scholarly journals Becoming Holistic Teachers and Learners: A Review of Teaching Qualitative Research: Strategies for Engaging Emerging Scholars

Author(s):  
Viviane Klen-Alves

In this review I offer an alternative perspective on the book Teaching Qualitative Research: Strategies for Engaging Emerging Scholars by emphasizing how the authors propose a holistic approach to learning qualitative research. Departing from the point of view of an emerging scholar, this piece was written as I was transitioning from a doctoral program to the professional world, learning with the authors what it is to teach qualitative research methods while being socialized as a scholar in the doing of qualitative research.

Panggung ◽  
2020 ◽  
Vol 30 (1) ◽  
Author(s):  
Vita Alfanikmah ◽  
Zulkarnain Mistortoify

ABSTRACTThis paper aims to find out the form of the tradition of tinilo pa’ita present at the ceremony commemoratingthe 40th day of someone’s death because currently the tradition of tinilo pa’ita is fairly difficult to find inits community. This study uses qualitative research methods using an ethnographic approach by Spradleyto understand a culture from the point of view of their owners of culture. Tinilo pa’ita is a tradition inthe form of chants. Tinilo Pa’ita is present in the tradition of wopato pulu huyi. This song containsan apology for the person who has died, advice to the family left behind to remain patient and sincere,advice to the other peolple who is left to always remember death and always carry out the religious ordersadopted by the community, namely Islam. In its implementation, tinilo pa’ita attended several stagesof the wopato pulu huyi ceremony. The presence of tinilo pa’ita in Gorontalo society can only be foundduring the wopato pulu huyi because, the community believes this song can only be sung when it is sideby side with the tomb that will be delivered to the tomb. Until now the tradition of tinilo pa’ita is stillbeing carried out even though it is only in certain areas.Keywords: Oral Tradition, Tinilo Pa’ita, Funeral ceremonyABSTRAKTulisan ini bertujuan untuk mengetahui bentuk tradisi tinilo pa’ita yang hadir dalam upacaraperingatan hari ke 40 kematian seseorang sebab saat ini tradisi tinilo pa’ita terbilang cukupsulit untuk dijumpai dalam masyarakatnya. Penelitian ini menggunakan metode penelitiankualitatif dengan menggunakan pendekatan etnografi oleh Spradley untuk memahami sebuahkebudayaan dari sudut pandang mereka pemilik kebudayaan. Tinilo pa’ita merupakan sebuahtradisi yang berbentuk lantunan nyanyian. Tinilo Pa’ita hadir dalam tradisi wopato pulu huyi.Nyanyian ini berisi permohonan maaf atas orang yang telah meninggal, nasihat kepada keluargayang ditinggalkan agar tetap sabar dan ikhlas, nasehat kepada handaitaulan yang ditinggalkanuntuk selalu mengingat kematian dan senantiasa menjalankan perintah agama yang dianutoleh masyarakat yakni agama Islam. Dalam pelaksanaanya, tinilo pa’ita hadir dalam beberapatahapan pelaksanaan upacara wopato pulu huyi. Kehadiran tinilo pa’ita dalam masyarakatGorontalo hanya dapat dijumpai saat wopato pulu huyi sebab, masyarakat percaya nyanyianini hanya bisa dilantunkan pada saat berdampingan dengan nisan yang akan diantarkan kemakam. Hingga saat ini tradisi tinilo pa’ita masih terus dilaksanakan meskipun hanya padadaerah-daerah tertentu saja.Kata Kunci: Tradisi Lisan, Tinilo Pa’ita, Upacara Pemakaman


2020 ◽  
Vol 3 (1) ◽  
pp. 74-81
Author(s):  
Indra Aditya Arsyad Suni

Karya sastra yang berjenis drama menjadi mimik untuk jendela kehidupan nyata. Dalam naskah drama Badai Sepanjang Malam karya Max Arifin tergambar bagaimana idealisme yang tinggi mampu dipatahkan oleh pahitnya kehidupan. Mental serta keteguhan hati nurani dipertaruhkan di atas sebuah idealisme. Penulis mengkaji salah satu naskah drama, yaitu naskah drama Badai Sepanjang Malam karya Max Arifin melalui pendekatan prakmatik dari sudut pandang psikologi. Karena dalam naskah drama Badai Sepanjang Malam karya Max Arifin terdapat konflik batin yang sangat rumit. Sumber data penelitian di dapat dari kutipan-kutipan dialog naskah drama Badai Sepanjang Malam karya Max Arifin. Metode yang digunakan penulis memakai metode penelitian deskriptif kualitatif. Dengan hal tersebut penulis berharap dapat memberikan kajian yang objektif.   Literary works that are of the type of drama become the expression for the window of real life. In the drama drama Badai Sepanjang Malam Max Arifin's work illustrates how high idealism can be broken by the bitterness of life. Mental and perseverance are at stake above an idealism. The author examines one of the drama scripts, namely the drama script Badai Sepanjang Malam by Max Arifin through a pragmatic approach from a psychological point of view. Because in the drama script Badai Sepanjang Malam Max Arifin's work contains a very complicated inner conflict. The source of research data can be obtained from dialogues from Max Arifin's drama drama dialogues by Badai Sepanjang Malam. The method used by the author uses descriptive qualitative research methods. With this the authors hope to provide an objective study.


2021 ◽  
Vol 18 (48) ◽  
pp. 185-201
Author(s):  
Olga Panić Kavgić ◽  

The paper deals with assessing the degree of directness, indirectness and politeness transferred in subtitled translations into Serbian of a representative sample of dialogues from the sitcom Friends and five US feature-length films. The aim of the research is to shed light on the link between directness, indirectness and politeness in the original dialogues and their subtitled translations, which represent three closely related concepts in politeness studies. Starting from the more traditional Brown-Levinsonian (1987) views on these phenomena, the paper will try to discuss the problem of politeness in subtitled translation from a more recent, post-modern point of view, which sees politeness only as a marked form of politic, i.e. socially acceptable and appropriate behaviour (Watts et al. 2005). Bearing in mind the differences in dominant cultural expectations and scripts between Serbian and US audiences, as well as the technical constraints of subtitling as one of the two prevalent modes of audiovisual translation, it is expected that the two sets of dialogues – the original ones in US English and their subtitled translations into Serbian – will show considerable differences when it comes to the varying degrees of directness and/ or indirectness they convey in cases of interrogative forms functioning as requests, orders, suggestions or statements. However, it is also expected that these differences will not automatically lead to conspicuous consequences in terms of politeness, since being verbally polite is here viewed as a form of politic behaviour in the specific contexts of both the source and the target cultural matrix. Applying qualitative research methods, the analysis is carried out by means of exemplifying and describing the aforementioned phenomen.


2020 ◽  
Vol 20 (3) ◽  
pp. 751
Author(s):  
Fatonah Nurdin ◽  
Hartati Hartati ◽  
Selfi Mahat Putri

This research would focus on studying of Jambi Malay Culture from the point of view baju kurung as the traditional clothing of Jambi Malay women. By using qualitative research methods with a historical approach, this study aimed to determine the history and meaning of the philosophical values of baju kurung with its development ethically and aesthetically as the traditional clothing of Jambi Malay women. The benefits of this research were expected to become an inventory of Jambi Malay culture in the scientific studies. In the background of the diversity of natural and cultural wealth owned by Jambi province, there were many kinds of values of beauty, philosophy and cultural ethical and aesthetic values, one of them was an aesthetics in clothing which was important part of traditional Jambi Malay women's clothing. Baju kurung as a symbol of Jambi Malay Muslimah women have a philosophical meaning that was closely related to traditional and Islamic customs. The entry of Islam in the land of Malay Jambi influenced the concept of dressing up in Jambi's Malay women. It can be concluded that baju kurung was a reflection of the identity of Muslimah women in Jambi, according to Islamic law, which is described in the seloko of custom Jambi "adat bersendi syara’, syara’ bersendi kitabullah. Syara’ mangato, adat memakai. " The seloko of custom Jambi has become a philosophical value in the art of dressing Jambi Malay women which has the uniqueness of ethical and aesthetic values without reducing the elegance of Jambi Malay women.


2021 ◽  
Vol 17 (1) ◽  
pp. 56-72
Author(s):  
Idris Sulaiman ◽  
Aminudin Basir ◽  
Mohamad Sabri Haron ◽  
Fadlan Mohd Othman

Syeikh al-Albani merupakan ulama kontemporari pertama yang mempopularkan konsep tasfiah dalam dakwah. Menurut beliau, tasfiah merupakan antara metode yang sepatutnya dijadikan sebagai asas beragama oleh seluruh kaum Muslimin bagi mengembalikan mereka kepada ajaran Islam yang sebenar sejajar dengan apa yang dibawakan oleh Nabi SAW. Artikel ini membahaskan konsep tasfiah beliau ini dari sudut sejarahnya dalam Islam, dahulu dan kini. Melalui kaedah kajian kualitatif dan pendekatan analisis dokumen, pengkaji mendapati bahawa konsep tasfiah yang diutarakan oleh Syeikh al-Albani mempunyai sejarahnya yang berakar umbi dalam perkembangan Agama Islam. Kajian ini memberi fokus kepada sejarahnya dalam tiga bidang utama Agama iaitu akidah, hadis dan fikah serta peranan yang dimainkan oleh para ulama dalam ketiga-tiga bidang ini untuk menangani penyimpangan dalam akidah serta fahaman-fahaman sesat, memelihara ketulenan hadis-hadis Nabi SAW dan menjelaskan hukum-hakam serta tatacara ibadah sesuai dengan sunah Nabi SAW. Hasil kajian menunjukkan bahawa konsep tasfiah yang diketengahkan oleh Syeikh al-Albani bukanlah sesuatu yang baharu kerana para ulama sepanjang sejarah Islam telahpun menekankan tentangnya. Impak kajian ini menunjukkan keperluan para ilmuwan menekankan konsep tasfiah dalam dakwah mereka bagi memelihara Agama Islam daripada sebarang penyelewengan. Shaykh al-Albani is the first contemporary scholar to popularise the concept of tasfiah (purification) in da'wah. According to him, tasfiah is one of the methods that should be used as a religious basis by all Muslims in order to bring them back to the true teachings of Islam in line with what was taught by the Prophet Muhammad SAW. This article discusses his concept of tasfiah based upon its historical point of view in Islam, past and present. Through qualitative research methods and document analysis approach, this study shows that the concept of tasfiah is closely related to the history of the development of Islam. This research focuses on its historical development in the three main fields of Islam which is creed, hadith and jurisprudence, and the role played by scholars in dealing with deviations in faith, preserving the authenticity of the hadiths of the Prophet PBUH and explaining the Islamic laws and methods of worship in accordance with the Sunnah of the Prophet Muhammad SAW. The results show that the concept of tasfiah expressed by Shaykh al-Albani is not something new because scholars throughout Islamic history had emphasized on this concept. This study also addresses the necessity of emphasizing the concept of tasfiah in da’wah among Muslim scholars, in the hope that they might fortify Islam from any deviation.


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