in England in 1958. Popular developments along these lines were to follow.

scholarly journals “EVANGELICAL TEXT” OF THE NOVEL “CRIME AND PUNISHMENT” IN VIETNAMESE TRANSLATION

2020 ◽  
pp. 148-152
Author(s):  
Nguyen Thi Hoan ◽  
Galina G. Yermilova
Keyword(s):  
New Testament ◽  
The Novel ◽  
Russian Orthodoxy ◽  
Fyodor Dostoevsky ◽  
Crime And Punishment ◽  
The Bible ◽  
The New Testament ◽  
The Subject ◽  
The 19Th Century ◽  
First Time

The article for the first time explores the translation of the ‟evangelical text” of Fyodor Dostoevsky’s novel ‟Crime and Punishment” into Vietnamese. The ‟evangelical text” refers to the New Testament quotations, for the first time both in the writer’s work and in the Russian literature of the 19th century as a whole, widely used by Fyodor Dostoevsky. Threeauthoritative translations by Trương Định Cư (1972), Lý Quốc Sinh (1973), Cao Xuân Hạo (1982-1983) are involved. The translation of the Bible into Vietnamese used by translators and involved in the liturgical practice of the Vietnamese Orthodox Church, has been revealed. On the basis of a continuous text sample of the «evangelical text» three translations were compared with the original and reverse translations, followed by an analytical commentary. The subject of the article is a monologue of «drunken» Semyon Marmeladov in the tavern (p. 1, ch. 2), saturated with New Testament quotations, and an evangelical scene about raised Lazarus (p. 4, ch. 4). It is concluded that when translating the «evangelical text» of the novel, the Vietnamese translators experienced serious difficulties due to ignorance of Russian Orthodoxy, which is still perceived in Vietnam to this day as a kind of exotic. Some specific refinements to existing translations are proposed.

scholarly journals Caïn et Abel : de la Bible à la peinture du XIXe siècle

2020 ◽  
Vol 28 (1) ◽  
pp. 491-510
Author(s):  
Christos Nikou
Keyword(s):  
19Th Century ◽  
Cain And Abel ◽  
Xixe Siecle ◽  
Literary Myth ◽  
The 19Th Century ◽  
Xixe Siècle

This article proposes to examine, first of all, the literary myth of Cain, whose different mythemes meet much more in his representation in painting than in his literary rewritings. Apart from this, the article undertakes to study the pictorial choices of the representation of the biblical episode of Cain and Abel in four paintings from four different artistic movements of the 19th century, in order to see how each artistic movement and each painter appropriates and then transposes the episode of the enemy brothers into painting. Cet article se propose d’examiner, dans un premier temps, le mythe littéraire de Caïn dont les différents mythèmes se rencontrent beaucoup plus dans sa représentation en peinture que dans ses réécritures littéraires. Dans un second temps, l’article entreprend d’étudier les choix picturaux de la représentation de l’épisode biblique de Caïn et Abel dans quatre tableaux issus de quatre courants artistiques différents du xixe siècle, afin de voir comment chaque courant artistique et chaque peintre s’approprie et, par la suite, transpose en peinture l’épisode des frères ennemis.

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